251:
the
University of Cape Town (UCT) invited her to join the university's staff and start a ballet school. She wasted no time in doing so. Her students at this school formed the nucleus of a performing group that evolved into the UCT Ballet Company. From 1941 onward, the school included a three-year diploma course, expanded in 1998 to a degree program at university level. The company toured throughout South Africa, to remote towns both large and small, and performed beyond the country's borders in Southern Rhodesia (now Zimbabwe), Northern Rhodesia (now Zambia), South West Africa (now Namibia), and Mozambique. Howes was both principal dancer and chief choreographer of the company for many years, as well as administrator, ballet mistress, wardrobe supervisor, and stage hand on occasion. By all accounts she was never more than a competent performer and, by her own admission, not a great choreographer.
433:(South African Academy of Arts and Science) in 1970. In February 1976, she was named Patron of the local Balletomanes Society, and in June of that year, she was granted an honorary doctorate of music from the University of Cape Town. A few years later, in 1981, she was made a fellow of the Cecchetti Branch of the Imperial Society of Teachers of Dancing. This was followed by a veritable cascade of awards and honors, too numerous to mention. In 1989, she was named to the prestigious Order for Meritorious Service (Gold Class), an honor bestowed by the South African state president, and in 1991, she was given a special Nederburg Award for services to ballet.
27:
154:
128:
assistant at Webb's studio who had studied abroad with the
Italian maestro Enrico Cecchetti. By her, Howes was thoroughly schooled in the fundamentals of ballet technique. In 1922, at age fourteen, she became one of the first pupils of the Hershel Girls School, but in 1925, after seeing a performance by Anna Pavlova's company at the Old Opera House in Cape Town, she decided on ballet as her chosen career.
447:, with whom she had two daughters, Amelia and Victoria. During their formative years, both daughters shared their mother's passion for ballet. (After her marriage, Victoria Carwood became executive chairman of the Cape Town City Ballet.) In her later years, Howes was much in demand as a member of theater administration boards and was widely respected as a judge and critic on numerous dance boards.
428:
For the body of her work, Howes received many honors and awards during her lifetime. They included the Award of Merit from the Cape
Tercentenary Foundation in 1953, the Festival of Union Medal in 1960, and a Gold Medal from the Cecchetti Society in 1969. For the promotion of ballet in South Africa,
282:
In 1963, the South
African government granted subsidies to support ballet companies in the four provinces that existed at the time: the Cape Province, Natal, Orange Free State, and Transvaal. These subsidies permitted the hiring of principal dancers and ballet masters in each of the four provincial
250:
For a few years after her return to South Africa, Howes taught at private studios in
Rondebosch, a suburb of Cape Town, and in Johannesburg, in the northern province of Transvaal. In 1934, a momentous event occurred that would change her life: Professor William Bell, dean of the Faculty of Music at
127:
frock, with a blue satin sash round very ample middle," she was taught bow to walk gracefully, how to shake hands, and how to curtsey to her elders and betters. Incidentally, she was also taught little dances for student recitals. She received more substantial dance training from Helen White, an
139:
She may also have taken classes in ballroom dancing during her early twenties. In 1927, she danced for a short while with the Anna
Pavlova touring company, her first professional engagement, but in 1928, she returned to South Africa with a dream of establishing a major ballet company in her home
254:
Howes was also modest about her abilities as a teacher of ballet technique, which she judged to be merely adequate. Her pupils begged to disagree. Among those who made names for themselves as dancers, choreographers, producers, and teachers in companies and schools overseas were
135:
of ballet training with
Margaret Craske, mime technique with Tamara Karsavina, national and character dances with Friderica Derra de Morada, and Spanish dance with Elsa Brunelleschi, all the while missing no opportunity to learn about production of stage works.
279:. From the profits generated by performances of the UCT Ballet, Howes established the Dulcie Howes Trust Fund in 1950, which offered bursaries for dancers to study abroad and provided funds to cover fees for guest artists to come to dance in South Africa.
109:, a thriving harbor town established when Europeans first landed in southern Africa, Little Brak River was then a British colonial outpost, as the area was part of the Cape Colony until 1910.
294:. Howes retired as principal of the UCT Ballet School in 1972, when she was again succeeded by David Poole. The school continues in operation to the present day as the UCT School of Dance.
116:(1899-1902), and Muriel Alice (Lind) Howe. He was headmaster of Boys High School in Oudtshoorn, the "ostrich capital of the world," in the western Cape, but after his marriage he moved to
286:
Howes became the company's artistic director and set it on a strong course into the future. Since her retirement in 1969, the company has been directed by David Poole,
283:
companies. When the UCT Ballet became a full-time, professional company in 1964, it was renamed the Cape
Performing Arts Board Ballet (CAPAB Ballet).
756:
430:
123:
When Howes was a girl, her parents enrolled her in classes for "fancy dancing" with Miss Helen Webb. There, "dressed in a starched, white,
766:
694:
673:
652:
218:
190:
131:
Encouraged by Webb and White, Howes traveled to London in her late teens to further her dance education. She studied the
711:
302:
Among the thirty works choreographed by Howes, the following are representative of her dramatic and musical interests.
