494:. For power they needed Temporary 3 phase connections with separate meters in all locations where power is needed. However, they only needed power in two locations only, the Temple and velichappad's house which happened to be near the temple. So they managed with one connection for both the locations. However, the power situation was worse in Malabar area and the voltage was very less at night time (around 120-150 volts). So most of the night shooting was done after 9 PM only when people switch off the lights and go to sleep. Then the power consumption load goes down and the voltage rises to a usable level of around 200 volts. Due to this, night shoots use to extend till early mornings. For daytime shooting the crew used reflectors which was fabricated at Calicut, since they did not have a full out-door unit from Madras for use.
340:
he loses faith in the temple and goddess. Velcihapadu's daughter, Ammini, helps him in temple rituals. The priest quits and starts a tea shop. A new priest, Brahmadattan
Nambothiri, from the neighboring village now takes care of the temple. He is eager to get a government job as his situation at home is not good and his younger sisters are not yet married. He seduces Ammini, daughter of Velichapdu, and leaves the village. Because of extreme poverty, Velichapdu starts to beg. One day, his son, Appu, tries to sell the holy sword to a pawn seller and Velichapadu finds it. He asks Appu to leave the house immediately.
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first meeting, Antony turned down role saying that he wasn't doing any films and was fully focused on theater. However, afterwards Antony sent a letter to Nair accepting the role. When P.J.Antony came to the location he didn't have much idea about his character. So he requested Nair to get the services of the local
Velichappad, gave him Guru Dhakshina and learnt from him the steps and mannerism of temple performances. Cinematographer Ramachandra Babu wrote in his blog, "He observed him minutely and succeeded in bringing alive on screen the Velichappad."
441:, Babu had only done three films. When he was contacted by Nair to be the cinematographer he was "taken aback." Nair explained that he didn't want any famous people associated with the film as they might get attributed for the film's success. He also said that "the film should be done in his own way, whether correct or not without any kind of interference."
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Vincent sent Nair thousand feet of film. It was difficult for the crew to obtain funds from the villagers, as they had already taken money from three well-to-do houses. However, during shooting a few of Nair's well to do friends came to visit him. Nair asked them for five thousand rupees, however, they gave him ten thousand and left.
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the day of the festival, Velichapadu finds that his wife is selling her body to a local moneylender for a living, leaving him totally devastated. The film ends with a devastating scene. The oracle dances before the goddess, spits at her face with his blood, and strikes his forehead with the sacred sword, till he falls down dead.
514:
Except for the
Sreekovil portion all other scenes were completed in one schedule. The crew had erected a set in Calicut where the Sreekovil with the idol where close up shots were taken. This was done because in the temple which was used for shooting there were no regular Poojas taking place and also
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called
Mukkola (Mukuthala). The film was produced by M. T. Vasudevan Nair under the banner of Novel Films. There were no lodges in the area to accommodate the crew members. Actor Sukumaran's uncle, Edappal Kuttan made arrangements in his relative's houses for Kaviyoor Ponnamma, Sumithra etc to stay.
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The main location, the Temple was in a neglected state without any puja or rituals being done for a long time. The crew came to know that a few people in the village thought that a non Hindu, Christian P.J Antony should not enter the temple. M.T. planned to finish all the exterior scenes
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Meanwhile, there is a smallpox outbreak in the village, and the first person affected is
Variyar's wife. Due to the outbreak of the disease, people become serious about the temple and its rituals. The villagers decide to conduct the festival for the Goddess and started collecting money from all. On
339:
The movie revolves around a neglected temple and the people dependent on it. P. J. Antony (Velichappadu or oracle) is the caretaker of the temple. The
Velichapadu's wife, Narayani, runs the household with the meager income from the temple. His son, Appu, is educated but unemployed, and as a result,
510:
Towards the end of the shooting schedule M.T. Vasudevan Nair ran out of money and the crew still had to shoot the climax and other scenes. He discussed the situation with a few trusted friends and sent a messenger to
Shoranur, where A. Vincent was shooting for a film, to lend him some money.
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the size of the temple and customs prevented the crew from entering it too for placing lights. For other outdoor locations, the crew used the steps on the riverside at
Thirumittakode temple for the parting song and a cave nearby for the rain sequence which was done with the help of fire engines.
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was recommended for role of
Velichapad by several crew members, however, other members of the crew opposed the proposal saying that his physique wouldn't suit the role. Nair was looking for a man who looked "skinny and weak." Nair himself suggested P. J. Antony for the role and met him. On their
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There was full co-operation from the villagers and they always were there to help us with properties for the scenes and also acting in minor and crowd scenes. In fact, they got so attached to the unit, many children were in tears when it was time for us to depart after the shooting was over.
