457:
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453:. A large ballroom was added in 1720, with further enlargement in 1749 and 1810 when it became known as The Kingston Assembly Rooms. In 1728 another building, known as Lindsey's Assembly Rooms, was constructed, lasting until demolition around 1820 for the building of York Street. Harrison's Lower Assembly Rooms were devastated by a fire in December 1820 and rebuilt, lasting until demolition in 1933 for road improvements on the site now known as "Bog Island".
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might meet all the eligible men currently in the City. At one concert in 1779, attended by around 800 ladies and gentlemen, 60 members of the nobility were present. During the season, which ran from
October to June, at least two balls a week were held, in addition to a range of concerts and other events. Scenes such as this feature in the novels of
511:. Each subscriber pays an agreed sum into the fund, and thereafter receives an annuity. As members die, their shares devolve to the other participants, and so the value of each annuity increases. On the death of the last member, the scheme is wound up. Construction started in 1769 and was completed in 1771, when a grand opening was held.
526:
People would gather in the rooms in the evening for balls and other public functions, or simply to play cards. Mothers and chaperones bringing their daughters to Bath for the social season, hoping to marry them off to a suitable husband, would take their charge to such events where, very quickly, one
613:
In the ball-room, the long card-room, the octagonal card-room, the staircases, and the passages, the hum of many voices, and the sound of many feet, were perfectly bewildering. Dresses rustled, feathers waved, lights shone, and jewels sparkled. There was the music—not of the quadrille band, for it
514:
The
Assembly Rooms formed the hub of fashionable Georgian society in the city, the venue being described as "the most noble and elegant of any in the kingdom". They were originally known as the Upper Rooms as there was also a lower assembly room in the city, which closed soon after the Upper Rooms
744:
The
Ballroom has five chandeliers and capacity for up to 500 people. It is over 100 feet (30 m) long and nearly 45 feet (14 m) wide. The ceiling is 42 feet (13 m) high. The Tea Room holds up to 250 people. It was the location for a banquet attended by
564:
Mrs Allen was so long in dressing, that they did not enter the ball-room till late. The season was full, the room crowded, and the two ladies squeezed in as well as they could. As for Mr Allen, he repaired directly to the card-room, and left them to enjoy a mob by
753:. It is 60 feet (18 m) long and 42 feet (13 m) wide. The Octagon is named for the shape of the room and has four fireplaces. It is 42 feet (13 m) across. It originally held an organ in the musicians gallery. In 1777 the Card Room was added.
764:
We have examined too, with a Degree of particular
Attention, some of the most Admired Beauties of the last and present season, at both the Rooms, and, as far as we could determine, they were either best pleased, or most beautiful, under the
759:
in his 1778 'New Bath Guide' admired the architecture of the New or Upper Rooms but thought that 'in spite of all these
Advantages, we much doubt, whether it be true that the Upper Rooms shew Female Beauty so advantageously
582:
Sir Walter, his two daughters, and Mrs Clay, were the earliest of all their party at the rooms in the evening; and as Lady
Dalrymple must be waited for, they took their station by one of the fires in the Octagon
1812:
487:
in Venice. Adam also submitted plans for the new
Assembly Rooms but these were rejected as too costly. John Wood, the Younger raised funding for the construction of the Assembly Rooms by the use of a
825:
The grandeur of the building make it a popular location for feature films and television series set in the
Georgian period. The BBC have used it as a location for the filming of an adaptation of
349:
but this closed in
October 2022 after a break clause in the lease was enacted. The exhibits have been placed into storage as the Museum seeks funding for a permanent new home within the city.
718:
entrance and an extension to the rear. The interior is laid out in a U shape, with the larger Ball Room and Tea Room along either side with the octagonal Card Room at the end. The rooms have
614:
had not yet commenced; but the music of soft tiny footsteps, with now and then a clear merry laugh—low and gentle, but very pleasant to hear in a female voice, whether in Bath or elsewhere.
