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on 6 December 1667. The date is questionable, but the fact that
Jullien was appointed organist of the cathedral while still very young is indisputable. He occupied this position until his death in Chartres in 1703. He was succeeded at the cathedral by his eldest son, Jean-François Jullien.
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Almost nothing is known about
Jullien's life or training. His burial certificate indicates he was 50 or slightly younger when he died, so he must have been born between 1651 and 1653. It is assumed that he became organist of the
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has a number of interesting features. One of these is that in the preface
Jullien claims to have invented five-voice genres, even though such pieces appeared earlier, in collections by
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A 17th-century engraving of
Chartres. The Chartres Cathedral, where Jullien worked almost his entire life, is on the right, the tallest structure in the picture.
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74:(Paris, 1690). It consists of around 80 pieces (most influenced by
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32:(c. 1651/1653 – 14 September 1703) was a French
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Free scores of the complete organ works, and the Cecile motet.
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The suites also contain several four- and five-voice
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All of
Jullien's surviving music is contained in his
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230:The New Grove Dictionary of Music and Musicians
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136:. Another vocal work by Jullien,
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219:(2001). "Gilles Jullien". In
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