761:
237:
65:
197:
140:
country. Her vision and her determination would eventually have a profound effect on South
African dance history.
746:
43:
751:
175:
89:
of South
African ballet. In 1934, she established the company that evolved into today's Cape Town City Ballet.
36:
204:
171:
186:
578:
David Poole, "The South African Way: Four Professional Ballet Companies Subsidized by the Government,"
102:
85:, teacher, choreographer, and company director. During her performing career, she was considered the
112:
Howes was the daughter of Justice Reed Howes, who had immigrated to South Africa at the end of the
98:
86:
105:(Klein-Brakrivier, in Afrikaans), from which it takes its name. Located only a few miles north of
164:
276:
716:
291:
741:
736:
256:
211:
8:
690:
669:
665:
They Shaped Our Century: The Most Influential South Africans of the Twentieth Century
648:
47:
441:
In London in 1937, Howes married newspaperman Guy Cronwright, managing director of
264:
132:
481:
684:
663:
642:
287:
113:
42:
It may require cleanup to comply with Knowledge's content policies, particularly
443:
268:
730:
272:
82:
120:, the legislative capital of the colony, where he practised as an advocate.
686:
Women Marching Into the 21st Century: Wathint' Abafazi, Wathint' Imbokodo
260:
721:
16:
South African ballet dancer, teacher, choreographer and company director
178: in this section. Unsourced material may be challenged and removed.
106:
117:
153:
518:
81:(31 December 1908 – 19 March 1993) was a South African
461:
405:, music by Giaochino Rossini, arranged by Benjamin Britten.
597:
417:
La Famille: The Intimate Recollections of an Elderly Aunt,
609:
560:
499:
35:
A major contributor to this article appears to have a
585:
548:
536:
523:Cecchetti International Classical Ballet, Pioneers
728:
634:Dulcie Howes: Pioneer of Ballet in South Africa
662:Triegaardt, Elizabeth (1999). "Dulcie Howes".
431:Suid-Afrikaanse Akademie vir Wetenskap en Kuns
290:, and Robin van Wyk. It is known today as the
429:she was awarded a medal of honour from the
712:The Dulcie Howes Papers at the UCT Library
661:
615:
566:
467:
92:
631:
603:
505:
479:
238:Learn how and when to remove this message
66:Learn how and when to remove this message
757:South African people of British descent
729:
297:
143:
644:The History of Ballet in South Africa
101:, a seaside town at the mouth of the
682:
640:
591:
554:
542:
423:
176:adding citations to reliable sources
147:
20:
668:. Cape Town: Human & Rousseau.
335:, music by Nikolai Rimsky-Korsakov.
310:, music by Wolfgang Amadeus Mozart.
13:
636:. Cape Town: Human & Rousseau.
14:
778:
705:
349:, music by Johann Sebastian Bach.
436:
363:, music by Ludwig van Beethoven.
152:
46:. Please discuss further on the
25:
377:, music by Camille Saint-Saëns.
163:needs additional citations for
572:
511:
480:Anonymous (17 February 2011).
473:
1:
582:(London), May 1969, pp. 18ff.
450:
767:South African ballet dancers
486:South African History Online
398:, music by Sergei Prokofiev.
384:, music by Constant Lambert.
7:
632:Glasstone, Richard (1996).
10:
783:
717:Dulcie Howe at Answers.com
419:music by Benjamin Britten.
391:, music by Anatoly Lyadov.
356:, music by William Walton.
342:, music by Claude Debussy.
370:, music by Ernõ Dohnányi.
97:Dulcie Howes was born in
762:South African ballerinas
647:. Human & Rousseau.
412:, music by John Joubert.
328:, music by William Bell.
321:, music by William Bell.
308:The Pied Piper of Hamlin
87:prima ballerina assoluta
93:Early life and training
747:People from Mossel Bay
752:People from Cape Town
722:Cape Town city Ballet
641:Grut, Marina (1981).
319:The Vision of Delight
292:Cape Town City Ballet
44:neutral point of view
375:Carnaval des Animaux
172:improve this article
470:, pp. 468–471.
298:Works choreographed
144:Professional career
368:Spring in the Park
347:The Coffee Cantata
315:The Enchanted Well
696:978-0-7969-1966-3
675:978-0-7981-4008-9
654:978-0-7981-1089-1
606:, pp. 28–29.
580:Dance and Dancers
424:Honors and awards
248:
247:
240:
222:
125:broderie anglaise
103:Little Brak River
99:Little Brak River
76:
75:
68:
39:with its subject.
