233:
117:
100:, the dominant guitarist of the 1920s, when he released "Pickin' the Guitar" and "Teasin' the Frets" in 1922. He had experimented with wax cylinders ten years earlier. He became the first person to have a custom guitar named after him, the Gibson Nick Lucas Special. Nevertheless, his career was built on his reputation as a singer. He was popular on radio, Broadway, and in vaudeville. With his high-pitched voice, he sold eight million copies of his signature song, "
505:
571:
52:
Until the 1930s, jazz bands used banjo because the banjo's metallic twang was easier to hear than the acoustic guitar when competing with trumpets, trombones, and drums. The banjo could be heard more easily, too, on wax cylinders in the early days of audio recording. The invention of the archtop
643:
used dissonance, distortion effects units, and other electronic gear to create sonic "sheets of noise" that drove some listeners away when he performed at festivals. He refused to play chords, calling himself a horn player, which is where he got his inspiration. English guitarist
240:
Playing an unamplified archtop guitar is feasible for rhythm guitar accompaniment in some small groups playing in small venues. However, playing single note guitar solos audibly without an amplifier is a challenge in larger ensembles and in larger halls.
648:
established his reputation as part of the
European free jazz scene. Like Sharrock, he sought liberation for its own sake and the breaking of all conventions in the name of originality. He belonged to the Spontaneous Music Ensemble in the 1970s.
63:
was the first guitarist to explore the possibilities created by amplification. Although his career was brief, it was influential enough for critics to divide the history of jazz guitar into pre-Christian and post-Christian eras.
91:
Although jazz guitar existed during these years, banjo was a more popular instrument. The metallic twang of the banjo was easier to hear in a band than the acoustic guitar or piano, and it was easier to hear when recording on
265:
orchestra who also played guitar. Durham experimented with amplification and became the first person to make audio recordings with electric guitar when he recorded with the Kansas City Five in the 1930s. He played a
589:
technique into his entire playing style. Jordan tapped the fretboard with the fingertips of both hands, playing the neck of the guitar like a piano. Others using tapping techniques to a lesser degree included
188:, consisting of three acoustic guitars, a violin, and a double bass. He toured the U.S. in 1946 with Duke Ellington. The gypsy jazz tradition has a small but loyal following that continued in the work of the
72:
In early days of jazz in New
Orleans, most bands had guitarists, but there are no recordings by Lorenzo Staulz, Rene Baptiste, Dominick Barocco, Joe Guiffre, Coochie Martin, and Brock Mumford.
285:
was experimenting with amplification in 1931. He claimed to be the first electric guitarist and the first to record with an electric guitar, on March 1, 1938, in sessions with blues guitarist
520:
became popular in the 1960s, he created the persona of the guitar hero, the charismatic solo guitarist dazzling the audience. He created possibilities on guitar through the use of electronic
57:
it became a solo instrument for the first time. Following the lead of Lang, musicians traded their banjos for guitars, and by the 1930s the banjo hardly existed as a jazz instrument.
332:
Although
Charlie Christian had a brief career (1939-1941), his impact was big enough that some critics divide the history of jazz guitar into pre-Christian and post-Christian eras.
123:'s big band at the Hurricane Ballroom had a rhythm section that included a jazz guitarist, a double bass player, and a drummer (not visible, but who is to the right of the bassist).
484:", the bossa nova exploded. Although bossa nova isn't synonymous with jazz, the intermingling was fruitful for both genres. Brazilian guitarists include
567:
is among the most popular jazz fusion guitarists. He established his name in the 1970s as a busy studio musician who recorded with acts in many genres.
304:, Christian played a single-note line alongside a trumpet and saxophone, moving the guitar away from its secondary role in the rhythm section. He tried
296:
orchestra. Christian was the first person to explore the possibilities created by the electric guitar. He had large audiences when he played solos with
836:
1011:
980:
1027:
158:. Wanting to do more than strum chords for the band, Lang played single-string solos. He drew attention to himself while he was a member of the
1135:
336:
saw
Christian perform when he visited her home state of North Dakota in 1938. The performance inspired her to buy an electric guitar.
1171:
232:
170:
archtop became a popular model among jazz guitarists. By 1934, largely due to Lang, guitar replaced the banjo as a jazz instrument.
598:. Some fusion guitarists reacted against the excesses of their predecessors by playing in a more restrained style. These included
135:
Orchestra from the 1930s until Basie's death in the 1980s, contributing to the band's swing by inverting chords, also known as
723:
696:
1066:
236:
A jazz guitarist with his instrument plugged into a
Polytone combo guitar amp (which combines an amplifier and a speaker).
