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of the theatre was August Burgmüller, who probably had brought
Spitzeder to Regensburg. He arrived in Regensburg on 25 August 1804 and married Therese von Zandt on 13 May 1805.
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where he got into great financial trouble and apparently had no opportunity to perform. From Vienna he addressed two urgent letters of petition to
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in Weimar, in which he offered 160 - in vain - for a return to Weimar. Instead he got an engagement at the theater in
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His daughter was the singer
Adelheid Spitzeder (1793-1873), who married the painter and singer
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and its co-director
Christian Wilhelm Klos, which played in Cologne, Düsseldorf, Bonn and
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in the orchestra of the theater. At the beginning, the ensemble also included
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276:(in German), vol. 35, Leipzig: Duncker & Humblot, pp. 217–220
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148:'s first biographer. From 1786 to 1788 he was engaged by the society of
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Musiktheater in
Regensburg im Zeitalter des Immerwährenden Reichstages
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in 1814 and worked at the Munich
Hoftheater from 1820 to 1846.
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From
November 1796 Spitzeder is traceable at the society of
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289:. Ein Leben zwischen Beethoven – Spohr – Mendelssohn
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160:, which opened on 3 January 1789. The young
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456:19th-century Austrian male opera singers
431:18th-century Austrian male opera singers
208:. In 1804 he was briefly active at the
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358:Kopitz (1998), pp. 307–310
340:Kurzbiographie von Adelheid Spitzeder
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231:In 1808 Spitzeder went to
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140:, Spitzeder was a son of
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426:Austrian stage actors
142:Franz Anton Spitzeder
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162:Ludwig van Beethoven
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314:Christoph Meixner:
281:Klaus Martin Kopitz
210:Theater an der Wien
287:Norbert Burgmüller
324:978-3-89564-114-5
309:978-3-936655-34-6
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41:Please help
36:verification
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214:Franz Kirms
180:as well as
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420:Categories
346:References
218:Regensburg
174:Joseph Lux
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99:June 2021
374:WorldCat
233:Nürnberg
138:Salzburg
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