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Neo-prog

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205:, author Jerry Lucky dedicates a chapter to neo-progressive rock with the title "A Neo Beginning!", stating this subgenre "surfaced in late 1981, bearing testimony to the lasting values of this musical form" of progressive rock, but distinguishing it from this main genre by saying, "Sure the sound was a bit different ... a little more bite, a little more eighties". Later in the same book, Jerry Lucky suggested this subgenre of progressive rock peaked in the mid-1980s: "As 1984 dawned all of the British neo-progressive rock bands release material." Famous neo-prog albums were 1534: 328:
and often dark themes. While the accessibility of neo-prog to the mainstream is debatable, the form did generally seem more radio-friendly, with shorter and less complex songs than earlier progressive rock. Nonetheless, neo-prog never achieved the heights of popular success that the first wave of
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in 1985, which topped the UK album chart and produced two top five hit singles in the UK. The album has been called "the cornerstone of the entire 'neo-prog' movement". Following this peak, neo-prog declined in popularity as a genre, although several bands have continued to record and tour, with
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progressive rock in the 1970s did, with only one band, Marillion, achieving arena status. Marillion achieved major success across Europe in particular and produced eight top ten UK albums between 1983 and 1994, peaking in popularity with their album
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took over many of the roles formerly filled by bulkier keyboards such as Mellotrons and organs, and their modern sound tended to minimise the folk influences that had been typical of 1970s progressive rock. Heavy metal bands such as
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than by more modern composers. The change of approach can be heard in the shift toward shorter compositions and a keyboard-based sound in the 1980s Rush albums
422:-based double LPs. This culminated in the 2019 concert celebration for the Astronaut Scholarship Fund's concert celebration for the 50th anniversary of the 995: 1158: 1517: 1512: 1507: 1502: 1497: 1492: 1117:
in the genre. Neo-progressive rock is referenced in the book throughout, starting with the section titled "A Neo Beginning" (Page 79).
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fame brought more attention to the "alien based" concept album through social media and most importantly the attention of the
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began to explore the mythological themes and extended concepts that had previously been the territory of progressive rock.
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later in the evening for a two band encore "mashup". Along with Marillion, Fish and Edison's Children,
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and a generous use of imagery and theatricality on-stage. The music is mostly the product of careful
1113:(paperback). Gives an overview of progressive rock's history as well as histories of the major and 239: 402:
family including Neil's musical son Rick Armstrong who requested to. become a permanent member of
1339: 1069: 364:(and Robin Boult, the lead guitarist of Fish) appeared on the same album that wasn't an official 360:. Their 1st album "In The Last Waking Moments..." marks the only time that all active members of 174: 683: 1460: 1191: 277: 446:'s ambitious work has been credited with inspiring a revival of interest in progressive rock. 1291: 1221: 1201: 1181: 294: 31: 1400: 435: 431: 403: 385: 381: 345: 282: 234: 221: 861:"FMQB: Radio Industry News, Music Industry Updates, Nielsen Ratings, Music News and more!" 784: 8: 1186: 547: 521: 331: 309: 257: 162: 147: 1374: 1334: 1286: 1276: 1127: 1020: 943: 1472: 1329: 1281: 1211: 1167: 1114: 1106: 1077: 1055: 479: 1364: 1324: 1319: 1260: 1238: 1206: 1196: 439: 226: 123: 103: 61: 1426: 1405: 1228: 561: 544:"Neo-Prog and the Bad Rap by Jerry Lucky, author of 'The Progressive Rock Files'" 373: 155: 1477: 1354: 427: 399: 389: 337: 300: 211: 166: 734: 318: 1554: 1455: 1395: 353: 305: 262: 216: 915: 864: 415: 341: 170: 158: 800:"Release "In the Last Waking Moments…" by Edison's Children - MusicBrainz" 414:
which he was granted and has contributed to Edison's Children's next four
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Marillion and their ex-singer Fish in particular both maintaining a large
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theme garnered tremendous attention including the Top 40 FM Radio Hit "A
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jamming. The subgenre relies very much on clean, melodic and emotional
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developed in the UK in the early 1980s. The genre's most popular band,
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Mountains Come Out of the Sky: The Illustrated History of Prog Rock
411: 380:" marking the first time that Neo-Prog has had an FM hit since the 273: 119: 99: 660: 591: 579: 1349: 1309: 948: 891:"Edison's Children will release storm-inspired new album in July" 825:"Eric Pastore | Art Department, Special Effects, Additional Crew" 384:
in the early 1990's returning Neo-Prog back to its former glory.
