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Hanslick's tastes were conservative; in his memoirs he said that for him musical history really began with Mozart and culminated in
Beethoven, Schumann and Brahms. He is best remembered today for his critical advocacy of Brahms as against the school of Wagner, an episode in 19th century music history
374:
as inimical to the nature of music, which he thought to be expressive solely by virtue of its form, and not through any extra-musical associations. On the other hand, he referred to extra-musicality when he asked, "When you play Chopin's mazurkas, do you not feel the mournful and oppressive air of
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Hanslick is noted as one of the first widely influential music critics. While his aesthetics and his criticism are typically considered separately, they are importantly connected. Hanslick was an outspoken opponent of the music of Liszt and Wagner, which broke down traditional musical forms as a
319:. Hanslick often served on juries for musical competitions and held a post at the Austrian Ministry of Culture and fulfilled other administrative roles. He retired after writing his memoirs, but still wrote articles on the most important premieres of the day, up to his death in 1904 in
415:
means of communicating something extra-musical. His opposition to "the music of the future" is congruent with his aesthetics of music: the meaning of music is the form of music. It is along these lines that
Hanslick became one of Brahms's champions and often pitted him against Wagner.
387:), which started as an attack on the Wagnerian aesthetic and established itself as an influential text, subsequently going through many editions and translations in several languages. Other targets for Hanslick's heavy criticism were
302:, Wagner attacked Hanslick as 'of gracefully concealed Jewish origin', and asserted that his supposedly Jewish style of criticism was anti-German. It is sometimes claimed that Wagner caricatured Hanslick in his opera
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Being a close friend of Brahms from 1862, Hanslick possibly had some influence on Brahms's composing, often getting to hear new music before it was published. Hanslick saw Wagner's reliance on dramatics and
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Hanslick replied to this attack that "my father and all his ancestors were of
Catholic peasant stock and came, moreover, from a region where Jews were known only as peddlers."
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Eduard
Hanslick, "Censur und Kunst-Kritik," Wiener Zeitung, 24 March 1848, republished in his Sämtliche Schriften, vol 1, part 1, p. 157, Ed. Dietmar Strauß
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200:), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupils, the daughter of a
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and obtained a degree in that field, but his amateur study of music eventually led to writing music reviews for small town newspapers, then the
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269:. From this point on, Hanslick found his sympathies moving away from the so-called 'music of the Future' associated with Wagner and
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Nicole Grimes et al., ed., Rethinking
Hanslick: Music, Formalism, and Expression, University of Rochester Press, 2013
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379:?" (Hanslick 1848, p. 157). The theoretical framework of Hanslick's criticism is expounded in his book of 1854,
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Ambros
Wilhelmer, "Der junge Hanslick. Sein 'Intermezzo' in Klagenfurt 1850-1852". Klagenfurt 1959
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led in 1870 to a full professorship in history and aesthetic of music and later to a doctorate
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Ludvová, Jitka. Dokonalý antiwagnerián Eduard
Hanslick. Paměti/Fejetony/Kritiky (Praha 1992).
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as the carping critic
Beckmesser (whose name was originally to be Veit Hanslich).
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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Eduard
Hanslick, "Geschichte des Konzertwesens in Wien", 2 vol. Vienna 1869–70
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from 1864 until the end of his life. His best known work, the 1854 treatise
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for much of his career. As such, he sided with and promoted the faction of
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Eduard Hanslick, "Suite. Aufsätze über Musik und Musiker". Vienna 1884
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and outlines much of his artistic and philosophical beliefs on music.
