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expression on his face, no matter how funny his lines may be; for let the actor realize that his lines are funny and laugh at them, ever so little, himself, and his audience immediately will freeze up. Consequently, in my impersonations, for example, I seriously study the person I wish to imitate and rehearse the impersonation many times in the serious vein, before I even attempt to give it a humorous twist. Then I try to insert the humor while still in the character of the person I am portraying. Thus, the basis of actuality is given to the impersonation.
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sketch that they wrote was called "The
Messenger Boy and the Thespian"; even after Dunne left the act, Willie and Eugene continued to perform this routine. Eugene and Willie built their reputation in vaudeville over the next decade, often billed as the Howard Brothers. They wrote a sketch that they toured widely, early on, called "The Porter and the Salesman". After a few years together, the brothers were earning high fees on the Orpheum circuit, and young Willie became the acknowledged leader of the act.
57:
184:, who taught his sons to sing, hoping that they would follow his profession. However, both boys became intrigued by performing. The brothers, especially Willie, performed at amateur night shows at local burlesque houses. Their father was disappointed with their performing activity. He wanted Eugene to be a doctor and worried about Willie because he misbehaved in school. Their father changed his attitude when he saw them achieve success and even asked them for advice on how to get into show business.
252:), and rapid-fire comedy crosstalk. Diminutive, wild-haired, slumping Willie often portrayed a troublesome servant, such as a waiter or a bellhop, while well-fed, well-dressed Eugene, the straight man, played a self-satisfied authority figure, such as a manager, businessman or a customer. Willie assayed foreign accents, such as Spanish, Scottish, French, Russian, and Chinese, but always laced with his Yiddish dialect, and also did impressions of popular vocalists, such as
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220:(1901), but he was dismissed after the opening night, as his voice had begun to change. To compensate for the temporary loss of his singing voice, he began doing impersonations and started using the stage name Willie Howard. At one point in that formative year of 1901, he considered taking up boxing and appeared briefly as "Kid Lefko." He attended
268:. Their most famous comic routines "included 'French Taught in a Hurry' in which did rapid doubletalk; 'Quartets from Rigoletto' , which would perform with large, buxom ladies ( stealing glances at their breasts the whole time); and 'Comes the Revolution', in which would play a radical agitator" on a soapbox and Eugene would play a heckler.
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declined to relocate from the west coast, leaving
Educational without a name comedian for the new season. The New York-based Willie Howard was signed, and he made several short comedies in which he appeared as the hapless Frenchman Pierre Ginsbairge, complete with beret, mustache, and goatee. This
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ll fun-making must be well grounded and serious in its conception, and it is this basic seriousness of fun that leads to the best laugh production, which, after all, is the final test of all humor, on stage or off. In proof of this, you will notice that any good comedian always maintains a serious
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Eugene and Willie then performed briefly with their middle brother, later known as Sam Howard, as Harry Lee (Eugene) and the Lee
Brothers, playing in restaurants and museums. Eugene and Willie, in 1902, along with a friend, Thomas Potter Dunne, formed an act called "The Messenger Boys Trio". One
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After performing in amateur night competitions, the brothers began separate professional theatre careers. Soon they were appearing together in burlesque and vaudeville, where, over the course of a decade, they established their reputation. The brothers were hired by the
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interview that, as a young actor in New York, he used to go see Willie and laugh so loudly, Howard began to play to him. According to columnist Bob Thomas, who wrote a biography of Brando, "... always cited the old
Broadway comic to categorize low comedy."
125:. In between these Broadway seasons, the brothers continued to be in great demand on the vaudeville circuit and made a few (mostly short) films. In the 1940s, Willie continued to star in revues and musicals and to perform in vaudeville and night clubs.
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Eugene studied business but decided to go on the stage. In his earliest attempts at performing, he billed himself as "Harry Lee, phenomenal boy tenor". His first professional theatre job, in 1900, was in the chorus of a
Broadway musical,
401:, produced by the Shuberts as a vehicle for Willie. Willie played Sammy, and Eugene was one of the producers. Like all of their early shows for the Shuberts, the piece was a success, running for more than six months.
192:. Upon being hired and hearing his name, the manager suggested that "Eugene Howard" would be a more suitable name, and Isidore adopted it permanently. Later that year, he had a small role in a Broadway play based on
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movie jukeboxes, were three-minute shorts filmed in New York. Most were comic songs (like "Tyrone
Shapiro, the Bronx caballero") but some were spoken-comedy routines including two with Pierre Ginsbairge:
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as he distributed water to customers. He did this while attending school, and had to leave early to make the 3:15 pm show. He soon was engaged to do the same during out-of-town performances of
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ridiculous characterization was received enthusiastically by trade critics and theater owners. The financially troubled studio suspended operations in mid-1938 and closed in early 1939.
