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910:, her most famous opera student, began her studies with Liebling in 1936 when she was just 7 years old. She stated "Miss Liebling was the last surviving pupil of Mathilde Marchesi, one of the great vocal teachers of all time. Because I was so young, Miss Liebling put me through the entire Marchesi school of singing." Sills continued to study with her up until Liebling's death 34 years later, and she described her as a demanding teacher who was strict and formal in lessons, but could also be incredibly kind and maintained an excellent sense of humor. Liebling would often come hear Sills perform at the
576:"the audience had “save its best applause for Miss Liebling” and that "Miss Liebling, who is vocal soloist this season for all of Sousa’s indoor concerts has the artistic temperament, is magnetic, is endowed with a pure soprano voice of exceptional range and adequate power, and is blessed with a most attractive stage presence. displayed warmth, refinement, and finesse. No singer who has appeared in Indianapolis for many seasons has more easily and completely captivated her audience."
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924:, she was then ninety-one. Next morning at seven o'clock my telephone rang. It was Miss Liebling. 'Beverly,' she said sternly, 'that trill in the Jewel Song was very sloppy and slow. I expect you over here by ten o'clock.' I had to agree - the trill had been sloppy and slow. Exhausted as I was that morning after the performance, I got dressed, went to her studio, spent forty-five minutes with her trilling, and when I walked out I had a damned good trill.
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849:. Having never retired, she died on September 25, 1970, at the Hampshire House, 150 Central Park South, in New York City at the age of 90. Her husband and their son, Arthur Jr., both predeceased her in 1953. Her only living family at the time of her death was her grandson, Henry Arthur Mosler, and her great-granddaughter, Alisa Beth Mosler.
647:" possesses a soprano voice of unusual brilliancy and flexibility, and with a very wide compass...clear flute-like quality...and she tripped up and down the chromatic scales and gave the trying staccato passages with no more apparent difficulty than the brilliant bird she was supposed to imitate."
620:" A command performance at Windsor Castle for King Edward VII was the thrill of my young life. We were punctual of course, but His Majesty dawdled over a pinochle game and didn't show up for what seemed hours. It was an all-American program except for our solos - my 'Charmant Oiseau' from David's
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After her marriage
Liebling's performances became less frequent, but she continued to perform periodically for the next two decades. She served as the music director of her own ensemble, the Liebling Singers, with whom she toured the United States. She also toured as a recitalist and lecturer in
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Liebling and the Sousa band continued to perform in
Britain through the middle of April and then proceeded to Paris where they performed a series of concerts beginning on April 19, 1903. This was followed by performances in other European cities in Austria, Belgium, Germany, Holland, Poland, and
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after her manager, Henry
Wolfsohn, managed to successfully promote her as an artist to him. Wolfsohn convinced Sousa to buy another singer out of her contract in order to engage Liebling for his 1902 fall tour. She first sang with Sousa and his band in Atlantic City for matinee and evening
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addition to performing in concert literature with orchestras and working as an arranger and composer. Several encyclopedia publications name her as a soloist in concerts with prominent orchestras, although no dates are given or details of repertoire. These ensembles include the
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from 1936 to 1938. She coached 78 leading singers while they were working at the Met in addition to a busy teaching load of her own students. Many of her pupils were famous, including opera singers, Broadway stars, movie stars, radio performers, and other entertainers.
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Liebling began teaching singing and coaching singers in the 1910s, and continued to do so for over 50 years. She mainly taught out of a private studio in New York City, with the exception of three years teaching as a member of the voice faculty at the
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From
January through July 1903 Liebling toured Europe with Sousa, performing much of the same repertoire she had performed earlier with the band. She was particularly admired for her performances of one new aria, "Charmant oiseau" from
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on June 11 and 18; the same month in which her engagement to A. R. Mosler was announced. After this point, Liebling no longer toured with Sousa, but did occasionally perform with his band in singular guest appearances through 1908.
