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1452:(1970), saying the track is "extremely beautiful, with Jackson's truly lovely sax-and-flute instrumental section." Almond recalled hearing "Killer" for the first time saying, "I'd never heard anything like it before. It wasn't just Peter's snarling operatic vocal, it was the mix of instruments ... I became an instant fan." Mentioning their reputation as something of an acquired taste, Lydon said, "There's a few Van der Graaf things I like, but I'm not going to recommend anything to anyone. It might not be for them. Music doesn't come with a set of guidelines."
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After the tour, the group was immediately offered another
Italian tour, this time doing up to three shows a day. In between the tours, the band made an appearance on Belgian television performing "Theme One" and "A Plague of Lighthouse Keepers". Since the studio recording of "A Plague of Lighthouse Keepers" was a collage of multiple recordings, impossible to reproduce live in one setting, the band simply filmed individual sections of the song and spliced them together in the editing suite. It was the only live performance of the song until 2013.
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524:. The band had also enjoyed flautist Jeff Peach's contributions to the album and wanted to recruit a further instrumentalist. "There was always the idea of having another melodic instrument," recalled Evans. "He 'll play a solo, sure, and really give it something, but he doesn't want to do that all the time." Peach was approached to become a full-time member, but dropped out after one rehearsal as he didn't think his playing style fitted the band. The position was eventually filled by saxophonist and flautist
803:". Reflecting on this, Hammill said: "Charisma Records felt that it wasn't appropriate for us to release a double album and they vetoed the live studio recordings and the solo tracks by Guy, David, and Hugh." The master tape of the recording sessions has been lost. Fripp again provided a cameo appearance on guitar. While "Man-Erg" had already been performed on stage, "A Plague of Lighthouse Keepers" evolved in the studio, recorded in small sections and pieced together during mixing. According to producer
1377:, he said that "VDGG is a band, a real band ... of course is something special, it releases in individual terms parts of us that wouldn't be aired otherwise. In 2013, he reiterated, "Some people don't think Van der Graaf is a democracy, but believe me, it's entirely democratic, with everyone having very vocal and forceful opinions." Since the band has stabilised around Hammill, Banton and Evans, the members think there is a good balance of opinion, with somebody always having the casting vote.
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1359:, Banton considers himself primarily an organist, due to his background in classical and church music, and only ever used that instrument on stage, albeit heavily modified with customised electronics and devices. Hammill said that "Hugh is one of the most instinctive, baffling, and brilliant people I've known and his intuitive hold on the worlds of music and electronics has always astonished me." Banton used
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414:, and recruited an organist, Nick Pearne, to match the format of Arthur Brown's band. Along with two female dancers, the initial line-up was Hammill on guitar and vocals, Smith on drums, wind instruments and vocals, and Pearne on organ (though he did not initially have an instrument). According to Smith, the band initially played as a two-piece, with Smith occasionally using a
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without
Jackson. He later stated that the reason for Jackson's departure was that he "seemed to have difficulty in understanding what we had mutually agreed" and that he clashed with the other band members. Relationships between Jackson and the others became strained, and Hammill, Banton and Evans realised that the only way the group could continue was without him.
663:. Hammill's voice was electronically treated on "After the Flood", while "Refugees" and "White Hammer" featured cello and cornet respectively. Because the band finished ahead of their rehearsal schedule, Potter decided to overdub some electric guitar – an instrument he had never played before. The album was released in February 1970 and made the top 50 in the U.K,
886:) and "Theme One". "We didn't want to continue as if nothing had happened," said Hammill. Banton was in the middle of building a custom organ at the time, and halted the project to join the reformed group, using a rented Hammond C3 organ instead. Hammill began playing electric guitar in the band, which had been conspicuously absent earlier in their career.
387:. He was then briefly employed as a computer programmer, during which time he subsequently claimed to have written much of the band's early material, before enrolling at Manchester. Smith was so impressed with the quality of Hammill's original material that the two agreed to form a band together. The band name chosen from Smith's list was based on a
516:, was released in September 1969 by Mercury under the group's name in return for releasing them from their contract. The album was initially only released in the United States with hardly any promotion at all, so sales were minimal, but the group decided to reform in the middle of the recording session. Ellis had already committed to joining
1095:, was released on 17 March 2008. Live concerts were played in Europe in March and April, and in Japan in June, among them, one at the Gouveia Art Rock Festival. There were further concerts in January 2009 in Europe, and the band played several concerts in Canada and the United States in the summer of 2009, among them a performance at
1254:, later work featured more complex instrumentation and arrangements. Hammill thinks the style of the band evolved due to the culture of music in the late 1960s, stating "the whole of music was laid out in front of you ... it was the blues in wonky time signatures." Both Hammill and Banton have stated that
941:, christened "Meurglys". Despite threats from promoters that the band would continue the tour using hired equipment (which Jackson considered impossible given the electronic modifications he had made to his saxophones), they abandoned the tour. Miraculously, all of Jackson's saxophones had survived the theft.
437:, who offered the trio of Hammill, Smith, and Pearne a recording contract in May. At this point, the band had to make a decision whether to stay on at university, or quit their courses and move to London to turn professional. Pearne was not keen to abandon his studies, so decided to leave the group.
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and performing on the same bill on the 'Six Bob Tour'. Hammill and Banton both reject this comparison, with
Hammill noting that Genesis were far more driven to be commercially successful, whereas he prefers to release music without interference from record companies. In particular, he has mentioned
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was seen as the ultimate album by the ultimate band," said
Jackson, who at times found it difficult to walk down the street in parts of Italy without being recognised. "The tour was like the prophets have landed ... you couldn't go anywhere without this lunatic 'Generator Mania' breaking out."
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Meanwhile, Mercury refused to let the band record, and at the same time
Stratton Smith refused to let the other members of the band sign to Mercury too, as he did not think the deal was fair to the band (only Hammill remained now of the original three who had signed with Mercury). On top of that in
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said the single was "one of the best records of the week". But the single was quickly withdrawn under pressure from
Mercury, since it violated the contract band members Hammill and Smith signed the previous year. Smith, feeling superfluous to requirements, left the band, amicably, shortly after the
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Hammill stated in a
December 2005 newsletter that there were no plans for further recordings or performances by the "classic" Van der Graaf Generator line-up of himself, Banton, Evans and Jackson. Hammill subsequently announced that the band would be continuing as a trio, for live and studio work,
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knew Fripp socially and invited him to a session as a guest, something Fripp had never done before at that point. According to
Jackson, Fripp "put headphones on and started searing away", listening to the track once, then performing two takes. "Killer", later to become a live favourite, recycled a
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Despite the 1978 split, Banton recalled that the group "never descended very far into our sub-conscience". Banton, Jackson and Evans appeared on
Hammill's solo albums, and all four occasionally played together. In 1996, the quartet appeared on stage during a concert by Hammill and Evans at the
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Hammill's split with the group was amicable, and Banton, Jackson, and Evans, among others, all contributed to his solo work at various times. By
February 1975, the members of the band were ready to work with each other in a full-time capacity again, and they decided to reform the band. All the
528:, who had previously played in a band called Heebalob with Smith. Hammill had already sat in with Heebalob at the Plumpton National Jazz Festival on 9 August, and, impressed by Jackson's playing, invited him to join the band, partly because he also needed a flatmate to help pay with the rent.
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and suggested that he could do this as well. With just days to go before the next gig, they tried rehearsing as a four-piece, and it was successful. Banton later played bass guitar on certain songs, having already learned the instrument in the mid-1960s, and Hammill expanded his instrumental
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were the exception rather than the rule, preferring to use Banton's classically influenced organ, and, until his departure, Jackson's multiple saxophones. While Hammill is the primary songwriter for the band, and members have contributed to his solo albums, the band arranges all its material
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The group continued to tour in 2013, including the first live performance of "A Plague of Lighthouse Keepers". In 2014, the group collaborated with Soviet dissident artist Vladislav Shabalin for an art venture titled the Earlybird Project. The title comes from the track of the same name on
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in January 1978, featuring several new songs. Jackson reunited with the band for these concerts and appeared on six tracks. By the time the album was released in July 1978, the band had already split because of lack of record company support in the United States and financial difficulties.
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Potter, however, did not feel he fitted into the increasingly experimental sound the band was developing and tended to wait until the others had worked out their parts during rehearsals, adding his bass lines on top at the last minute. After recording three tracks of their third album,
790:. Despite the complexity of their music, the band were well received on the tour, with Hammill noting "at nearly all the gigs, most of the audience have known most of the songs ... It was like a big family actually, exactly as all of us had pictured it in our wildest dreams."
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Following commercial success in Italy, the band did a six-week tour there at the start of 1972. The band were apprehensive about touring there, concerned they might be playing to half empty venues, but they were all shocked by the sheer volume of the crowds that came to see them.
819:. According to Jackson, one section of it features the entire band overdubbed 16 times. The album was released in October 1971 and was not a success in the U.K, but proved highly successful in Italy, topping the chart there for 12 weeks. The following single, "
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in Rome, in front of 40,000 people, saw similar confrontations to the Padua gig. A fire broke out at the venue, but was brought under control. The next day, the band learned that most of their gear had been stolen from the tour van, including Hammill's blue
849:). However, the combination of working for too long without a break, combined with a lack of support from Stratton Smith and Charisma and continued financial difficulties caused the band to implode, and Hammill left to pursue a solo career in mid-1972.