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magazine commented: "The
Howards never fail to become a riot at the Garden", and George Jessel later said that Willie was "The best of all the revue comics, bar none." A review in
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Eugene retired in 1940 to manage Willie and write material for him, although he occasionally appeared with him even afterwards. After Eugene's retirement, Willie usually used
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magazine said of their act, "there is never a dull moment" and praised Eugene's "straighting" as well as Willie's gags. Of the brothers' approach to their work, Willie said:
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357:(1914 revue) – Willie played his signature character, Sammy Meyers. Eugene played the Steward of the Amber Club and the Captain of "La France", among other characters
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208:. Meanwhile, Willie had his first engagement in 1897 singing in the gallery of Lyon Palace on 110th Street as a boy soprano. He was hired in 1900 as a
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Beginning in 1912, in between their vaudeville bookings, the brothers performed in
Broadway shows, especially revues, including the Shuberts' series
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Sam later set up his own singing trio, "The
Bellboy Trio" and performed in burlesque. He eventually became a booking agent and, by 1948, ran the
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said: "Next to Al Jolson, Willie Howard is now the foremost of the Winter Garden entertainers." Willie appeared opposite the 19-year-old
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Willie had been suffering a liver ailment for six weeks and became ill during a
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The brothers generally played wisecracking caricatures, using Jewish dialect humor, opera parodies (with Eugene as the
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in Philadelphia, Willie had to withdraw due to illness. He died one day after the show opened on Broadway.
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as his sidekick. Willie performed in several more Broadway shows, touring shows for the Shuberts and
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performers of the first half of the 20th century. They were two of the earliest openly
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The Howard Brothers on the cover of sheet music for the song "The Sweetest Melody" by
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Evans Jr., Joseph S. "Willie and Eugene Howard Look Back on Thirty Years in Comedy",
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Glass), two of six children (three boys and three girls). The family immigrated to
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Knapp, Margaret M. (1995) "Willie and Eugene Howard", in Banham, Martin (ed.)
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transferred its activities to its New York studio in 1937, its star comedian
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Vaudeville, Old & New: An Encyclopedia of Variety Performers in America
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The Howard Brothers also made several short films together, including
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1072:, "Expect Hammons New Releasing Deal This Week," Jan. 31, 1938, p. 1.
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was a huge fan of Willie Howard. He told Lawrence Grobel in his 1979
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No Applause – Just Throw Money: The Book That Made Vaudeville Famous
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Fisher) of London, whom he had married in 1910, who died in 1964.
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751:, Ancestry.com, accessed October 3, 2013 (subscription required)
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119:. They appeared in a few additional Broadway musicals, notably
1010:, Greenwood Press (1994), pp. 253–54, accessed October 2, 2013
436:(musical) – the brothers each played several characters.
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790:, Travalanche, November 7, 2009, accessed September 27, 2013
881:"Howard, Willie" in Bordman, Gerald and Hischak, Thomas S.
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was revived, with Al Kelly standing in for Eugene Howard.
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Willie's final film appearances, produced in 1941 for the
534:(1949) – During the try-out of this show at the
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Emigrants from the German Empire to the United States
469:(1937 revue) – this piece was also short-lived.
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Burials at Cedar Park Cemetery (Emerson, New Jersey)
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who are also brothers with a surname of Howard, see
788:"Stars of Vaudeville #75: Willie and Eugene Howard"
326:, in 1930–1931. The brothers' Broadway shows were:
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to Leopold Levkowitz and his second wife, Pauline (
768:, accessed October 3, 2013 (subscription required)
671:"Salty-Saul-Peter" (with Ruby Melnick's Orchestra)
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1150:"Eugene Howard, Fed Willie the Straight Lines",
1134:"Willie Howard Dies Day Before His Show Opens,"
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1090:The Soundies Book: A Revised and Expanded Guide
949:"Concerning Willie Howard and the Upward Trail"
835:New York Public Library for the Performing Arts
137:Willie (left) and Eugene (right) Howard in 1907
75:(July 7, 1880 – August 1, 1965), billed as the
708:Miles). They had no children. He is buried in
1060:, "Willie Howard Riot," Feb. 12, 1938, p. 52.
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675:Willie Howard in an Album of Comedy and Songs
651:(with Al Kelly, and Ruby Melnick's Orchestra)
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99:in 1912 to perform in a series of successful
1290:People from Sächsische Schweiz-Osterzgebirge
1210:, pp. 223–24. New York: Facts on File.
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817:, July 28, 1918, accessed September 27, 2013
1167:Trav S. D. (Stewart, Donald Travis) (2006)
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71:(April 13, 1883 – January 14, 1949) and
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925:, Vol. 1, pp. 535–38, Routledge (2006)
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619:Willie Howard made several recordings:
240:Willie (left) and Eugene Howard in 1926
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180:about 1886. Their father was a Jewish
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990:, Vol. 106, No. 146, October 24, 1909
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809:"The Two Howards – Willie and Eugene"
762:U.S. Passport Applications, 1795–1925
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495:Willie's last Broadway shows were:
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91:performers on the American stage.