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After half a year off, Liebling resumed touring with Sousa and his band in April 1904 for a nine-month-long tour of the United States. Some of the stops on this tour included the
Parsons Theatre in Hartford, Connecticut; the
544:. She traveled throughout the United States and Europe as a soprano soloist with Sousa's band from 1902 to 1905 in over sixteen hundred concerts in nine tours. Her first tour was in the fall of 1902 for performances in the
447:, who lived there, snubbed me cruelly, and the conductor and singers would hardly speak to me. It took all my grit to carry through my debut as Lucia and subsequent performances as Queen of the Night and Rosina."
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in London from
January 2 to 11. This was proceeded by performances in Brighton, Reading, Swindon, Stratford-on-Avon, and Leamington over the next five days. On January 17 a private performance was given at
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Estelle
Liebling: An exploration of her pedagogical principles as an extension and elaboration of the Marchesi method, including a survey of her music and editing for coloratura soprano and other voices
801:. Mosler was wealthy, and the couple resided for many years in a luxurious penthouse at 145W 55th Street in the same building where Liebling later established her private voice studio on a lower floor.
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Liebling composed, edited, and arranged music for singers, most often for coloratura sopranos, but also for other voices. A prolific arranger and editor of vocal music for the music publisher
741:. Reviews from this tour were mixed, with some reviewers highly complimentary and others commenting on Liebling's voice sounding tired and worn, or overpowered by Sousa's instrumentalists.
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Russia over the next few months. They returned to
Britain in July 1903 for performances in England, Ireland, and Wales for the conclusion of the European tour. A reviewer in the
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in New York City. Some new repertoire from the tour included Sousa's "Will You Love When the Lilies are Dead?"; a Sousa arrangement of the aria "O rianle nature" from Gounod's
762:. Some of the other stops on this tour included the Queen’s Hall in London and County Hall in Salisbury. After returning to the United States, Sousa's band performed at the
659:, and a concluding run at the Pittsburgh Exposition from September 29 through October 3, 1903. New performance repertoire sung by Liebling during this tour included Sousa’s
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Liebling began her teaching career in the 1910s, not stopping until her death more than 50 years later. Her pedagogy was rooted in the tradition of her teacher
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632:' - they were never allowed to get away without it. I used to stand in the wings and warm up by singing along with the flutes. Sousa always seemed amused."
628:'s 'Zigeunerweisen'. Maud was already considered the leading woman violin virtuoso in the world. The King asked for encores. Naturally the band played '
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repertoire has had a lasting impact, with musicologist Sean M. Parr stating that
Liebling "codified many traditional coloratura cadenzas".
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Liebling's pedagogy was rooted in the tradition of her teacher
Mathilde Marchesi, and continued in the tradition of Marchesi's teacher
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Liebling died at the age of 90, and Sills made an error on the age of her teacher. Her performance annals indicate she was performing
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which was a showpiece for both her coloratura soprano and Sousa band flutist Marshall Lufsky. The tour began with performances at the
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and following a vocal course divided into three parts: "vocal mechanism", "vocal studies", and "diction". She utilized a three
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885:. Much of the pedagogy espoused by Liebling in these volumes is comparable to the pedagogy articulated by Marchesi in her
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From January 6 through May 3, 1905, Liebling toured the British Isles with Sousa and his band. The tour commenced at the
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texts, she is considered one of the most influential voice instructors and vocal pedagogy authors of the 20th century.
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from 1968-1970 at the New York City Opera, making Liebling's possible age between 88 and 90 at the time of this event.
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After a month off, Liebling rejoined Sousa and his band for another fall tour in the United States which began in
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musicologist Sean M. Parr stated her publications and teachings "codified many traditional coloratura cadenzas".
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in the 1930s. During her career she was the vocal coach or voice teacher of 78 principal singers at the Met.
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Born into the Liebling family of musicians, she began her professional opera career in Dresden as a leading
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and his band. After her marriage in 1906, she performed only occasionally in the succeeding two decades.
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Many of her students were famous singers and entertainers or other public figures, including sopranos
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889:(1887), and provides a written record of Liebling's continuation of Marchesi's pedagogical approach.
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American soprano, composer, arranger, music editor, and celebrated voice teacher and vocal coach
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Anne Marie Weaver (2016). "The Soprano and the Nightingale: Aleksandr Alyabyev's "Solovey"".
