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117:, which characterizes this row, is an American variant of the interpretation of early 18th-century English brick architecture Specific details associated with this style include Tudor roses, sunflowers, multi-paneled wood doors and various classical motifs such as swags and wreaths, which often appear on the sheet-metal roof cornices. The characteristic details of the style were frequently combined with other architectural styles."
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106:. The firm incorporated some innovative concepts into their apartment plans such as the "mezzanine plan" or split level apartment, and they provided a greater degree of light and air for their apartments than did most of their contemporaries. Hubert & Pirrson were also actively involved in encouraging the growth of
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of New York City explained that "It was the firm’s designs for this type of building which gained for them fame and prestige." Some of their most famous apartment houses are the
Central Park Apartments or Spanish Flats (now demolished) which had stood on the southeast corner of Seventh Avenue and
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The firm initially designed typical single-family rowhouses and tenements. However, the firm is credited with the
Episcopal Church of the Blessed Disciple in 1870. Still listed as Hubert & Pirrson, the firm submitted designs for The Appleby in October 1879, a French flathouse on the southeast
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The French-born Hubert and the New York City-native
Pirrson, who was trained by an English architect, established their partnership around 1870; the former’s father was the architect and engineer Charles Antoine Colomb Gengembre, while the latter’s father was a well-connected "piano-forte
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In 1870, both men were "listed as the architects for two third-class tenements erected on East 49th Street between First and Second
Avenues under the first name Hubert & Pirrson." Their partnership lasted until Pirrson’s death in 1888.
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New York City, Manhattan
Buildings Department, Dockett Books, N.B. p.769-79; quoted in New York City Landmarks Preservation Commission.
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From
Abyssinian to Zion: A Guide to Manhattan's Houses of Worship.
179:(1882) on Seventh Avenue at Fifty-eighth and Fifty-ninth Streets.
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His most important work was considered the $ 5 million 12-story
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153:(1886–87), six survive of an original ten attached townhouses,
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480:; Postal, Matthew A. (2009). Postal, Matthew A. (ed.).
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Upon
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81:manufacturer and musician who helped to found the
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484:(4th ed.). New York: John Wiley & Sons.
363:New York City Landmarks Preservation Commission.
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508:(4th ed.). New York: Three Rivers Press.
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416:v.36 (1914), pp.74-76.
365:"Designation List 124"
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515:978-0-8129-3107-5
491:978-0-470-28963-1
465:Dunlap, David W.
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