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https://www.discogs.com/artist/2526295-Edisons-Children
684:"30 Years Ago: Marillion Release 'Misplaced Childhood'" 522:"Pop/Rock » Art-Rock/Experimental » Neo-Prog" 499: 971:"Edison's Children Setlist at Celebrating Apollo 2019" 657:"A Guide To Progressive Rock Genres (section IV.B.11)" 356:
and NYC's Major Motion Picture Special FX Technician
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Beyond and Before: Progressive Rock Since the 1960s
884: 882: 794: 792: 606: 1552: 1068: 643: 631: 600: 585: 879: 789: 760:"Edison's Children: In The Last Waking Moments" 430:'s son Rick Armstrong performing with his band 378:Million Miles Away (I Wish I Had A Time Machine 1052:Understanding Rock: Essays in Musical Analysis 1021:"It's back... Prog rock assaults album charts" 938: 936: 1152: 1050:Covach, John; Boone, Graeme M., eds. (1997). 1049: 933: 505: 324:Early neo-prog was marked by sophisticated 1159: 1145: 516: 514: 617:sfn error: no target: CITEREFMacan1997 ( 467: 465: 463: 461: 459: 511: 14: 1553: 849:https://www.discogs.com/artist/2526295 471: 142:content, often delivered via dramatic 1166: 1140: 1054:. New York: Oxford University Press. 888: 707: 612: 456: 681: 138:Neo-prog is characterised by deeply 863:. 24 September 2014. Archived from 193:were also influences on the genre. 24: 1091: 133: 25: 1582: 1483:Recording studio as an instrument 1422:Official Progressive Albums Chart 1121: 1533: 1532: 708:Ewing, Jerry (9 February 2024). 272:A predecessor to this genre was 1435:Progressive rock (radio format) 1043: 1013: 988: 963: 908: 853: 842: 817: 778: 752: 727: 701: 675: 649: 554: 536: 13: 1: 889:Ewing, Jerry (27 June 2019). 449: 1488:Timeline of progressive rock 1468:Contemporary classical music 1270:Progression-based EDM genres 1103:Collector's Guide Publishing 1072:; Halliwell, Martin (2011). 644:Hegarty & Halliwell 2011 632:Hegarty & Halliwell 2011 601:Hegarty & Halliwell 2011 586:Hegarty & Halliwell 2011 27:Subgenre of progressive rock 7: 682:Reed, Ryan (17 June 2015). 10: 1587: 1099:The Progressive Rock Files 916:"Eric Pastore - Biography" 370:In The Last Waking Moments 203:The Progressive Rock Files 196: 150:, relying less heavily on 89:Early 1980s in England, UK 29: 1528: 1443: 1414: 1388: 1302: 1269: 1174: 1105:, Inc (1998), 304 pages, 372:...'" Extraterrestrial / 173:, and to a lesser extent 98: 93: 85: 54: 46: 41: 30:Not to be confused with 1566:English styles of music 1340:Intelligent dance music 1101:. Burlington, Ontario: 735:"Eric Pastore - Trivia" 506:Covach & Boone 1997 426:Moon Landing, starring 175:Van der Graaf Generator 1444:Miscellaneous articles 278:Ralph Vaughan Williams 114:(commonly abbreviated 1303:Related genres/scenes 1175:By style and subgenre 688:Ultimate Classic Rock 472:Romano, Will (2010). 434:and then joining the 418:/ Extraterrestrial / 410:2013 Weekend tour in 867:on 24 September 2014 436:Alan Parsons Project 386:Giorgio A. Tsoukalos 382:Alan Parsons Project 310:Digital synthesizers 289:Grace Under Pressure 112:Neo-progressive rock 50:Neo-progressive rock 18:Neo-progressive rock 1389:Associated theories 1027:. 