335:, to frame a likely culprit. To some extent, his maverick attitude has allowed him to steer clear of such situations and make his own moral decisions. On the other hand, many people (including Cafferty himself) assume that he is Cafferty’s tool. While Siobhan is very aware of the potential for corruption, she could never be part of the “brotherhood” and, with the advent of a more educated police force, the concept of “us against them” is foreign to her. Laura Severin comments,
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329:. Todd Goodyear, Siobhan’s enthusiastic disciple, provides both Rebus and Clarke with food for thought about how the police has changed since Rebus joined (and also since Clarke joined). Rebus began his career in a world where even good policemen lied on the witness stand to protect each other or, as in the Spaven case described in
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definition of herself is pragmatic rather than heroic and therefore not dependent on whether
Cafferty lives or dies. This last scene illustrates that Rebus has an investment in a patriarchy structured around evil and good, while Clarke … is already an inhabitant of a postpatriarchal world more alert
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are investigating the death of a famous
Russian exile poet who was mugged and beaten to death on King's Stables Road. Then a sound recordist with close ties to the dead Russian poet dies at home in an arson fire. Rebus discovers that the dead poet had eaten his last meal with the recordist, then had
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Rebus is suspended for insulting a powerful
Scottish banker in the presence of the Chief Constable. He continues to pursue his hunches, however, often with Clarke's collusion. At one point he meets Cafferty alone; Cafferty is attacked immediately afterwards, and Rebus is carefully framed for it. On
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Meanwhile DS Siobhan Clarke, on the cusp of promotion to DI and given charge of the case, tries to find her own way, both dreading and looking forward to losing her mentor. She takes on a protégé of her own, a street cop from a family involved with petty crime, Todd
Goodyear.
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his last day on the job, however, Rebus succeeds in disentangling his suspicions and identifies the killers of the poet and the sound recordist. It takes him a little longer to discover who framed him for the attack on
Cafferty.
289:“may be the final book” and offers two possible endings: Rebus kissed emphatically by (presumably) Siobhan Clarke, or Rebus stabbed mortally by a dying Cafferty. The book’s actual ending is more ambivalent, a kind of anti-
273:'s retirement at the age of 60. Rankin had been looking forward to this event at least since 2000, when he commented in an interview that Rebus “lives in real time; he was 38 in
285:) he thought frequently about his upcoming retirement. Rankin appeared ambivalent about whether the book series would end with Rebus’s retirement; in a video clip, he says
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and he's 52 now. He'll have to retire at 55.” Rebus in fact postponed retirement until age 60 (November 2006), clinging to his job, although in the two previous books (
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Fox will be pragmatic rather than heroic, and as an investigator even more outside the brotherhood of police detectives than
Siobhan, as a woman officer.
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250:. Rebus finds Cafferty's hand in many schemes (drugs, abusive landlord practices), but the biggest ones involve real estate and are quite legitimate.
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The character of
Malcolm Fox, who is assigned to “the Complaints” or Internal Affairs investigating police corruption, is well-prepared for in
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Reviewers noted that the finality of Rebus’s retirement could always be modified: see Mark Lawson’s review of the “potentially final novel,”
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Laura
Severin, “’Out from the Mentor’s Shadow’: Siobhan Clarke and the Feminism of Ian Rankin’s
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In fact, Rankin did not publish another Rebus novel for five years; he continued to write about
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Crime
Thriller Award for Author of the Year, 2008 (awarded to Ian Rankin).
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This article is about the Ian Rankin novel. For the Radiohead song, see
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205:. It was published on 6 September 2007. The book is named after the
316:(2011), before bringing Rebus back as a co-protagonist with Fox in
238:, Rebus's gangster nemesis, in a bar where Cafferty was meeting a
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145:
389:"January interviews Ian Rankin: The Accidental Crime Writer"
39:
356:
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414:In this video, Rankin says that Rebus was 40 in
340:to social, cultural and political complexities.
293:in which Rebus resuscitates a dying Cafferty.
221:The novel takes place on November 15-27, 2006;
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23:. For the Radiohead tribute album, see
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366:Ian Rankin announces the title at the
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368:Edinburgh International Book Festival
387:Pierce, K. Kingston (January 2000).
410:"Ian Rankin talks about Exit Music"
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25:Exit Music: Songs with Radio Heads
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1223:A Good Hanging and Other Stories
748:A Good Hanging and Other Stories
504:Ian Rankin reads the opening to
1144:Standing in Another Man's Grave
688:Standing in Another Man's Grave
511:Guardian Unlimited's Books Blog
469:Allen, Katie (6 October 2008).