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123:(11 September 1825 – 6 August 1904) was an Austrian
234:; the composer, noting the young man's enthusiasm, invited him to
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and historian. Among the leading critics of his time, he was the
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Eduard Hanslick, "Die moderne Oper", 9 vol. Berlin 1875–1900
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208:. At the age of eighteen Hanslick went to study music with
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Eduard Hanslick, "Vom Musikalisch-Schönen". Leipzig 1854 (
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Eduard Hanslick, "Aus meinem Leben", 2 vol. Berlin 1894
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The Work of Art in the Age of Mechanical Reproduction
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Grave of Dr. Eduard Hanslick, Zentralfriedhof, Vienna
1981:
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156:Hanslick was a conservative critic and championed
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176:", often deriding the works of composers such as
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362:, represented the progressive composers of the "
339:; cartoon from the Viennese satirical magazine,
281:and Schumann — in particular the music of
872:Geoffrey Payzant and Eduard Hanslick collection
833:Geoffrey Payzant and Eduard Hanslick collection
476:
403:, he accused both Tchaikovsky and the soloist,
1740:
564:. Cambridge University Press, Cambridge 1976,
296:). In 1869, in a revised edition of his essay
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2890:The Literary Mind and the Carving of Dragons
3341:Academic staff of the University of Vienna
3301:Austrian people of German Bohemian descent
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2158:
912:
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745:Wagner's Musical Prose: Texts and Contexts
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259:In 1854 he published his influential book
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800:University of Toronto Music Library
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645:10.1093/gmo/9781561592630.article.12341
46:Portrait of Hanslick, published in 1894
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3336:Burials at the Vienna Central Cemetery
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311:Hanslick's unpaid lectureship at the
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767:. Kurze Geschichte einer Feindschaft
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562:The Life of Richard Wagner, volume 3
485:
335:Eduard Hanslick offering incense to
3346:19th-century Austrian musicologists
885:Internet Encyclopedia of Philosophy
876:University of Toronto Music Library
24:
3266:Musicologists from Austria-Hungary
3261:Music critics from Austria-Hungary
723:
187:
25:
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3256:Scholars from the Austrian Empire
863:Works by or about Eduard Hanslick
780:
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27:Austrian music critic (1825–1904)
3271:Journalists from Austria-Hungary
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771:Österreichische Musikzeitschrift
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732:for an extensive bibliography
692:10.1093/OBO/9780199757824-0014
551:
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305:Die Meistersinger von Nürnberg
244:; here Hanslick also met with
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1:
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921:Chief classical music critics
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3020:Aestheticization of politics
1046:Arthur Johnstone (1896–1904)
1043:George Fremantle (1867–1895)
845:How to use archival material
662:UK public library membership
469:
192:Eduard Hanslick was born in
7:
10:
3362:
3286:Austrian music journalists
749:Cambridge University Press
616:Princeton University Press
603:
359:Neue Zeitschrift für Musik
285:(who dedicated to him his
147:On the Musically Beautiful
3291:Charles University alumni
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2018:
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702:Hanslick, Eduard (1963).
385:On the Beautiful in Music
261:On the Beautiful in Music
149:), was a landmark in the
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2036:Henry Sutherland Edwards
854:Works by Eduard Hanslick
623:Grey, Thomas S. (2001).
449:
3311:Classical music critics
3040:Evolutionary aesthetics
2990:The Aesthetic Dimension
2094:New York Herald Tribune
2005:Charles Lewis Gruneisen
1891:San Francisco Chronicle
1476:Frederick Grant Gleason
1185:William James Henderson
983:Robin Legge (1906–1931)
708:Music Criticism 1846-99
697:(subscription required)
684:Oxford University Press
669:Grimes, Nicole (2015).
637:Oxford University Press
610:Frisch, Walter (1990).
419:Works (German editions)
381:Vom Musikalisch-Schönen
143:Vom Musikalisch-Schönen
3296:German Bohemian people
3281:Austrian musicologists
3276:Austrian music critics
2970:Avant-Garde and Kitsch
2920:Lectures on Aesthetics
1656:William Barclay Squire
1635:San Francisco Examiner
1417:(1995–1999, 2001–2008)
344:
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3115:Philosophy portal
1984:The Morning Chronicle
1433:Michael Andor Brodeur
1335:James William Davison
773:67 (2012), p.. 14–21.
743:Grey, Thomas (1995).
678:Oxford Bibliographies
348:sometimes called the
334:
254:
3060:Philosophy of design
2940:In Praise of Shadows
2930:The Critic as Artist
1955:Desmond Shawe-Taylor
1869:Desmond Shawe-Taylor
1695:The Sunday Telegraph
1359:A. H. Fox Strangways
1272:A. H. Fox Strangways
612:Brahms and His World
350:War of the Romantics
313:University of Vienna
218:Wiener Musik-Zeitung
174:War of the Romantics
3316:Writers from Prague
3070:Philosophy of music
3045:Mathematical beauty
1900:Alfred Frankenstein
1724:(1960 – late 1990s)
1599:New York Daily News
1557:Frankfurter Zeitung
1470:George Putnam Upton
1394:The Washington Post
1347:J A Fuller Maitland
1209:Harold C. Schonberg
963:The Daily Telegraph
596:, pp. 302–303.
512:, "Absolute Music".