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and had successful careers as pianists and composers. Two of her three brothers, James and
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333:(1845-1927) and Matilde Liebling (née de Perkiewicz). Her father and his three brothers,
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Margalit Fox (August 16, 2012). "Joan Roberts Dies at 95; Original 'Oklahoma!' Star".
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Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth Century Opera
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In 1905 Liebling married the engineer Arthur Rembrandt Mosler, the son of painter
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The Aria: Renaissance and Baroque, from the Parisotti Collection, vol. 1 and 2
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The Estelle Liebling Vocal Course for Baritone, Bass Baritone and Bass (basso)
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on May 21, 1905, with Liebling singing "Where is Love?" from Sousa's operetta
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on February 24, 1902. She returned to the Met in 1903 as Musetta in Puccini's
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The Estelle Liebling Vocal Course for Soprano: Coloratura, Lyric and Dramatic
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2639:"A Splendid Group of American Girls": The Women who Sang with the Sousa Band
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with an added flute obbligato by Marshall Lufsky and a band arrangement by
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2684:"Anatomy of a Preservation Project: The Sousa and Clarke Archives at UIUC"
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conducting. She was heard again at the Met in 1904 as a Flower Maiden in
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and a 1941 revised edition of the vocalises written by Marchesi (titled
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in 1898 when she was just 18 years old. She sang with several important
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Danner, Phyllis; Coppen, David Peter; Werner, Ann Marie (Spring 1998).
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1629:"Mother Dear", Polish folk song with English words by Yvonne Ravell (
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in Indianapolis in which she performed "The Bell Song" from Delibes'
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Liebling made her professional opera debut in September 1900 at the
1703:"No quiero casarme" (No, I'd rather be single), Spanish Folk Song (
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The Estelle Liebing Vocal Course for Lyric Tenor and Dramatic Tenor
501:
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2907:"Meryl Streep explains how her opera training helps vocal control"
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The Estelle Liebling Vocal Course for Mezzo-soprano and Contralto
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The Incredible Band of John Philip Sousa (Music in American Life)
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The Estelle Liebling Vocal Course for Mezzo-soprano and Contralto
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in Mitchell, South Dakota; the Grand Theatre in Sioux City Iowa;
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by Johann Strauss, the aria "A vos jeux, mes amis" from Thomas's
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performances on Saturday, August 9, 1902, in which she performed
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2444:"Estelle Liebling Dies Here at 90; Was a Leading Operatic Coach"
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for voice and piano with English text by her pupil Ralph Blane (
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1643:"Bocherini, Liebling Minuet", an adaptation of the minuet from
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1412:"Faustiana-a vocal fantasy based on ballet music from Gounod's
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I remember one night when she came to hear me do Marguerite in
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before returning to the United States to make her debut at the
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1799:"Ah! tardai troppo ... O luce di quest' anima" from the opera
772:. Her final appearances with Sousa's band in 1905 were at the
1745:"Ah! non credea mirarti ... Ah. non giunge" from the opera
182:, arranger, music editor, and celebrated voice teacher and
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Quaintance Eaton (March 1, 1969). "First Lady of Voice".
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in Baltimore; the Peck Theatre in Buffalo, New York; the
685:", and "Go To Sleep, Slumber Deep" from Victor Herbert's
1836:"Sorta è la notte ... Ernani, involami!" from the opera
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for coloratura soprano and piano with text by Vera Bloom
748:, and featured Liebling performing Isabella's aria from
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and their guests. On January 31 they performed for King
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in New York City, Liebling was the daughter of composer
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of Liebling's performance on her British tour stated:
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In particular, her influence on the interpretation of
174:(April 21, 1880 – September 25, 1970) was an American
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The International Encyclopedia of Music and Musicians
1636:"Souvenir Waltz", arrangement of Johann Strauss II's
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In 1963 Liebling was awarded an honorary degree from
375:, she continued further studies with Melba's teacher
1482:", as sung by Mme. Amelita Galli-Curci" by composer
2803:Estelle Liebling (1956). Bernard Whitefield (ed.).