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799:. The intention was to release a double album, and the band recorded the material; however, for economic reasons, the released recording was a single album containing three tracks – "Lemmings", "Man-Erg", and the 23 minute concept piece "
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Although Hammill has written the vast majority of the songs in the band's catalogue, and all of the lyrics, he is keen to stress that the arrangements of the music comes from all the group's members. In 1976, being interviewed for the
638:, exploring the full range of his vocal capabilities. "We were all megalomaniacs," said Banton. "We grabbed our own space as best we could." The band started to gig regularly, including the first of several live appearances at the
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was an influence on the band's sound, with Hammill remarking that "there'd been distortion before, but there hadn't been that real out-there attitude to sound in itself". The group's experimental style has also been compared to
960:, released in September 1977; cellist and keyboardist Charles Dickie joined the band in August and remained with them for their last year. A further studio album was never recorded, but this line-up recorded a live double-album
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and, inspired by the bands he had seen, put together a list of possible band names to form a new group. After an unsatisfactory audition they had both attended in response to an advert to form a band, he met fellow student
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was released as a 2CD/1DVD set by Salvo/Union Square Music on 4 June 2012. The band then toured the eastern part of the United States and Canada during June and July 2012, including an appearance at NEARfest Apocalypse in
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In the summer of 1975, the band gigged in Italy without incident, but when they returned to tour there in November, the intense political situation the country was going through caught up with them. The opening concert in
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was released in September 2016. It included the song "Alfa Berlina" which documented the group's 1970s Italian tours. Critics speculated that it would be the band's last album, though this has not been confirmed.
265:, but settled in London where they signed with Charisma. They went through several incarnations in their early years, including a brief split in 1969. When they reformed, they found minor commercial success with
250:. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and are still musically active with a line-up of Hammill, organist
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late January 1969 the band's van and equipment were stolen. The theft aggravated their financial difficulties. Although the band was touring successfully, which included a concert in February at the
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and frequently touring Italy again, before a major line-up change and a slight rename to Van der Graaf. The band split in 1978. After many years apart, the band finally reunited at a gig at the
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321:, along with his confessed warped and obsessive nature. His voice has been a distinctive component of the band throughout its career, with Hammill himself having been described as "a male
954:). Jackson then decided to leave, resulting in a four-piece line-up with a quite different sound, and a shortened name of Van der Graaf, to play the spring tour. They produced the album
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was released in June 2012. Hammill has stated that he has enjoyed the current reunion, as "the activity has reinvigorated me. Going from one thing to another is an energizing thing."
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Following the Queen Elizabeth Hall performance, the band members discussed working together. In mid-2004, they began to write and rehearse new material. The result was a double CD,
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members were keen on carrying on with new music, with no nostalgia for their previous era, and did not want to play earlier stage favourites such as "Killer" (the opening track on
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and a short tour in 2005. Since then, the band has continued as a trio of Hammill, Banton, and Evans, who record and tour regularly in between Hammill's concurrent solo career.
1181:. Hammill and Banton performed as a duo as Evans was not allowed to cross the border when his passport was found to be no longer valid, due to recent increased severity in the
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In 2021 the band embarked on a European tour, due to continue until May 2022. On 24 and 25 October 2021 the band played for the first time in Finland, in two concerts at the
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1340:, along with his self-confessed warped and obsessive nature. His voice has been a distinctive component of the band throughout its career. It has been described as "a male
391:, a mechanical device that produces static electricity with lightning-like flashes – the misspellings are accidental. Smith recalls the reason for this may have been that
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By June, the band had performed another Italian tour (the third that year) and wanted to start recording new material (some of which ended up on Hammill's 1973 solo album
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and friend of the band, but after a week's rehearsal found that things weren't working out musically. Banton, meanwhile, had become influenced by Vincent Crane's work in
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as well as guitar. Jackson modified his saxophones to be completely electric, as opposed to simply being amplified through a microphone, and combined the sound with a
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The three remaining members recorded an instrumental album with Nic Potter, Ced Curtis, and Pietro Messina, under the name 'The Long Hello'. Their self-titled album (
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was marked with clashes with communists delivering political speeches, and the audience started throwing missiles towards the stage. After a gig without incident in
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976:. Intended only as a gift for hardcore fans these are mostly not studio-quality recordings, some of them have even a quite bad audio quality full of distortions.
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joining not too long afterwards. This line-up recorded a series of demos for Mercury, before recording a single ("People You Were Going To" b/w "Firebrand") on
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in support of Jimi Hendrix, it broke up in June after playing a final gig at Nottingham's Pop & Blues Festival on 10 May entirely with borrowed equipment.
1271:. However, Hammill has stated that the group is still fun to work with, stating "as far as we're concerned, it's serious fun, but fun nonetheless." Promoting
1267:. Because of their musical influences and line-up, the band tended to play darker musical themes than other progressive bands, with the possible exception of
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The band managed to persuade fellow student Caleb Bradley to manage them, and by the start of 1968, the band had managed to record a demo tape influenced by
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to the limit and had involved the use of every single tape machine in Trident at some stage." The experiments included tape manipulation and Banton playing
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The group's albums have tended to be both lyrically and musically darker in atmosphere than many of their progressive rock peers (a trait they shared with
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as a percussion instrument; their first gig as a three-piece was in the student union, which lasted five minutes before the group's amplifiers blew up.
677:, he decided to quit the band. His last gig was on 9 August at the 1970 Plumpton Festival. The remaining members auditioned Dave Anderson, roadie for
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from an old Heebalob song, and Smith received a co-composition credit on the track. The album was released in December, but didn't sell as well as
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in Bethlehem PA. It was only the second time Van der Graaf Generator had visited the United States (their first being in New York City in 1976).
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After Jackson's departure, the group took a break before touring as a trio in April and July 2007 over Europe. A concert on 14 April 2007 in the
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tour, Banton quit, and in January 1977, Potter returned to replace him alongside the violinist Graham Smith (formerly of Charisma folk-rock band
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said the group "never made a less than fabulous album in their lives. And they're not about to start now." A reunion concert took place at the
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The reformed band worked at a prolific pace, rehearsing, and touring France before recording three new albums in just 12 months, beginning with
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on 31 July and 1 August, with Banton, Evans, and Ellis as session musicians. However, through a deal worked out by Stratton Smith, the album,
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Though the group have generally been commercially unsuccessful outside of early 1970s Italy, they have inspired notable musicians, including
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of the voice". Though the group have generally been commercially unsuccessful, they have inspired several musicians across various genres.
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In 1982 a collection of out-takes and rehearsal recordings from the 1972–1975 hiatus was released (initially on cassette only), called
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thought they were a tighter and more cohesive unit than previously. The album in particular saw Hammill making significant use of the
895:(October 1975). Unlike the earlier work with John Anthony at Trident, the sessions were produced by the band themselves, and both the
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3794:[Van Der Graaf Generator shrinks as a duo for his Finnish gigs – "This is related to brexit," says Peter Hammill].
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in March 2007. The Festival Hall concert was followed by several European dates in the summer and autumn. The concert in
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because of the lack of a hit. Charisma proposed "Killer" as a single, but the band rejected this. Reviewing the album,
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bar band – the opposite of prog rock, really". Nevertheless, the band have been acknowledged as an influence on the
807:, the track features a lot more studio experimentation than on previous albums, saying "we pushed the facilities at
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823:", reached number one in Italy, too. "Theme One" was an instrumental piece, originally written by Beatles producer
379:, who was playing some of his original songs. Hammill had begun writing songs and poetry at the age of 12 while at
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3792:"Van Der Graaf Generator kutistui duoksi Suomen-keikoilleen – "Tämä liittyy brexitiin", Peter Hammill kertoo syyn"
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While on tour, the band started working out compositions between gigs for their next album, which would become
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collectively. Hammill's lyrics covered themes of mortality, due to his love of science fiction writers such as
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in London, and since there was no group, he decided to record what was intended to be his first solo album at
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4395:(July 1990). "Interview with David Jackson by Mick Dillingham" (Interview). Interviewed by Mick Dillingham.
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in 1971. After several exhausting tours of Italy, the band split in 1972. They reformed in 1975, releasing
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Van der Graaf Generator biography by Jason Ankeny, discography and album reviews, credits & releases
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said "If all our groups were as together as this, the British music scene would improve ten-fold."
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448:, who agreed to sign a management contract with them in December. Through him, the band acquired a
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said, "The band we really cared about was Van der Graaf Generator. That music was so committed."
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organ, giving it a wider variety of sounds. Jackson was inspired by jazz musicians, particularly
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271:(released in early 1970 and their only album to chart in the UK), and after the follow-up album,
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Steve Peacock (29 January 1972). "Van der Graaf singer Peter Hammill talks to Steve Peacock".
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and Van der Graaf Generator in their mid-1970s incarnations with the disinterested density of
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Van der Graaf Generator, The Book: A History of the Band Van der Graaf Generator 1967 to 1978
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followed on 15 April 1976. Banton considers this album one of his favourites by the group.
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that while he himself continues to release albums on a regular basis in the 21st century,
1275:, he said "We love making a racket, and that has to do with chaos, which is pretty punk".
444:, who was a brother of one of their friends back in Manchester. Later that year, they met
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2743:"Chart Archive : Van De Graaf Generator – The Least We Can Do Is Wave To Each Other"
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1010:. In 2003, Banton, Jackson, and Evans joined with Hammill to perform "Still Life" at the
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particularly praised Jackson's saxophone work, but critical reception overall was mixed.
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277:(December 1970), stabilised around a line-up of Hammill, Banton, Evans and saxophonist
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regulations. The passport issue was resolved before the band went on to two shows in
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E-112 organ, modified with electronics, as a key ingredient of the band's early sound
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Keith Altham (May 1971). "The Generator are staying very content on the Continent".
2380:"Van der Graaf Generator – Music Biography, Credits and Discography : AllMusic"
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on 22 June. An album of out-takes and in-studio jams, similar to the second disc of
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1250:(September 1969) has a more pastoral, hippie feel, with prominent use of Hammill's
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as a fanfare for the BBC radio station Radio 1, later to appear on US pressings of
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as its most successful band. Hammill's singing style influenced Marillion singer
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On arrival in London, Hammill and Smith met up with classically trained organist
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radio show in November, and played several gigs in England in the next months.