774:
700:
679:
658:
637:
619:
613:
607:
601:
595:
589:
583:
576:
570:
564:
558:
552:
546:
540:
534:
533:
531:
529:
515:
509:
503:
497:
496:
494:
492:
477:
471:
465:
265:Alfred Rodrigues
243:
236:
232:
229:
223:
221:
180:
156:
148:
133:Cecchetti method
71:
64:
60:
57:
51:
37:close connection
29:
28:
21:
782:
781:
777:
776:
775:
773:
772:
771:
727:
726:
708:
703:
697:
676:
655:
622:
616:Triegaardt 1999
614:
610:
602:
598:
590:
586:
577:
573:
567:Triegaardt 1999
565:
561:
553:
549:
541:
537:
527:
525:
517:
516:
512:
504:
500:
490:
488:
478:
474:
468:Triegaardt 1999
466:
462:
453:
439:
426:
300:
288:Veronica Paeper
244:
233:
227:
224:
181:
179:
169:
157:
146:
114:Second Boer War
95:
72:
61:
55:
52:
41:
30:
26:
17:
12:
11:
5:
780:
770:
769:
764:
759:
754:
749:
744:
739:
725:
724:
719:
714:
707:
706:External links
704:
702:
701:
695:
689:. HSRC Press.
680:
674:
659:
653:
638:
628:
627:
626:
621:
620:
618:, p. 471.
608:
604:Glasstone 1996
596:
594:, p. 385.
584:
571:
569:, p. 469.
559:
557:, p. 384.
547:
545:, p. 132.
535:
519:"Dulcie Howes"
510:
506:Glasstone 1996
498:
482:"Dulcie Howes"
472:
459:
458:
457:
452:
449:
444:The Cape Times
438:
435:
425:
422:
421:
420:
413:
406:
403:Les Diversions
399:
392:
385:
378:
371:
364:
357:
350:
343:
336:
329:
326:Fête Champetre
322:
311:
299:
296:
269:Johaar Mosaval
246:
245:
187:"Dulcie Howes"
160:
158:
151:
145:
142:
94:
91:
74:
73:
33:
31:
24:
15:
9:
6:
4:
3:
2:
779:
768:
765:
763:
760:
758:
755:
753:
750:
748:
745:
743:
740:
738:
735:
734:
732:
723:
720:
718:
715:
713:
710:
709:
698:
692:
688:
687:
683:HSRC (2000).
681:
677:
671:
667:
666:
660:
656:
650:
646:
645:
639:
635:
630:
629:
624:
623:
617:
612:
605:
600:
593:
588:
581:
575:
568:
563:
556:
551:
544:
539:
524:
520:
514:
508:, p. 13.
507:
502:
487:
483:
476:
469:
464:
460:
455:
454:
448:
446:
445:
437:Personal life
434:
432:
418:
414:
411:
407:
404:
400:
397:
393:
390:
386:
383:
379:
376:
372:
369:
365:
362:
358:
355:
351:
348:
344:
341:
337:
334:
330:
327:
323:
320:
316:
312:
309:
305:
304:
303:
295:
293:
289:
284:
280:
278:
277:Desmond Doyle
274:
273:Petrus Bosman
270:
266:
262:
258:
252:
242:
239:
231:
220:
217:
213:
210:
206:
203:
199:
196:
192:
189: –
188:
184:
183:Find sources:
177:
173:
167:
166:
161:This section
159:
155:
150:
149:
141:
137:
134:
129:
126:
121:
119:
115:
110:
108:
104:
100:
90:
88:
84:
83:ballet dancer
80:
70:
67:
59:
49:
45:
40:
38:
32:
23:
22:
19:
685:
664:
643:
633:
611:
599:
587:
579:
574:
562:
550:
538:
526:. Retrieved
522:
513:
501:
491:28 September
489:. Retrieved
485:
475:
463:
442:
440:
427:
416:
409:
402:
396:Fête Galante
395:
388:
381:
374:
367:
360:
353:
346:
339:
333:Russian Tale
332:
325:
318:
314:
307:
301:
285:
281:
253:
249:
234:
228:January 2022
225:
215:
208:
201:
194:
182:
170:Please help
165:verification
162:
138:
130:
124:
122:
111:
96:
79:Dulcie Howes
78:
77:
62:
56:January 2022
53:
34:
18:
742:1993 deaths
737:1908 births
410:Vlei Legend
261:John Cranko
257:David Poole
731:Categories
451:References
382:Rio Grande
354:La Famille
340:Les Images
198:newspapers
107:Mossel Bay
592:Grut 1981
555:Grut 1981
543:HSRC 2000
456:Citations
361:Pastorale
118:Cape Town
48:talk page
625:Sources
389:Pliaska
212:scholar
693:
672:
651:
528:4 July
415:1968.
408:1952.
401:1947.
394:1945.
387:1944.
380:1943.
373:1942.
366:1941.
359:1940.
352:1939.
345:1938.
338:1937.
331:1936.
324:1935.
313:1934.
306:1932.
275:, and
214:
207:
200:
193:
185:
219:JSTOR
205:books
691:ISBN
670:ISBN
649:ISBN
530:2015
493:2017
317:and
191:news
174:by
733::
521:.
484:.
271:,
267:,
263:,
259:,
699:.
678:.
657:.
532:.
495:.
241:)
235:(
230:)
226:(
216:·
209:·
202:·
195:·
168:.
69:)
63:(
58:)
54:(
50:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