23 September 2009 603:, pp. 183–186. 588:, pp. 184–185. 332:Misplaced Childhood 1375:Rock in Opposition 1335:Experimental metal 663:on 7 December 2015 550:on 7 October 2008. 478:. Backbeat Books. 348:in 2011 starring, 1571:Rock music genres 1548: 1547: 1473:Psychedelic music 1330:Experimental rock 1168:Progressive music 1115:underground bands 1083:978-0-8264-2332-0 485:978-0-87930-991-6 432:Edison's Children 404:Edison's Children 346:Edison's Children 231:Fly High Fall Far 109: 108: 55:Stylistic origins 16:(Redirected from 1578: 1561:Progressive rock 1536: 1535: 1365:Post-progressive 1325:Experimental pop 1320:Canterbury scene 1161: 1154: 1147: 1138: 1137: 1087: 1065: 1037: 1036: 1034: 1032: 1017: 1011: 1010: 1008: 1006: 992: 986: 985: 983: 981: 967: 961: 960: 958: 956: 944:"Rick Armstrong" 940: 931: 930: 928: 926: 912: 906: 905: 903: 901: 886: 877: 876: 874: 872: 857: 851: 846: 840: 839: 837: 835: 821: 815: 814: 812: 810: 796: 787: 782: 776: 775: 773: 771: 756: 750: 749: 747: 745: 731: 725: 724: 722: 720: 705: 699: 698: 696: 694: 679: 673: 672: 670: 668: 659:. 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Archived from 540: 534: 533: 531: 529: 518: 509: 503: 497: 496: 494: 492: 469: 440:alternative rock 240:Art and Illusion 161:, combined with 124:progressive rock 104:Post-progressive 86:Cultural origins 62:Progressive rock 39: 38: 21: 1586: 1585: 1581: 1580: 1579: 1577: 1576: 1575: 1551: 1550: 1549: 1544: 1524: 1439: 1410: 1384: 1298: 1265: 1170: 1165: 1124: 1094: 1092:Further reading 1084: 1062: 1046: 1041: 1040: 1030: 1028: 1019: 1018: 1014: 1004: 1002: 994: 993: 989: 979: 977: 969: 968: 964: 954: 952: 942: 941: 934: 924: 922: 914: 913: 909: 899: 897: 887: 880: 870: 868: 859: 858: 854: 847: 843: 833: 831: 823: 822: 818: 808: 806: 804:musicbrainz.org 798: 797: 790: 783: 779: 769: 767: 758: 757: 753: 743: 741: 733: 732: 728: 718: 716: 706: 702: 692: 690: 680: 676: 666: 664: 655: 654: 650: 642: 638: 630: 626: 616: 611: 607: 599: 592: 584: 580: 570: 568: 560: 559: 555: 542: 541: 537: 527: 525: 520: 519: 512: 504: 500: 490: 488: 486: 470: 457: 452: 374:Alien Abduction 267:Fire in the Sky 199: 156:electric guitar 136: 134:Characteristics 102: 81: 35: 28: 23: 22: 15: 12: 11: 5: 1584: 1574: 1573: 1568: 1563: 1546: 1545: 1543: 1542: 1529: 1526: 1525: 1523: 1522: 1521: 1520: 1515: 1510: 1505: 1500: 1495: 1485: 1480: 1478:Romantic music 1475: 1470: 1465: 1464: 1463: 1453: 1447: 1445: 1441: 1440: 1438: 1437: 1432: 1424: 1418: 1416: 1412: 1411: 1409: 1408: 1403: 1398: 1392: 1390: 1386: 1385: 1383: 1382: 1377: 1372: 1367: 1362: 1357: 1352: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1306: 1304: 1300: 1299: 1297: 1296: 1295: 1294: 1284: 1279: 1273: 1271: 1267: 1266: 1264: 1263: 1258: 1257: 1256: 1251: 1246: 1236: 1231: 1226: 1225: 1224: 1219: 1209: 1204: 1199: 1194: 1189: 1184: 1178: 1176: 1172: 1171: 1164: 1163: 1156: 1149: 1141: 1135: 1134: 1123: 1122:External links 1120: 1119: 1118: 1097:Lucky, Jerry. 