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4302:"Van Der Graaf Generator will release 13th album Do Not Disturb in September"
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Hammill's lyrics frequently covered themes of mortality, due to his love of
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Kavanagh, David (May 2002). "Run for Your Lives! Van Der Graaf Generator".
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in London to perform "Lemmings", which was later in March 1997 released as
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This article is about the band. For the machine with a similar name, see
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Brown, Helen (30 June 2013). "Van der Graaf Generator : Barbican".
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Album notes by Peter Hammill for "Time Vaults", cd (1992). Thunderbolt.
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and signed the band as his first act, who recorded their second album,
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579:
521:
415:
407:
235:
211:
58:
4227:
3554:
4696:
4575:
4373:
Rocking the classics: English progressive rock and the counterculture
2257:
1857:
1628:
1528:
1476:
1260:
1186:
1091:
1024:
992:
820:
812:
496:
457:
255:
185:
3196:
3092:
3080:
1086:
website until March 2009, and was released on DVD and CD that June.
716:
continued to be recorded sporadically throughout 1970, and featured
4656:
4487:
Earlybird project official site (www.Shabalin.it/Earlybird-Project)
4253:
4210:
4208:
4206:
3024:
2341:
2217:
1472:
1178:
1096:
911:
891:
289:
82:
4457:(Media notes). Van der Graaf Generator. Virgin / EMI. CASCDR 1051.
3650:
3457:
Van der Graaf Generator at the Paradiso, Amsterdam April 14th 2007
2841:
2829:
2677:
2675:
2662:
2660:
2630:
2592:
2590:
2560:
2558:
877:) played with the band through the 1970s and for the 2005 reunion.
778:
is now considered the "classic" line-up. The group played on the '
4513:
4504:
4501:
Van der Graaf Generator discography, album releases & credits
619:
520:
and was replaced by Evan's former bandmate in The Misunderstood,
4203:
3135:
3123:
3068:
2979:
2955:
2361:
2359:
1708:(1969–1972, 1975–1977, 1978 (guest for two concerts), 2005–2006)
1134:
Hammill revealed via his website that the band's former bassist
398:
Among the bands that regularly played the university, including
4809:
Godbluff Live 1975 Charleroi Palais des Expos 27 September 1975
4470:
3580:"Former Van Der Graaf Generator Bassist Nic Potter Passes Away"
2817:
2805:
2781:
2769:
2757:
2723:
2711:
2687:
2672:
2657:
2618:
2587:
2555:
2487:
1713:
1182:
908:
724:
contributing guitar on "The Emperor in His War-Room". Producer
3217:
2165:
1463:
Although Van der Graaf Generator are generally categorised as
1067:
3469:
2475:
2451:
2397:
2356:
1722:
1703:
1367:, and thinks Hammond have "cracked that sound at long last".
1351:
Unlike several other notable prog rock keyboardists, such as
1103:
929:
925:
695:
587:
422:
4481:
2463:
1363:
during the 2005 reformation, but since 2009 he has used the
1023:, released in April 2005. Critical response was favourable;
774:
The Hammill/Banton/Jackson/Evans quartet that resulted from
634:) simultaneously. Hammill, for his part, elected to sing in
570:, features Peter Hammill's voice with electronic distortion.
1744:
1341:
1194:
426:
322:
4148:"Van der Graaf Generator: 'We still love making a racket'"
3979:"J.S Bach – The Goldberg Variations – Hugh Banton – organ"
3923:"Van der Graaf Generator: 'We still love making a racket'"
2863:(27 March 1971). "Six bob gigs which made Van der Graaf".
2577:
2575:
2573:
1483:
and he was a support act on Marillion's first album tour.
1448:. Coxon is particularly fond of "House with No Door" from
1156:, an album of BBC recordings from 1968–1977. A new album,
606:
In September, the new five-piece band began rehearsals in
3113:
3111:
3109:
3107:
1460:
aged 13 – hailed Hammill as one of his childhood heroes.
1214:
or the more pastoral, at times delicate, stylizations of
610:
and began to change its sound. Banton, influenced by the
602:
with them until August 1970, then again from 1977 to 1978
4411:
Manning, Toby (August 2011). "Van der laafs Generator".
3901:
3899:
3897:
4249:"Pop/Rock » Art-Rock/Experimental » Neo-Prog"
4074:
3858:
3856:
3186:
3184:
3044:
3042:
2897:
2895:
2893:
2647:
2645:
2570:
2520:
The Organs of Hugh Banton & Van Der Graaf Generator
502:
In July 1969, Hammill had begun performing solo at the
475:
featuring his time in Van der Graaf Generator on a CD,
4093:
Buckley, David (October 2003a). "Back to the future".
4035:
4025:
Karl Dallas (13 November 1976). "The Generator Game".
3104:
2699:
1397:'s "average output has been about 0.2 albums a year".
395:
died in 1967, which was widely reported in the media.
383:, and progressed to playing in bands while a pupil at
337:
3894:
3868:
3171:
Geoff Barton (1975). "Graaf's Bluff is just enough".
3062:
Van der Graaf Generator – Masters from the Vaults DVD
479:. The remaining 4 members performed for John Peel on
3853:
3811:"Van der Graaf Generator move UK tour dates to 2021"
3181:
3039:
2967:
2943:
2931:
2890:
2793:
2642:
1152:
featuring tracks recorded during the 2013 tour, and
2919:
2907:
2337:"Van der Graaf Generator – Biography & History"
4370:
4328:
4277:"This Must Be The Plaice: Fish's Favourite Albums"
4112:"Cult music heroes: artists on their unsung idols"
1102:In spring 2010, the group recorded a new album in
346:The band was originally formed by students at the
4482:Peter Hammill's official site (www.SofaSound.com)
4349:
4214:
3673:"The Quietus – Reviews – Van Der Graaf Generator"
3365:Robin Eggar (29 May 2005). "In prog they trust".
3223:
3202:
3141:
3129:
3098:
3086:
3074:
2985:
2961:
2847:
2835:
2823:
2811:
2787:
2775:
2763:
2729:
2717:
2693:
2681:
2666:
2636:
2624:
2596:
2564:
2493:
2481:
2469:
2457:
2403:
2365:
1344:" and would later on be cited as an influence by
1206:No one is likely to confuse the savage energy of
626:, and began to play multiple saxophones (usually
4849:
4775:Real Time: Royal Festival Hall, London, 06.05.05
3836:"Van der Graaf Generator and Peter Hammill Live"
2859:
1138:died on the night of 16 January 2013, aged 61.
782:' in early 1971 with fellow Charisma labelmates
746:
531:
1035:, London, on 6 May 2005, which was released as
1475:subgenre that emerged in the 1980s, producing
1146:. In 2015, the group released the live album,
1082:in Amsterdam was recorded and streamed on the
4534:
4510:Van der Graaf Generator albums to be listened
3534:"Interview with Peter Hammill by Anil Prasad"
3528:
3526:
3524:
2997:
1074:on stage with Van der Graaf Generator in 2010
3170:
2879:
2514:
2423:Lawson, Dom (June 2019). "Hope and Spray ".
4548:
4024:
3773:"Van der Graaf Generator and Peter Hammill"
3364:
3358:
1424:They were also namechecked by the likes of
1045:, Germany on 5 November was filmed for the
471:recording of the single. He later released
4541:
4527:
4184:"Van Der Graaf Generator: After the flood"
3747:"Van der Graaf Generator – Do Not Disturb"
3697:
3521:
2330:
2328:
1055:, which was broadcast on 16 January 2006.
861:
4633:The Least We Can Do Is Wave to Each Other
4421:
4053:
3973:
3916:
3914:
3888:The Aerosol Grey Machine CD reissue notes
3789:
3627:(in Italian). 9 June 2014. Archived from
3428:
3426:
3014:
2608:
2194:The Least We Can Do Is Wave to Each Other
1456:– a fan of the band since he saw them at
685:, where Crane played the bass lines on a
652:The Least We Can Do Is Wave to Each Other
618:, used his electronic skills to modify a
567:The Least We Can Do Is Wave to Each Other
268:The Least We Can Do Is Wave to Each Other
4399:
4092:
4080:
3890:, Repertoire Records – REP 4647-WY, 1997
3117:
2705:
2538:
2377:
1066:
1062:
983:
979:
865:
758:
750:
586:
341:
44:Van der Graaf Generator on stage in 2021
4410:
4391:
4350:Christopulos, Jim; Smart, Phil (2005).
4326:
4041:
3998:
3905:
3874:
3432:
3403:
3190:
3048:
2901:
2799:
2651:
2581:
2418:
2416:
2414:
2412:
2325:
655:from 11–14 December 1969 with producer
4850:
4767:Maida Vale: The BBC Radio One Sessions
4449:
4145:
4109:
4018:
3920:
3911:
3504:
3423:
3064:, Intense GMBH (made in Germany), 2003
2949:
2937:
2925:
2913:
2438:
2436:
2434:
2422:
464:, which was released in January 1969.
410:, they were particularly impressed by
4791:After the Flood: At the BBC 1968-1977
4522:
4368:
4181:
3862:
3808:
3725:"Do Not Disturb – Cherry Red Records"
3604:
3435:"Sofa Sound Newsletter 31/March 2007"
3341:"Real Time – Van der Graaf Generator"
3283:
3020:"Van der Graaf Generator – Theme One"
2973:
2523:
598:) joined the band in 1969 and played
308:guested on two of their albums), and
4783:Merlin Atmos: Live Performances 2013
4274:
4054:Wanderman, David (2 November 2013).
