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associate the modern estate view with the classical arcadian landscape. Rather than offering the wide panoramic views, distant horizon and atmospheric effects associated with topographical landscapes, van
Bloemen's estate views emphasize minute observation of reality and a limited viewpoint. The estates are thus made to appear as immutable features of the local landscape.
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He travelled to Paris around 1682 and resided there for a few years. He then moved to Lyon where his brother Pieter van
Bloemen was staying. He probably met the painter Adriaen van der Kabel around this time. Via Turin, Jan Frans and Pieter van Bloemen travelled on to Rome where in 1688 they were
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or the Alban hills. His subjects were limited to views in the immediate vicinity of Rome, an outline of which was typically visible in his compositions. Van
Bloemen was in particular known for his 'estate views' representing the estates of the nobility in the Roman Campagna. His views aim to
276:. Van Bloemen's paintings are exquisitely imbued with that "difficult-to-define pastoral ambience" which helped to make him such a great painter in the eyes of his contemporaries. His vedute fall into the category that combine reality with imaginary elements.
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His landscape drawings, which often depict imaginary ruins, have been confused with those of his brother Pieter, who is better known for his drawings of figures and animals. Jan Frans van
Bloemen also made pen drawings of buildings in and around Rome.
224:. This nickname referred to the distance he painted in his landscapes. While van Bloemen was a much locally patronized painter, he was unable to gain acceptance into the pre-eminent Roman painter's guild, the
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268:. His landscapes, with their recession through a series of planes, soft, warm lightning and classical and religious subject matter, drew on the examples of artists such as
283:('painting of touch') using small dotting and spirited brush-strokes. Unlike van Wittel, van Bloemen did not generally depict views of areas distant from Rome such as the
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before 1724, Jan Frans remained in Rome for the rest of his life, except for a few trips to Naples, Sicily and Malta, which he undertook with his brother Pieter. The
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His landscapes have an
Arcadian lushness, with mountains, streams, distant hamlets, and small inhabitants painted with imprecise
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166:. He likely trained with his brother. Between 1681 and 1684, he was in his native Antwerp a pupil of
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painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (
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Fifteenth to
Eighteenth-century European Drawings: Central Europe, The Netherlands, France, England
182:(1670-1746), joined them as well. Whereas Pieter returned to Antwerp in 1694 and Norbert left for
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Ave Papa/Ave
Papabile: The Sacchetti Family, Their Art Patronage, and Political Aspirations
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He worked together with other painters who painted the figures in his landscapes such as
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Van
Bloemen predominantly painted classical landscapes, taking his inspiration from the
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registered in the parish of Sant’Andrea delle Fratte. In 1690 a third painting brother,
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Van
Bloemen was successful in Rome and received commissions for the painting of large
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Rome in the Age of
Enlightenment: The Post-Tridentine Syndrome and the Ancien RĂ©gime
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216:, the association of Dutch and Flemish artists in Rome, where he took the nickname
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Jan Frans van Bloemen: Orizzonte e l'origine del paesaggio romano settecentesco
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as his best collaboration with Placido Costanzi who painted the figures.
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174:(low-life) subjects situated in Roman or Mediterranean settings.
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594:. Philadelphia Museum of Art; Museum of Fine Arts, Houston.
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662:. Toronto: Centre for Reformation and Renaissance Studies.
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New Approaches to Naples c.1500-c.1800: The Power of Place
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Bowron, Edgar Peters; Rishel, Joseph J., eds. (2000).
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View of Rome from the Farnese Gardens on the Palatino
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Flemish Paintings in the Metropolitan Museum of Art
139:(baptized 12 May 1662 - buried 13 June 1749) was a
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201:from prominent patrons such as the Queen of Spain
162:, Jan Frans van Bloemen was a younger brother of
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436:RKD-Nederlands Instituut voor Kunstgeschiedenis
631:Hills, Helen (2013). Calaresu, Melissa (ed.).
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644:. New York: The Metropolitan Museum of Art.
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351:Landscape with a River and a Walled Town
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626:. New York: Metropolitan Museum of Art.
530:van Mulders, Christine; Jacobs, Alain.
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653:(in Italian). Rome: Ugo Bozzi Editore.
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467:Bowron & Rishel 2000, pp. 331-334.
256:Roman Campagna with Figures Conversing
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591:Art in Rome in the Eighteenth Century
565:Haverkamp-Begemann 1999, pp. 175-176.
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312:The Rest on the Flight to Egypt
48:Jan Frans van Bloemen, c. 1723
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617:. Cambridge University Press.
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205:, the Roman nobility and the
649:Vici, Andrea Busiri (1974).
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734:Members of the Bentvueghels
658:Zirpolo, Lilian H. (2005).
640:Liedtke, Walter A. (1984).
243:. He died in Rome in 1749.
27:Flemish painter (1662–1749)
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714:Flemish landscape painters
635:. Ashgate Publishing, Ltd.
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365:Landscape with a Fountain
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719:Flemish Baroque painters
407:Vici 1974, pp. 222, 225.
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583:. London: Sphinx Books.
432:"Jan Frans van Bloemen"
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481:Liedtke 1984, pp. 3-4.
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237:Gabrielle Ricciardelli
231:Among his pupils were
709:Painters from Antwerp
681:at Wikimedia Commons
679:Jan Frans van Bloemen
613:Gross, Hanns (1991).
517:Zirpolo 2005, p. 132.
499:Vici 1974, pp. 32-33.
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226:Accademia di San Luca
137:Jan Frans van Bloemen
36:Jan Frans van Bloemen
579:Bolton, Roy (2009).
508:Bolton 2009, p. 194.
337:Italianate Landscape
556:Gross 1990, p. 351.
538:. Oxford Art Online
306:The Flight to Egypt
180:Norbert van Bloemen
129:Norbert van Bloemen
729:Painters from Rome
490:Vici 1974, p. 222.
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233:Franz Ignaz Oefele
164:Pieter van Bloemen
125:Pieter van Bloemen
724:Italian vedutisti
677:Media related to
398:Vici 1974, p. 28.
203:Elizabeth Farnese
192:Caspar van Wittel
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16:(Redirected from
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172:bamboccianti
168:Anton Goubau
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81:(1749-06-13)
79:13 June 1749
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699:1749 deaths
694:1662 births
421:Hills 2013.
95:Nationality
64:12 May 1662
688:Categories
573:References
60:1662-05-12
222:Horizonti
218:Orizzonte
184:Amsterdam
144:landscape
121:Relatives
106:Orizzonte
70:, Belgium
18:Horizonti
446:3 August
440:Archived
265:Campagna
158:Born in
115:Painting
542:20 July
323:Gallery
160:Antwerp
141:Flemish
98:Flemish
89:, Italy
68:Antwerp
598:
263:Roman
239:, and
199:vedute
148:vedute
386:Notes
188:Dutch
596:ISBN
544:2014
448:2023
309:and
299:and
272:and
247:Work
207:Pope
154:Life
87:Rome
76:Died
54:Born
220:or
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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