1970:
789:
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laid out the new quarters in streets and squares, the identical façades of which gave an impression of palatial scale and classical decorum. Much of the creamy honey-coloured
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403:
in 1735, which would be completed by the younger John Wood. Queen Square was the first speculative development by the elder John Wood, who lived in one of the houses. The
1816:
292:, and construction started in 1769. The new or upper assembly rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by
2011:
2001:
1345:
660:
264:, and his son laid out new areas of housing for residents and visitors. Assembly rooms had been built early in the 18th century, but a new venue for
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2016:
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The development at this time largely consisted of new residential areas located away from the old city centre. The elder John Wood designed
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dress for men, women and children from the late 16th century to the present day and has more than 30,000 objects. The earliest pieces are
648:, played a series of concerts between 1771 and 1776. Many of the concerts during the late 18th and early 19th centuries were organised by
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57:
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times, however, in response to the increasing number of visitors to the spa and resort town who required accommodation. The architects
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307:, is arranged in a U shape. There are four main function rooms in the complex: the 100-foot-long (30 m) ballroom—the largest
2006:
1506:
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consists of three long, curved terraces that form a circular theatre intended for civic functions and games and inspired by the
2026:
1532:
683:, the Assembly Rooms were bombed and burnt out inside. After the cessation of hostilities in Europe, they were restored by Sir
204:
1978:
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803:, which was known before 2007 as the Museum of Costume, until its closure in October 2022. The collection was started by
792:. They are used currently used as a venue for partnership exhibitions and concerts, including ones that are part of the
1194:
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opened. They served the newly built fashionable area which included the Circus, Queen Square and the Royal
Crescent.
437:, a local builder responsible for many other buildings in the city, including the terraces in Argyle Street and the
456:
250:
1938:
1222:
441:, The Lower Assembly Rooms consisted of two buildings. The first built in 1708 for Thomas Harrison overlooking
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684:
479:, a three-arched bridge spanning the River Avon. He used as his prototype an original, but unused, design by
334:
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also visited Bath on several occasions. He gave public readings in the Assembly Rooms and mentions them in
1614:
1777:
Thicknesse, Philip (1778) The New Prose Bath Guide, for the Year 1778, 2nd, ed. London & Bath, p. 37.
687:, with work being completed in 1963. The ballroom ceiling had to be repaired after it collapsed in 1989.
1839:
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in England which are now open to the public as a visitor attraction. They are designated as a Grade I
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In the 20th century several changes took place, with the Ballroom becoming a cinema, until the
531:, who lived in Bath with her parents and sister from 1801 to 1805. Her two novels set in Bath,
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for public functions until March 2023. The basement of the building provided a home to the
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8:
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In the 20th century they were used as a cinema and in 1931 were taken over by the
1982:
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433:, which, together with its associated Lower Assembly Rooms, was designed by
504:
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330:
265:
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712:
644:, made his debut at the Assembly Rooms in 1789. Another young violinist,
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which links the two; the buildings on Gay Street are now largely Grade I
385:
293:
281:
839:. The Assembly Rooms were also used as a location for several scenes in
1890:
1243:
840:
812:
734:
722:
668:
450:
374:
319:
304:
426:, designed by the younger John Wood, and built between 1767 and 1774.
807:, who gave her collection to the city of Bath in 1963. It focuses on
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of 25/26 April 1942, one of the retaliatory raids on England by the
708:
638:
1534:
Water Music: Making Music in the Spas of Europe and North America
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before reopening in 1963. They are now owned and operated by the
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used for construction throughout the city was obtained from the
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641:
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492:
1374:
Houses of the National Trust: Outstanding Buildings of Britain
543:, were published in 1818 and both mention the Assembly Rooms:
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815:
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in Rome. Finally the elder Wood also designed and developed
357:
Several areas of Bath had undergone development during the
1133:
A Biographical Dictionary of British Architects, 1600–1840
268:, concerts and gambling was envisaged in the area between
284:
submitted a proposal that was rejected as too expensive.