319:Standing in Another Man's Grave
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176:Standing in Another Man's Grave
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457:Clues: A Journal of Detection
408:Orion Books (6 August 2007).
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225:'s last day in the Edinburgh
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459:28.2, Fall 2010, pp. 92-93.
10:
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1204:A Heart Full of Headstones
1152:Saints of the Shadow Bible
730:A Heart Full of Headstones
695:Saints of the Shadow Bible
229:is November 25. Rebus and
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16:Crime novel by Ian Rankin
1332:Novels set in Edinburgh
1215:Short story collections
740:Short story collections
211:Exit Music (For a Film)
194:in the internationally
1327:Inspector Rebus novels
1096:The Naming of the Dead
834:The Naming of the Dead
674:The Naming of the Dead
429:“Retirement Present.”
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283:The Naming of the Dead
236:Morris Gerald Cafferty
163:The Naming of the Dead
1160:Even Dogs in the Wild
702:Even Dogs in the Wild
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1284:Death is Not the End
1322:2007 British novels
1168:Rather Be the Devil
1136:The Impossible Dead
1123:(2009, Quick Reads)
1080:A Question of Blood
799:A Question of Blood
709:Rather Be the Devil
660:A Question of Blood
313:The Impossible Dead
275:Knots & Crosses
248:Scottish Parliament
201:series, written by
190:is the seventeenth
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1197:William McIlvanney
1176:In a House of Lies
1040:The Hanging Garden
716:In a House of Lies
625:The Hanging Garden
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246:official from the
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1337:Orion Books books
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1088:Fleshmarket Close
936:Knots and Crosses
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877:
841:Knots and Crosses
667:Fleshmarket Close
569:Knots and Crosses
475:theBookseller.com
416:Knots and Crosses
304:, in two novels,
291:Reichenbach Falls
279:Fleshmarket Close
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182:
138:978-0-7528-6860-8
108:Publication place
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1294:Related articles
1239:The Beat Goes On
1192:The Dark Remains
1072:Resurrection Men
1032:Black & Blue
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755:The Beat Goes On
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618:Black & Blue
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477:. Archived from
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103:6 September 2007
99:Publication date
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1056:Set in Darkness
1008:Bleeding Hearts
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483:. Retrieved
479:the original
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217:Plot summary
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1120:A Cool Head
310:(2009) and
302:Malcolm Fox
196:bestselling
192:crime novel
92:Orion Books
33:Exit Music
21:OK Computer
1316:Categories
1112:Doors Open
1104:Exit Music
1048:Dead Souls
1024:Blood Hunt
992:Witch Hunt
976:Strip Jack
913:Ian Rankin
806:Strip Jack
794:(2000–07)
783:Television
774:John Rebus
766:Characters
681:Exit Music
632:Dead Souls
590:Strip Jack
547:Ian Rankin
506:Exit Music
453:Exit Music
374:References
327:Exit Music
287:Exit Music
267:Exit Music
203:Ian Rankin
187:Exit Music
54:Ian Rankin
1258:Dark Road
1064:The Falls
928:The Flood
911:Works by
646:The Falls
485:6 October
435:See also
298:Edinburgh
269:includes
207:Radiohead
152:122283613
88:Publisher
952:Westwind
944:Watchman
322:(2012).
111:Scotland
60:Language
63:English
1286:(1998)
1269:(2018)
1261:(2013)
1242:(2014)
1234:(2002)
1226:(1992)
1207:(2022)
1187:(2020)
1179:(2018)
1171:(2016)
1163:(2015)
1155:(2013)
1147:(2012)
1139:(2011)
1131:(2009)
1115:(2008)
1107:(2007)
1099:(2006)
1091:(2004)
1083:(2003)
1075:(2002)
1067:(2001)
1059:(2000)
1051:(1999)
1043:(1998)
1035:(1997)
1027:(1995)
1019:(1995)
1011:(1994)
1003:(1994)
995:(1993)
987:(1993)
979:(1992)
971:(1992)
963:(1991)
955:(1990)
947:(1988)
939:(1987)
931:(1986)
920:Novels
561:Novels
555:series
348:Awards
244:Labour
242:and a
209:song "
178:
165:
68:Series
50:Author
1250:Plays
861:Stage
850:Rebus
791:Rebus
271:Rebus
223:Rebus
124:Pages
119:Print
78:Genre
487:2008
357:ITV3
281:and
146:OCLC
133:ISBN
549:'s
509:on
455:,”
353:Won
227:CID
213:".
127:496
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27:.
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