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on 22 January 1574, Jonathan on 13 May 1577, Nathaniel on 13 June 1581, Elizabeth on 2 February 1583 and Nathan on 17 October 1587. Little is known of the two daughters: Dorcas was married to Edward Rice on 9 November 1590; Elizabeth was buried at St. Anne, Blackfriars, on 14 June 1603, when she had just reached twenty, the age at which Dorcas married. We know nothing of the life of John Field, junior. Jonathan Field, who died in 1640. Theophilus followed his father's profession. He married and in his will left all his possessions to his wife, Alice. He died on 2 June 1636 and was buried in
Hereford Cathedral.
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337:. For the latter play, in which he may have performed as Cokes or Littlewit, he received payment for the company after a performance at court. These years witnessed some degree of tumult; Henslowe's business practices resulted in his actors' drawing up certain "articles of grievance" against him, and Rosseter's attempt to build a new private theater (
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Field had a contemporary reputation as a ladies' man; gossip reported by
William Trumbull charges him with a child of the Countess of Argyll. A portrait believed to be of Field can be seen at Dulwich Picture Gallery in London, UK, in which he is depicted as a melancholy figure with hand on heart. It
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When John Field died, he left seven children, of whom the eldest was only seventeen. He left all his property to his wife, Joan. The first child was a daughter, Dorcas, baptized on 7 May 1570. The first son was baptized on 4 January 1572 and was named after his father, John. Theophilus was baptized
550:
features Nathan Field as a character. Set in 1599, it uses Field's background as a student of
Richard Mulcaster's at St Paul's as a springboard. The Nathan Field in the story, who briefly works at Shakespeare's Globe Theatre, is actually a like-named boy from 1999, who has switched places with the
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supposed that Field played women's roles with the company; O. J. Campbell, however, suggests that he played young second leads. Of course he acted in a number of
Fletcher's plays, as well as Shakespeare's; presumably he also acted in his own
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Royal and the
Blackfriars Children. He remained in this profession for the remainder of his life, later adding to it the profession of a playwright. John Field was buried on 26 March 1588.
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has been said that this painting may be one of the first depictions of an actor "in character". The portrait artist is unknown, but some believe that it was painted by
William Larkin.
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Field stayed with a children's company until 1613, his twenty-sixth year. He appears to be the only one of the boy actors of 1600 to remain with the
Blackfriars troupe when, in 1609,
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Nathan's father opposed London's public entertainments: he delivered a sermon that attributed Divine judgment to the collapse of the public seating area, during a
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assumed control of the company. In this company, he performed in the theatre in
Whitefriars and, frequently, at court, in plays such as Beaumont and Fletcher's
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349:. This period ended when Henslowe died, Rosseter abandoned his plans, and Lady Elizabeth's Men briefly merged and then separated from
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353:, thereafter touring in the country. For Field, the period had a presumably more satisfactory end: by late 1616, he had joined the
172:, Field acted in the innovative drama staged at Blackfriars in the first years of the 17th century. Cast lists associate him with
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Field was presumably also among those of the children's company briefly imprisoned for the official displeasure occasioned by
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Scholars and critics have argued for authorial contributions from Field in a number of plays of his era, most commonly in
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in 1583, which resulted in several deaths. Nathan presumably did not intend a career in the theatre; he was a student of
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A Dictionary of Actors and of Other
Persons Associated With the Public Presentation of Plays in England Before 1642
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in the late 1590s. At some point before 1600, he was impressed by
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Museum Theater as an Interpretive Method: Nathan Field's Personal Dilemma
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With the King's Men, Field seems to have performed as Voltore in
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four dramas in the canon of Fletcher and his collaborators.
395:. Field died some time between May 1619 and August 1620.
385:(printed 1618, though probably written earlier), and in
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149:'s choir and one of the managers of the new troupe of
1440:† = Not published in the Beaumont and Fletcher folios
673:
A Short Biographical Dictionary of English Literature
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585:Brinkley, Florence, 'Nathan and Nathaniel Field',
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305:In 1613, Rosseter combined his company with the
1503:17th-century English dramatists and playwrights
884:The Masque of the Inner Temple and Gray's Inn
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93:occasionally; 17 October 1587 – 1620) was an
1246:Four Plays, or Moral Representations, in One
676:, London: J. M. Dent & Sons – via
631:(11th ed.). Cambridge University Press.
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695:(PhD). The Union Institute and University.
37:Portrait of Nathan Field, unknown artist,
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687:. New Haven: Yale University Press, 1929.
646:. New Haven: Yale University Press, 1928.
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208:Later in the decade, he performed in
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1306:with Massinger, Ford & Webster
644:Nathan Field, the Actor-Playwright
224:. During the same years, he wrote
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1493:17th-century English male writers
1478:16th-century English male writers
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267:; the latter imprisonment was in
214:and, perhaps, played Humphrey in
1483:17th-century English male actors
877:The Knight of the Burning Pestle
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653:. London: The Bodley Head, 1999.