659:
became the owners in 1931. The building was restored by
329:
and restored. They were bombed and burnt out during the
1703:. Bath and North east Somerset council. Archived from
1673:. Bath and North East Somerset council. Archived from
1565:. Bath and North East Somerset Council. Archived from
799:
The basement of the building provided a home to the
1815:. Bath International Music Festival. Archived from
885:
1501:
1478:The Pickwick Papers, by Charles Dickens (1836–37)
1397:
315:; the card room; and the octagon. The rooms have
1993:
657:Society for the Protection of Ancient Buildings
460:Fancy Dress Ball at the Bath Assembly Rooms by
422:The most spectacular of Bath's terraces is the
327:Society for the Protection of Ancient Buildings
788:Today the rooms are owned and operated by the
1348:. Museum of Bath Architecture. Archived from
943:"John Wood and the Creation of Georgian Bath"
853:List of National Trust properties in Somerset
491:, an investment plan that is named after the
1865:"Plans for the future of the Fashion Museum"
1497:
1495:
1155:
1099:
1056:
919:The English Spa, 1560–1815: A Social History
260:Bath became fashionable, and the architects
784:The Octagon Room, with a central chandelier
211:
2012:Grade I listed buildings in Bath, Somerset
2002:Buildings and structures completed in 1771
1401:Concert Life in Eighteenth-century Britain
1398:McVeigh, Simon; Wollenberg, Susan (2004).
1291:
1289:
1287:
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1257:
1255:
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429:The heart of the Georgian city was Wood's
29:
1492:
1268:. Yale University Press. pp. 88–91.
503:in 1653. It combines features of a group
1813:"Bath International Music Festival 2016"
779:
694:
545:
517:
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16:Grade I listed building in Bath, England
1530:
1426:"Assembly Rooms – Famous visitors"
1370:
1282:
1261:
1250:
1230:. SAHGB Publications Limited: 129–145.
1220:Manco, Jean (1995). "Pulteney Bridge".
1213:
916:
699:Three chandeliers adorning the Tea Room
499:, who is credited with inventing it in
300:, along with the nobility of the time.
1994:
1733:. Bath and North east Somerset council
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711:. It is rectangular with a projecting
219:Location of Assembly Rooms in Somerset
2032:National Trust properties in Somerset
2017:Tourist attractions in Bath, Somerset
1837:
1551:
1511:Research records (formerly PastScape)
1219:
965:
667:as the interior designer. During the
361:period; development increased during
333:, with restoration undertaken by Sir
1939:"Bath's Starring Role in Bridgerton"
1788:"Bath Assembly Rooms project | Bath"
1377:. National Trust Books. p. 41.
1135:. New Haven: Yale University Press.
1084:
1062:"Queen Square (north side) (443387)"
382:Combe Down and Bathampton Down Mines
343:Bath and North East Somerset Council
1755:. Jane Austen.co.uk. Archived from
1295:
1078:
1004:The myth maker: John Wood 1704–1754
921:. Fairleigh Dickinson Univ. Press.
864:
725:and are decorated with pictures by
13:
1404:. Ashgate Publishing. p. 31.
1265:Pevsner Architectural Guides: Bath
1192:
896:National Heritage List for England
749:for the BBC television series the
554:, "The Card-room at Bath" used in
550:1837 Steel engraving, probably by
14:
2043:
1960:
1300:. Regency History. Archived from
794:Bath International Music Festival
322:and are decorated with fine art.
1838:Evans, Rian (11 November 2008).
1428:. Fashion Museum. Archived from
1298:"The Upper Assembly Rooms, Bath"
1197:. Cathryn Spence. Archived from
1195:"The Lower Assembly Rooms, Bath"
1183:Taunton Courier 27 December 1820
1006:. Akeman Press. pp. 57–68.
210:
203:
1967:Bath Assembly Rooms information
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1507:"Bath Assembly Rooms (203830)"
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2007:1771 establishments in England
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935:
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522:Entrance into the Octagon Room
1:
2027:Grade I listed assembly rooms
1346:"Objects from the Collection"
858:
917:Hembury, Phylis May (1990).
241:located in the heart of the
7:
846:
10:
2048:
891:"Assembly Rooms (1394144)"
352:
1917:"Bath as a film location"
1731:Bath's Historic Buildings
1701:Bath's Historic Buildings
1671:Bath's Historic Buildings
1563:Bath's Historic Buildings
1559:"The Assembly Rooms Bath"
1452:"Persuasion (Chapter 20)"
1262:Forsyth, Michael (2003).
1105:"Royal Crescent (447275)"
646:Thomas Linley the younger
288:raised funding through a
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40:
28:
23:
1002:Elliot, Kirsten (2004).
1537:. OUP. pp. 41–42.
1371:Greeves, Lydia (2008).