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1300:20th-century American male actors
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1044:"Eugene Howard, Comedian, Dead",
1004:"Willie Howard and Eugene Howard"
889:, 2004 (Third Edition), p. 321.
589:How to Go to a French Restaurant
198:. Next, he was in the chorus of
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29:Howard Brothers Discount Stores
1350:American vaudeville performers
1190:The Cambridge Guide to Theatre
1008:The Encyclopedia of Vaudeville
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663:in a 1948 publicity photo for
232:Vaudeville act and comic style
214:Proctor's 125th Street Theatre
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1370:20th-century American singers
1114:. Random House. p. 228.
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549:Between the Acts at the Opera
34:For the unrelated members of
919:"Willie & Eugene Howard"
760:Passport application 27491,
714:Cedar Park Cemetery, Emerson
473:George White's Scandals 1939
455:George White's Scandals 1936
420:George White's Scandals 1929
414:George White's Scandals 1928
212:to sing from the balcony at
107:over the next decade called
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1330:Jewish American male actors
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551:(1926, one of the earliest
304:series. An early review in
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1310:American male stage actors
1305:Male actors from Manhattan
1250:Internet Broadway Database
1232:Internet Broadway Database
1194:Cambridge University Press
749:Lawrence Stone family tree
615:Willie Howard's recordings
585:How to See a French Doctor
62:Follies Bergere of the Air
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1335:Jewish American comedians
1274:Between the Acts of Opera
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1355:Comedians from Manhattan
1206:Smith, Ronald L. (1992)
786:Stewart, Donald Travis.
480:Willie Howard on his own
387:The Passing Show of 1922
381:The Passing Show of 1921
374:The Passing Show of 1918
361:The Passing Show of 1915
339:The Passing Show of 1921
284:Broadway and later years
27:Not to be confused with
1152:New York Herald Tribune
1136:New York Herald Tribune
1048:, August 3, 1965, p. 31
970:New York Herald Tribune
887:Oxford University Press
870:New York Herald Tribune
851:New York Herald Tribune
721:Jackson Heights, Queens
406:George White's Scandals
301:George White's Scandals
116:George White's Scandals
64:NBC radio show in 1936.
1019:Staff (March 3, 1925)
987:The San Francisco Call
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398:Whirled into Happiness
355:The Whirl of the World
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296:Winter Garden Theatre
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205:The Belle of New York
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129:Early life and career
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1320:American comedy duos
1110:Thomas, Bob (1973).
641:"Let It Rain" (from
593:Comes the Revolution
568:Educational Pictures
1208:Who's Who in Comedy
1092:, iUniverse, 2007.
968:. "Willie Howard",
710:Paramus, New Jersey
555:talking pictures),
500:Crazy with the Heat
367:The Show of Wonders
262:Gallagher and Shean
1380:People from Harlem
1138:, January 13, 1949
1082:Scott MacGillivray
1046:The New York Times
1030:The New York Times
953:The New York Times
854:, December 6, 1931
814:The New York Times
701:Along Fifth Avenue
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659:Willie Howard and
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510:Priorities of 1942
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248:and Willie as the
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1154:, August 3, 1965.
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868:"Willie Howard",
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18:Eugene Howard
1325:Brother duos
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44:Curly Howard
504:Luella Gear
1284:Categories
1216:0816023387
1177:0865479585
1121:0394487281
1070:Film Daily
931:0415938538
885:New York:
731:References
599:Reputation
427:Girl Crazy
323:Girl Crazy
122:Girl Crazy
85:vaudeville
40:Moe Howard
1086:Ted Okuda
683:Al Jolson
553:Vitaphone
490:Mike Todd
320:musical,
258:Al Jolson
224:college.
195:Quo Vadis
1023:Sky High
645:) (1925)
643:Sky High
638:) (1925)
636:Sky High
634:" (from
627:" (1925)
580:Soundies
563:(1931).
486:Al Kelly
393:Sky High
318:Gershwin
250:baritone
162:Neustadt
105:Broadway
81:Silesian
1270:YouTube
1248:at the
1230:at the
608:Playboy
475:(revue)
457:(revue)
449:of 1934
422:(revue)
416:(revue)
410:(revue)
389:(revue)
377:(revue)
363:(revue)
351:(revue)
349:of 1912
337:, from
316:in the
306:Variety
294:at the
271:Variety
166:Silesia
154:Isidore
79:, were
1276:(1926)
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694:Deaths
264:, and
182:cantor
178:Harlem
101:revues
89:Jewish
46:, and
736:Notes
712:, in
566:When
523:Sally
246:tenor
1259:IMDb
1241:IMDb
1212:ISBN
1198:ISBN
1173:ISBN
1116:ISBN
1094:ISBN
1084:and
927:ISBN
891:ISBN
685:and
587:and
408:1926
156:and
149:1921
1272:in
1268:on
1257:at
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725:née
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170:née
103:on
1286::
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