716:). The first lyrics you hear are sung (vs. rapped). This moment tends to diminish the significance of women in early hip hop performance as if by 1984 female emcees were already exceptional to a musical genre that was still emerging and developing. The group sings in unison, "Us Girls / Can Boogie, too," then each emcee performs a short rhyme.
367:
visits the subway tunnels, where Ramon and Lee are spray-painting a wall. Ramon longingly watches a clean, white train pass, claiming it his dream canvas. Startled by rival graffiti artist Spit, a shadowy and taciturn hooded street punk who has been defacing Ramon's artwork and is tagging a freshly painted wall, the group departs.
386:
helps Ramon paint the train, but Spit, lurking nearby, tags the train even before Ramon can finish the other side. The two chase Spit through the subway tunnels and a fight ensues. Spit sprays paint in Ramon's eyes and both tussle on the roadbed before rolling onto the electrified third rail, which kills both of them instantly.
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appeared in the German
Democratic Republic at almost the same time as in the West. Dresden, the center of the Beat Street scene was geographically out of western media range, making it a perfect center to explore this genre of music. The hip hop scene for the entire public would meet at breakdancing
385:
At the college, Tracy premieres her dance composition. Waiting for a train with Ramon, Kenny worries that he offended Tracy. Ramon explains that his job interferes with his artwork. He sees an all-white train on the "A" line, realizing he can paint it that night after work. Later that evening, Kenny
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was of particular importance in socialist East
Germany, since its release was intended to illustrate the evils of capitalism (poverty, racial segregation) for young audiences. However, because the film focused so heavily on the visual aspects of hip-hop culture, such as breaking and graffiti, these
389:
After Ramon's funeral, Kenny contemplates forgoing the Roxy's New Year's Eve show, but Tracy and
Chollie dissuade him. Kenny ultimately uses his big break to celebrate Ramon's life, starting with a rap performance while images of Ramon and his work appear on a screen behind him, impressing Domingo,
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the Beat Street
Breakers, who begin sparring with rival crew the Bronx Rockers. The next day, Chollie informs Kenny of complimentary tickets to the Roxy, one of Manhattan's most popular nightclubs. Meanwhile, Ramon's father, Domingo, implores his son to get a job and marry Carmen Carraro, the young
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On
Saturday night at the Burning Spear, Kenny impresses the talent scout, who invites him to perform at the Roxy on New Year's Eve. Meanwhile, Tracy permits Kenny to use the college's computerized studio, while she assists Robert at a nearby piano. Kenny accidentally deletes his work, and rejects
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Later, Chollie takes Kenny to the Roxy, where a talent scout is auditioning local performers, and invites the scout to see Kenny deejay at the
Burning Spear. Afterward, Kenny visits CCNY to surprise Tracy and sees her intimately embracing her professor, Robert. Ramon tells his friends he plans to
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Later, Ramon visits with Carmen and their baby. After her mother accuses him of shirking his responsibility, Carmen begs him to take them away. Meanwhile, Tracy visits the
Kirklands' apartment to apologize. She and Kenny bond over some of his musical mixes that he plays for her. Later, the pair
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a few nights later, Kenny meets composer Tracy
Carlson. During an ensuing breakdance battle between the Breakers and Bronx Rockers, Tracy notices Lee's performance, inviting him to audition for a dancing television show. Lee, Kenny and their crew visit a dance rehearsal at the
345:
Kenny "Double K" Kirkland is hired as a featured DJ at a house party at an abandoned building, accompanied by his best friend Ramon Franco, a graffiti artist known by his tag "Ramo", and his friend/manager
Chollie Wilson. Kenny's younger brother Lee crashes the party with his
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The musical performance of Kool Moe Dee stands as one of the few media appearances he has ever made without his trademark sunglasses (a style he had not yet adopted at the time). In addition to these acts, Guy Davis, who played Kenny, is also a blues musician in real life.
374:. Accompanied by Tracy, Kenny delights the crowd, and Kool Herc hires him for the following weekend. The next day, Ramon asks his father if Carmen can live with them. Domingo declines, calling Ramon a criminal, then orders him to marry Carmen and provide for his child.
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Brown, Timothy S. "Keeping it Real in a
Different Hood: (African-) Americanization and Hip-hop in Germany." In The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, pp. 137–150.
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At least three breakdancing battles between the New York City Breakers and the Rock Steady Crew were also included in the film. In addition, the Roxy audition scene features a pair of breakdancing boys known as the Fantastic Duo.
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DMC of Run DMC said that MC Sha-Rock aka Sharon Green, an innovator as an early emcee, also female or a b-girl, significantly influenced the group's style of rapping in an echo-chamber style (listen
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are credited with introducing the hip hop movement to the country. Because movies are so easily distributed over borders, part of the importance of this movie lay in its ability to influence both
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move Carmen and the baby into an empty apartment upstairs, and gets a job at a hardware store. His friends help him furnish the apartment, surprising Carmen with a small housewarming party.
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was an obvious inspiration and model, in terms of story, style, characters, and themes. In addition, some of the plotline of the film was based on the New York City graffiti documentary,
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Walking Tracy home, Kenny explains that his older brother Franklin, a gang member, was killed a year ago. The next day, Chollie invites him to play at the Burning Spear club, run by
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Elflein, Dietmar. "From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany." Popular Music, Vol. 17, No. 3. (Oct., 1998), pp. 255–265.
363:(CCNY), where she is contributing a dance composition to a television program, and Lee performs only to be rejected. Kenny accuses Tracy of being condescending towards Lee.
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The trailer includes an alternate version of the title song performed by Kool Moe Dee, a version that was not featured in the movie or on the original soundtrack albums.
