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Antony and Cleopatra (Barber)

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glitter of the occasion". Less kindly, the 1966 premiere was retrospectively described as "a hair-curlingly awful production. … The night has gone down in the annals of opera as a landmark of vulgarity and staging excess. Mr. Barber’s score, as we discovered from subsequent exposure to revised excerpts in concert and on records, was to a great extent an innocent victim of the over-all fiasco". The opera was dropped from the Met's repertory after the initial eight performances of the production. The radio broadcast of the premiere, rarely heard after the initial broadcast, was released in 2016, upon the 50th anniversary of the premiere.
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The opera was poorly received by the press, and not enthusiastically received by the public. Among the reasons cited for the opera's lack of success were an "inflated production with problematic technical apparatus, gaudy costumes, overcrowded stage forces, and a press overly attentive to the social
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as Cleopatra. Condensing Shakespeare's text from five acts in over forty scenes to three acts over three hours, Zeffirelli preserved much of the speaking style of the original tragedy. The stage design and costumes were elaborate; the cast was enormous including 22 principal singers, a full chorus,
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dozens of extras and a troupe of ballet dancers—a company of 400 performers on stage. Quickly utilizing the limits of the cutting-edge technology of the new opera house, the mammoth production was not without problems. A technical error during early rehearsals broke the house's new
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on February 6, 1975. It was given its European premiere in 1980 in concert version at the Théâtre des Champs Elysées, Paris, as part of the "Saison Lyrique de Radio France" under its Music Director, Jean-Pierre Marty. There were further productions at the
187:, causing the entire production to be restaged with movable scenery units. A large hydraulic pyramid of steel, brass, and aluminium dominated the stage with fold up sides that famously trapped Price during the dress rehearsal. 951: 700:
Metropolitan Opera Radio broadcast of the September 16, 1966 world premiere (original edition). Leontyne Price, soprano, Justino Diaz, bass; The Metropolitan Opera Orchestra & Chorus,
1590: 736:(complete 1975 edition). Esther Hinds, soprano, Jeffrey Wells, bass; The Spoleto Festival Orchestra and Westminster Choir (Joseph Flummerfelt, chorus master), 689:
Two complete commercial recordings of the opera exist (one of the premiere of the original version, the other of the revision), as well as two scenes sung by
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Barber later revised the opera, with text revisions by Gian-Carlo Menotti, Barber's partner and the librettist of his first opera,
1630: 1262: 1566: 147: 1280: 1142: 1400: 704:, conductor. Part of "The Inaugural Season: Extraordinary Met Performances From 1966–67" box set, 2016 (Warner Classics) 1408: 1019: 461: 1385: 1335: 1095: 1087: 919: 888: 845: 815: 794: 770: 1620: 1585: 1137: 1123: 1118: 1113: 1362: 1170: 317: 1370: 1422: 1228: 1012: 1255: 1004: 991: 1295: 1485: 446: 810:, 4 vols., edited by Stanley Sadie; managing editor, Christina Bashford. London: Macmillan Press. 740:, conductor. Recorded during the 1983 Festival of Two Worlds in Spoleto, Italy (2-CD set, stereo, 1506: 1500: 1446: 1415: 1130: 880: 1543: 1311: 1248: 719: 218: 210: 41: 1460: 1440: 1199: 1191: 142:
The opera was first performed on September 16, 1966, commissioned for the opening of the new
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Kolodin, Irving (1966). "Music to my Ears: Barber’s Antony, after Zeffirelli".
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Molto Agitato: The Mayhem Behind the Music at The Metropolitan Opera
271: 122: 254: 214: 1240: 840:; managing editor, Christina Bashford. London: Macmillan Press. 200:. This version was premiered under Menotti's direction at the 288: 114: 29: 726:, conductor, recorded 1–2 June 1968 (LP recording, stereo, 708:
Samuel Barber: Two Scenes from Antony and Cleopatra, Op. 40
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Samuel Barber: A Thematic Catalogue of the Complete Works
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and made use of Shakespeare's language exclusively.
832:Heyman, Barbara B. (1992). "Antony and Cleopatra". 166:For the world premiere—also the opening of the new 787:The Metropolitan Opera Stories of the Great Operas 937:Porter, Andrew (1975). "Antony’s Second Chance". 1577: 976:: CS1 maint: bot: original URL status unknown ( 914:, Oxford and New York: Oxford University Press, 781: 779: 1591:Opera world premieres at the Metropolitan Opera 958:. Archived from the original on August 11, 2023 755: 1256: 1020: 868: 828: 826: 824: 806:Heyman, Barbara B. (1992). "Barber, Samuel". 776: 1616:Operas based on works by William Shakespeare 950:Schonberg, Harold C. (September 17, 1966). 1263: 1249: 1027: 1013: 857:Henahan, Donal. "Juilliard Rehabilitating 851: 821: 800: 40: 949: 911:Samuel Barber: The Composer and His Music 789:. New York City: W. W. Norton Co. p. 15. 158:into an edition first performed in 1975. 1166:List of cultural depictions of Cleopatra 941:(February 24): 123–24. Reprinted in his 927: 1578: 936: 907: 874: 161: 148:Lincoln Center for the Performing Arts 1244: 1008: 765:. New York: Anchor Books. pp. 56-69. 1001:Notes and credits for 1983 recording 1606:Works based on Antony and Cleopatra 117:in three acts by American composer 13: 901: 14: 1642: 1270: 985: 943:Music of Three Seasons: 1974–1977 834:The New Grove Dictionary of Opera 808:The New Grove Dictionary of Opera 712:Knoxville: Summer of 1915, Op. 24 238:Premiere Cast, September 16, 1966 1611:Depictions of Cleopatra in opera 1562: 1561: 1223: 1222: 178:, and a top rate cast headed by 1626:Cultural depictions of Augustus 1171:Cultural depictions of Augustus 202:Juilliard American Opera Center 1631:Cultural depictions of Lepidus 1371:Music for a Scene from Shelley 1: 748: 684: 87:September 16, 1966 7: 908:Heyman, Barbara B. (1995), 875:Heyman, Barbara B. (2012). 129:. 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Index

Opera
Samuel Barber

Metropolitan Opera House
Franco Zeffirelli
Antony and Cleopatra
William Shakespeare
Metropolitan Opera
opera
Samuel Barber
libretto
Franco Zeffirelli
Antony and Cleopatra
William Shakespeare
Metropolitan Opera House
Lincoln Center for the Performing Arts
New York City
Gian Carlo Menotti
Metropolitan Opera House
Alvin Ailey
Thomas Schippers
Leontyne Price
turntable
Vanessa
Juilliard American Opera Center
Spoleto Festival USA
Festival dei Due Mondi
Spoleto
Lyric Opera of Chicago
Thomas Schippers

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