3946:
3940:
3547:
3309:
3235:
2499:
2409:
1633:(1968–1972, 1975–1978, 2005–present)
1624:(1968–1972, 1975–1976, 2005–present)
1607:(1967–1972, 1975–1978, 2005–present)
1591:
846:Chameleon in the Shadow of the Night
362:, who had already played in several
4425:The Words and Music of Jimi Hendrix
3999:Jónsson, Darrel (22 January 2009).
3409:"Sofa Sound Newsletter 28/Dec 2005"
3338:
3315:"Present – Van der Graaf Generator"
3286:"Van Der Graaf Generator – Present"
2431:
2178:Van der Graaf Generator discography
932:, the third day of the tour at the
338:Formation and early years (1967–69)
96:Van der Graaf Generator discography
13:
4873:Musical groups established in 1967
4815:Live at the Paradiso 1. April 2007
3790:Nuopponen, Aki (25 October 2021).
3483:
2334:
2139:– guitar, piano, keyboards, vocals
2111:– guitar, piano, keyboards, vocals
2060:– guitar, piano, keyboards, vocals
2032:– guitar, piano, keyboards, vocals
2004:– guitar, piano, keyboards, vocals
1953:– guitar, piano, keyboards, vocals
1915:– guitar, piano, keyboards, vocals
1887:– guitar, piano, keyboards, vocals
1833:– guitar, piano, keyboards, vocals
1809:– guitar, piano, keyboards, vocals
1787:– guitar, piano, keyboards, vocals
1769:– guitar, piano, keyboards, vocals
1292:"My Room (Waiting for Wonderland)"
1280:
538:
14:
4914:
4463:
4228:"Q Magazine – Cash for Questions"
1839:– vocals, drums, wind instruments
1815:– vocals, drums, wind instruments
1793:– vocals, drums, wind instruments
1777:– vocals, drums, wind instruments
1679:(1969–1970, 1977–1978; died 2013)
1380:The band have been compared with
4681:The Quiet Zone/The Pleasure Dome
4469:
4294:
4268:
4241:
4220:
4175:
4139:
4103:
4086:
4047:
3505:Weigel, David (17 August 2012).
2242:The Quiet Zone/The Pleasure Dome
1577:
1563:
1549:
1535:
1521:
1507:
1493:
1319:Problems playing this file? See
1296:
1200:
991:playing guitar with the band in
957:The Quiet Zone/The Pleasure Dome
944:In December 1976, following the
578:Problems playing this file? See
554:
38:
16:English rock band formed in 1967
4863:English progressive rock groups
4146:Lawson, Dom (14 October 2016).
3992:
3967:
3921:Lawson, Dom (14 October 2016).
3880:
3828:
3802:
3783:
3765:
3739:
3717:
3691:
3665:
3643:
3613:
3598:
3572:
3498:
3462:
3449:
3397:
3375:
3332:
3303:
3277:
3255:
3229:
3208:
3203:Christopulos & Smart (2005)
3164:
3147:
3054:
3008:
2991:
2873:
2853:
2735:
2302:
1114:Live at Metropolis Studios 2010
1112:was released on 14 March 2011.
694:capabilities on stage to cover
412:The Crazy World of Arthur Brown
354:The band formed in 1967 at the
4868:Musical groups from Manchester
4377:. Oxford University Press US.
3840:www.vandergraafgenerator.co.uk
3809:Munro, Scott (4 August 2020).
3777:www.vandergraafgenerator.co.uk
2371:
2312:, equivalent to £5 in 2023
2171:
1622:, bass guitar, backing vocals
1236:Van der Graaf Generator are a
801:A Plague of Lighthouse Keepers
1:
4215:Christopulos & Smart 2005
4001:"A collective musical vision"
3433:Hammill, Peter (March 2007).
3224:Christopulos & Smart 2005
3142:Christopulos & Smart 2005
3130:Christopulos & Smart 2005
3099:Christopulos & Smart 2005
3087:Christopulos & Smart 2005
3075:Christopulos & Smart 2005
2986:Christopulos & Smart 2005
2962:Christopulos & Smart 2005
2848:Christopulos & Smart 2005
2836:Christopulos & Smart 2005
2824:Christopulos & Smart 2005
2812:Christopulos & Smart 2005
2788:Christopulos & Smart 2005
2776:Christopulos & Smart 2005
2764:Christopulos & Smart 2005
2730:Christopulos & Smart 2005
2718:Christopulos & Smart 2005
2694:Christopulos & Smart 2005
2682:Christopulos & Smart 2005
2667:Christopulos & Smart 2005
2637:Christopulos & Smart 2005
2625:Christopulos & Smart 2005
2597:Christopulos & Smart 2005
2565:Christopulos & Smart 2005
2506:"The Van Der Graaf Bow Out".
2494:Christopulos & Smart 2005
2482:Christopulos & Smart 2005
2470:Christopulos & Smart 2005
2458:Christopulos & Smart 2005
2404:Christopulos & Smart 2005
2366:Christopulos & Smart 2005
2290:
747:The classic line-up (1971–72)
532:Signing to Charisma (1969–70)
4641:H to He, Who Am the Only One
4327:Buckley, Peter, ed. (2003).
4275:Mann, Rachel (20 May 2013).
4110:Lester, Paul (3 July 2014).
3698:Dom Lawson (23 April 2015).
3507:"Prog Music Today: NEARfest"
2202:H to He, Who Am the Only One
1400:
1384:due to being label-mates at
884:H to He, Who Am the Only One
776:H to He, Who Am the Only One
674:H to He, Who Am the Only One
274:H to He, Who Am the Only One
246:and the first act signed by
7:
4354:. Phil and Jim Publishers.
4099:. No. 119. p. 50.
4056:"Geddy Lee Interview GEDDY"
3625:Russia Beyond The Headlines
3490:"Van Der Graaf Generator".
3470:"Gouveia Art Rock Festival"
2443:"Progress of a Pop Group".
2159:
645:Tony Stratton Smith formed
10:
4919:
3238:"The Union Chapel Concert"
2175:
2151:– organ, bass pedals, bass
2133:
2123:– organ, bass pedals, bass
2105:
2088:
2054:
2026:
2010:– organ, bass pedals, bass
1998:
1975:
1959:– organ, bass pedals, bass
1947:
1909:
1881:
1827:
1823:– organ, bass pedals, bass
1803:
1781:
1761:
1740:
1653:, backing and lead vocals
1486:
1388:, sharing management with
1226:in their quieter moments).
1089:The first trio recording,
370:, returned from a trip to
332:
18:
4824:
4801:
4759:Vital: Van der Graaf Live
4750:
4731:
4616:
4556:
4422:Moskowitz, David (2010).
4182:Banks, Joe (6 May 2015).
4058:. ugo.com. Archived from
3953:. Pavilion. p. 471.
3383:"Van der Graaf Generator"
3263:"Van der Graaf Generator"
366:groups whilst a pupil in
195:
191:
173:
169:
123:
101:
91:
65:
54:
49:
37:
30:
4878:Charisma Records artists
4625:The Aerosol Grey Machine
2186:The Aerosol Grey Machine
1706:, piano, backing vocals
1247:The Aerosol Grey Machine
1007:The Union Chapel Concert
858:) was released in 1974.
513:The Aerosol Grey Machine
433:, then the U.K. head of
364:British rhythm and blues
356:University of Manchester
348:University of Manchester
263:University of Manchester
234:band, formed in 1967 in
4903:Dunhill Records artists
4898:Vertigo Records artists
4893:Fontana Records artists
4888:Mercury Records artists
4858:English art rock groups
4550:Van der Graaf Generator
4476:Van der Graaf Generator
4331:The Rough Guide to Rock
3494:. 2009. pp. 10–13.
3492:NEARfest tour programme
1119:Bethlehem, Pennsylvania
862:First reunion (1975–78)
389:Van de Graaff generator
261:The band formed at the
228:Van der Graaf Generator
32:Van der Graaf Generator
21:Van de Graaff generator
4883:Virgin Records artists
4705:A Grounding in Numbers
4369:Macan, Edward (1997).
2508:Manchester Independent
2445:Manchester Independent
2266:A Grounding in Numbers
1677:– bass guitar, guitar
1670:(1968–1969; died 1978)
1285:
1234:
1109:A Grounding in Numbers
1075:
1047:Westdeutscher Rundfunk
996:
878:
771:
756:
735:The Least We Can Do...
636:received pronunciation
603:
543:
351:
238:by singer-songwriters
50:Background information
4450:Powell, Mark (2005).
3947:Dodd, Philip (2005).
3284:Marsh, Peter (2005).
3154:"Godbluff – review".
1649:– drums, percussion,
1284:
1204:
1070:
1063:Trio (2006 – present)
987:
980:Second reunion (2005)
869:
762:
754:
590:
542:
345:
4478:at Wikimedia Commons
1659:Nick Pearne – organ
1631:– drums, percussion
1618:, piano, keyboards,
1306:From the 1976 album
1193:, Sweden and one in
1012:Queen Elizabeth Hall
3753:. 23 September 2016
3339:Couture, François.
3205:, pp. 301–302.
3101:, pp. 195–196.
3089:, pp. 152–154.
2745:. Officialchart.com
2545:"Singles reviews".
2532:Disc and Music Echo
1390:Tony Stratton Smith
1033:Royal Festival Hall
952:String Driven Thing
939:Fender Stratocaster
624:Rahsaan Roland Kirk
446:Tony Stratton Smith
295:Royal Festival Hall
3631:on 7 December 2014
3236:McDonald, Steven.
2551:. 18 January 1969.
2129:– saxophone, flute
2084:– cello, keyboards
2022:– saxophone, flute
1971:– saxophone, flute
1943:– saxophone, flute
1700:soprano saxophones
1334:Robert A. Heinlein
1286:
1076:
997:
879:
772:
757:
604:
544:
352:
315:Robert A. Heinlein
304:, whose guitarist
4843:
4842:
4584:Chris Judge Smith
4474:Media related to
4435:978-0-313-37592-7
4384:978-0-19-988009-6
4361:978-0-9551337-0-1
4342:978-1-85828-457-6
3960:978-1-86205-695-4
3727:. cherryred.co.uk
3586:. 18 January 2013
3407:(December 2005).
