Mercè Rodoreda - Knowledge

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my energy nor my youth, until I am fifty I intend to preserve a certain refined genre And, above all, I want to write, I need to write; nothing has given me so much pleasure since I was in the world, as a freshly edited book of mine smelling of fresh ink. I'm sorry I didn't come with you, I would have felt more accompanied, I would have worked, all these useless, demoralizing years weigh on me, but I will take revenge. I will make them useful, stimulating my enemies to tremble. On the slightest occasion I will do a Sicilian horse entry again. There will be no one to stop me.

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bridge with scary stukes; and you could see the bombs falling and exploding nearby. There were dead people on the bridge. Something terrible! So, we headed to Orleans, thinking we could rest there for a day or two, but when we got to see Orleans ... Orleans was on fire, because it had just been bombed. It was then that we slept in a country house that smelled of bad meat and sour wine, because it was evident that many people had passed by that house; and we slept there all night watching from the windows how Orleans burned.

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mother-in-law had traveled with Trabal to Roissy-en-Brie along with other members of the Trabal family. Consequently, this affair divided the Catalan exiles into two opposing camps. According to Anna Murià, Francesc Trabal was opposed not only by his sister but by jealousy, since he would have had a secret relationship with Mercè Rodoreda in Barcelona that only the two of them and their confidante knew. Rodoreda wanted to write a book about it called The Roissy novel, however, she never decided to do it.

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mountain or walking through La Perla del Lago? I wrote it feverishly, as if every working day was the last of my life. I worked blinded; I would correct what I had written in the morning in the afternoon, ensuring that, despite the rush with which I was writing, the horse would not run out of control, holding the reins well so that it did not deviate from the path. It was a time of great nervous tension, which left me half ill.

1252:. Sales was delighted by the novel and started a correspondence with Rodoreda. From that moment, she found in the Editor Club a space where she could pour her literary work, where Salas was a co-founder. When it was published in 1962, the novel was not exactly the one that had been presented for the Sant Jordi prize, but it had received an extension both in chapters and in corrections by Salas, Obiols and the author herself. 3355: 150: 841: 1403:, although they became estranged when Manrubio and Rodoreda went into exile in different countries. Also participating in this project were Carmen Manrubia's adopted son, Carlos, Susina Amat and Esther Floricourt. She lived in this house for six years, until in 1979 she built her own house in Romanyà. The name chosen by the two friends for the house, 439:; that place became the space for parties and family gatherings. The figure of her grandfather marked her intensely and she came to consider him her teacher. Gurguí instilled in her a deep Catalan feeling, and a love for the Catalan language and flowers that were well reflected throughout Mercè Rodoreda's work. 1360:

in Spanish in 1965. In 1971, her feeling of exile was accentuated with the death of her companion of many years, Armand Obiols, at the Vienna University Hospital. This fact, together with the discovery of another Obiols lover, left her even more alone and broken in Switzerland. During those days, she

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At Manrubio's house she substantially completed the writing work for Broken Mirror that had already begun in Geneva years before. This work is considered the most successful of her literary production and was published in 1974. She also wrote there Trips to various towns within Trips and flowers and

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I have made blouses for nine French people and I have been very hungry. I have met very interesting people and the coat I am wearing was inherited from a Russian Jewish woman who committed suicide with Veronal. In Limoges they kept an ovary of mine but what I will not leave in France will be neither

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After writing that second work, Joan Puig i Ferrater, director of Ediciones Proa, visited her and was interested in publishing her next work: A day in the life of a man, which was published in the autumn of that same year in Proa. Rodoreda began to enter the literary world thanks to the help of Puig

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I write because I like to write. If it didn't seem like an exaggeration, I would say that I write to please myself. If others like what I write, the better. Perhaps it is deeper. Perhaps I write to affirm myself. To feel that I am ... And it's over. I have spoken of myself and essential things in my

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The war was over, and we had to leave Spain. Me, not for nothing, because I had never been in politics, but the fact of having written in Catalan, and for having collaborated in magazines, let's say on the left, etcetera, etcetera. And advised by my mother, because I left thinking that after three,

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On January 23, 1939, a few months before the defeat of the Republicans, she fled into exile. Thinking that the separation would be brief, she left her son with her mother. Although she had never participated in politics, she left on the advice of her mother, who feared problems due to collaborative

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On July 23, 1929, their only son, Jordi Gurguí i Rodoreda, was born. From that moment on, Mercè Rodoreda began to do literary tests, to get rid of the economic and social dependency that the monotonous married life gave her. That is how she began to consider writing as a profession. Every day she

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might be interesting, but is it possible to explain how a novel is formed, what impulses provoke it, how strong a will does it make it continue, that what has been done has to end with a struggle? Started easily? Would it be enough to say that I was thinking of it in Geneva looking at the Salève