973:"Ralph Allen Biography"
947:Building of Bath Museum
1981:3 January 2015 at the
1891:"Fashion museum, Bath"
785:
700:
628:
598:
579:
560:
523:
464:
311:interior in Bath; the
303:The building, made of
286:John Wood, the Younger
237:in 1769, are a set of
133:Architectural style(s)
127:John Wood, the Younger
1531:Bradley, Ian (2010).
1324:"Bath Assembly Rooms"
1223:Architectural History
783:
731:Allan Ramsay (artist)
707:building has a slate
698:
611:
609:(published in 1837):
580:
562:
549:
521:
459:
371:John Wood the Younger
341:and were operated by
235:John Wood the Younger
1161:"Guildhall (442118)"
1117:on 19 December 2007.
1089:. Countryside Books.
1085:Gadd, David (1987).
552:Hablot Knight Browne
262:John Wood, the Elder
73:51.38611°N 2.36222°W
1976:Assembly Rooms page
1919:. Museum of Costume
1869:Fashion Museum Bath
1759:on 15 December 2013
1707:on 15 December 2013
1677:on 23 February 2014
1432:on 16 December 2013
1201:on 15 December 2013
1074:on 18 October 2012.
953:on 13 November 2007
805:Doris Langley Moore
747:The Prince of Wales
727:Thomas Gainsborough
720:Whitefriars crystal
624:The Pickwick Papers
606:The Pickwick Papers
557:The Pickwick Papers
467:In around 1770 the
367:John Wood the Elder
317:Whitefriars crystal
243:World Heritage City
231:Bath Assembly Rooms
69: /
1454:. Public Bookshelf
977:Bath Postal Museum
786:
751:Great British Menu
701:
631:George Bridgetower
561:
524:
465:
183:Reference no.
78:51.38611; -2.36222
35:The Assembly Rooms
1840:"Bath Mozartfest"
1753:"The Upper Rooms"
1569:on 3 January 2015
1544:978-0-19-532734-2
1411:978-0-7546-3868-1
1384:978-1-905400-66-9
1296:Knowles, Rachel.
1275:978-0-300-10177-5
1193:Spence, Cathryn.
1166:Images of England
1110:Images of England
1067:Images of England
1013:978-0-9546138-2-2
983:on 4 October 2013
928:978-0-8386-3391-5
822:from about 1600.
757:Philip Thicknesse
685:Albert Richardson
650:Venanzio Rauzzini
462:Thomas Rowlandson
335:Albert Richardson
227:
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117:Albert Richardson
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1352:on 9 August 2016
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1326:. National Trust
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1304:on 17 March 2014
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1101:Historic England
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1038:on 19 April 2008
1034:. Archived from
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887:Historic England
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828:Northanger Abbey
762:as the Lower....
626:
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575:Northanger Abbey
534:Northanger Abbey
497:Lorenzo de Tonti
417:listed buildings
331:Second World War
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1173:on 31 May 2012.
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620:Charles Dickens
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601:Charles Dickens
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481:Andrea Palladio
477:Pulteney Bridge
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298:Charles Dickens
251:listed building
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1971:National Trust
1962:
1961:External links
1959:
1957:
1956:
1945:. 9 March 2022
1930:
1908:
1895:24 hour museum
1882:
1871:. 14 June 2022
1856:
1830:
1804:
1792:National Trust
1779:
1770:
1744:
1718:
1688:
1658:
1645:Your paintings
1641:"Allan Ramsey"
1632:
1619:Your paintings
1606:
1593:Your paintings
1580:
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1491:
1474:"Chapter XXXV"
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1032:UK attractions
1028:"Queen Square"
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801:Fashion Museum
790:National Trust
777:
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771:upper lights'.
