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323:, 1994. For the exhibition, Day was commissioned by the National Portrait Gallery to create a new portrait of Kate Moss for its collection. Discussing the shoot, Day said, "I suggested to Kate that we have a conversation about a serious subject. The subject she chose to talk about revealed her true feelings and in turn defined her character."
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with her younger brother and her grandparents. She left school aged sixteen and worked as an assistant in a local bank. After a year at the bank she became an international mail courier. It was during this period that someone suggested she try modelling – she worked consistently as a catalogue model
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During an extended trip to Hong Kong and
Thailand, Szaszy taught Day how to use a camera and in 1987 they moved to Milan. It was in Milan that Day's career as a fashion photographer started. Having produced photographs of Szaszy and her friends for their modelling portfolios, Day began approaching
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Her autobiographical book, "Diary" was published by Krus Verlag in 2000, and contained frank and at times shocking images of Day and her friends. The images in "Diary" featured young people hanging out, taking drugs and having sex, and have been compared to the documentary realism of
150:, a number of the photographs depicted the teenage Moss semi-nude and laughing on the beach. The photograph of Moss wearing the feather head-dress featured on the front cover of the magazine is now one of Day's most recognised images. Day had previously worked with Moss on the
361:, in late August 2010, Belinda White said, "Corinne opened the door for a whole generation of photographers, designers, models and stylists who suddenly saw that the fashion industry didn't have to be this exclusive club for the privileged and perfect."
212:. Intended as a lingerie fashion spread, the editorial, "Under Exposed" depicted the 19-year-old Moss in her west London flat, which she shared with her then boyfriend, fashion photographer Mario Sorrenti. The images caused a media scandal, with
134:. Through Bicker, Day met stylists Anna Cockburn and Melanie Ward, with whom she was to create some of her most iconic images. Day's photographs came to public attention through her fashion editorial for
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showed selected works from "Diary". In addition to these solo exhibitions, Day also participated in the exhibitions "Imperfect Beauty" at the
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for several years. In 1985 she met Mark Szaszy on a train in Tokyo – Szaszy was a male model and had a keen interest in film and photography.
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and Mert Alas & Marcus
Piggott. Images by Day in the exhibition included early photographs of Rosemary Ferguson from an editorial for
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and concentrate on her documentary photography. She also undertook work photographing musicians, including the image of
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titled, "The Third Summer of Love" published in July 1990. Commissioned by Bicker and styled by Ward, the story used
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In 2007, Day was invited to participate in the exhibition "The Face of
Fashion", curated by Susan Bright at the
202:, working with models including Moss, Rosemary Ferguson and George Clements. In 1993, Day was commissioned by
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On 7 August 2009, an article on models.com reported that Day had been diagnosed with a life-threatening
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248:. Coinciding with the publication of "Diary", Day had two large scale exhibitions in London in 2000.
335:. A fundraising campaign titled Save the Day was organised to raise funds so that Day could receive
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as the model in an eight-page fashion story, showcasing garments by Romeo Gigli, Joseph Tricot,
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During the 2000s Day returned to fashion photography, working for
British, French and Italian
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claiming that the images were hideous, exploitative, verging on child pornography.
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gallery exhibited portrait photographs depicting Day's friend Tara St. Hill, and
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347:, USA. However, treatments were unsuccessful, and Day died on 27 August 2010.
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In 1989 Day had her first meeting with Phil Bicker, the art director of
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Gli scatti di
Corinne Day e Kate Moss nella Londra rock anni ’90
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Roger Tredre, Magazine in row over 'child porn' fashion photos,
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to photograph Moss for the June issue of the
British edition of
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154:'Levis for Girls' campaign with The Design Corporation.
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debate, instead choosing to tour
America with the band
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An exhibition of
Corinne Day's early photography for
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368:was held at Gimpel Fils, London in September 2011.
224:Day retreated from fashion work in the wake of the
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90:(19 February 1962 – 27 August 2010) was a British
441:, 16 January 2015. Retrieved on 13 December 2016.
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494:Portraying "Kate Moss, a study in conversation"
561:"How the late Corinne Day changed my life"
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262:Institute of Contemporary Art, Boston
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478:'I'm a photography junkie'
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578:"In Memoriam Corinne Day"
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544:"Corinne Day obituary"
268:MMK, Frankfurt, 2010.
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351:Legacy and influence
120:magazines for work.
92:fashion photographer
62:Fashion photographer
16:British photographer
402:"Corinne Day Diary"
358:The Daily Telegraph
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339:Low Dose or IPTLD
293:Scarlett Johansson
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204:Alexandra Shulman
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51:(2010-08-27)
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616:2010 deaths
611:1962 births
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333:brain tumor
250:Gimpel Fils
226:heroin chic
88:Corinne Day
25:Corinne Day
600:Categories
372:References
246:Nan Goldin
107:Early life
58:Occupation
37:1962-02-19
230:Pusherman
199:Penthouse
168:Kate Moss
140:Kate Moss
71:1989–2010
527:Archived
429:Archived
414:The Face
366:The Face
182:The Face
136:The Face
131:The Face
113:Ickenham
345:Arizona
193:Ray Gun
76:Website
522:Betty
509:Betty
321:RayGun
152:Levi's
327:Death
317:Vogue
299:2000s
277:Arena
273:Vogue
209:Vogue
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158:1990s
291:and
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