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175:, he wrote with extreme ease, producing more than 200 plays for several theatres, sometimes alone, sometimes in collaboration. Many of his plays were remarked upon for their witty cheerfulness, and for not excluding sensitivity and everything else that was in vogue in the 19th century. He most often wrote vaudevilles, though he also had success with drama and even high comedy. In 1840, he collaborated with
214:, he later felt it impossible to reconcile his writing and his tastes as an author with the demanding duties of a director and decided to leave the post. However, his last administrative act as director - choosing one of his most witty collaborators, his friend
210:. Although he only held the job for a short time, Bayard signalled his tenure with happier results than many who held it longer. After having begun to rehabilitate public opinion towards this theatre, which had fallen from the first rank of the
386:, Paris, Librairie Arthème Fayard, 2002, p. 625) « Savez-vous ce que c'est qu'un carliste ? interroge un humoriste. Un carliste, c'est un homme qui occupe un poste dont un autre homme a envie ! » (
203:, and was over many years one of the most active commissioners of new work from them. In this role, nearly all works on his life state that he competed with the directors of Paris's theatres.
218:, as his successor - was also a happy one for the theatre. Dumanoir completed Bayard's work, allowing the théâtre des Variétés to regain its forgotten splendours.
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As a law student and a lawyer's clerk, Bayard wrote with passion for the theatre and, after several attempts, had a great success at the
380:« Qu'on nous place / Et que justice se fasse. / Qu'on nous place / Tous en masse. / Que les placés / Soient chassés ! »
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In 1837 his family's fortunes having fallen on hard times, Bayard was forced to accept a job offer as director of the
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Bayard also published articles in several literary journals, and poems and verse dramas in several anthologies.
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on 25 September 1830, showed the solicitors, gathered in the antechamber of a minister:
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Despite his intensive writing schedule, Bayard devoted a large part of his time to the
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Satirising the renewal of political and administrative staff of the
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136:) was a French playwright. He was the nephew of fellow playwright
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La niaise de Saint-Flour By Bayard et G. Lemoine _ HathiTrust
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156:(1828, in-8°). One of the most fertile-minded and skilful
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in one act, by also
Gustave Lemoine, 19 juin 1848 -
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writers of his era, he made a close friendship with
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444:19th-century French dramatists and playwrights
232:In 1837 Bayard was named a member of the
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420:, Paris, Hachette, 1876, p. 687.
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212:théâtres des boulevards
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48:Marie-Alexandre Alophe
459:People from Charolles
376:théâtre du Vaudeville
370:in the run-up to the
334:Le Mari à la campagne
270:Les Enfants de troupe
154:la Reine de seize ans
328:Un château de cartes
208:théâtre des Variétés
193:La fille du régiment
132:– 20 February 1853,
306:La Foire aux places
288:La Fille de l’avare
282:La Manie des places
225:published Bayard's
348:Théâtre du Gymnase
344:comédie-vaudeville
322:Un ménage parisien
312:in one act ;.
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300:Le Gamin de Paris
258:Les Fées de Paris
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16:(Redirected from
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46:Portrait by
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104:Nationality
428:Categories
408:References
158:vaudeville
98:Playwright
94:Occupation
81:1853-02-21
62:1796-03-17
126:Charolles
68:Charolles
216:Dumanoir
181:libretto
169:Dancourt
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179:on the
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173:Picard
107:French
388:ibid.
355:Notes
134:Paris
115:Drama
112:Genre
88:Paris
201:SACD
183:for
171:and
144:Life
74:Died
55:Born
187:'s
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