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is a -like movement, in ABA form. The ten-bar theme stated by the soloist is repeated by the orchestra. In the B section, elements from the first theme are reassembled into new motives. The first theme is shared between
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has occasionally replaced harpsichord in performance, owing to the relative obscurity of the harpsichord at the time of composition, and the economic demands of publishing.
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In the first movement, a lively dialogue between soloist and orchestra culminates in a barred
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147:(Dutton Epoch CDLX 7143) on MusicWeb International, accessed August 31, 2009
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for the harpsichord, followed by a repeat of the opening statement. The
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on EMI; Anna
Paradiso on Barn Cottage Records (2012). A 1940s English
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on its return, with the harpsichord playing accompanying
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20:Concertino for Harpsichord and String Orchestra
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145:Walter Leigh: Complete Chamber Works
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112:in the piano version has achieved
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16:1934 composition by Walter Leigh
116:rerelease on the Dutton label.
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185:Compositions by Walter Leigh
175:20th-century classical music
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143:Culot, Hubert, Review of
88:It has been recorded by
124:Oxford University Press
96:on BBC radio classics;
119:Length: c. 9 minutes.
170:Harpsichord concertos
122:It is published by
29:written in 1934 by
180:1934 compositions
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39:Elizabeth Poston
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102:Neville Dilkes
94:George Malcolm
90:Trevor Pinnock
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54:Allegro vivace
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165:Concertinos
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44:Movements:
24:harpsichord
22:is a short
159:Categories
130:References
77:arpeggios
33:composer
100:on CBC;
27:concerto
73:violins
64:Andante
60:cadenza
51:Andante
48:Allegro
31:English
69:cellos
83:Piano
71:and
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