437:
avoided the abstraction of
Tristano. Farlow blamed his ability to play quickly on the need to keep up with bandleader
918:
878:
777:
185:
166:. Like most guitarists of the time, he started on banjo, and when he switched to guitar, many others followed. His
176:'s flashy style stood out in the early days of rhythm guitarists. He was born in Belgium to a gypsy family. His
820:
632:
are the most importan guitar players of the last 40 years. All were born at the beginning of the fifties and
385:
As the swing era turned to bebop, guitarists moved away from
Charlie Christian's style. Two pioneers of bebop,
347:
76:, one of the earliest jazz musicians, played in a band in 1889 that was led by guitarist Charlie Galloway.
430:
253:, who was in Paris at the same time as Reinhardt, tried to overcome the problem of audibility by using a
532:
509:
249:
was a string quintet in which being heard over the other instruments was rarely a problem. Argentinian
116:
1083:
355:
101:
1109:
531:, who combined jazz and rock in the 1960s before the term jazz fusion was common. English guitarist
1189:
645:
305:
282:
1163:
1008:
988:
1031:
659:
615:
489:
271:
24:
713:
455:
are perhaps the most import jazz guitar players of the sixties and of the following decades.
481:
313:
477:
476:
mixed jazz and samba. Two years with the album Getz/Gilberto with some compositions of by
201:
8:
452:
209:
105:
93:
292:
Many musicians were inspired to pick up guitar after hearing
Charlie Christian with the
963:
246:
80:, another important early figure, belonged to a band in 1910 that was led by guitarist
270:
arched-top which Gibson had started producing a couple years before. Durham persuaded
1062:
914:
874:
816:
773:
719:
692:
275:
60:
873:. Vol. 2 (2nd ed.). New York: Grove's Dictionaries Inc. pp. 110–113.
184:
of
Spanish gypsies and the violin of Hungarian gypsies. In the 1930s, he formed the
560:
551:. McLaughlin recorded an album of acoustic jazz in the early 1980s with guitarists
429:
carried this love of harmony into a romantic, chordal style, as in his hit ballad "
286:
262:
254:
242:
221:
193:
173:
485:
1015:
410:
390:
321:
317:
301:
217:
181:
163:
136:
85:
37:
using an approach to chords, melodies, and improvised solo lines which is called
250:
189:
640:
582:
574:
444:
386:
197:
120:
417:, playing dissonant chords and trying to adapt the abstraction of Konitiz and
1183:
625:
599:
552:
528:
448:
394:
375:
354:
Trio who helped establish this kind of jazz trio format. In the early 1940s,
351:
297:
293:
267:
205:
159:
148:
128:
81:
42:
621:
607:
595:
564:
548:
521:
517:
473:
426:
398:
367:
343:
333:
258:
140:
73:
49:
in small and large ensembles and also as an unaccompanied solo instrument.
664:
629:
556:
535:
followed
Coryell and Hendrix, but he explored other styles, too, such as
422:
418:
406:
402:
363:
359:
339:
144:
132:
77:
46:
38:
20:
19:
This article is about jazz guitar performers. For the musical style, see
1061:(7 ed.). Chicago, Illinois: Lawrence Hill Books. pp. 426–430.
504:
425:
was influenced by Tristano, his harmonies were more subtle and logical.
909:
Feather, Leonard (1996). "The Guitar in Jazz". In Sallis, James (ed.).
611:
603:
591:
544:
463:
458:
434:
414:
379:
213:
177:
167:
155:
97:
54:
636:
586:
540:
493:
469:
438:
371:
289:
fifteen days before Eddie Durham recorded with the Kansas City Five.
770:
The Jazz Guitar: Its Evolution, Players and Personalities Since 1900
127:
Early jazz guitarists were meant to be part of the rhythm section.
563:
played jazz rock in the 1980s that was inspired by John Coltrane.
274:
to buy an electric guitar, and while on tour he showed his amp to
104:". Both the song and singing style were borrowed decades later by
570:
815:. Lincoln, Nebraska: University of Nebraska Press. p. 147.
382:
continued the swing aspect of Christian's music into the 1950s.
524:. Hendrix inspired many musicians to pick up electric guitar.
772:(4th ed.). Newcastle upon Tyne: Ashley Mark Publishing.
