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Ballade No. 1 (Chopin)

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in Leipzig in fall 1836, Schumann wrote: "I have a new Ballade by Chopin. It seems to me to be the work closest to his genius (though not the most brilliant). I even told him that it is my favourite of all his works. After a long, reflective pause he told me emphatically: 'I am glad, because I too
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major is introduced softly at measure 68. The exposition is once again followed by development, in which the two themes, transferred to another tonal center (A minor and A major), undergo transformation. Then, a reprise presents the two themes in their original keys, albeit in reverse order.
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The ballade dates to sketches Chopin made in 1831, during his eight-month stay in Vienna. It was completed in 1835 after his move to Paris, where he dedicated it to Baron Nathaniel von Stockhausen, the
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The main section of the ballade is built from two main themes. The brief introduction fades into the first theme in G minor, introduced at measure 8. After dramatic development, the second theme in E
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made his own arrangement of Ballade No. 1 for violin and piano. That arrangement was used as the soundtrack for the final episode of the Japanese
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As a whole, the piece is structurally complex and not strictly confined to any particular form, but incorporates ideas from mainly the
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which characterizes the others. It is also considered one of Chopin's most technically and musically demanding works.
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as the top note, the chord has caused some degree of controversy, and thus, some versions of the work – such as the
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that is not resolved until later on in the piece. Though Chopin's original manuscript clearly marks an E
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Rothstein, William (1994). "Ambiguity in the Themes of Chopin's First, Second, and Fourth Ballades."
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time signature, Ballade No. 1 bears deviations from this. The introduction is written in
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in the men's singles discipline. As of December 2021, Hanyu's Ballade No. 1 has set the
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The ballade has featured prominently in several films. It is performed on-screen in
853: 541: 205: 821: 208:, which implies a majestic aura, ending in a dissonant left-hand chord D, G, and E 989: 629: 598: 526: 420: 221: 178: 391: 381: 261: 1003: 994: 985: 976: 967: 958: 949: 940: 931: 922: 913: 904: 1197: 953: 917: 908: 857: 625: 265: 19:"Ballade No. 1" redirects here. For the solo piano piece by Franz Liszt, see 775: 150: 472: 425: 377: 242: 413: 253: 74: 874:
Berger, Karol (Summer 1996). "The Form of Chopin's 'Ballade,' Op. 23."
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in four seasons between 2014 and 2020. The program has earned him
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and is the most successful program in that competition segment.
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After Chopin's death, the Belgian violinist and musician
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Japanese figure skater and two-time Olympic champion
539: 746:"A List of Music Pieces from "Your Lie in April"" 592: 590: 546:FrĂ©deric Chopin: A Research and Information Guide 1195: 431:Play It Again: An Amateur Against the Impossible 198:The piece begins in the first inversion of the A 1033: 587: 1019: 487:such as the completion of the first career 436:The piece was also the subject of the 2013 182:like it the best, it is my dearest work.'" 26:For the short program by Yuzuru Hanyu, see 1026: 1012: 54: 900:International Music Score Library Project 518: 189: 16:Composition for piano by FrĂ©dĂ©ric Chopin 806:"Men's Historical Absolute Best Scores" 624: 596: 514: 512: 260:forms. A distinguishing feature is its 1196: 838: 712: 661: 618: 332:. The rest of the piece is written in 28:Ballade No. 1 (figure skating program) 1007: 365: 794:from the original on 8 October 2021. 568: 509: 1161:List of compositions by opus number 718: 406:. It also appears in the 1991 film 13: 832: 483:and contributed to the win of his 416:and meets her for the first time. 241:A thundering chord introduces the 123: 14: 1235: 889: 878:, vol. 20, no. 1, pp. 46–71. 