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So we started the retreat on foot for three weeks. We spent about three weeks fleeing from the Nazis and walking on French roads We passed over a bridge to Beaugency, which was being mined by French gunners. It was an afternoon with a very dark and very low sky. The Germans began to bombard the

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In 1931 she began to take classes at the Dalmau Lyceum, where she improved her knowledge of language under the guidance of the pedagogue, linguist and esperantist Delfí Dalmau i Enero, who greatly influenced her and encouraged her to train, and with whom a bond of friendship developed. Rodoreda

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In Roissy-en-Brie several love affairs arose; one of them was between Mercè Rodoreda and Armand Obiols. The problems in the castle arose because Armand Obiols was married to Francesc Trabal's sister and they had a son, who had remained in Barcelona with his mother. Furthermore, Armand Obiols'

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showed Dalmau what she wrote and he encouraged her to make these first texts public. According to Dalmau, Mercè Rodoreda was an exceptional student, possessing spiritual fulfillment and a promising literary soul. This admiration led Dalmau to ask her to be one of the counterparts in her work

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In 1921, her uncle Juan moved in with the family and changed the lifestyle of all its members, imposing austerity and conventional order. She had idealized him as a result of the letters she had previously received and ended up marrying him on October 10, 1928, her twentieth birthday, in the

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The joint project between Mercè Rodoreda and Manrubio failed. Mercè Rodoreda bought a piece of land in 1977 in which she had a house built next to the existing one; which would be finished in 1979. According to Anna Maria Saludes and Amat, this abandonment of the Manrubio house was given by

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In 1966, her mother, Montserrat Gurguí, died; and three years later her uncle-husband, Joan Gurguí. As a result of the death of her husband, the relationship between mother and son was strained due to problems with the distribution of the inheritance. However, in 1966 was the year in which

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From 1947 to 1953, Mercè Rodoreda was unable to cultivate extensive literature because just in 1945 she had begun to suffer from health problems, along with the reappearance of somatic paralysis in her right arm. For this reason, she intensified her poetic creation and found her teacher in

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where she published twenty-two contributions: five prose on traditional culture, thirteen interviews, two reviews, a short story, and three comments on political, musical and film themes. That same year, she joined the Barcelona Press Association, which evidenced her intention to formalize

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I remember the feeling of being at home when, leaning over the railing of the roof, I saw the blue flowers of the jacaranda fall on the grass and the hydrangeas. I will never know how to explain it; I have never felt more at home than when I lived at my grandfather's house with my parents.

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of the Department of Culture of the Generalitat and, following her wishes, Rodoreda was buried in the Romanyà de la Selva cemetery in a massive burial attended by many of her colleagues and colleagues. other personalities of the moment. Her intellectual legacy was inherited from the

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In Limoges, she settled in a room at 12 Hijas-Notre-Dame street. These were difficult times for Rodoreda, because on June 5, 1941, her partner Armand Obiols was arrested, and she was left alone until October of that year. During that time Armand Obiols had to do forced labor in

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In 1954, Rodoreda and Obiols moved into an apartment at 19 Violet street, in a bourgeois neighborhood in the city of Geneva. In this city, she always felt exiled and even recognized that Geneva "is a very boring city, suitable for writing". Shortly after, Obiols had to move to

1060:, and she made some of her own creations. In a 1954 letter to Armand Oriols she explains that she already had a "style and a world" in painting, yet she acknowledged that her place was in writing. On the other hand, Obiols, began to work as a translator for 924:

During the following months, the relationship between Mercè Rodoreda and Armand Obiols was mostly at a distance, and only sporadically could they see each other in person. It was not until the end of August 1943 that Rodoreda moved to number 43

860:. Josep Maria Esverd was able to get a truck to flee France; however, the next day the truck was requisitioned by French troops. After an unsuccessful attempt to catch a train, they had to flee south on foot. The objective was to cross the 1365:. Consequently, after the reunion with some friends from the time of the Civil War, she decided to settle in 1972 in Carmen Manrubia's chalet in Romanyà de la Selva, without ceasing to reside in Geneva, albeit more and more sporadically. 1171:

in a corner of Geneva that she frequented. It was a location near the United Nations building where the author regularly ate, and from where she had a great view in the dining room on the upper floors. As described in the prologue of

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In 1965, Rodoreda took the first steps in the publication of her Complete Works after a request from Joaquim Molas, however they would not be published in Ediciones 62 until 1977. The work did not include any of her first four works

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during her exile in France, while others were unpublished. As the author confessed, this book came from a technical crisis that led to an unequal literary level among the various stories, although they were tied by a thematic unit.

