438:
Salt at
Galerie Quynh Vietnam. In 2011, Linh participated in 11th Winds of Artist in Residence at Fukuoka Asian Art Museum with a solo exhibition Dust. In 2012 she presented project Home in the exhibition Hinterlands at the Luggage Store Gallery in
417:
in space. The sculpture is intended to dematerialize while it is on view. As the water evaporates, the salt begins to crumble and dissolve, its disappearing form symbolizing the way that events in history may slip away from
426:. As Nguyen observes, "It’s very exciting to me that the salt is melting during the exhibition; this makes the work continuous and perhaps never truly finished. The landscape is slowly transforming all the time."
158:
many of
Vietnam's most respected artists, writers and composers. She has demonstrated a deep understanding and involvement in the local art community both as an artist and an art
451:. In 2015, Linh participated in the Mien Meo Mieng Exhibition, showcasing contemporary Art from Vietnam in Umea, Sweden. In 2016, she will participate in Singapore Biennale
663:
641:
627:
459:
Since 2010, together with her fellow artist friend Bill Nguyen, Linh found and organized IN:ACT- the annual international performance
707:
552:
150:
that was co-found by her father and based in their home. Phuong Linh's artistic sensibility and curiosity was developed through
605:
443:, United States. In 2013, she participated in the large exhibition HIWAR, 25th anniversary of Darat Al Funnun in
118:
from historical sites of exchange and borders. She transforms these materials in order to construct alternative
123:
514:
and was the first of its kind in Hanoi, representing alternative ways of art-making and exhibiting.
667:
649:
119:
717:
691:
159:
115:
278:
474:
events in
Vietnam in the last decade with local and international artists and curators from
712:
413:
from unrefined, handmade salt. Nguyen conceived of this work as the act creating a minimal
94:
Linh concerns about geographic cultural shift, traditional roots and fragmented history in
8:
314:
470:
In 2012, she found and organized
Skylines With Flying People, one of the most ambitious
518:
385:, etc...All objects and spaces where the dust was from were documented and printed by
250:
202:
183:
155:
556:
84:
68:
511:
503:
495:
471:
410:
406:
358:
234:
143:
72:
577:
464:
435:
302:
298:
191:
538:
499:
163:
139:
35:
613:
701:
440:
354:
306:
111:
114:
influences. Nguyen Phuong Linh often travels, field researches and collects
591:
370:
238:
99:
88:
386:
246:
127:
414:
210:
167:
103:
76:
190:
who dedicate to pushing the examining traditional, local and global
642:"Mien Meo Mieng / Contemporary Art from Vietnam – Bildmuseet, Umeå"
487:
460:
322:
270:
242:
194:
171:
151:
107:
475:
382:
378:
330:
310:
206:
198:
187:
179:
175:
147:
95:
483:
448:
419:
366:
318:
274:
266:
205:
supports each other in pushing the boundaries of expression in
507:
491:
444:
374:
373:
in an old house in Japan, the border between North and South
362:
265:. It brings out a sense of glorious power, despite being the
258:
214:
80:
64:
423:
402:
350:
334:
326:
294:
254:
170:, Linh has organized various mobile as well as large scale
539:"Nguyen Phuong Linh Biography, Artworks & Exhibitions"
381:
port (USA) that shipped the first container of weapon to
454:
262:
209:
as well as seeks and nurtures other young artists in the
71:. Nguyen Phuong Linh's multidisciplinary practice spans
479:
664:"NGUYEN PHUONG LINH - Skylines with Flying People"
699:
225:
273:. From afar, the smoke looks like the neutral
506:, Manzi Art Space and many public sites in
340:
313:. The wood was transported same way that
138:Nguyen Phuong Linh was born and raised at
578:"Nha San Collective - Nguyen Phuong Linh"
422:or exist only as fragmented forms in our
553:"Nguyen Phuong Linh | GalerieQuynh"
293:, Phuong Linh's father shipped her iron
628:"Universes in Universe - Worlds of Art"
700:
455:Art organizing and curatorial practice
392:
284:
463:in Vietnam, the annual international
126:to fragmented histories and personal
91:and the ephemerality of human life.
83:. Her work conveys the sense of the
63:(born 1985) is a Vietnamese born,
13:
277:, but in close-up view, it is the
14:
729:
685:
434:In 2009, she exhibited the first
182:and abroad. In 2013 she co-found
510:. The project took place at the
708:Vietnamese contemporary artists
656:
634:
620:
598:
584:
570:
545:
531:
429:
1:
524:
231:Sanctified Clouds (2012/2015)
226:Sanctified Clouds (2012/2015)
361:, the first steel bridge in
317:sent the first container of
7:
213:with or without a physical
32:1985 (age 38–39)
10:
734:
409:. Nguyen Phuong Linh made
517:In 2013, Linh co-founded
50:
42:
28:
21:
353:from various places and
347:Dust project (2011-2012)
341:Dust project (2011-2012)
333:in 1967 and Linh made a
146:for experimental art in
142:, the first alternative
606:"Boat | Eli and Edythe"
220:
162:. Since the closure of
133:
365:that was built by the
646:www.bildmuseet.umu.se
253:and leaving only the
98:– a complex nexus of
297:from the floor of a
610:broadmuseum.msu.edu
467:festival in Hanoi.