536:
309:
154:
The first jazz guitarist to step from the rhythm section was
143:
played rhythm guitar his whole career without taking a solo.
41:
playing. The guitar has fulfilled the roles of accompanist (
913:. Lincoln, Nebraska: Univ. of Nebraska Press. pp. 3–.
34:
791:
789:
96:. The first person to make solo recordings on guitar was
837:"Guitar Essentials: 11 Other Ways to Play Common Chords"
618:, then was a member of Miles Davis's band in the 1980s.
786:
746:
744:
742:
312:. While in New York City, he spent many late hours at
652:
Among the next generation of guitar players emerged
927:
739:
499:
1057:Berendt, Joachim-Ernst; Huesmann, Gunther (2009).
962:
811:Berendt, Joachim E. (1996). Sallis, James (ed.).
1181:
806:
804:
1059:The Jazz Book: From Ragtime to the 21st Century
1056:
53:increased the guitar's volume. In the hands of
147:gave rhythm guitar a place in the big band of
869:Ferguson, Jim (2002). Kernfeld, Barry (ed.).
801:
763:
761:
759:
461:became popular in the early 1960s. The album
965:Django: The Life and Music of a Gypsy Legend
715:In Search of Buddy Bolden: First Man of Jazz
691:. San Francisco: Backbeat. pp. xi–xii.
512:at a festival in Limburgerhof, Germany, 2008
904:
902:
900:
898:
896:
894:
892:
890:
864:
862:
860:
858:
767:
308:and augmented chords. His rhythm suggested
67:
1133:
1052:
1050:
1048:
756:
705:
316:in Harlem, playing with musicians such as
1136:"Sonny Sharrock's Footprints on the Moon"
829:
639:in the 1960s made its way to the guitar.
945:
939:
887:
868:
855:
569:
503:
231:
115:
1045:
908:
810:
712:Marquis, Donald M. (1 September 2005).
711:
682:
680:
409:explored unconventional territory with
350:were the successive guitarists for the
1182:
1101:
1075:
960:
954:
468:released by Verve records in 1962, by
261:, an arranger and trombonist with the
111:
1127:
933:
795:
750:
686:
577:playing the fretboard like a keyboard
358:contributed to the liveliness of the
327:
969:. New York: Oxford University Press.
677:
13:
1134:Drozdowski, Ted (20 August 2016).
1107:
1081:
1028:"Classic Jazz Guitar - Guitarists"
14:
1201:
1172:"10 Most Underrated Guitarists",
1157:
393:, recorded with young guitarists
186:Quintet of the Hot Club of France
1009:Classic Jazz Guitar - Guitarists
911:The Guitar in Jazz: An Anthology
871:The New Grove Dictionary of Jazz
813:The Guitar in Jazz: An Anthology
768:Summerfield, Maurice J. (1998).
500:Fusion, technique, and invention
227:
23:. For the Ted Dunbar album, see
1020:
1002:
973:
614:began his career with the band
16:Guitarist who plays jazz music
1:
670:
131:played rhythm guitar for the
718:. LSU Press. pp. 114–.
585:was the first to extend the
366:played electric four-string
139:, on each beat. Like Green,
7:
300:. According to jazz critic
162:Orchestra and as a popular
10:
1206:
946:Delaunay, Charles (1981).
18:
689:The Great Jazz Guitarists
102:Tiptoe Through the Tulips
961:Dregni, Michael (2004).
616:Blood, Sweat & Tears
421:to the guitar. Although
405:to change his approach.
68:Early years: 1880s-1920s
33:are guitarists who play
660:List of jazz guitarists
1164:"Modern Jazz Guitar",
578:
513:
490:Baden Powell de Aquino
237:
180:was influenced by the
124:
25:Jazz Guitarist (album)
687:Yanow, Scott (2013).
573:
507:
482:The Girl from Ipanema
235:
119:
559:. English guitarist
539:, electronic, folk,
516:When rock guitarist
508:Jazz fusion pioneer
478:Antonio Carlos Jobim
431:Moonlight in Vermont
985:Classic Jazz Guitar
798:, pp. 125–127.
112:Replacing the banjo
1014:2008-04-20 at the
950:. UK: Ashley Mark.