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1938:"C'est bien l'air que chaque matin" from the opera
1862:"Au bord du chemin ... Voix légère" from the opera
1358:Estelle Liebling (1956). Bernard Whitefield (ed.).
1345:Estelle Liebling (1956). Bernard Whitefield (ed.).
1332:Estelle Liebling (1956). Bernard Whitefield (ed.).
1319:Estelle Liebling (1956). Bernard Whitefield (ed.).
914:, and critique what she was hearing. Sills stated,
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1714:" ("Der Hölle Rache kocht in meinem Herzen") from
1167:Entertainers outside opera and other famous pupils
415:. Speaking of her early experiences in Dresden to
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2770:Oscar Thompson, ed. (1964). "Liebling, Estelle".
1732:Thirty Vocalises for High or Medium Voice, op. 32
1288:Music: Art Music and Literature Keep Memory Alive
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359:for many years and had trained as a pianist with
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1286:Estelle Liebling and Laurence B. Ellert (1940).
869:(1956) with each volume focusing on a different
616:. Speaking of that experience, Liebling stated,
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1788:"Par le rang et par l'opulence" from the opera
1775:"Chacun le sait" from the opera from the opera
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1762:"Allons vite ... Ombre légère" from the opera
1432:"Hast Thou. O Night? - A Nocturne", poetry by
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2517:International encyclopedia of women composers
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1992:"The Legend of the Violin", an adaptation of
1825:"Vocal Studies in Bravura", six vocalises by
1812:"Ah, fors' e lui che l'anima" from the opera
1493:"Se saran rose" ("Springtime Waltz Song") by
1371:Estelle Liebling (1963). Ruggero Vené (ed.).
865:texts, including the four-volume method book
725:; the aria "Una voce poco fa" from Rossini's
675:, the aria "Legere hirondelle" from Gounod's
209:. From 1902 to 1904 she was committed to the
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2661:. University of Illinois Press. p. 67.
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1573:"None he loves but me - Swiss Echo Song" by
1382:Diva Bravura - Coloratura and Operatic Arias
2688:Sonneck Society for American Music Bulletin
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2753:ASCAP Biographical Dictionary, 4th edition
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1398:"Indian Love Song" (John Church Co., 1904)
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1556:"Nobles seigneurs, salut" from the opera
3024:American people of German-Jewish descent
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1901:"Mercè, dilette amiche" from the opera
1532:with English text by Alfred de Musset (
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548:. One of the stops on that tour was at
409:and the Queen of the Night in Mozart's
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1951:"Confiado Gilguerillo" from the opera
1297:The Estelle Liebling Coloratura Digest
894:The Estelle Liebling Coloratura Digest
887:Méthode de chant théorique et pratique
877:understanding of the voice mechanism:
294:and the author of several influential
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1925:"O légère hirondelle" from the opera
1664:with English text by Philippe Gille (
1248:Robert Shafer, Broadway musical actor
602:Francis Greville, 5th Earl of Warwick
538:, and the mad scene from Donizetti's
519:Liebling became a favored soprano of
2573:from the original on August 12, 2018
2117:
2039:
1914:"Son verain vezzosa" from the opera
1671:"Theme and Variations, Op. 164." by
1309:Fifteen Arias for Coloratura Soprano
861:. She published several influential
371:in Berlin. Listening to advice from
165:Matilde Liebling (née de Perkiewicz)
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2456:from the original on April 19, 2021
2407:
1712:The Queen of Night's Vengeance Aria
1539:"Ardon gli incensi" from the opera
1504:"Ah! Je veux vivre" from the opera
606:Daisy Greville, Countess of Warwick
439:to the effect that I would replace
393:in Dresden as the title heroine in
13:
2864:"Beverly Sills Performance Annals"
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1584:"Una voce poco fa" from the opera
1405:for coloratura soprano and piano (
1364:Chappell And Intersong Music Group
1351:Chappell And Intersong Music Group
1338:Chappell And Intersong Music Group
1325:Chappell And Intersong Music Group
572:review of the performance stated:
514:
14:
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3014:Curtis Institute of Music faculty
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2940:Journal of Musicological Research
2919:from the original on May 12, 2021
2870:from the original on May 25, 2021
2523:from the original on May 20, 2021
2105:from the original on May 12, 2021
1979:"O riante nature" from the opera
1446:"Je suis Titania" from the opera
892:Other influential texts included
867:The Estelle Liebling Vocal Course
852:
703:; the Pittsburgh Exposition; the
505:and as the 2nd Genie in Mozart's
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2548:. December 14, 1901. p. 12.