2850:, pp. 88–89.
2838:, pp. 73–74.
2639:, pp. 42–43.
2157:
2156:
1837:Chris Judge Smith
1813:Chris Judge Smith
1791:Chris Judge Smith
1774:Chris Judge Smith
1737:
1736:
1728:
1721:Charles Dickie –
1718:
1709:
1680:
1671:
1662:
1656:
1647:Chris Judge Smith
1634:
1625:
1608:
1361:clonewheel organs
1301:
1240:band. Writing in
608:Notting Hill Gate
564:This track, from
559:
550:"After the Flood"
493:Royal Albert Hall
360:Chris Judge Smith
244:Chris Judge Smith
225:
224:
202:Chris Judge Smith
78:experimental rock
4910:
4543:
4536:
4529:
4520:
4519:
4514:Play.Spotify.com
4473:
4458:
4446:
4444:
4442:
4418:
4414:Record Collector
4407:
4396:
4388:
4376:
4365:
4346:
4335:. Rough Guides.
4334:
4314:
4313:
4311:
4309:
4298:
4292:
4291:
4289:
4287:
4272:
4266:
4265:
4263:
4261:
4245:
4239:
4238:
4236:
4234:
4224:
4218:
4212:
4201:
4200:
4198:
4196:
4179:
4173:
4172:
4170:
4168:
4143:
4137:
4136:
4134:
4132:
4107:
4101:
4100:
4090:
4084:
4078:
4072:
4071:
4069:
4067:
4051:
4045:
4039:
4033:
4032:
4022:
4016:
4015:
4013:
4011:
3996:
3990:
3989:
3987:
3985:
3971:
3965:
3964:
3950:The Book of Rock
3944:
3938:
3937:
3935:
3933:
3918:
3909:
3903:
3892:
3891:
3884:
3878:
3872:
3866:
3860:
3851:
3850:
3848:
3846:
3832:
3826:
3825:
3823:
3821:
3806:
3800:
3799:
3787:
3781:
3780:
3769:
3763:
3762:
3760:
3758:
3743:
3737:
3736:
3734:
3732:
3721:
3715:
3714:
3712:
3710:
3695:
3689:
3688:
3686:
3684:
3669:
3663:
3662:
3660:
3658:
3647:
3641:
3640:
3638:
3636:
3617:
3611:
3610:
3602:
3596:
3595:
3593:
3591:
3576:
3570:
3569:
3567:
3565:
3551:
3545:
3544:
3542:
3540:
3530:
3519:
3518:
3516:
3514:
3502:
3496:
3495:
3487:
3481:
3480:
3478:
3476:
3466:
3460:
3459:
3453:
3447:
3446:
3444:
3442:
3430:
3421:
3420:
3418:
3416:
3401:
3395:
3394:
3392:
3390:
3379:
3373:
3372:
3368:The Sunday Times
3362:
3356:
3355:
3353:
3351:
3336:
3330:
3329:
3327:
3325:
3307:
3301:
3300:
3298:
3296:
3281:
3275:
3274:
3272:
3270:
3265:. Primary Talent
3259:
3253:
3252:
3250:
3248:
3233:
3227:
3221:
3215:
3212:
3206:
3200:
3194:
3188:
3179:
3178:
3168:
3162:
3161:
3151:
3145:
3139:
3133:
3127:
3121:
3115:
3102:
3096:
3090:
3084:
3078:
3072:
3066:
3065:
3058:
3052:
3046:
3037:
3036:
3034:
3032:
3012:
3006:
3005:
2995:
2989:
2983:
2977:
2971:
2965:
2959:
2953:
2947:
2941:
2935:
2929:
2923:
2917:
2911:
2905:
2899:
2888:
2887:
2877:
2871:
2870:
2861:Richard Williams
2857:
2851:
2845:
2839:
2833:
2827:
2821:
2815:
2809:
2803:
2797:
2791:
2785:
2779:
2773:
2767:
2761:
2755:
2754:
2752:
2750:
2739:
2733:
2727:
2721:
2715:
2709:
2703:
2697:
2691:
2685:
2679:
2670:
2664:
2655:
2649:
2640:
2634:
2628:
2622:
2616:
2606:
2600:
2594:
2585:
2579:
2568:
2562:
2553:
2552:
2542:
2536:
2535:
2527:
2521:
2518:
2512:
2511:
2503:
2497:
2491:
2485:
2479:
2473:
2467:
2461:
2455:
2449:
2448:
2440:
2429:
2428:
2420:
2407:
2401:
2395:
2394:
2392:
2390:
2375:
2369:
2363:
2354:
2353:
2351:
2349:
2332:
2313:
2306:
1745:
1726:
1716:
1707:
1678:
1669:
1660:
1654:
1651:wind instruments
1632:
1623:
1606:
1592:
1581:
1567:
1553:
1539:
1525:
1511:
1497:
1465:progressive rock
1419:the Human League
1386:Charisma Records
1332:writers such as
1303:
1302:
1283:
1242:Record Collector
1238:progressive rock
1232:
1176:
875:pictured in 2009
679:Brinsley Schwarz
647:Charisma Records
640:Friars Aylesbury
596:pictured in 2007
561:
560:
541:
429:, sending it to
385:Beaumont College
248:Charisma Records
232:progressive rock
198:
104:
73:Progressive rock
42:
28:
27:
4918:
4917:
4913:
4912:
4911:
4909:
4908:
4907:
4848:
4847:
4844:
4839:
4820:
4797:
4746:
4727:
4612:
4552:
4547:
4466:
4461:
4440:
4438:
4436:
4385:
4362:
4343:
4317:
4307:
4305:
4300:
4299:
4295:
4285:
4283:
4273:
4269:
4259:
4257:
4247:
4246:
4242:
4232:
4230:
4226:
4225:
4221:
4213:
4204:
4194:
4192:
4180:
4176:
4166:
4164:
4144:
4140:
4130:
4128:
4108:
4104:
4091:
4087:
4079:
4075:
4065:
4063:
4062:on 15 June 2011
4052:
4048:
4040:
4036:
4023:
4019:
4009:
4007:
4005:The Prague Post
3997:
3993:
3983:
3981:
3972:
3968:
3961:
3945:
3941:
3931:
3929:
3919:
3912:
3904:
3895:
3886:
3885:
3881:
3873:
3869:
3861:
3854:
3844:
3842:
3834:
3833:
3829:
3819:
3817:
3807:
3803:
3788:
3784:
3771:
3770:
3766:
3756:
3754:
3745:
3744:
3740:
3730:
3728:
3723:
3722:
3718:
3708:
3706:
3696:
3692:
3682:
3680:
3671:
3670:
3666:
3656:
3654:
3649:
3648:
3644:
3634:
3632:
3619:
3618:
3614:
3607:Daily Telegraph
3603:
3599:
3589:
3587:
3578:
3577:
3573:
3563:
3561:
3553:
3552:
3548:
3538:
3536:
3532:
3531:
3522:
3512:
3510:
3503:
3499:
3489:
3488:
3484:
3474:
3472:
3468:
3467:
3463:
3455:
3454:
3450:
3440:
3438:
3431:
3424:
3414:
3412:
3402:
3398:
3388:
3386:
3381:
3380:
3376:
3363:
3359:
3349:
3347:
3337:
3333:
3323:
3321:
3308:
3304:
3294:
3292:
3282:
3278:
3268:
3266:
3261:
3260:
3256:
3246:
3244:
3234:
3230:
3222:
3218:
3213:
3209:
3201:
3197:
3189:
3182:
3169:
3165:
3153:
3152:
3148:
3140:
3136:
3128:
3124:
3116:
3105:
3097:
3093:
3085:
3081:
3073:
3069:
3060:
3059:
3055:
3047:
3040:
3030:
3028:
3013:
3009:
2996:
2992:
2984:
2980:
2972:
2968:
2960:
2956:
2948:
2944:
2936:
2932:
2924:
2920:
2912:
2908:
2900:
2891:
2878:
2874:
2858:
2854:
2846:
2842:
2834:
2830:
2822:
2818:
2810:
2806:
2798:
2794:
2786:
2782:
2774:
2770:
2762:
2758:
2748:
2746:
2741:
2740:
2736:
2728:
2724:
2716:
2712:
2704:
2700:
2692:
2688:
2680:
2673:
2665:
2658:
2650:
2643:
2635:
2631:
2623:
2619:
2607:
2603:
2595:
2588:
2584:, p. 1127.
2580:
2571:
2563:
2556:
2544:
2543:
2539:
2529:
2528:
2524:
2519:
2515:
2505:
2504:
2500:
2492:
2488:
2480:
2476:
2468:
2464:
2456:
2452:
2442:
2441:
2432:
2425:Prog (Magazine)
2421:
2410:
2402:
2398:
2388:
2386:
2376:
2372:
2364:
2357:
2347:
2345:
2335:Ankeny, Jason.