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She is considered the most influential contemporary Catalan language writer, as evidenced by the references of other authors in her work and the international repercussion, with translations into more than thirty languages.

84:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 805:, a town near the east of the capital. She settled in the castle of Roissy-en-Brie, an 18th-century building, which was offered as a refuge for writers. She shared a home for a few months with other intellectuals such as 929:

street in Bordeaux where she was reunited with her lover. In Bordeaux she lived very hard times and, in her words, she sewed "until dirty" in a warehouse for much of the day, a job that did not leave her time to write.

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in order to enter the unoccupied area, but shortly before reaching Orleans it was found on fire and there was no bridge left on that stretch of the Loire River; consequently, they deviated from the fixed route.

1391:- in Romanyà de la Selva, which was a house owned by her friend Carmen Manrubia, however it had been designed by both of them. Her friendship with Carmen Manrubia existed since when they worked together in the 962:

street, in the residential area of Saint-Germain-des-Prés, which was a meeting place for many intellectuals of the time. This was her home for eight years and, in fact, she did not fully disengage until 1977.

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After the wedding, the couple went to Paris on a honeymoon, and then they settled in a house on Zaragoza Street. Her husband had gone to Argentina when he was very young and had returned with a small fortune.

560:, An Apology for Catalan and Esperanto; she answered affirmatively and the piece was published in 1934. As the teacher Dalmau recognized, this work had also been influenced by Rodoreda's observations. 1167:

was the title of a potential novel by the author that remained incomplete, and was kept in the archives of the Institute of Catalan Studies. The title is the name of a restaurant on the shore of

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countries and others preferred to stay in France; this last destination was the one chosen by Rodoreda and Obiols. Later they moved to the Villa Rosset house, on the outskirts of the city.

346:, 1962) has become the most popular Catalan novel to date and has been translated into over 30 languages. Some critics consider it to be one of the best novels published in Spain after the 429:. In 1910, Pere Gurguí had a monument in memory of Jacint Verdaguer erected in the garden of his house that bore an engraving with the title of the two most important works of the author, 852:

Mercè Rodoreda, along with other writers who were still taking refuge in France, had to flee from Paris in mid-June 1940 due to the advance of the Germans army going in the direction of

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center, which was closest to her home, on Calle de Padua, at the height of the street of Vallirana. Later she went to an academy where she studied only French and business arithmetic.

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From 1937 until that moment, Rodoreda held the position of Catalan language corrector in the Generalitat's Propaganda Commissariat. In this place she met writers of that time such as

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at the Muñoz Clinic, in Girona. During her last days, when she was already admitted to the hospital, she reconciled with the members of her family after they were notified by

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activities with Catalan publications and some left-wing magazines in previous years. Along with other intellectuals of the time, she went from Barcelona to Gerona with a

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in 1933, although the winner of that year was Carles Soldevila. Also in that year of 1932, on October 20, she published an interview with the actress Maria Vila in the

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without her having submitted a candidacy; This fact was used for the direction to decide to award a work already published. With this same novel she also received the

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After her death, one more of her artistic aspects was discovered, painting, which had remained in the background due to the importance that Rodoreda gave to writing:

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These two books were published in 1980 and with these she won the City of Barcelona Award. That same year, he also went to Barcelona to make the proclamation of the

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I live in a very nice studio, above a park, with a seven-story house in front of it, but quite far away. On the one hand a piece of lake, and on the other, the

1089:. From my terrace, you can see a pretty ugly mountain, because it has many bold spots and it looks like it was sick. When the day is clear, I see the top of 276: 3402: 954:

The return to Paris took place in September 1946 when Rodoreda and Obiols moved to the house of Rafael Tasis in exile, the house was located at number 9

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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.

1531:. As explained by Rodoreda's close friend, Isabel Parés, when Rodoreda was diagnosed with cancer, she collapsed and did not want to fight to live. 250: 2844: 287: 2333: 641:, which she dedicated to Josep Carner. In addition, she combined it with the publication of stories in the leading Catalan press media such as 1448:, which was premiered in the same year by the Brujas de Dol company at the Sitges International Theater Festival directed by Aracelli Bruch. 716:. This was the first work that Rodoreda accepted as hers, although later she rewrote and published it again. The same year, on behalf of the 1126:

was published which, a year earlier, had received the prestigious Victor Català Prize. Some of these stories had already been published in

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owned by the Ministry of Culture of the Generalitat of Catalonia, then she followed the path through Mas Perxés, in the municipality of

3467: 1240:, previously known as the Joanot Martorell Prize, however, she did not win but the Enric Massó y Urgellès prize was won with her novel 2569: 2150: 1211:". From 1958 onwards, and without breaking up with Rodoreda, Obiols maintained a relationship with a woman in Geneva until his death. 1430: 265: 2501: 2267: 458:

On May 18, 1913, when she was only five years old, she performed for the first time in a play playing the role of the girl Kitty in

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According to some unpublished annotations that spoke of Geneva, Rodoreda revealed that during those years she saw writers such as

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Mercè Rodoreda i Joaquín Soler Serrano (1981). 'A fondo' (Producción Televisiva). Televisión Española. Dura 00:35:14 - 00:36:46.