2099:The Encyclopedia of Jewish Women
1968:"I'll Be No Submissive Wife" by
1436:(Galaxy Music Corporation, 1952)
1429:(Galaxy Music Corporation, 1950)
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382:in Paris. She was a graduate of
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2727:
2710:
2675:
2637:Kreitner, Mona Bulpitt (2007).
2095:"Estelle Liebling: 1880 – 1970"
2016:
789:Estelle Liebling (c. 1920–1925)
2535:
2504:
1892:Voci di Primavera - Waltz Song
1392:
847:Fairleigh Dickinson University
781:Later life and teaching career
711:in Kansas City, Missouri; the
1:
2999:20th-century American singers
2952:10.1080/01411896.2016.1116349
2792:. Dembner Books. p. 246.
2641:(PhD). University of Memphis.
2395:Dean Fowler, Alandra (1994).
2032:
1849:"Oui la voce" from the opera
630:The Stars and Stripes Forever
283:; and Hollywood gossip queen
2093:Charlotte Greenspan (2009).
1521:"II Bacio" by Luigi Arditi (
1279:
819:Leipzig Gewandhaus Orchestra
769:Chris and the Wonderful Lamp
746:Philharmonic Hall, Liverpool
7:
3039:20th-century American women
2567:Metropolitan Opera Archives
1696:"Ecstacy" by Luigi Arditi (
1401:"Straussiana" on themes by
566:on September 18, 1902. The
309:Early life and opera career
10:
3055:
3029:Singers from New York City
3004:American operatic sopranos
1638:Souvenir de Nizza, Op. 200
839:Curtis Institute for Music
653:Willow Grove, Pennsylvania
425:in 1969, Liebling stated:
2846:Bubbles - A Self-Portrait
2723:: 19. September 19, 1902.
1528:"Les filles de Cadix" by
1380:Estelle Liebling (1963).
1307:Estelle Liebling (1944).
1295:Estelle Liebling (1943).
928:
226:Curtis Institute of Music
197:in Europe, including the
157:
130:
97:
77:
61:
42:
30:
23:
2788:Robert Rushmore (1984).
2655:Paul E. Bierley (2006).
2010:
1653:for coloratura soprano (
1618:"Carnival of Venice" by
1599:Caro nome che il mio cor
1275:Publications by Liebling
764:Metropolitan Opera House
546:Midwestern United States
37:Estelle Liebling in 1928
3034:American voice teachers
2740:: 15. January 20, 1903.
2542:"Of Musical Interest".
2511:Aaron I. Cohen (1987).
2488:Oxford University Press
1879:"Should He Upbraid" by
1290:. Willis Music Company.
997:Rosario GarcĂa Orellana
797:whose family owned the
532:, Alexander Alyabyev's
3009:American vocal coaches
2452:. September 26, 1970.
1894:by Johann Strauss II (
1865:Les noces de Jeannette
1660:"Chant de l'almée" by
926:
831:Philadelphia Orchestra
790:
738:Les noces de Jeannette
701:St. Louis World's Fair
649:
634:
578:
449:
365:Selma Nicklass-Kempner
318:
317:Estelle Liebling, 1901
3019:Hunter College alumni
2976:at Wikimedia Commons
2850:Bobbs-Merrill Company
2751:"Liebling, Estelle".
2720:Indianapolis Sentinel
2480:Sean M. Parr (2021).
2401:University of Arizona
1999:Hungarian Dance No. 5
1587:The Barber of Seville
1441:As editor or arranger
916:
823:New York Philharmonic
788:
728:The Barber of Seville
681:, Ethelbert Nevin's "
645:
618:
574:
569:Indianapolis Sentinel
427:
406:The Barber of Seville
345:, were all pupils of
316:
2915:. February 7, 2012.