2333:
2326:
2317:
2316:
2307:
2303:
2293:
2288:
2180:
2174:
2169:
2168:
2166:
2162:
1743:
1738:
1712:Graham Smith –
1597:Current members
1587:
1582:
1573:
1568:
1559:
1554:
1545:
1540:
1531:
1526:
1517:
1512:
1503:
1498:
1489:
1454:Bruce Dickinson
1403:
1330:science fiction
1326:
1325:
1317:
1315:
1314:
1313:
1312:
1304:
1297:
1294:
1287:
1281:
1252:acoustic guitar
1233:
1230:
1203:
1170:
1154:After the Flood
1065:
982:
864:
749:
661:Trident Studios
614:popularised by
585:
584:
576:
574:
573:
572:
571:
562:
555:
552:
545:
539:
534:
508:Trident Studios
462:Polydor Records
456:, with drummer
435:Mercury Records
340:
335:
230:are an English
220:
218:
214:
210:
206:
204:
196:
184:
180:
165:
119:
102:
87:
45:
33:
24:
17:
12:
11:
5:
4916:
4906:
4905:
4900:
4895:
4890:
4885:
4880:
4875:
4870:
4865:
4860:
4841:
4840:
4838:
4837:
4828:
4826:
4822:
4821:
4819:
4818:
4812:
4805:
4803:
4799:
4798:
4796:
4795:
4787:
4779:
4771:
4763:
4754:
4752:
4748:
4747:
4745:
4744:
4735:
4733:
4729:
4728:
4726:
4725:
4721:Do Not Disturb
4717:
4709:
4701:
4693:
4685:
4677:
4669:
4661:
4653:
4645:
4637:
4629:
4620:
4618:
4614:
4613:
4611:
4610:
4609:Charles Dickie
4607:
4604:
4599:
4594:
4589:
4586:
4580:
4579:
4572:
4565:
4557:
4554:
4553:
4546:
4545:
4538:
4531:
4523:
4517:
4516:
4507:
4498:
4489:
4484:
4479:
4465:
4464:External links
4462:
4460:
4459:
4447:
4434:
4419:
4408:
4397:
4393:Jackson, David
4389:
4383:
4366:
4360:
4347:
4341:
4323:
4322:
4321:
4316:
4315:
4293:
4267:
4240:
4219:
4202:
4174:
4138:
4102:
4085:
4073:
4046:
4034:
4017:
3991:
3966:
3959:
3939:
3910:
3893:
3879:
3867:
3865:, p. 157.
3852:
3827:
3801:
3782:
3764:
3738:
3716:
3690:
3664:
3651:"Merlin Atmos"
3642:
3612:
3597:
3571:
3546:
3520:
3497:
3482:
3461:
3448:
3422:
3405:Hammill, Peter
3396:
3374:
3357:
3331:
3311:Thompson, Dave
3302:
3276:
3254:
3228:
3216:
3207:
3195:
3180:
3163:
3146:
3144:, p. 201.
3134:
3132:, p. 197.
3122:
3103:
3091:
3079:
3077:, p. 141.
3067:
3053:
3038:
3007:
2990:
2988:, p. 137.
2978:
2976:, p. 250.
2966:
2964:, p. 131.
2954:
2942:
2930:
2918:
2906:
2889:
2872:
2852:
2840:
2828:
2816:
2804:
2792:
2780:
2768:
2756:
2734:
2722:
2710:
2698:
2686:
2671:
2656:
2641:
2629:
2617:
2609:Moskowitz 2010
2601:
2586:
2569:
2554:
2537:
2522:
2513:
2510:. 21 May 1968.
2498:
2486:
2474:
2462:
2450:
2430:
2408:
2396:
2378:Jason Ankeny.
2370:
2355:
2323:
2322:
2321:
2315:
2314:
2300:
2299:
2298:
2297:
2292:
2289:
2287:
2286:
2282:Do Not Disturb
2278:
2270:
2262:
2254:
2246:
2238:
2230:
2222:
2214:
2206:
2198:
2190:
2181:
2176:Main article:
2173:
2170:
2164:
2163:
2161:
2158:
2155:
2154:
2153:
2152:
2146:
2140:
2132:
2131:
2130:
2124:
2118:
2112:
2103:
2102:
2099:
2095:
2094:
2087:
2086:
2085:
2082:Charles Dickie
2079:
2073:
2067:
2061:
2053:
2052:
2051:
2045:
2039:
2033:
2025:
2024:
2023:
2017:
2011:
2005:
1996:
1995:
1992:
1989:
1986:
1982:
1981:
1974:
1973:
1972:
1966:
1960:
1954:
1946:
1945:
1944:
1936:
1928:
1922:
1916:
1908:
1907:
1906:
1900:
1894:
1888:
1879:
1878:
1875:
1872:
1869:
1865:
1864:
1863:
1862:
1854:
1846:
1840:
1834:
1826:
1825:
1824:
1816:
1810:
1802:
1801:
1800:
1794:
1788:
1780:
1779:
1778:
1770:
1759:
1758:
1755:
1752:
1749:
1742:
1739:
1735:
1734:
1730:
1729:
1719:
1710:
1681:
1672:
1668:– bass guitar
1663:
1657:
1643:
1642:
1641:Former members
1637:
1636:
1635:
1626:
1609:
1599:
1598:
1590:
1589:
1588:
1583:
1576:
1574:
1569:
1562:
1560:
1555:
1548:
1546:
1541:
1534:
1532:
1527:
1520:
1518:
1513:
1506:
1504:
1499:
1492:
1488:
1485:
1434:Stephen Morris
1402:
1399:
1348:in the 1980s.
1338:Philip K. Dick
1316:
1305:
1295:
1290:
1289:
1288:
1279:
1278:
1277:
1273:Do Not Disturb
1263:bands such as
1231:Edward Macan,
1228:
1202:
1199:
1159:Do Not Disturb
1064:
1061:
981:
978:
863:
860:
855:The Long Hello
748:
745:
708:octave divider
683:Atomic Rooster
612:effects pedals
575:
563:
553:
548:
547:
546:
537:
536:
535:
533:
530:
339:
336:
334:
331:
319:Philip K. Dick
223:
222:
221:Charles Dickie
199:
193:
192:
189:
188:
175:
171:
170:
167:
166:
164:
163:
158:
153:
148:
143:
138:
133:
127:
125:
121:
120:
118:
117:
114:
111:
107:
105:
99:
98:
93:
89:
88:
86:
85:
80:
75:
69:
67:
63:
62:
56:
52:
51:
47:
46:
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
4915:
4904:
4901:
4899:
4896:
4894:
4891:
4889:
4886:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4855:
4853:
4846:
4835:
4834:
4830:
4829:
4827:
4823:
4816:
4813:
4810:
4807:
4806:
4804:
4800:
4793:
4792:
4788:
4785:
4784:
4780:
4777:
4776:
4772:
4769:
4768:
4764:
4761:
4760:
4756:
4755:
4753:
4749:
4742:
4741:
4737:
4736:
4734:
4730:
4723:
4722:
4718:
4715:
4714:
4710:
4707:
4706:
4702:
4699:
4698:
4694:
4691:
4690:
4686:
4683:
4682:
4678:
4675:
4674:
4670:
4667:
4666:
4662:
4659:
4658:
4654:
4651:
4650:
4646:
4643:
4642:
4638:
4635:
4634:
4630:
4627:
4626:
4622:
4621:
4619:
4617:Studio albums
4615:
4608:
4605:
4603:
4602:David Jackson
4600:
4598:
4595:
4593:
4590:
4587:
4585:
4582:
4581:
4578:
4577:
4573:
4571:
4570:
4566:
4564:
4563:
4562:Peter Hammill
4559:
4558:
4555:
4551:
4544:
4539:
4537:
4532:
4530:
4525:
4524:
4521:
4515:
4512:as stream at
4511:
4508:
4506:
4502:
4499:
4497:
4493:
4490:
4488:
4485:
4483:
4480:
4477:
4472:
4468:
4467:
4456:
4455:remastered CD
4454:
4448:
4437:
4431:
4427:
4426:
4420:
4416:
4415:
4409:
4405:
4404:
4398:
4394:
4390:
4386:
4380:
4375:
4374:
4367:
4363:
4357:
4353:
4348:
4344:
4338:
4333:
4332:
4325:
4324:
4319:
4318:
4303:
4297:
4282:
4278:
4271:
4256:
4255:
4250:
4244:
4229:
4223:
4217:, p. 90.
4216:
4211:
4209:
4207:
4191:
4190:
4185:
4178:
4163:
4159:
4155:
4154:
4149:
4142:
4127:
4123:
4119:
4118:
4113:
4106:
4098:
4097:
4089:
4083:, p. 58.
4082:
4081:Kavanagh 2002
4077:
4061:
4057:
4050:
4044:, p. 32.
4043:
4038:
4030:
4029:
4021:
4006:
4002:
3995:
3980:
3976:
3975:Peter Hammill
3970:
3962:
3956:
3952:
3951:
3943:
3928:
3924:
3917:
3915:
3908:, p. 31.
3907:
3902:
3900:
3898:
3889:
3883:
3877:, p. 30.
3876:
3871:
3864:
3859:
3857:
3841:
3837:
3831:
3816:
3812:
3805:
3798:(in Finnish).
3797:
3793:
3786:
3778:
3774:
3768:
3752:
3748:
3742:
3726:
3720:
3705:
3701:
3694:
3678:
3674:
3668:
3652:
3646:
3630:
3626:
3622:
3616:
3608:
3601:
3585:
3581:
3575:
3560:
3556:
3555:"Latest News"
3550:
3535:
3529:
3527:
3525:
3508:
3501:
3493:
3486:
3471:
3465:
3458:
3452:
3436:
3429:
3427:
3410:
3406:
3400:
3384:
3378:
3370:
3369:
3361:
3346:
3342:
3335:
3320:
3316:
3312:
3306:
3291:
3287:
3280:
3264:
3258:
3243:
3239:
3232:
3225:
3220:
3211:
3204:
3199:
3192:
3187:
3185:
3176:
3175:
3167:
3159:
3158:
3150:
3143:
3138:
3131:
3126:
3120:, p. 63.
3119:
3118:Kavanagh 2002
3114:
3112:
3110:
3108:
3100:
3095:
3088:
3083:
3076:
3071:
3063:
3057:
3050:
3045:
3043:
3027:
3026:
3021:
3017:
3016:Dave Thompson
3011:
3003:
3002:
2994:
2987:
2982:
2975:
2970:
2963:
2958:
2952:, p. 11.