221:The Knight of the Burning Pestle
1468:English Renaissance dramatists
716:Works by or about Nathan Field
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298:(the latter with Fletcher and
170:Children of the Queen's Revels
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1418:(Shakespeare & Fletcher?)
1193:with Beaumont & Massinger
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1498:17th-century English writers
1473:16th-century English writers
1387:Beaumont and Fletcher folios
345:was blocked by the city and
72:1620 (aged 32–33)
7:
1377:English Renaissance theatre
1083:Rule a Wife and Have a Wife
731:(public domain audiobooks)
691:Radice, Michael L. (2000).
589:vol. 42, no. 1 (1927), p.13
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1217:with Massinger & Field
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328:A Chaste Maid in Cheapside
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1222:The Honest Man's Fortune
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485:tragicomedy (c. 1616–18)
472:The Honest Man's Fortune
443:A Woman Is a Weathercock
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246:The Faithful Shepherdess
80:English dramatist, actor
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1048:The Humorous Lieutenant
628:Encyclopædia Britannica
452:, comedy (printed 1618)
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159:Children of the Chapel
1264:The Two Noble Kinsmen
1198:Thierry and Theodoret
772:Beaumont and Fletcher
725:Works by Nathan Field
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642:Brinkley, Roberta F.
622:"Field, Nathan"
587:Modern Language Notes
494:tragicomedy (c. 1619)
446:, comedy (c. 1609–10)
1291:The Maid in the Mill
1229:The Queen of Corinth
1139:The Lovers' Progress
1069:The Wild Goose Chase
664:Cousin, John William
544:'s children's novel
481:The Queen of Corinth
413:The Queen of Corinth
351:Prince Charles's Men
313:. Performing at the
307:Lady Elizabeth's Men
195:associated him with
1427:(possibly based on
1236:The Knight of Malta
1125:The Double Marriage
1055:The Island Princess
967:The Noble Gentleman
812:William Shakespeare
537:Cultural references
513:, tragedy (c. 1619)
490:The Knight of Malta
419:The Knight of Malta
226:commendatory verses
168:As a member of the
155:Blackfriars Theatre
108:His father was the
1146:The Spanish Curate
1076:A Wife for a Month
946:A King and No King
939:The Maid's Tragedy
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374:John Payne Collier
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118:, and his brother
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1345:The Laws of Candy
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960:The Scornful Lady
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711:Project Gutenberg
683:Nunzeger, Edwin.
529:Four Plays in One
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383:Amends for Ladies
321:, Field acted in
264:The Isle of Gulls
143:St. Paul's School
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417:
411:
405:
399:
397:
386:
382:
367:
361:
359:
332:
326:
319:Hope Theatre
315:Swan Theatre
304:
293:
287:
283:
273:
262:
255:Eastward Hoe
253:
251:
244:
236:
229:
219:
209:
207:
200:
183:
177:
167:
163:
131:bear baiting
128:
107:
90:
87:Nathan Field
86:
85:
25:Nathan Field
18:
1508:Boy players
1463:1620 deaths
1458:1587 births
1368:Performance
1332:(Middleton)
1286:with Rowley
1212:Love's Cure
1062:The Pilgrim
1027:The Chances
999:Valentinian
932:The Captain
918:The Coxcomb
600:Radice 2000
343:Blackfriars
284:The Coxcomb
182:(1600) and
151:boy players
122:became the
100:and actor.
46: 1615
1452:Categories
1382:King's Men
1257:Henry VIII
1241:with Field
1187:and others
837:Ben Jonson
678:Wikisource
610:References
436:Solo plays
355:King's Men
260:John Day's
240:, and for
188:(1601); a
174:Ben Jonson
135:Beargarden
116:John Field
60:1587-10-17
41:, London,
1356:(Shirley)
1104:Barnavelt
1095:Massinger
925:Philaster
832:John Ford
666:(1910), "
147:Elizabeth
98:dramatist
1429:Cardenio
1185:Fletcher
977:Fletcher
894:Beaumont
869:Beaumont
729:LibriVox
237:Catiline
211:Epicoene
113:preacher
1406:Related
1006:Bonduca
774:" Canon
718:at the
637:Sources
363:Volpone
231:Volpone
110:Puritan
95:English
1348:(Ford)
1321:Others
661:
193:quarto
858:(some
856:Plays
770:The "
555:Notes
518:With
499:With
457:With
431:Works
341:) in
91:Feild
461:and
416:and
317:and
292:and
278:and
258:and
234:and
190:1641
104:Life
69:Died
54:Born
727:at
709:at
670:",
325:'s
302:).
218:'s
199:'s
176:'s
153:at
141:at
1454::
625:.
563:^
357:.
271:.
249:.
205:.
43:c.
1431:)
1421:†
1412:†
1254:†
1172:†
1101:†
763:e
756:t
749:v
602:.
575:.
522::
503::
492:,
483:,
474:,
465::
421:,
409:,
403:,
62:)
58:(
48:.
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