2776:Dodd, Mead & Co.
1970:George Alexander Lee
1790:La Fille du RĂ©giment
1778:La Fille du RĂ©giment
1425:"Philomel", text by
1229:Irene Mayer Selznick
715:in Los Angeles; and
465:Marguerite de Valois
457:Staatsoper Stuttgart
281:Irene Mayer Selznick
207:Staatsoper Stuttgart
2734:"Music In Review".
2694:(2). Archived from
2513:"Liebling, Estelle"
1985:by Charles Gounod (
1931:by Charles Gounod (
1542:Lucia di Lammermoor
1427:William Shakespeare
1053:Virginia MacWatters
1002:Annunciata Garrotto
987:Amelita Galli-Curci
912:New York City Opera
902:Columbia University
807:Berlin Philharmonic
799:Mosler Safe Company
774:New York Hippodrome
541:Lucia di Lammermoor
400:Lucia di Lammermoor
237:Amelita Galli-Curci
72:New York City, U.S.
56:New York City, U.S.
2892:The New York Times
2811:Chappell & Co.
2717:"Tomlinson Hall".
2563:"Estelle Liebling"
2449:The New York Times
1982:Philémon et Baucis
1904:I vespri siciliani
1827:Francesco Lamperti
1802:Linda di Chamounix
1683:Bravura Variations
1469:Aleksandr Alyabyev
1208:Jessica Dragonette
1114:Elisabeth Rethberg
954:Rosemarie Brancato
791:
722:Philémon et Baucis
683:Mighty Lak' a Rose
661:Maid of the Meadow
657:Indiana State Fair
588:La Perle du Brésil
530:Chanson de Florian
489:Giuseppe Campanari
461:Metropolitan Opera
369:Stern Conservatory
319:
303:coloratura soprano
259:; Wagnerian tenor
211:Metropolitan Opera
191:coloratura soprano
138:Metropolitan Opera
85:Stern Conservatory
65:September 25, 1970
2972:Media related to
2912:Los Angeles Times
2790:The Singing Voice
2497:978-0-19-754264-4
2004:G. Schirmer, Inc.
1987:G. Schirmer, Inc.
1974:G. Schirmer, Inc.
1963:G. Schirmer, Inc.
1959:José de Cañizares
1946:G. Schirmer, Inc.
1933:G. Schirmer, Inc.
1920:G. Schirmer, Inc.
1909:G. Schirmer, Inc.
1896:G. Schirmer, Inc.
1885:G. Schirmer, Inc.
1874:G. Schirmer, Inc.
1857:G. Schirmer, Inc.
1844:G. Schirmer, Inc.
1831:G. Schirmer, Inc.
1820:G. Schirmer, Inc.
1807:G. Schirmer, Inc.
1794:G. Schirmer, Inc.
1783:G. Schirmer, Inc.
1770:G. Schirmer, Inc.
1757:G. Schirmer, Inc.
1740:G. Schirmer, Inc.
1736:Mathilde Marchesi
1726:G. Schirmer, Inc.
1705:G. Schirmer, Inc.
1698:G. Schirmer, Inc.
1691:G. Schirmer, Inc.
1677:G. Schirmer, Inc.
1666:G. Schirmer, Inc.
1655:G. Schirmer, Inc.
1631:G. Schirmer, Inc.
1624:G. Schirmer, Inc.
1613:G. Schirmer, Inc.
1601:" from the opera
1592:G. Schirmer, Inc.
1579:G. Schirmer, Inc.
1568:G. Schirmer, Inc.
1564:Giacomo Meyerbeer
1551:G. Schirmer, Inc.
1547:Gaetano Donizetti
1534:G. Schirmer, Inc.
1523:G. Schirmer, Inc.
1516:G. Schirmer, Inc.
1507:Romeo et Juliette
1499:G. Schirmer, Inc.
1488:G. Schirmer, Inc.
1484:Johann Strauss II
1473:G. Schirmer, Inc.
1458:G. Schirmer, Inc.