377:Battle of Ostroleka
364:Music of the Future
299:Jewishness in Music
220:and eventually the
151:aesthetics of music
3065:Philosophy of film
3055:Patterns in nature
3025:Applied aesthetics
3000:Why Beauty Matters
2786:Life imitating art
2647:Art for art's sake
1734:Position abolished
1605:William Zakariasen
1176:The New York Times
1101:Isabel Morse Jones
710:. Introduction by
632:Grove Music Online
626:"Hanslick, Eduard"
345:
257:
238:to hear his opera
172:in the so-called "
162:programmatic music
133:chief music critic
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3075:Psychology of art
2950:Art as Experience
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2118:(1923-late 1930s)
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1450:The Baltimore Sun
1233:Anthony Tommasini
1146:Winthrop Sargeant
1113:Martin Bernheimer
1092:Los Angeles Times
1068:Edward Greenfield
939:Michael Steinberg
858:Project Gutenberg
850:
849:
839:
838:
672:"Eduard Hanslick"
660:(subscription or
654:978-1-56159-263-0
500:, "Introduction".
223:Neue Freie Presse
214:Prague University
138:Neue Freie Presse
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62:11 September 1825
16:(Redirected from
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2021:The Morning Post
2016:
2015:
1979:
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1928:The Sunday Times
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1906:Robert Commanday
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1752:Stephen Stratton
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1590: 2009–2012
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1583:Edward Seckerson
1527:Barry Millington
1515:Evening Standard
1421:Philip Kennicott
1411:(mid-1970s–1995)
1382:Richard Morrison
1221:Edward Rothstein
930:The Boston Globe
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867:Internet Archive
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2078:Julius Korngold
2072:Eduard Hanslick
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1743:Birmingham Post
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1707:Michael Kennedy
1650:Saturday Review
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1577:Bayan Northcott
1571:The Independent
1548:Ronald Crichton
1536:Financial Times
1464:Chicago Tribune
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1409:Joseph McLellan
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1341:Francis Hueffer
1319:
1296:Nicholas Kenyon
1244:
1227:Bernard Holland
1191:Richard Aldrich
1169:
1140:Robert A. Simon
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1107:Albert Goldberg
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1080:Andrew Clements
1056:Samuel Langford
1028:
1017:Geoffrey Norris
1011:Michael Kennedy
972:Campbell Clarke
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881:Eduard Hanslick
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724:Further reading
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283:Johannes Brahms
246:Robert Schumann
198:Austrian Empire
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188:Life and career
170:Johannes Brahms
166:Robert Schumann
121:Eduard Hanslick
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2306:Psychoanalysis
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2154:
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2122:Virgil Thomson
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2012:
2011:
2009:
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1999:George Hogarth
1996:
1993:William Ayrton
1989:
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1203:Howard Taubman
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1166:(1996–present)
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993:Richard Capell
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987:Herbert Hughes
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951:Jeremy Eichler
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405:Adolph Brodsky
389:Anton Bruckner
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327:Views on music
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287:set of waltzes
228:Richard Wagner
210:Václav Tomášek
204:merchant from
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158:absolute music
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2349:Abhinavagupta
2347:
2346:
2344:
2340:
2334:
2333:
2329:
2327:
2324:
2322:
2319:
2317:
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2301:Postmodernism
2299:
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2041:Arthur Hervey
2039:
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2031:
2030:Howard Glover
2028:
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2017:
2006:
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1994:
1991:
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1962:
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1949:Ernest Newman
1947:
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1943:Hermann Klein
1941:
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1912:Joshua Kosman
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1795:Arthur Jacobs
1793:
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1787:
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1780:Daily Express
1776:
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1762:
1759:
1758:Ernest Newman
1756:
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1626:Olga Samaroff
1624:
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1620:Henry T Finck
1618:
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1614:New York Post
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1427:Anne Midgette
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1302:Andrew Porter
1300:
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1279:
1278:William Glock
1276:
1273:
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1266:Percy Scholes
1264:
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1260:Ernest Newman
1258:
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1234:
1231:
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1215:Donal Henahan
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1082:(since 2003?)
1081:
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1066:
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1057:
1054:
1051:
1050:Ernest Newman
1048:
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1021:
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1005:Peter Stadlen
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747:. Cambridge:
746:
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716:Penguin Books
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621:
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614:. Princeton:
613:
608:
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595:
594:Hanslick 1963
590:
583:
578:
571:
570:0-521-29096-1
567:
563:
559:
554:
548:, p. 12.
547:
546:Hanslick 1963
542:
536:, p. 13.
535:
534:Hanslick 1963
530:
524:, p. 11.