843:. 16 December 2016
579:
514:
328:Post-Christian era
314:Minton's Playhouse
281:Before Christian,
247:Hot Club of France
238:
125:
725:978-0-8071-3093-3
698:978-1-61713-023-6
581:During the 1980s
276:Charlie Christian
202:Christian Escoudé
61:Charlie Christian
1197:
1151:
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1148:
1146:
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1125:
1124:
1122:
1120:
1105:
1099:
1098:
1096:
1094:
1079:
1073:
1072:
1068:978-1-55652820-0
1054:
1043:
1042:
1040:
1039:
1030:. Archived from
1024:
1018:
1006:
1000:
999:
997:
996:
987:. Archived from
977:
971:
970:
968:
958:
952:
951:
948:Django Reinhardt
943:
937:
931:
925:
924:
906:
885:
884:
866:
853:
852:
850:
848:
833:
827:
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808:
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793:
784:
783:
765:
754:
748:
737:
736:
734:
732:
709:
703:
702:
684:
635:Influences from
561:Allan Holdsworth
527:One of them was
287:Big Bill Broonzy
263:Jimmie Lunceford
255:resonator guitar
243:Django Reinhardt
222:Stephane Wrembel
174:Django Reinhardt
1205:
1204:
1200:
1199:
1198:
1196:
1195:
1194:
1190:Jazz guitarists
1180:
1179:
1160:
1155:
1154:
1144:
1142:
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1128:
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1102:
1092:
1090:
1080:
1076:
1069:
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1046:
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1035:
1026:
1025:
1021:
1016:Wayback Machine
1007:
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994:
992:
979:
978:
974:
959:
955:
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940:
932:
928:
921:
907:
888:
881:
867:
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846:
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835:
834:
830:
823:
809:
802:
794:
787:
780:
766:
757:
749:
740:
730:
728:
726:
710:
706:
699:
685:
678:
673:
533:John McLaughlin
510:John McLaughlin
502:
480:, among wich "
411:Lennie Tristano
391:Dizzy Gillespie
330:
322:Dizzy Gillespie
318:Thelonious Monk
302:Leonard Feather
230:
218:Jimmy Rosenberg
182:flamenco guitar
164:studio musician
114:
86:Freddie Keppard
70:
31:Jazz guitarists
28:
17:
12:
11:
5:
1203:
1193:
1192:
1178:
1177:
1169:
1166:All About Jazz
1159:
1158:External links
1156:
1153:
1152:
1140:Premier Guitar
1126:
1108:Thomas, Fred.
1100:
1084:"Lee Ritenour"
1082:Deming, Mark.
1074:
1067:
1044:
1019:
1001:
972:
953:
938:
926:
919:
886:
879:
854:
828:
821:
800:
785:
778:
755:
753:, p. xii.
738:
724:
704:
697:
675:
674:
672:
669:
668:
667:
662:
641:Sonny Sharrock
583:Stanley Jordan
575:Stanley Jordan
501:
498:
445:Wes Montgomery
387:Charlie Parker
329:
326:
298:passing chords
229:
226:
210:Biréli Lagrène
198:Angelo Debarre
194:Schmitt family
121:Duke Ellington
113:
110:
69:
66:
15:
9:
6:
4:
3:
2:
1202:
1191:
1188:
1187:
1185:
1176:
1175:
1170:
1168:
1167:
1162:
1161:
1141:
1137:
1130:
1115:
1111:
1104:
1089:
1085:
1078:
1070:
1064:
1060:
1053:
1051:
1049:
1034:on 2008-04-20
1033:
1029:
1023:
1017:
1013:
1010:
1005:
991:on 2008-05-06
990:
986:
982:
976:
967:
966:
957:
949:
942:
936:, p. xi.