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who acted earlier in a Hindi film. This film was a breakthrough in Ravi Menon's acting career. Ramachandra Babu, M. Azad (an associate director) and Ravi Menon were batchmates at the Poona Film
Institute.
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The rest of the crew were accommodated in a hall that belonged to a rice mill in Edappal. The mill had two rooms, which were taken by Nair and Antony. The rest of the crew were accommodated in the hall.
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including the climax and kept the temple interior scenes involving P. J. Antony at the end of the schedule, In case any strong objection arises at that time.
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During filming the crew faced several challenges with power supply. Since, they did not have generators for power supply, they had to depend on
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in 1974. It is one of the classics in Malayalam cinema. The film was based on M. T. Vasudevan Nair's short story
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863:เด
เตปเดชเดคเดฟเดฒเตเด เดตเดพเดเดพเดคเตเดค 'เดจเดฟเตผเดฎเดพเดฒเตเดฏเด': เดชเดเตเดเดฎเดจเตเดทเตเดฏเดจเตเดฑเต เดจเดฟเดธเตเดธเดนเดพเดฏเดคเดเดณเตเดเต เดจเตเตผเดเตเดเดฟเดคเตเดฐเด|50 years of Nirmalyam Movie
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Ramachandra Babu had met M. T. Vasudevan Nair for the first time in 1970, while a student at the
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who acted earlier in a Hindi movie. This movie was a breakthrough in Ravi Menon's acting career.
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According to Nair, casting was done "against everyone else's suggestion". Veteran actor
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The film marked the debut of M. T. Vasudevan Nair as director and also, Sukumaran and
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The film marked the debut of M. T. Vasudevan Nair as director and also, Sukumaran and
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505: โ Ramachandra Babu about his experiences while shooting in the temple
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The movie is an adaptation of the short story "Pallivalum Kalchilambum" by
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477: โ Ramachandra Babu about the residents of Mukkola village.
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Films featuring a Best Actor National Award-winning performance
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891:"Ramachandra Babu: NIRMALYAM - A Land Mark in Malayalam Cinema"
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The film's major shooting location was a small village near
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or a medium between the Goddess and the worshipper in a
678:"List of Malayalam films released during the year 1973"
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Paleri Manikyam: Oru Pathirakolapathakathinte Katha
448:as actors. During his tenure teaching English at
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749:. Chennai, India. 15 March 2005. Archived from
2540:Films with screenplays by M. T. Vasudevan Nair
368:as Brahmadathan Namboothiri, the temple priest
2545:Best Feature Film National Film Award winners
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301:temple) in this movie. The film received the
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655:Kerala State Film Award for Best Screenplay
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1604:National Film Award for Best Feature Film
935:"Ramachandra Babu: NIRMALYAM - Nostalgia"
622:National Film Award for Best Feature Film
303:National Film Award for Best Feature Film
650:Kerala State Film Award for Best Editor
269:-language film written and directed by
14:
2560:Films directed by M. T. Vasudevan Nair
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1010:from the original on 26 September 2010
641:Kerala State Film Award for Best Actor
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1075:Kerala State Film Award for Best Film
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807:Vijayakumar, B. (25 September 2011).
783:from the original on 20 February 2016
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636:Kerala State Film Award for Best Film
320:as actors. It is the second movie of
307:Kerala State Film Award for Best Film
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933:Babu, Ramachandra' (11 June 2010).
889:Babu, Ramachandra' (28 July 2013).
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838:"เดถเดเตเดเดฐเดพเดเดฟ,เดจเดพเดเตเดฏเดเตเดเดณเดฟเดฒเตเดฒเดพเดคเตเดค เดจเดเดจเตโ"
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627:National Film Award for Best Actor
287:National Film Award for Best Actor
25:
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945:from the original on 7 April 2024
913:
901:from the original on 7 April 2024
870:from the original on 7 April 2024
819:from the original on 18 July 2012
795:
591:K. P. Brahmanandan, L. R. Anjali
576:Sukumari Narendra Menon, Padmini
289:in 1974 for his performance as a
27:1973 film by M. T. Vasudevan Nair
386:as the local Muslim money lender
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362:as Velichapad's daughter Ammini
2525:1970s Malayalam-language films
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2045:Halodhia Choraye Baodhan Khai
1525:Kanthan - The Lover of Colour
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374:as Velichapad's wife Narayani
993:. Retrieved 13 January 2012.
878:– via www.youtube.com.
604:K. P. Brahmanandan, Padmini
401:Kottarakkara Sreedharan Nair
7:
1006:. malayalasangeetham.info.