523:
522:Hanslick 1963
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372:word painting
367:
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352:. The critic
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317:honoris causa
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80:6 August 1904
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3223:from Commons
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2898:
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2868:
2815:
2791:Magnificence
2773:
2623:
2589:Schopenhauer
2463:
2424:Coomaraswamy
2342:Philosophers
2330:
2261:Aestheticism
2092:
2071:
2061:
2047:Francis Toye
2019:
1982:
1975:Discontinued
1961:David Cairns
1926:
1889:
1863:W. J. Turner
1852:
1815:
1801:Noël Goodwin
1789:Francis Toye
1778:
1741:
1722:Roger Covell
1714:
1701:John Warrack
1693:
1678:
1665:The Scotsman
1663:
1648:
1633:
1612:
1597:
1569:
1555:
1534:
1513:
1506:Mosco Carner
1500:Evening News
1498:
1483:
1462:
1452:(2000–2019)
1435:(since 2020)
1405:(1946–1982.)
1392:
1384:(since 1992)
1370:William Mann
1353:H. C. Colles
1324:
1316:(since 2008)
1251:The Observer
1249:
1241:(since 2022)
1174:
1129:
1121:(since 1996)
1090:
1035:The Guardian
1033:
1025:(since 2009)
974:(1855?–1870)
961:
945:Richard Dyer
928:
884:
770:
759:
744:
727:
707:
676:
630:
611:
589:
577:
561:
553:
541:
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384:
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354:Richard Pohl
346:
316:
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297:
264:
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239:
221:
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191:
155:
146:
142:
136:
129:aesthetician
125:music critic
120:
119:
107:aesthetician
102:Music critic
82:(1904-08-06)
3326:1904 deaths
3321:1825 births
2884:(c. 335 BC)
2874:(c. 390 BC)
2853:Work of art
2806:Picturesque
2662:Avant-garde
2619:Winckelmann
2494:Kierkegaard
2419:Collingwood
2389:Baudrillard
2316:Romanticism
2286:Historicism
2220:Mathematics
2136:(1963–1968)
2130:(1954–1963)
2124:(1940–1954)
2080:(1904–1934)
2074:(1864–1904)
2049:(1925–1937)
2043:(1892–1908)
2032:(1849–1865)
2007:(1845–1853)
2001:(1834–1844)
1995:(1816–1826)
1963:(1983–1992)
1957:(1958–1983)
1951:(1920–1959)
1945:(1881–1901)
1939:(1865–1870)
1914:(1993–2024)
1908:(1964–1993)
1902:(1934–1964)
1877:(1959–1967)
1871:(1945–1958)
1865:(1915–1940)
1840:(1945–1948)
1834:(1933–1945)
1832:Edwin Evans
1828:(1911–1933)
1803:(1965–1978)
1797:(1947–1952)
1791:(1922–1925)
1766:(1931–1946)
1760:(1906–1919)
1754:(1877–1906)
1709:(1989–2005)
1703:(1961–1972)
1673:(1992–1998)
1671:Mary Miller
1658:(1888–1894)
1643:(1977–1981)
1628:(1926–1928)
1622:(1881–1924)
1607:(1976–1993)
1579:(1986–2009)
1563:Paul Bekker
1550:(1972–1978)
1544:(1953–1972)
1523:(1913–1920)
1508:(1957–1961)
1493:(1846–1866)
1478:(1884–1889)
1472:(1861–1881)
1429:(2008–2019)
1423:(1999–2001)
1378:(1982–1992)
1372:(1960–1982)
1366:(1943–1960)
1364:Frank Howes
1355:(1911–1943)
1349:(1889–1911)
1343:(1879–1889)
1337:(1846–1879)
1310:(2000–2008)
1304:(1992–1996)
1298:(1986–1992)
1292:(1955–1987)
1286:(1949–1953)
1280:(1939–1945)
1274:(1925–1939)
1268:(1920–1925)
1235:(2000–2021)
1229:(1995–2000)
1223:(1991–1995)
1217:(1980–1991)
1211:(1960–1980)
1205:(1955–1960)
1199:(1924–1955)
1197:Olin Downes
1193:(1902–1923)
1187:(1887–1902)
1160:(1992–1996)
1154:(1972–1992)
1148:(1949–1972)