935:
930:
922:
920:0-8032-4250-6
916:
912:
905:
903:
901:
899:
897:
895:
893:
891:
882:
880:1-56159-284-6
876:
872:
865:
863:
861:
859:
842:
841:Guitar Player
838:
832:
824:
818:
814:
807:
805:
797:
792:
790:
781:
779:9781872639260
775:
771:
764:
762:
760:
752:
747:
745:
743:
727:
721:
717:
716:
708:
700:
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690:
683:
681:
676:
666:
663:
661:
658:
657:
656:
653:
650:
647:
642:
638:
633:
631:
627:
626:John Scofield
623:
619:
617:
613:
609:
605:
601:
600:Larry Carlton
597:
593:
588:
584:
576:
572:
568:
566:
562:
558:
554:
553:Paco de Lucia
550:
546:
542:
538:
534:
530:
529:Larry Coryell
525:
523:
519:
511:
506:
497:
495:
491:
487:
486:JoĂŁo Gilberto
483:
479:
475:
471:
467:
465:
460:
456:
454:
450:
449:Kenny Burrell
446:
442:
440:
436:
432:
428:
424:
420:
416:
412:
408:
404:
401:and inspired
400:
396:
395:Bill DeArango
392:
388:
383:
381:
377:
376:Barney Kessel
373:
369:
365:
361:
357:
353:
352:Nat King Cole
349:
345:
341:
337:
335:
325:
323:
319:
315:
311:
307:
303:
299:
295:
294:Benny Goodman
290:
288:
284:
283:George Barnes
279:
277:
273:
269:
268:Gibson ES-150
264:
260:
256:
252:
248:
244:
234:
228:Amplification
225:
223:
219:
215:
211:
207:
206:Fapy Lafertin
203:
199:
195:
191:
187:
183:
179:
175:
171:
169:
165:
161:
160:Paul Whiteman
157:
152:
150:
149:Benny Goodman
146:
142:
138:
134:
130:
129:Freddie Green
122:
118:
109:
107:
103:
99:
95:
94:wax cylinders
89:
87:
84:, brother of
83:
82:Louis Keppard
79:
75:
65:
62:
58:
56:
50:
48:
44:
43:rhythm guitar
40:
36:
32:
26:
22:
1173:
1165:
1143:. Retrieved
1139:
1129:
1117:. Retrieved
1113:
1110:"Mike Stern"
1103:
1091:. Retrieved
1087:
1077:
1058:
1036:. Retrieved
1032:the original
1022:
1004:
993:. Retrieved
989:the original
984:
981:"Guitarists"
975:
964:
956:
947:
941:
929:
910:
870:
845:. Retrieved
840:
831:
812:
769:
729:. Retrieved
714:
707:
688:
654:
651:
646:Derek Bailey
634:
622:Bill Frisell
620:
608:Terje Rypdal
596:Tuck Andress
580:
565:Lee Ritenour
549:Indian music
526:
522:effect units
518:Jimi Hendrix
515:
474:Charlie Byrd
462:
457:
443:
427:Johnny Smith
399:Remo Palmier
384:
368:tenor guitar
362:Trio, while
348:John Collins
344:Irving Ashby
338:
334:Mary Osborne
331:
291:
280:
259:Eddie Durham
251:Oscar Alemán
239:
190:Ferré family
172:
153:
141:Eddie Condon
126:
90:
74:Buddy Bolden
71:
59:
51:
30:
29:
665:Jazz guitar
630:Pat Metheny
557:Al Di Meola
423:Jimmy Raney
419:Warne Marsh
407:Billy Bauer
403:Chuck Wayne
364:Tiny Grimes
360:Fats Waller
340:Oscar Moore
272:Floyd Smith
145:Allan Reuss
133:Count Basie
78:King Oliver
39:jazz guitar
21:jazz guitar
1174:Jazz Times
1145:24 January
1119:24 January
1093:24 January
1038:2008-06-01
995:2008-06-01
934:Yanow 2013
847:22 October
822:0803242506
796:Yanow 2013
751:Yanow 2013
731:23 October
671:References
612:Mike Stern
604:Steve Khan
592:David Torn
545:gypsy jazz
464:Jazz Samba
459:Bossa nova
435:Tal Farlow
415:Lee Konitz
380:Herb Ellis
306:diminished
214:Jon Larsen
178:gypsy jazz
168:Gibson L-5
156:Eddie Lang
98:Nick Lucas
55:Eddie Lang
655:See also
637:free jazz
587:hammer-on
541:free jazz
494:Bola Sete
470:Stan Getz
439:Red Norvo
372:Art Tatum
370:with the
257:, as did
137:revoicing
1184:Category
1114:AllMusic
1088:AllMusic
1012:Archived
453:Jim Hall
356:Al Casey
106:Tiny Tim
47:soloist
1065:
917:
877:
819:
776:
722:
695:
606:, and
547:, and
492:, and
374:Trio.
346:, and
220:, and
192:, the
45:) and
537:blues
310:bebop
1147:2018
1121:2018
1095:2018
1063:ISBN
915:ISBN
875:ISBN
849:2017
817:ISBN
774:ISBN
733:2017
720:ISBN
693:ISBN
628:and
594:and
555:and
472:and
451:and
413:and
397:and
389:and
378:and
320:and
35:jazz
433:".
278:.
245:'s
1186::
1138:.
1112:.
1086:.
1047:^
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