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There are several performances in the movie, notably from established early hip hop groups, Grandmaster Melle Mel & the Furious Five, Doug E. Fresh,
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in his song "Suicidal Thoughts" said, "Should I die on the train tracks like Ramo in Beat Street/People at my funeral frontin' like they miss me."
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was credited as "High School Student" in the director's cut of the film. However, his scenes were all cut from the final theatrical version.
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mentions the film in his song "The Come Up", in the line "Before Beat Street, streets was heavily in deep with the ryders."
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It was precisely these visual aspects that helped bring hip-hop culture to Germany, rather than simply a genre of music.
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competitions, emceeing competitions, and graffiti spraying. Puerto Rican and African American breakdancing, hip hop and
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1004:"The Story of How 'Beat Street' Went From a Box Office Failure to One of Hip-Hop's Most Important Movies - Okayplayer"
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712:: Debbie D, Sha-Rock and Lisa Lee. They perform a limited and limiting performance as a group called "Us Girls" (see
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760:. It received mixed critical reviews and the film holds a 57% rating on Rotten Tomatoes based on seven reviews.
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dance sounds, and inner-city American graffiti made up what Germans knew as hip hop culture. The aftermath of
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in his song "Won't Catch Me Runnin'" said, "When my voice hits the mic, I electrocute Spit like Beat Street."
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propelled events such as competitions in emceeing, break dancing, and graffiti spraying throughout Germany.
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and a Bronx gospel choir, and backed by the City College Dancers and a group of twenty-five breakdancers.
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Robert and Tracy's attempts to help him. He tells Tracy their relationship might not last.
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This was the first American film to feature more than one soundtrack album. Originally,
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aspects were far more influential and inspired an emerging German hip-hop scene.
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The movie was inspired by an original story, "The Perfect Beat", by journalist
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was lifted from the real-life graffiti artist CAP MPC, who was portrayed in
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The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop
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The film also includes other musical performances from Tina B and
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and the Treacherous Three. As a member of the Treacherous Three,
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was filmed in New York City in December 1983, in the boroughs of
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published the inside story of what went wrong with the film.
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970:"Beat Street (1984) - Financial Information"
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392:Grandmaster Melle Mel & the Furious Five
993:ThaFoundation.com. Retrieved Dec. 21, 2022.
337:In the South Bronx, New York City, budding
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991:"THE TRUE STORY BEHIND BEAT STREET,"
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1045:"Festival de Cannes: Beat Street"
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1183:AFI Catalog of Feature Films
1024:). He considered her style,
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428:Robert Taylor – Lee Kirkland
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1403:Films shot in New York City
1102:http://www.fast-rewind.com/
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852:The Serpent and the Rainbow
836:Exhibit A (Transformations)
701:also appeared in the film.
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1423:New York City hip hop
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1418:Orion Pictures films
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1413:1980s hip hop films
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1314:Killin' Them Softly
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452:Dean Elliot – Henri
449:Jim Borelli – Monte
325:culture, including
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21:Beat Street (album)
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1128:. 13 January 2022.
1008:www.okayplayer.com
923:List of hood films
814:In popular culture
455:Franc Reyes – Luis
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582:
578:– Themselves
560:– Themselves
554:– Themselves
485:– Themselves
444:Bill Anagnos
390:followed by
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372:DJ Kool Herc
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327:breakdancing
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256:Running time
233:Release date
202:Arthur Baker
162:Franc. Reyes
158:Dean Elliott
155:Jim Borrelli
152:Shawn Elliot
128:Jon Chardiet
74:Steven Hager
70:Paul Golding
63:Andrew Davis
1274:Beat Street
1231:Stan Lathan
1177:Beat Street
1166:Beat Street
1155:Beat Street
1144:Beat Street
954:22 November
808:Beat Street
799:Beat Street
791:Beat Street
773:Beat Street
769:Beat Street
754:Beat Street
710:Beat Street
631:Beat Street
616:Beat Street
471:Duane Jones
339:disc jockey
319:South Bronx
300:Beat Street
260:105 minutes
91:Produced by
50:Stan Lathan
46:Directed by
29:Beat Street
1358:1984 films
1352:Categories
1334:The Closer
1054:2009-06-25
929:References
917:Wild Style
910:Style Wars
778:Wild Style
721:The System
620:Style Wars
611:Style Wars
605:Wild Style
590:Background
576:The System
528:Crazy Legs
432:Mary Alice
348:dance crew
310:featuring
308:drama film
289:Box office
244:1984-06-08
209:Production
186:Dov Hoenig
148:Mary Alice
56:Written by
749:Reception
639:Manhattan
635:The Bronx
572:– Herself
566:– Herself
564:Wanda Dee
548:– Himself
503:– Himself
497:– Himself
491:– Himself
489:Jazzy Jay
479:– Himself
440:– Domingo
411:Guy Davis
190:Kevin Lee
179:Edited by
124:Guy Davis
1160:AllMovie
882:Breakin'
875:See also
842:Ras Kass
643:Brooklyn
473:– Robert
467:– Alicia
461:– Angela
356:The Roxy
273:Language
198:Music by
112:Starring
83:Story by
1180:at the
1091:London.
1034:, 2006.
903:Rappin'
848:Mr. Lif
677:Chelsea
323:hip hop
315:hip hop
276:English
265:Country
242: (
211:company
1337:(2021)
1327:(2019)
1317:(2000)
1307:(1987)
1297:(1985)
1287:(1984)
1284:Booker
1277:(1984)
1267:(1982)
1257:(1974)
1247:(1973)
764:Legacy
647:Queens
446:– Spit
281:Budget
714:video
305:dance
1149:IMDb
1022:here
977:2017
956:2017
785:and
775:and
727:and
672:Roxy
657:and
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398:Cast
341:and
333:Plot
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857:In
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