1142:(1925–1948)
1115:(1965–1996)
1109:(1947–1965)
1103:(1925–1947)
1076:(1999–2003)
1074:Tom Service
1070:(1977–1993)
1064:(1927–1940)
1058:(1906–1927)
1052:(1905–1906)
1023:Ivan Hewett
1019:(1995–2009)
1013:(1986–2005)
1007:(1976–1985)
1001:(1954–1976)
995:(1933–1954)
989:(1911–1932)
980:(1870–1906)
953:(2006–2024)
947:(1976–2006)
941:(1964–1976)
815:CA OTUFM 32
812:Identifiers
788:Archives at
730:Grimes 2015
582:Frisch 1990
510:Grimes 2015
498:Grimes 2015
397:Tchaikovsky
271:Franz Liszt
178:Franz Liszt
95:Occupations
3306:Czech Jews
3250:Categories
3237:Quotations
2823:Recreation
2801:Perception
2694:Creativity
2394:Baumgarten
2384:Baudelaire
2266:Classicism
2181:Aesthetics
1875:David Drew
1838:Ralph Hill
1817:Daily Mail
1686:Ralph Hill
1485:Daily News
714:. London:
682:. Oxford:
635:. Oxford:
445:References
294:piano duet
241:Tannhäuser
58:1825-09-11
3154:Biography
2828:Reverence
2734:Eroticism
2704:Depiction
2677:Masculine
2579:Santayana
2539:Nietzsche
2484:Hutcheson
2474:Heidegger
2459:Greenberg
2414:Coleridge
2379:Balthasar
2364:Aristotle
2326:Theosophy
2321:Symbolism
2296:Modernism
2281:Formalism
2134:Alan Rich
2128:Paul Lang
1764:Eric Blom
1456:Tim Smith
1403:Paul Hume
1326:The Times
1284:Eric Blom
1164:Alex Ross
1119:Mark Swed
823:1981-2001
664:required)
486:Grey 2001
470:Citations
393:Hugo Wolf
356:, of the
279:Beethoven
266:Lohengrin
232:Marienbad
111:historian
3103:Category
3035:Axiology
2904:(c. 500)
2894:(c. 100)
2769:Judgment
2724:Emotions
2719:Elegance
2699:Cuteness
2672:Feminine
2635:Concepts
2604:Tanizaki
2584:Schiller
2569:Richards
2559:Rancière
2529:Maritain
2464:Hanslick
2404:Benjamin
2276:Feminism
2245:Theology
2225:Medieval
2215:Japanese
2210:Internet
1415:Tim Page
797:Location
765:Hanslick
18:Hanslick
3142:Austria
3128:Portals
3098:Outline
3013:Related
2880:Poetics
2848:Tragedy
2838:Sublime
2811:Quality
2796:Mimesis
2754:Harmony
2739:Fashion
2714:Ecstasy
2709:Disgust
2625:more...
2594:Scruton
2519:Lyotard
2454:Goodman
2434:Deleuze
2369:Aquinas
2359:Alberti
2332:more...
2311:Realism
2291:Marxism
2271:Fascism
2254:Schools
2240:Science
2195:Ancient
1688:(1940s)
1529:(2000s)
865:at the
706:(ed.).
680:: Music
604:Sources
572:, p.199
292:39 for
236:Dresden
135:of the
3004:(2009)
2994:(1977)
2984:(1946)
2974:(1939)
2964:(1935)
2954:(1934)
2944:(1933)
2934:(1891)
2924:(1835)
2914:(1757)
2781:Kitsch
2759:Humour
2689:Comedy
2667:Beauty
2609:Vasari
2599:Tagore
2574:Ruskin
2514:Lukács
2504:Langer
2449:Goethe
2374:Balázs
2354:Adorno
2235:Nature
2200:Africa
1443:Others
1262:(1919)
828:Source
769:. In:
761:Wagner
651:
568:
343:, 1890
341:Figaro
337:Brahms
275:Mozart
206:Vienna
202:Jewish
194:Prague
66:Prague
3220:Media
3190:Opera
3178:Music
3093:Index
2862:Works
2843:Taste
2833:Style
2614:Wilde
2554:Plato
2549:Pater
2509:Lipps
2469:Hegel
2439:Dewey
2429:Danto
2409:Burke
2230:Music
2205:India
2188:Areas
820:Dates
450:Notes
395:. Of
321:Baden
160:over
2817:Rasa
2775:Kama
2749:Gaze
2684:Camp
2564:Rand
2499:Klee
2489:Kant
2479:Hume
2399:Bell
763:und
728:See
649:ISBN
566:ISBN
391:and
375:the
290:opus
180:and
168:and
77:Died
52:Born
2744:Fun
2524:Man
2444:Fry
874:at
856:at
688:doi
641:doi
399:'s
366:".
230:in
184:.
3252::
2972:"
2962:"
2932:"
2107:c.
1587:c.
883:,
686:.
675:.
647:.
639:.
629:.
560:.
478:^
411:.
323:.
277:,
248:.
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643::
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