399:Salt project (2009)
393:Salt project (2009)
315:American Government
301:and windows from a
291:Home project (2012)
285:Home project (2012)
245:, cropping off the
241:collected from the
186:, a group of local
519:Nha San Collective
478:, Japan, Germany,
401:, inspired by the
261:of explosions and
203:Nha San Collective
184:Nha San Collective
61:Nguyen Phuong Linh
23:Nguyen Phuong Linh
349:, Linh collected
69:conceptual artist
58:
57:
54:Conceptual artist
16:Vietnamese artist
725:
692:Official website
679:
678:
676:
675:
666:. Archived from
660:
654:
653:
648:. Archived from
638:
632:
631:
624:
618:
617:
612:. Archived from
602:
596:
595:
588:
582:
581:
574:
568:
567:
565:
564:
555:. Archived from
549:
543:
542:
535:
512:Japan Foundation
504:Goethe Institute
496:Japan Foundation
472:contemporary art
407:northern Vietnam
359:Long Bien bridge
144:artist-run space
19:
18:
733:
732:
728:
727:
726:
724:
723:
722:
698:
697:
688:
683:
682:
673:
671:
662:
661:
657:
640:
639:
635:
626:
625:
621:
604:
603:
599:
590:
589:
585:
576:
575:
571:
562:
560:
551:
550:
546:
537:
536:
532:
527:
465:performance art
457:
436:solo exhibition
432:
395:
343:
303:Mental hospital
299:Catholic church
287:
269:of destructive
237:of a series of
228:
223:
192:socio-political
136:
124:interpretations
38:
33:
24:
17:
12:
11:
5:
731:
721:
720:
715:
710:
696:
695:
687:
686:External links
684:
681:
680:
655:
652:on 2015-07-17.
633:
619:
616:on 2012-11-03.
597:
583:
569:
544:
529:
528:
526:
523:
500:Nha San Studio
456:
453:
431:
428:
394:
391:
342:
339:
286:
283:
279:representation
227:
224:
222:
219:
164:Nha San Studio
140:Nha San Studio
135:
132:
56:
55:
52:
48:
47:
44:
40:
39:
36:Nha San Studio
34:
30:
26:
25:
22:
15:
9:
6:
4:
3:
2:
730:
719:
718:Living people
716:
714:
711:
709:
706:
705:
703:
693:
690:
689:
670:on 2016-01-07
669:
665:
659:
651:
647:
643:
637:
629:
623:
615:
611:
607:
601:
593:
587:
579:
573:
559:on 2016-03-04
558:
554:
548:
541:. 9 May 2022.
540:
534:
530:
522:
520:
515:
513:
509:
505:
501:
497:
493:
489:
485:
481:
477:
473:
468:
466:
462:
452:
450:
446:
442:
441:San Francisco
437:
427:
425:
421:
416:
412:
411:installations
408:
404:
400:
390:
388:
384:
380:
376:
372:
368:
364:
360:
356:
352:
348:
338:
337:out of that.
336:
332:
328:
324:
320:
316:
312:
308:
307:North Vietnam
304:
300:
296:
292:
282:
280:
276:
272:
268:
264:
260:
256:
252:
248:
244:
240:
236:
232:
218:
216:
212:
208:
204:
200:
196:
193:
189:
185:
181:
177:
173:
169:
165:
161:
157:
153:
149:
145:
141:
131:
129:
125:
121:
117:
113:
112:geo-political
109:
105:
101:
97:
92:
90:
86:
82:
78:
74:
70:
66:
62:
53:
49:
45:
41:
37:
31:
27:
20:
672:. Retrieved
668:the original
658:
650:the original
645:
636:
622:
614:the original
609:
600:
586:
572:
561:. Retrieved
557:the original
547:
533:
516:
469:
458:
433:
405:villages of
398:
396:
371:bomb shelter
346:
344:
290:
288:
249:and violent
235:installation
230:
229:
174:for Nha San
137:
120:perspectives
93:
73:installation
60:
59:
713:1985 births
430:Exhibitions
369:in 1887, a
239:photographs
156:interaction
100:ethnicities
89:dislocation
43:Nationality
702:Categories
694:(archived)
674:2016-01-12
563:2016-01-12
525:References
389:in Japan.
387:blue print
281:of power.
247:landscapes
233:is a wall
128:narratives
85:alienation
51:Occupation
46:Vietnamese
415:landscape
357:such as:
211:community
168:authority
160:organizer
116:artifacts
104:religions
77:sculpture
488:Shanghai
461:festival
345:For the
323:medicine
271:weaponry
243:Internet
195:contexts
172:projects
152:dialogue
108:cultural
494:... at
476:Vietnam
383:Vietnam
379:Oakland
355:objects
331:Vietnam
329:... to
311:Oakland
305:in the
207:Vietnam
199:history
188:artists
180:Vietnam
176:artists
166:due to
148:Vietnam
96:Vietnam
67:-based
592:"Dust"
484:Serbia
449:Jordan
420:memory
367:French
319:weapon
275:clouds
267:symbol
251:scenes
106:, and
87:, the
508:Hanoi
492:Korea
445:Amman
424:minds
375:Korea
363:Hanoi
259:smoke
215:space
81:video
65:Hanoi
403:salt
351:dust
335:boat
327:food
295:wood
257:and
255:dust
221:Work
197:and
154:and
134:Life
122:and
110:and
79:and
29:Born
397:In
309:to
289:In
263:war
178:in
704::
644:.
608:.
521:.
502:,
498:,
490:,
486:,
482:,
480:US
447:,
377:,
325:,
321:,
217:.
201:.
130:.
102:,
75:,
677:.
630:.
594:.
580:.
566:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.