1420:G. Schirmer, Inc.
1403:Johann Strauss II
1386:G. Schirmer, Inc.
1375:. Franco Colombo.
1313:G. Schirmer, Inc.
1301:G. Schirmer, Inc.
1224:Gertrude Lawrence
979:Colette D'Arville
964:Stefano Ballarini
827:New York Symphony
760:Herbert L. Clarke
755:Le pre aux clercs
713:Hazard's Pavilion
521:John Philip Sousa
491:as Marcello, and
481:Marcella Sembrich
445:Marcella Sembrich
395:Gaetano Donizetti
380:Mathilde Marchesi
292:G. Schirmer, Inc.
273:Gertrude Lawrence
222:Mathilde Marchesi
215:John Philip Sousa
169:
168:
148:John Philip Sousa
143:G. Schirmer, Inc.
3046:
2974:Estelle Liebling
2971:
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2705:
2703:
2698:on July 20, 2011
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2110:
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2027:
2020:
1941:L'Ă©toile du nord
1753:Vincenzo Bellini
1645:Luigi Boccherini
1575:Karl A.F. Eckert
1388:
1376:
1367:
1354:
1341:
1328:
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1303:
1291:
1146:Charlotte Symons
1086:Devora Nadworney
1049:Elsie MacFarlane
1026:Walter Kirchhoff
992:Alfredo Gandolfi
898:Thirty Vocalises
815:Detroit Symphony
750:Ferdinand HĂ©rold
688:Babes in Toyland
666:Voices of Spring
436:New York Tribune
417:Quaintance Eaton
361:Leopold Godowsky
351:Leonard Liebling
172:Estelle Liebling
68:
52:
50:
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25:Estelle Liebling
21:
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2490:. p. 247.
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2017:
2013:
1994:Johannes Brahms
1721:The Magic Flute
1620:Julius Benedict
1480:The Blue Danube
1465:The Nightingale
1454:Ambroise Thomas
1443:
1395:
1282:
1277:
1272:
1263:Margaret Truman
1234:Louella Parsons
1199:Artells Dickson
1169:
1164:
1058:Dorothee Manski
1045:Joseph Macaulay
974:Josepha Chekova
969:Beatrice Belkin
936:
931:
855:
811:Boston Symphony
783:
709:Convention Hall
622:Perle de Bresil
526:Benjamin Godard
517:
515:Work with Sousa
508:The Magic Flute
467:in Meyerbeer's
412:The Magic Flute
356:Musical Courier
311:
285:Louella Parsons
249:Margaret Truman
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875:vocal register
863:vocal pedagogy
854:
853:Vocal pedagogy
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782:
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614:Windsor Castle
598:Warwick Castle
583:Felicien David
550:Tomlinson Hall
516:
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497:Richard Wagner
441:Erika Wedekind
431:Henry Krehbiel
384:Hunter College
343:Solly Liebling
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296:vocal pedagogy
257:Alexander Sved
245:Kitty Carlisle
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1259:Nina Tarasova
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1220:, cafe singer
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1216:
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1197:
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1194:Joan Crawford
1192:
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1189:Betty Compton
1187:
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1177:
1175:
1174:Adele Astaire
1172:
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1150:Jean Tennyson
1148:
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1109:Marie Rappold
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950:Tilly Barmach
949:
947:
946:Grace Angelau
944:
942:
941:Selma Amansky
939:
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934:Opera singers
925:
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485:Enrico Caruso
482:
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453:Opéra-Comique
448:
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377:mezzo-soprano
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269:Joan Crawford
266:
265:Adele Astaire
262:
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241:Maria Jeritza
238:
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233:Beverly Sills
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131:Organizations
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118:Voice teacher
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2943:
2939:
2933:
2921:. Retrieved
2910:
2901:
2890:
2884:
2872:. Retrieved
2858:
2845:
2813:p. 13.