1093: 1090: 1089: 1088: 1082: 1066: 1060: 1045: 1042: 1039: 1038: 1012: 987: 962: 932: 907: 878: 852: 841: 816: 788: 777: 766:. 18 July 2012 751: 726: 700: 674: 648: 646:, p. 187. 636: 634:, p. 242. 624: 605: 590: 578: 553: 535: 510: 498: 484: 454: 453: 451: 448: 428:Neil Armstrong 400:Neil Armstrong 390:Ancient Aliens 358:Eric Blackwood 338:cult following 301:Hold Your Fire 198: 195: 135: 132: 107: 106: 96: 95: 91: 90: 87: 83: 82: 80: 79: 74: 69: 64: 58: 56: 52: 51: 48: 44: 43: 26: 9: 6: 4: 3: 2: 1583: 1572: 1569: 1567: 1564: 1562: 1559: 1558: 1556: 1541: 1540: 1531: 1530: 1527: 1519: 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1496: 1494: 1491: 1490: 1489: 1486: 1484: 1481: 1479: 1476: 1474: 1471: 1469: 1466: 1462: 1459: 1458: 1457: 1456:Concept album 1454: 1452: 1449: 1448: 1446: 1442: 1436: 1433: 1431: 1429: 1425: 1423: 1420: 1419: 1417: 1413: 1407: 1404: 1402: 1399: 1397: 1394: 1393: 1391: 1387: 1381: 1378: 1376: 1373: 1371: 1368: 1366: 1363: 1361: 1358: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1307: 1305: 1301: 1293: 1290: 1289: 1288: 1285: 1283: 1280: 1278: 1275: 1274: 1272: 1268: 1262: 1259: 1255: 1252: 1250: 1247: 1245: 1242: 1241: 1240: 1237: 1235: 1232: 1230: 1227: 1223: 1220: 1218: 1215: 1214: 1213: 1210: 1208: 1205: 1203: 1200: 1198: 1195: 1193: 1190: 1188: 1185: 1183: 1180: 1179: 1177: 1173: 1169: 1162: 1157: 1155: 1150: 1148: 1143: 1142: 1139: 1133: 1129: 1126: 1125: 1116: 1112: 1111:1-896522-10-6 1108: 1104: 1100: 1096: 1095: 1085: 1079: 1075: 1071: 1070:Hegarty, Paul 1067: 1063: 1061:0-19-510005-0 1057: 1053: 1048: 1047: 1026: 1022: 1016: 1001: 997: 991: 976: 972: 966: 951: 950: 945: 939: 937: 921: 917: 911: 896: 892: 885: 883: 866: 862: 856: 850: 845: 830: 826: 820: 805: 801: 795: 793: 786: 781: 765: 761: 755: 740: 736: 730: 715: 711: 704: 689: 685: 678: 662: 658: 652: 645: 640: 633: 628: 620: 615:, p. 35. 614: 609: 602: 597: 595: 587: 582: 567: 563: 557: 549: 545: 539: 523: 517: 515: 507: 502: 487: 481: 477: 476: 468: 466: 464: 462: 460: 455: 447: 445: 441: 437: 433: 429: 425: 421: 417: 413: 409: 405: 401: 398: 395: 391: 387: 383: 379: 375: 371: 367: 363: 359: 355: 354:Pete Trewavas 351: 347: 343: 339: 334: 333: 327: 322: 320: 316: 311: 307: 306:improvisation 303: 302: 297: 296: 295:Power Windows 292: 290: 286: 284: 279: 275: 270: 268: 264: 260: 259: 254: 250: 246: 242: 241: 236: 235:Twelfth Night 232: 228: 224: 223: 218: 214: 213: 208: 204: 201:In the book, 194: 192: 188: 184: 180: 176: 172: 168: 164: 160: 157: 153: 149: 145: 141: 131: 129: 125: 121: 117: 113: 105: 101: 97: 92: 88: 84: 78: 75: 73: 70: 68: 65: 63: 60: 59: 57: 53: 49: 45: 40: 37: 33: 19: 1537: 1427: 1248: 1098: 1073: 1051: 1044:Bibliography 1029:. 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Index

Neo-progressive rock
New prog
Progressive rock
hard rock
funk
punk rock
New prog
Post-progressive
subgenre
progressive rock
Marillion
emotional
lyrics
composition
improvised
electric guitar
solos
keyboards
Genesis
Camel
Van der Graaf Generator
Pink Floyd
Funk
hard rock
punk rock
Marillion
Fugazi
Pallas
The Sentinel
Pendragon

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