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While his rapid changes of employment might give one the impression of a restless and unfaithful employee, he apparently was highly regarded as an honorable and professional man. What kept him from being in the first rank of composers may have been his succession of employments in backwater areas
110:; in 1611 he returned to Imola, where he stayed for two years; and he returned to CĂ Grande again, in 1615. In 1621 he moved back to Imola to resume his position there yet again; records of his activities end at that point.
114:— for example he never held a post at San Marco, and his stay in Ferrara coincided with the takeover of that formerly avant-garde musical center by the
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eras. He was a prolific composer during the transitional time between the two musical eras, and worked in many cities in northern Italy.
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94:(later in 1603–1606). In 1606 he briefly returned to his post at Cà Grande in Venice, but almost immediately quit and moved to
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style — one of the most distinctive forms of the
Italian early Baroque. His earlier music is mostly in the
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cathedral. For the rest of his life he worked in a number of
Italian cities in a similar capacity: in
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as a boy, but most of his career was spent in northern Italy. In 1582 he took a position as
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at the church of S Antonio there. His succession of appointments continued: in 1610 he was
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Belli's output of sacred music was impressive. He wrote numerous
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22:(c. 1560 – 1621 or later) was an Italian composer of the late
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techniques, in keeping with northern
Italian practice.
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165:; some were famous enough to be anthologized by
183:The New Grove Dictionary of Music and Musicians
219:. New York, W.W. Norton & Co., 1947.
202:. New York, W.W. Norton & Co., 1954.
267:People from the Province of Forlì-Cesena
138:settings, and "sacred concertos" in the
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292:17th-century Italian male musicians
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272:Italian male classical composers
287:17th-century Italian composers
173:References and further reading
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282:Italian Renaissance composers
241:Choral Public Domain Library
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237:Free scores by Giulio Belli
157:His secular music includes
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277:Italian Baroque composers
217:Music in the Baroque Era
200:Music in the Renaissance
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181:: "Belli, Giulio", in
262:17th-century deaths
122:Music and influence
104:maestro di cappella
100:maestro di cappella
52:maestro di cappella
146:style of balanced
150:, though he used
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213:Manfred Bukofzer
70:(1594 or 1595),
46:. He studied in
16:Italian composer
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257:1560s births
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169:in England.
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130:, many with
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116:Papal States
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163:canzonettas
24:Renaissance
251:Categories
152:polychoral
144:Palestrina
140:concertato
98:to become
72:Montagnana
26:and early
159:madrigals
148:polyphony
68:CĂ Grande
90:(1603),
86:(1600),
82:(1599),
78:(1597),
74:(1595),
62:(1591),
40:Longiano
239:in the
84:Ravenna
76:Ferrara
42:, near
28:Baroque
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128:masses
108:Assisi
88:Reggio
64:Venice
48:Naples
136:psalm
96:Padua
92:Forlì
80:Osimo
66:, at
60:Carpi
56:Imola
44:Forlì
221:ISBN
204:ISBN
187:ISBN
161:and
34:Life
106:at
54:at
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