2805:
2798:
2789:
2783:
2771:
2765:
2757:R. R. Bowker
2752:
2746:
2735:
2729:
2718:
2712:
2700:. Retrieved
2696:the original
2691:
2687:
2677:
2657:
2638:
2575:. Retrieved
2566:
2543:
2537:
2525:. Retrieved
2516:
2506:
2482:
2458:. Retrieved
2447:
2396:
2134:
2107:. Retrieved
2098:
2023:
2018:
1997:
1980:
1952:
1939:
1926:
1915:
1902:
1881:Henry Bishop
1870:Victor Massé
1863:
1855:by Bellini (
1850:
1837:
1813:
1800:
1789:
1776:
1763:
1746:
1731:
1719:
1687:Adolphe Adam
1682:
1648:
1637:
1602:
1590:by Rossini (
1585:
1557:
1540:
1505:
1495:Luigi Arditi
1447:
1434:Eugene Field
1413:
1381:
1372:
1359:
1346:
1333:
1320:
1308:
1296:
1287:
1252:Meryl Streep
1239:Joan Roberts
1160:June Winters
1119:Anne Roselle
1100:Julia Peters
1081:Maria MĂĽller
1071:Mary Mellish
1007:Hope Hampton
919:
917:
906:
897:
893:
891:
886:
866:
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844:
835:
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795:Henry Mosler
792:
767:
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736:
733:Victor Massé
726:
720:
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676:
670:
664:
660:
650:
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635:
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619:
593:Queen's Hall
586:
579:
575:
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563:
559:
553:
539:
533:
529:
518:
506:
500:
493:Arturo Vigna
487:as Rodolfo,
474:
468:
450:
443:in Dresden.
434:
428:
420:
410:
404:
398:
388:
373:Nellie Melba
354:
331:Max Liebling
321:Born into a
320:
300:
289:
279:; socialite
277:Meryl Streep
267:; actresses
251:; baritones
230:
219:
195:opera houses
188:
171:
170:
162:Max Liebling
115:Music editor
67:(1970-09-25)
18:
2994:1970 deaths
2989:1880 births
2737:Burton Mail
2702:October 23,
1818:by Verdi (
1815:La traviata
1662:LĂ©o Delibes
1530:LĂ©o Delibes
1393:As composer
1268:Iva Withers
1179:Ralph Blane
1133:Jane Shoaff
1124:Titta Ruffo
1104:Irra Petina
1076:Lucy Monroe
1067:Conrad Mayo
705:Corn Palace
640:Burton Mail
626:Maud Powell
347:Franz Liszt
327:57th Street
253:Titta Ruffo
184:vocal coach
122:Vocal coach
98:Occupations
2983:Categories
2136:Opera News
2033:References
1916:I Puritani
1907:by Verdi (
1852:I Puritani
1842:by Verdi (
1213:Doris Duke
1040:Max Lorenz
871:voice type
610:Edward VII
558:, Sousa's
422:Opera News
391:Semperoper
325:family on
261:Max Lorenz
205:, and the
203:Semperoper
49:1880-04-21
1918:Bellini (
1718:'s opera
1604:Rigoletto
1280:As author
1129:Joan Ruth
483:as Mimì,
476:La bohème
463:(Met) as
263:; dancer
158:Parent(s)
78:Education
2917:Archived
2868:Archived
2844:(1976).
2571:Archived
2521:Archived
2454:Archived
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2103:Archived
1928:Mireille
678:Mireille
502:Parsifal
455:and the
180:composer
112:Arranger
109:Composer
2923:May 12,
2874:May 25,
2759:. 1980.
2577:May 11,
2527:May 20,
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564:Solovey
535:Solovey
433:in the
367:at the
176:soprano
150:'s band
105:Soprano
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1839:Ernani
1716:Mozart
1449:Mignon
1407:Fisher
929:Pupils
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672:Hamlet
562:, and
341:, and
335:George
323:Jewish
275:, and
247:, and
201:, the
2024:Faust
2011:Notes
1467:" by
1415:Faust
921:Faust
879:chest
555:Lakmé
479:with
2925:2021
2876:2021
2815:ISBN
2704:2003
2692:XXIV
2663:ISBN
2579:2021
2529:2021
2492:ISBN
2462:2021
2111:2021
883:head
624:and
604:and
600:for
339:Emil
255:and
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43:Born
2948:doi
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