692:
689:
675:following the
673:Baedeker Blitz
663:in 1938, with
616:
585:
567:
443:Parade Gardens
435:Thomas Baldwin
424:Royal Crescent
354:
351:
347:Fashion Museum
339:National Trust
278:Royal Crescent
239:assembly rooms
233:, designed by
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1987:Bath Council
1947:. Retrieved
1942:
1933:
1921:. Retrieved
1911:
1899:. Retrieved
1897:. Culture 24
1894:
1885:
1873:. Retrieved
1868:
1859:
1847:. Retrieved
1843:
1833:
1821:. Retrieved
1817:the original
1807:
1795:. Retrieved
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1757:the original
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1679:. Retrieved
1675:the original
1670:
1661:
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1644:
1635:
1623:. Retrieved
1618:
1615:"Edwin Long"
1609:
1597:. Retrieved
1592:
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1567:the original
1562:
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1514:. Retrieved
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1456:. Retrieved
1446:
1434:. Retrieved
1430:the original
1420:
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1350:the original
1340:
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1318:
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1302:the original
1264:
1227:
1221:
1215:
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1199:the original
1188:
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1171:the original
1164:
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1115:the original
1108:
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1072:the original
1065:
1052:
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1036:the original
1031:
1022:
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997:
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981:the original
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955:. Retrieved
951:the original
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900:. Retrieved
894:
835:
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691:Architecture
654:
629:
612:
604:
599:
595:(Chapter 20)
581:
563:
555:
538:
532:
525:
513:
469:neoclassical
466:
447:North Parade
428:
421:
393:Queen Square
390:
369:and his son
356:
324:
302:
270:Queen Square
258:Georgian era
255:
230:
228:
178:12 June 1950
18:
1901:14 December
1849:14 December
1823:12 February
1763:14 December
1737:14 December
1711:14 December
1681:14 December
1667:"Ball Room"
1651:14 December
1625:14 December
1599:14 December
1573:14 December
1516:14 December
1484:14 December
1458:14 December
1436:14 December
1356:12 February
1330:14 December
1308:14 December
1205:15 December
902:14 December
813:embroidered
809:fashionable
776:Current use
723:chandeliers
709:hipped roof
635:Afro-Polish
589:Jane Austen
571:Jane Austen
565:themselves.
529:Jane Austen
473:Robert Adam
386:Ralph Allen
320:chandeliers
294:Jane Austen
282:Robert Adam
256:During the
112:Restored by
76: /
52:Coordinates
1996:Categories
1943:Visit Bath
1697:"Tea Room"
1042:10 January
957:8 December
859:References
841:Bridgerton
836:Persuasion
735:Edwin Long
677:RAF's raid
669:Bath Blitz
593:Persuasion
540:Persuasion
493:Neapolitan
471:architect
451:Bath Abbey
413:Gay Street
401:Gay Street
375:Bath stone
305:Bath stone
274:The Circus
175:Designated
61:51°23′10″N
1727:"Octagon"
769:than the
705:limestone
642:violinist
475:designed
439:Guildhall
431:Pump Room
409:Colosseum
384:owned by
379:limestone
161:– Grade I
123:Architect
64:2°21′44″W
47:, England
1979:Archived
1844:Guardian
1131:(1997).
847:See also
639:virtuoso
617:—
586:—
568:—
483:for the
445:between
363:Georgian
313:tea room
309:Georgian
276:and the
137:Georgian
104:Restored
41:Location
1923:15 July
1244:1568625
832:and in
830:in 1986
716:portico
509:lottery
505:annuity
495:banker
489:Tontine
353:History
290:tontine
186:1394144
94: (
1949:21 May
1875:21 May
1797:21 May
1541:
1408:
1381:
1272:
1242:
1139:
1010:
987:5 June
925:
820:gloves
816:shirts
681:Lübeck
637:-born
507:and a
501:France
405:Circus
399:, and
397:Circus
395:, the
359:Stuart
1647:. BBC
1621:. BBC
1595:. BBC
1240:JSTOR
834:1995
767:lower
713:doric
633:, an
583:Room.
266:balls
143:Owner
89:Built
1951:2023
1925:2017
1903:2013
1877:2023
1851:2013
1825:2017
1799:2023
1765:2013
1739:2013
1713:2013
1683:2013
1653:2013
1627:2013
1601:2013
1575:2013
1539:ISBN
1518:2013
1486:2013
1460:2013
1438:2013
1406:ISBN
1379:ISBN
1358:2017
1332:2013
1310:2013
1270:ISBN
1207:2013
1137:ISBN
1044:2008
1008:ISBN
989:2012
959:2007
923:ISBN
904:2013
818:and
737:and
703:The
537:and
449:and
296:and
247:Bath
229:The
115:Sir
107:1963
96:1771
92:1771
45:Bath
1232:doi
679:on
245:of
1998::
1985:,
1969:,
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