2951:
2946:
2940:, p. 10.
2939:
2934:
2927:
2922:
2915:
2910:
2903:
2898:
2896:
2894:
2885:
2884:
2883:Record Mirror
2876:
2868:
2867:
2862:
2856:
2849:
2844:
2837:
2832:
2826:, p. 84.
2825:
2820:
2814:, p. 87.
2813:
2808:
2801:
2796:
2790:, p. 82.
2789:
2784:
2778:, p. 76.
2777:
2772:
2766:, p. 65.
2765:
2760:
2744:
2738:
2732:, p. 63.
2731:
2726:
2720:, p. 62.
2719:
2714:
2708:, p. 59.
2707:
2706:Kavanagh 2002
2702:
2696:, p. 55.
2695:
2690:
2684:, p. 50.
2683:
2678:
2676:
2669:, p. 49.
2668:
2663:
2661:
2653:
2648:
2646:
2638:
2633:
2627:, p. 35.
2626:
2621:
2614:
2610:
2605:
2599:, p. 36.
2598:
2593:
2591:
2583:
2578:
2576:
2574:
2567:, p. 32.
2566:
2561:
2559:
2550:
2549:
2541:
2533:
2526:
2517:
2509:
2502:
2496:, p. 14.
2495:
2490:
2483:
2478:
2471:
2466:
2459:
2454:
2447:. 7 May 1968.
2446:
2439:
2437:
2435:
2426:
2419:
2417:
2415:
2413:
2405:
2400:
2385:
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2259:
2255:
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2247:
2244:
2243:
2239:
2236:
2235:
2231:
2228:
2227:
2223:
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2215:
2212:
2211:
2207:
2204:
2203:
2199:
2196:
2195:
2191:
2188:
2187:
2183:
2182:
2179:
2150:
2147:
2144:
2141:
2138:
2137:Peter Hammill
2135:
2134:
2128:
2127:David Jackson
2125:
2122:
2119:
2116:
2113:
2110:
2109:Peter Hammill
2107:
2106:
2104:
2101:2006–present
2100:
2097:
2096:
2093:
2092:
2083:
2080:
2077:
2074:
2071:
2068:
2065:
2062:
2059:
2058:Peter Hammill
2056:
2055:
2049:
2046:
2043:
2040:
2037:
2034:
2031:
2030:Peter Hammill
2028:
2027:
2021:
2020:David Jackson
2018:
2015:
2012:
2009:
2006:
2003:
2002:Peter Hammill
2000:
1999:
1997:
1993:
1990:
1987:
1984:
1983:
1980:
1979:
1970:
1969:David Jackson
1967:
1964:
1961:
1958:
1955:
1952:
1951:Peter Hammill
1949:
1948:
1942:
1941:
1940:David Jackson
1937:
1934:
1933:
1929:
1926:
1923:
1920:
1917:
1914:
1913:Peter Hammill
1911:
1910:
1904:
1901:
1898:
1895:
1892:
1889:
1886:
1885:Peter Hammill
1883:
1882:
1880:
1876:
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1870:
1867:
1866:
1860:
1859:
1855:
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1838:
1835:
1832:
1831:Peter Hammill
1829:
1828:
1822:
1821:
1817:
1814:
1811:
1808:
1807:Peter Hammill
1805:
1804:
1798:
1795:
1792:
1789:
1786:
1785:Peter Hammill
1783:
1782:
1776:
1775:
1771:
1768:
1767:
1766:Peter Hammill
1763:
1762:
1760:
1756:
1753:
1750:
1747:
1746:
1733:
1724:
1720:
1715:
1711:
1705:
1701:
1697:
1693:
1689:
1685:
1684:David Jackson
1682:
1676:
1673:
1667:
1664:
1658:
1652:
1648:
1645:
1644:
1640:
1639:
1638:
1630:
1627:
1621:
1617:
1613:
1610:
1604:
1603:Peter Hammill
1601:
1600:
1596:
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1593:
1586:
1580:
1575:
1572:
1566:
1561:
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1496:
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1484:
1482:
1478:
1474:
1470:
1466:
1461:
1459:
1458:Oundle School
1455:
1451:
1447:
1443:
1442:Mark E. Smith
1439:
1435:
1431:
1427:
1422:
1420:
1416:
1412:
1408:
1398:
1396:
1395:Peter Gabriel
1391:
1387:
1383:
1378:
1376:
1375:
1368:
1366:
1365:Hammond XK-3c
1362:
1358:
1357:Keith Emerson
1354:
1349:
1347:
1343:
1339:
1335:
1331:
1324:
1322:
1311:
1310:
1293:
1276:
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1257:
1253:
1249:
1248:
1243:
1239:
1227:
1225:
1221:
1217:
1213:
1209:
1201:Musical style
1198:
1196:
1192:
1188:
1184:
1180:
1174:
1169:
1168:Savoy Theatre
1164:
1161:
1160:
1155:
1151:
1150:
1145:
1139:
1137:
1132:
1130:
1129:
1124:
1120:
1115:
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1098:
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1093:
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1073:
1069:
1060:
1056:
1054:
1053:
1048:
1044:
1040:
1039:
1034:
1030:
1029:Dave Thompson
1026:
1022:
1021:
1015:
1013:
1009:
1008:
1003:
994:
990:
989:Peter Hammill
986:
977:
975:
974:
968:
965:
964:
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958:
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949:
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942:
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918:
913:
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905:
900:
899:
894:
893:
887:
885:
876:
872:
871:David Jackson
868:
859:
857:
856:
850:
848:
847:
841:
838:
832:
830:
826:
825:George Martin
822:
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814:
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806:
802:
798:
797:
791:
789:
785:
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777:
769:
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761:
753:
744:
742:
741:
736:
732:
727:
723:
719:
715:
711:
709:
705:
704:wah-wah pedal
701:
697:
692:
688:
687:Hammond organ
684:
680:
676:
675:
668:
666:
662:
658:
654:
653:
648:
643:
642:in November.
641:
637:
633:
629:
625:
621:
617:
613:
609:
601:
597:
593:
589:
583:
581:
569:
568:
551:
529:
527:
526:David Jackson
523:
519:
515:
514:
509:
505:
500:
498:
494:
488:
486:
482:
478:
474:
469:
468:
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459:
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451:
447:
443:
438:
436:
432:
428:
424:
419:
417:
413:
409:
405:
401:
396:
394:
393:Van de Graaff
390:
386:
382:
378:
377:Peter Hammill
373:
372:San Francisco
369:
368:Oundle School
365:
361:
357:
349:
344:
330:
328:
324:
320:
316:
311:
307:
303:
298:
296:
292:
291:
286:
285:
280:
279:David Jackson
276:
275:
270:
269:
264:
259:
257:
253:
249:
245:
241:
240:Peter Hammill
237:
233:
229:
217:
216:David Jackson
213:
209:
203:
200:
194:
190:
187:
183:
179:
178:Peter Hammill
176:
172:
168:
162:
159:
157:
154:
152:
149:
147:
144:
142:
139:
137:
134:
132:
129:
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126:
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115:
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106:
100:
97:
94:
90:
84:
81:
79:
76:
74:
71:
70:
68:
64:
60:
57:
53:
48:
41:
36:
29:
26:
22:
4845:
4831:
4814:
4808:
4789:
4781:
4773:
4765:
4757:
4738:
4719:
4711:
4703:
4695:
4687:
4679:
4673:World Record
4671:
4663:
4655:
4647:
4639:
4631:
4623:
4606:Graham Smith
4574:
4567:
4560:
4549:
4496:AllMusic.com
4451:
4439:. Retrieved
4428:. ABC-CLIO.
4424:
4412:
4401:
4372:
4351:
4330:
4306:. Retrieved
4296:
4284:. Retrieved
4280:
4270:
4258:. Retrieved
4252:
4243:
4231:. Retrieved
4222:
4193:. Retrieved
4187:
4177:
4165:. Retrieved
4153:The Guardian
4151:
4141:
4129:. Retrieved
4117:The Guardian
4115:
4105:
4094:
4088:
4076:
4064:. Retrieved
4060:the original
4049:
4042:Manning 2011
4037:
4028:Melody Maker
4026:
4020:
4008:. Retrieved
4004:
3994:
3982:. Retrieved
3969:
3949:
3942:
3930:. Retrieved
3927:The Guardian
3926:
3906:Manning 2011
3887:
3882:
3875:Manning 2011
3870:
3843:. Retrieved
3839:
3830:
3818:. Retrieved
3814:
3804:
3795:
3785:
3776:
3767:
3755:. Retrieved
3750:
3741:
3729:. Retrieved
3719:
3707:. Retrieved
3704:The Guardian
3703:
3693:
3681:. Retrieved
3679:. 6 May 2015
3676:
3667:
3655:. Retrieved
3645:
3633:. Retrieved
3629:the original
3624:
3615:
3606:
3600:
3588:. Retrieved
3584:Classic Rock
3583:
3574:
3562:. Retrieved
3558:
3549:
3537:. Retrieved
3511:. Retrieved
3500:
3491:
3485:
3473:. Retrieved
3464:
3456:
3451:
3439:. Retrieved
3413:. Retrieved
3399:
3387:. Retrieved
3377:
3366:
3360:
3348:. Retrieved
3344:
3334:
3322:. Retrieved
3318:
3305:
3293:. Retrieved
3289:
3279:
3267:. Retrieved
3257:
3245:. Retrieved
3241:
3231:
3226:, p. i.
3219:
3210:
3198:
3193:, p. 7.
3191:Jackson 1990
3172:
3166:
3157:Melody Maker
3155:
3149:
3137:
3125:
3094:
3082:
3070:
3061:
3056:
3051:, p. 5.