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10:
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2481:Rocketry: The Nambi Effect
1223:Ente Mamattikkuttiyammakku
1004:"Nirmalyam [1973]"
561:, Sukumari Narendra Menon
523:The music was composed by
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2398:Baahubali: The Beginning
1552:The Great Indian Kitchen
985:15 November 2022 at the
741:"P.J. Antony remembered"
711:. Movies & TV Dept.
380:as Velichapad's son Appu
2555:Films shot in Kozhikode
1306:Daivathinte Vikrithikal
851:. Retrieved 2012-01-04.
555:"Panimathimukhi Bal.."
535:were used in the film.
450:Scott Christian College
356:as Velichappad (Oracle)
347:
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285:. P. J. Antony won the
258:"Yesterday's Offerings"
97:by M. T. Vasudevan Nair
94:Pallivalum Kalchilambum
1667:Do Aankhen Barah Haath
773:"Screenplays for ever"
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1810:Goopy Gyne Bagha Byne
1263:Ore Thooval Pakshikal
843:24 April 2012 at the
779:. 26 September 2014.
573:"Thinthanam Tharo.."
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2550:Films shot in Kerala
2236:Mondo Meyer Upakhyan
1501:Ozhivudivasathe Kali
1434:Oru Pennum Randaanum
682:Government of Kerala
435:Poona Film Institute
329:M. T. Vasudevan Nair
271:M. T. Vasudevan Nair
105:M. T. Vasudevan Nair
85:M. T. Vasudevan Nair
76:M. T. Vasudevan Nair
1271:Vadakkunokkiyantram
1114:Panitheeratha Veedu
527:. Poems written by
403:as Valiya Thamburan
2530:1970s Indian films
2332:Adaminte Makan Abu
1997:Adi Shankaracharya
1461:Adaminte Makan Abu
976:Ramachandra Babu.
815:. Chennai, India.
753:on 5 November 2012
714:The New York Times
709:"Nirmalyam (1973)"
559:K. P. Brahmanandan
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872:. Retrieved
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821:. Retrieved
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785:. Retrieved
767:
757:23 September
755:. Retrieved
751:the original
744:
735:
723:. Retrieved
719:the original
712:
702:
690:. Retrieved
686:the original
645:P. J. Antony
631:P. J. Antony
522:
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410:S. P. Pillai
396:Shantha Devi
354:P. J. Antony
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291:velichappadu
290:
275:P. J. Antony
273:, and stars
257:
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243:
242:
241:
214:Running time
191:Release date
157:
149:
114:P. J. Antony
93:
61:
29:
2320:Kutty Srank
2308:Antaheen...
2296:Kanchivaram
2021:Chidambaram
1858:Swayamvaram
1846:Seemabaddha
1738:Dada Thakur
1691:Apur Sansar
1426:Atayalangal
1239:Chidambaram
1231:Mukhamukham
1138:Swapnadanam
1130:Uttarayanam
787:17 February
525:K. Raghavan
218:134 minutes
185:Novel Films
176:Novel Films
154:K. Raghavan
102:Produced by
72:Directed by
2520:1973 films
2514:Categories
2284:Pulijanmam
2272:Kaalpurush
2081:Marupakkam
1655:Kabuliwala
1410:Thanmathra
1347:Agnisakshi
1290:Vasthuhara
1161:Ashwathama
1154:Kodiyettam
1014:20 October
725:20 October
692:20 October
661:References
519:Soundtrack
458:Ravi Menon
439:Nirmalayam
416:Production
366:Ravi Menon
322:Ravi Menon
283:Ravi Menon
202:1973-11-23
169:Production
122:Ravi Menon
82:Written by
18:Nirmaalyam
2216:2001โ2020
2153:Lal Darja
2117:Charachar
1965:1981โ2000
1928:No Award
1870:Nirmalyam
1762:Charulata
1718:1961โ1980
1611:1953โ1960
1485:CR No: 89
1477:Celluloid
1453:2010-2019
1364:2000-2009
1322:Parinayam
1282:1990-1999
1185:1980-1989
1174:Esthappan
1166:Bandhanam
1122:Nirmalyam
1106:Sarasayya
1082:1969-1979
1034:Nirmalyam
991:Nostalgia
979:Nirmalyam
849:Janayugom
823:6 October
813:The Hindu
777:The Hindu
746:The Hindu
607:Edasseri
594:Edasseri
550:Duration
454:Nagercoil
427:Sankaradi
390:Sankaradi
378:Sukumaran
267:Malayalam
254:"Remains"
244:Nirmalyam
235:Malayalam
138:Edited by
57:Malayalam
35:Nirmalyam
2446:Marakkar
2201:Shantham
1906:Mrigayaa
1834:Samskara
1774:Chemmeen
1703:Anuradha
1533:Vasanthi
1372:Sayahnam
1329:Kazhakam
1314:Vidheyan
1247:Oridathu
1215:Yavanika
1209:Marmaram
1008:Archived
983:Archived
943:Archived
899:Archived
868:Archived
841:Archived
817:Archived
781:Archived
580:Edasseri
533:Edasseri
446:Sumithra
384:Kunjandi
360:Sumithra
318:Sumithra
279:Sumithra
231:Language
146:Music by
118:Sumithra
110:Starring
90:Based on
2434:Hellaro
2093:Agantuk
1509:Manhole
1354:Karunam
949:7 April
905:7 April
874:7 April
680:. PRD,
484:Edappal
465:Filming
421:Casting
265:Indian
261:) is a
252:
249:transl.