1181: 721:"Review: Recording of the Month" 662:Winter, Robert (24 April 2014). 495:short program scores across all 419:In 2010, the British journalist 224:edition – include D, G, D as an 160:Problems playing this file? See 139: 1204:Compositions by FrĂ©dĂ©ric Chopin 798: 768: 398:and supplies him with food. 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It is quoted in 366:In popular culture 347:, rather than the 196: 129: 109:for solo piano by 1209:1835 compositions 1169: 1168: 999:Krystian Zimerman 945:Vladimir Horowitz 936:Arthur Rubinstein 555:978-0-415-99884-0 542:Trochimczyk, Maja 465:Your Lie in April 404:Janusz Olejniczak 390:, where it moves 144: 99: 98: 1231: 1186: 1185: 1184: 1177: 1065: 1064: 1028: 1021: 1014: 1005: 1004: 898:: Scores at the 871: 826: 825: 820:. Archived from 802: 796: 795: 772: 766: 765: 763: 761: 752:. 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Henle Verlag 517: 510: 505: 497:judging systems 450:Symphony No. 21 423:(the editor of 421:Alan Rusbridger 368: 357: 352: 351: 350: 349: 348: 342: 337: 336: 335: 334: 333: 327: 322: 321: 320: 319: 318: 312: 307: 306: 305: 304: 303: 293: 288: 287: 286: 285: 284: 278: 273: 272: 271: 270: 269: 233: 232: 216: 215: 210: 209: 204:major chord, a 200: 199: 188: 179:Robert Schumann 167: 166: 158: 156: 155: 154: 153: 147: 140: 137: 130: 124: 119: 111:FrĂ©dĂ©ric Chopin 61: 48:FrĂ©dĂ©ric Chopin 31: 24: 17: 12: 11: 5: 1237: 1227: 1226: 1224:Piano ballades 1221: 1216: 1211: 1206: 1191: 1190: 1167: 1166: 1164: 1163: 1158: 1153: 1145: 1144: 1137: 1130: 1123: 1116: 1109: 1102: 1095: 1088: 1080: 1077: 1076: 1074: 1073: 1068: 1057: 1052: 1046: 1043: 1042: 1031: 1030: 1023: 1016: 1008: 1002: 1001: 992: 983: 974: 965: 956: 947: 938: 929: 920: 911: 902: 891: 890:External links 888: 887: 886: 879: 872: 866: 834: 831: 828: 827: 810:isuresults.org 797: 767: 737: 711: 682: 654: 640: 626:Huneker, James 617: 586: 579: 573:. p. 64. 561: 554: 532: 507: 506: 504: 501: 468:in 2014–2015. 400:the soundtrack 382:Roman Polanski 367: 364: 353: 338: 323: 308: 289: 274: 262:time signature 187: 184: 157: 148: 138: 133: 132: 131: 122: 121: 120: 118: 115: 105:, Op. 23 is a 97: 96: 93: 89: 88: 85: 81: 80: 77: 71: 70: 67: 63: 62: 59: 51: 50: 40: 39: 15: 9: 6: 4: 3: 2: 1236: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1201: 1199: 1189: 1179: 1178: 1175: 1162: 1159: 1157: 1154: 1151: 1147: 1146: 1142: 1138: 1135: 1131: 1128: 1124: 1121: 1117: 1114: 1110: 1107: 1103: 1100: 1096: 1093: 1089: 1086: 1082: 1081: 1078: 1072: 1069: 1067: 1066:major, Op. 47 1058: 1056: 1053: 1051: 1048: 1047: 1044: 1040: 1036: 1029: 1024: 1022: 1017: 1015: 1010: 1009: 1006: 1000: 996: 995:Ballade No. 1 993: 991: 987: 986:Ballade No. 1 984: 982: 978: 977:Ballade No. 1 975: 973: 969: 968:Ballade No. 1 966: 964: 960: 959:Ballade No. 1 957: 955: 954:Claudio Arrau 951: 950:Ballade No. 1 948: 946: 942: 941:Ballade No. 1 939: 937: 933: 932:Ballade No. 1 930: 928: 924: 923:Ballade No. 1 921: 919: 918:Alfred Cortot 915: 914:Ballade No. 1 912: 910: 909:Josef Hofmann 906: 905:Ballade No. 1 903: 901: 897: 894: 893: 884: 880: 877: 873: 869: 867:9780511611650 863: 859: 855: 851: 847: 846: 841: 837: 836: 823: 819: 815: 811: 807: 801: 793: 789: 785: 781: 777: 771: 755: 751: 747: 741: 726: 722: 715: 700: 696: 694: 686: 671: 670: 665: 658: 643: 641:1-60303-588-5 637: 633: 632: 627: 621: 606: 605: 600: 593: 591: 582: 580:9780846704164 576: 572: 565: 557: 551: 547: 543: 536: 528: 524: 523: 515: 513: 508: 500: 498: 494: 490: 486: 482: 478: 474: 469: 467: 466: 462: 458: 453: 452:("Kaddish"). 451: 447: 443: 439: 434: 432: 428: 427: 422: 417: 415: 411: 410: 405: 401: 397: 393: 389: 388: 383: 379: 375: 374: 363: 356: 341: 326: 311: 301: 292: 277: 267: 263: 259: 255: 250: 248: 244: 239: 229: 227: 223: 207: 192: 183: 180: 175: 173: 165: 163: 152: 149:Performed by 136: 135:Ballade No. 1 114: 112: 108: 104: 94: 90: 86: 82: 78: 76: 72: 68: 64: 57: 52: 49: 45: 41: 38:Ballade No. 1 36: 33: 29: 22: 1152:}} 1148:{{ 1143:}} 1139:{{ 1136:}} 1132:{{ 1129:}} 1125:{{ 1122:}} 1118:{{ 1115:}} 1111:{{ 1108:}} 1104:{{ 1101:}} 1097:{{ 1094:}} 1090:{{ 1087:}} 1083:{{ 1049: 882: 844: 822:the original 809: 800: 779: 770: 758:. 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Index

Ballade No. 1 (Liszt)
Ballade No. 1 (figure skating program)
Ballade
Frédéric Chopin

Opus
ballade
Frédéric Chopin
Ballade No. 1
Frank LĂ©vy
media help
Hanoverian
Robert Schumann

Neapolitan chord
Klindworth
ossia
coda
sonata
variation
time signature
time
Gaslight
Jakob Gimpel
Roman Polanski
The Pianist
a German officer
eponymous protagonist
the soundtrack
Janusz Olejniczak

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