3049:Jackson 1990
3029:. Retrieved
3023:
3010:
2999:
2993:
2981:
2969:
2957:
2945:
2933:
2928:, p. 9.
2921:
2916:, p. 8.
2909:
2904:, p. 4.
2902:Jackson 1990
2881:
2875:
2866:Melody Maker
2864:
2855:
2843:
2831:
2819:
2807:
2802:, p. 3.
2800:Jackson 1990
2795:
2783:
2771:
2759:
2747:. Retrieved
2737:
2725:
2713:
2701:
2689:
2654:, p. 2.
2652:Jackson 1990
2632:
2620:
2604:
2582:Buckley 2003
2548:Melody Maker
2546:
2540:
2531:
2525:
2516:
2507:
2501:
2489:
2484:, p. 9.
2477:
2465:
2460:, p. 1.
2453:
2444:
2424:
2406:, p. 5.
2399:
2387:. Retrieved
2384:allmusic.com
2383:
2373:
2368:, p. 3.
2346:. Retrieved
2340:
2304:
2280:
2272:
2264:
2256:
2248:
2240:
2234:World Record
2232:
2224:
2216:
2208:
2200:
2192:
2184:
2148:
2142:
2136:
2126:
2120:
2114:
2108:
2090:
2089:
2081:
2076:Graham Smith
2075:
2069:
2063:
2057:
2048:Graham Smith
2047:
2041:
2035:
2029:
2019:
2013:
2007:
2001:
1977:
1976:
1968:
1962:
1956:
1950:
1938:
1930:
1924:
1918:
1912:
1902:
1896:
1890:
1884:
1856:
1848:
1842:
1836:
1830:
1818:
1812:
1806:
1796:
1790:
1784:
1772:
1764:
1731:
1725:, keyboards
1462:
1449:
1438:Jello Biafra
1426:Graham Coxon
1423:
1415:Philip Oakey
1404:
1379:
1374:Melody Maker
1372:
1369:
1353:Rick Wakeman
1350:
1327:
1318:
1307:
1272:
1269:King Crimson
1256:Jimi Hendrix
1245:
1235:
1212:Gentle Giant
1208:King Crimson
1205:
1165:
1157:
1153:
1149:Merlin Atmos
1147:
1143:
1140:
1133:
1126:
1122:
1113:
1107:
1101:
1090:
1088:
1077:
1057:
1050:
1036:
1018:
1016:
1005:
1002:Union Chapel
998:
971:
969:
961:
955:
947:World Record
945:
943:
922:
915:
902:
898:Melody Maker
896:
890:
888:
883:
880:
874:
853:
851:
844:
842:
836:
833:
828:
805:John Anthony
794:
792:
780:Six Bob Tour
775:
773:
738:
734:
731:middle eight
726:John Anthony
722:King Crimson
718:Robert Fripp
713:
712:
672:
669:
665:Melody Maker
664:
657:John Anthony
650:
644:
616:Jimi Hendrix
605:
595:
577:
565:
511:
504:Marquee Club
501:
489:
476:
467:Melody Maker
465:
439:
420:
404:Jimi Hendrix
397:
353:
310:guitar solos
306:Robert Fripp
302:King Crimson
299:
288:
282:
272:
266:
260:
254:and drummer
227:
226:
219:Graham Smith
197:Past members
116:2005–present
103:Years active
25:
4825:Soundtracks
4751:Live albums
4740:Time Vaults
4732:Demo albums
4649:Pawn Hearts
4592:Keith Ellis
4588:Nick Pearne
4569:Hugh Banton
4505:Discogs.com
4453:Pawn Hearts
4304:. June 2016
4281:The Quietus
4189:The Quietus
4131:28 December
3815:loudersound
3751:The Quietus
3677:The Quietus
3657:11 February
3653:. SofaSound
3635:11 February
3509:. Slate.com
3475:5 September
3437:. SofaSound
3411:. SofaSound
2950:Powell 2005
2938:Powell 2005
2926:Powell 2005
2914:Powell 2005
2210:Pawn Hearts
2172:Discography
2149:Hugh Banton
2121:Hugh Banton
2008:Hugh Banton
1957:Hugh Banton
1919:Hugh Banton
1897:Keith Ellis
1891:Hugh Banton
1850:Keith Ellis
1843:Hugh Banton
1820:Hugh Banton
1797:Nick Pearne
1727:(1977–1978)
1717:(1977–1978)
1666:Keith Ellis
1661:(1967–1968)
1655:(1967–1968)
1620:bass pedals
1612:Hugh Banton
1430:Marc Almond
1411:Julian Cope
1220:Renaissance
1171: [
1072:Hugh Banton
1014:in London.
973:Time Vaults
837:Pawn Hearts
829:Pawn Hearts
817:synthesizer
796:Pawn Hearts
788:Lindisfarne
764:Hugh Banton
691:bass pedals
481:BBC Radio 1
454:Keith Ellis
450:bass guitar
442:Hugh Banton
431:Lou Reizner
381:prep school
284:Pawn Hearts
252:Hugh Banton
208:Keith Ellis
205:Nick Pearne
182:Hugh Banton
92:Discography
4852:Categories
4833:Eyewitness
4665:Still Life
4597:Nic Potter
4441:23 October
3984:18 October
3932:25 January
3863:Macan 1997
3845:9 November
3820:9 November
3757:31 January
3564:17 January
3559:Sofa Sound
3031:23 October
2974:Macan 1997
2611:, p.
2389:22 October
2348:5 December
2291:References
2226:Still Life
2098:2005–2006
2070:Nic Potter
2042:Nic Potter
1994:1978–2004
1991:1977–1978
1985:1975–1976
1932:Nic Potter
1877:1972–1974
1874:1970–1972
1871:1969–1970
1868:1968–1969
1751:1967–1968
1675:Nic Potter
1446:John Lydon
1346:Goth bands
1321:media help
1309:Still Life
1197:, Norway.
1191:Gothenburg
1136:Nic Potter
1084:FabChannel
1052:Rockpalast
1043:Leverkusen
917:Still Life
914:keyboard.
592:Nic Potter
580:media help
522:Nic Potter
518:Juicy Lucy
416:typewriter
408:Pink Floyd
325:" or "the
236:Manchester
212:Nic Potter
59:Manchester
4697:Trisector
4576:Guy Evans
4233:21 August
4162:0261-3077
4126:0261-3077
3796:Soundi.fi
3731:3 October
3513:21 August
3290:BBC Music
2749:17 August
2530:"Scene".
2320:Citations
2310:shillings
2258:Trisector
2143:Guy Evans
2115:Guy Evans
2091:Disbanded
2064:Guy Evans
2036:Guy Evans
2014:Guy Evans
1978:Disbanded
1963:Guy Evans
1925:Guy Evans
1903:Guy Evans
1858:Guy Evans
1629:Guy Evans
1477:Marillion
1469:Brechtian
1401:Influence
1261:Krautrock
1222:(or even
1187:Stockholm
1125:, called
1092:Trisector
1038:Real Time
1025:BBC Music
993:Amsterdam
934:PalaSport
821:Theme One
813:Mellotron
755:Band logo
700:keyboards
497:John Peel
477:Democrazy
458:Guy Evans
256:Guy Evans
186:Guy Evans
113:1975–1978
110:1967–1972
61:, England
4657:Godbluff
4286:4 August
4254:AllMusic
4066:24 April
4010:4 August
3590:24 April
3539:20 March
3441:4 August
3415:4 August
3389:4 August
3350:4 August
3345:AllMusic
3324:4 August
3319:AllMusic
3295:4 August
3269:4 August
3247:4 August
3242:AllMusic
3025:AllMusic
2342:AllMusic
2218:Godbluff
2160:Timeline
2078:– violin
2050:– violin
1696:baritone
1473:neo-prog
1229:—
1179:Helsinki
1097:NEARfest
1080:Paradiso
1049:TV show
912:clavinet
892:Godbluff
485:Top Gear
452:player,
358:, after
290:Godbluff
136:Charisma
83:art rock
4689:Present
4320:Sources
4308:23 June
4260:28 July
4195:14 June
4167:17 June
3160:. 1975.
2250:Present
2145:– drums
2117:– drums
2066:– drums
2038:– drums
2016:– drums
1965:– drums
1927:– drums
1921:– organ
1905:– drums
1893:– organ
1861:– drums
1845:– organ
1799:– organ
1741:Lineups
1585:Jackson
1501:Hammill
1487:Members
1450:H to He
1382:Genesis
1216:Genesis
1123:Present
1020:Present
995:in 2008
809:Trident
784:Genesis
768:Hammond
766:used a
714:H to He
706:and an
620:Farfisa
333:History
327:Hendrix
174:Members
156:Dunhill
146:Vertigo
141:Fontana
131:Mercury
4836:(1970)
4817:(2009)
4811:(2003)
4794:(2015)
4786:(2015)
4778:(2007)
4770:(1994)
4762:(1978)
4743:(1982)
4724:(2016)
4716:(2012)
4708:(2011)
4700:(2008)
4692:(2005)
4684:(1977)
4676:(1976)
4668:(1976)
4660:(1975)
4652:(1971)
4644:(1970)
4636:(1970)
4628:(1969)
4432:
4381:
4358:
4339:
4160:
4124:
3957:
3709:14 May
3683:14 May
3174:Sounds
3001:Sounds
2285:(2016)
2277:(2012)
2269:(2011)
2261:(2008)
2253:(2005)
2245:(1977)
2237:(1976)
2229:(1976)
2221:(1975)
2213:(1971)
2205:(1970)
2197:(1970)
2189:(1969)
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909:Hohner
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161:Virgin
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2296:Notes
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1104:Devon
963:Vital
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473:demos
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151:Probe
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