223:Country
200: (
171:company
2498:(2022)
2493:Aattam
2486:(2021)
2463:(2020)
2451:(2019)
2439:(2018)
2427:(2017)
2415:(2016)
2410:Kaasav
2403:(2015)
2391:(2014)
2379:(2013)
2367:(2012)
2355:(2011)
2337:(2010)
2325:(2009)
2313:(2008)
2301:(2007)
2289:(2006)
2277:(2005)
2265:(2004)
2260:Page 3
2253:(2003)
2248:Shwaas
2241:(2002)
2229:(2001)
2224:Dweepa
2206:(2000)
2194:(1999)
2182:(1998)
2170:(1997)
2158:(1996)
2146:(1995)
2134:(1994)
2122:(1993)
2110:(1992)
2098:(1991)
2086:(1990)
2074:(1989)
2062:(1988)
2057:Piravi
2050:(1987)
2038:(1986)
2026:(1985)
2014:(1984)
2002:(1983)
1990:(1982)
1978:(1981)
1973:Dakhal
1955:(1980)
1943:(1979)
1931:(1978)
1923:(1977)
1911:(1976)
1899:(1975)
1887:(1974)
1882:Chorus
1875:(1973)
1863:(1972)
1851:(1971)
1839:(1970)
1827:(1969)
1815:(1968)
1803:(1967)
1791:(1966)
1779:(1965)
1767:(1964)
1755:(1963)
1743:(1962)
1731:(1961)
1708:(1960)
1696:(1959)
1684:(1958)
1672:(1957)
1660:(1956)
1648:(1955)
1636:(1954)
1624:(1953)
1563:(2021)
1555:(2020)
1536:(2019)
1528:(2018)
1520:(2017)
1512:(2016)
1504:(2015)
1496:(2014)
1493:Ottaal
1488:(2013)
1480:(2012)
1472:(2011)
1464:(2010)
1445:(2009)
1437:(2008)
1429:(2007)
1421:(2006)
1413:(2005)
1405:(2004)
1397:(2003)
1394:Margam
1389:(2002)
1387:Bhavam
1383:(2001)
1380:Sesham
1375:(2000)
1356:(1999)
1350:(1998)
1342:(1997)
1331:(1995)
1325:(1994)
1317:(1993)
1309:(1992)
1301:(1991)
1298:Kadavu
1293:(1990)
1274:(1989)
1266:(1988)
1258:(1987)
1250:(1986)
1242:(1985)
1234:(1984)
1226:(1983)
1218:(1982)
1204:(1981)
1196:(1980)
1177:(1979)
1169:(1978)
1157:(1977)
1149:(1976)
1141:(1975)
1133:(1974)
1125:(1973)
1117:(1972)
1109:(1971)
1101:(1970)
1093:(1969)
616:Awards
547:Lyrics
295:oracle
281:, and
46:Poster
2386:Court
2350:Byari
2344:Deool
2177:Samar
2009:Damul
1985:Chokh
1938:Shodh
1402:Akale
1193:Oppol
299:Hindu
226:India
2347:and
1212:and
1163:and
1039:IMDb
1016:2009
951:2024
907:2024
876:2024
825:2012
789:2015
759:2009
727:2009
694:2009
541:Song
531:and
492:KSEB
348:Cast
335:Plot
305:and
293:(an
263:1973
141:Ravi
1037:at
452:in
256:or
2516::
989:.
959:^
941:.
937:.
915:^
897:.
893:.
866:.
847:.
811:.
797:^
775:.
743:.
669:^
643:-
629:-
331:.
313:.
277:,
1596:e
1589:t
1582:v
1067:e
1060:t
1053:v
1018:.
953:.
909:.
827:.
791:.
761:.
729:.
696:.
247:(
204:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