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Mercè Rodoreda i Joaquín Soler Serrano (1981). 'A fondo' (Producción Televisiva). Televisión Española. Dura 00:29:13 - 00:29:49.

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wrote a shocking little card about the hard days she spent in the hospital; currently, this card is kept in the archives of the

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for work reasons. That same year, Rodoreda made a trip to Barcelona to attend the wedding of her son, Jordi Gurguí i Rodoreda.

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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).

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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).

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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).

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Josep M. Gurguí, Margarida Puig, Isabel Parés, Montserrat Casals, Núria Folch, Pere Gimferrer, Josep Maria Castellet (2008).

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At the beginning of 1947, she was able to leave her job as a seamstress to go back to work as a collaborator in the magazine

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In those last years of her life, Mercè Rodoreda saw her novels several times on the small and big screen. First, her novel

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Rodoreda's need to follow a life in solitude typical of her character; fruit of the difficult coexistence between the two.

2698: 3482: 3389: 2929: 1437:("It looked like silk and other stories") was published, which was a compilation of stories written throughout her life. 3380: 95: 3359: 537:

that was in Manuel Angelon's maternal house, which possibly later served as an inspiration to include the dovecote in

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Her parents' financial problems forced her to leave school at age nine, from 1915 to 1917 at the Lurdes School in the

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Content in this edit is translated from the existing Catalan Knowledge article at ]; see its history for attribution.

662:. Later, Rodoreda rejected this novel, along with the previous three, considering them the product of inexperience. 3331: 1494:

In 1998, a literature prize was instituted in her name: the Mercè Rodoreda prize for short stories and narratives.

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During the last period of her life, her works developed from her usual psychologic style to become more akin to

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From 1970 onwards, her work began to be translated into other languages, though her first translated work was

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Rodoreda Gurguí, Mercè "Món d'Ulisses". La Nostra Revista, numbers. 35-36, Novembre-Desembre 1948, page. 367.

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and also some stories for various newspapers. The work went almost unnoticed until it was nominated for the

3370: 3215: 2968: 2811: 2208: 1455:, directed by Lluís Pascual, made the leap to television in 1978. Later, made the leap to the big screen 1161:, along with the trips that she would write in Romanyà; however, this book was not published until 1980. 383: 2444: 2372:"Mercè Rodoreda: un viatge entre paraules i flors. (Mercè Rodoreda: a trip between words and flowers.)" 1433:

for her literary career in the Catalan language, thus achieving her consecration as a writer. In 1978,

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https://web.archive.org/web/20160303180726/http://www.escriptors.cat/autors/rodoredam/cronoteatre.pdf

892:, which was completely destroyed. From there they traveled even further south, this time settling in 885: 493:, among others, surely influenced by the bohemian atmosphere that was breathed in her family's home. 336:

She also has been called the most important Catalan female novelist of the postwar period. Her novel

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During her childhood she read all the classic and modern Catalan authors, such as Jacint Verdaguer,

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Vosburg, Nancy (1993). Gould Levine, Linda; Engelson Marson, Ellen; Feiman Waldman, Gloria (eds.).

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spa. During the years that she was in Paris, she also began two novels that she did not finish.

486: 1528: 1282: 1249: 674:, Maria Teresa Vernet, and also established a friendship with Susina Amat, Julieta Franquesa, 117: 2413: 1571: 1457: 1216: 539: 342: 246: 124: 1176:, the eyes of the protagonist Teresa Goday de Valldaura were the same as the lady of Lemán. 3442: 3432: 3427: 2154: 690: 702: 621:

From 1935 to 1939, she published a total of sixteen stories for children in the newspaper

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gave her the third victory in the Floral Games contest and, consequently, she was named "

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During her long stay in Geneva, she created a garden that she would later replicate in

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to adapt it to the level of her current work; and that it would be reissued in 1969.

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In 1959, Rodoreda began to write the novel that was possibly the best of her career

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theater. Years later, this character was, in a certain way, recovered for the story

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street. A short time later, the couple moved to the sixth floor of number 21 on

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The atmosphere of stability offered by the castle was disturbed by the start of

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in 1949. That same year she visited Barcelona for the first time after exile.

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thanks to Quiroga Plá, and two years later, in 1953, he permanently moved to

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On October 1, 1933, she began her journalistic career in the weekly magazine

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at Lourdes School. In the same act she also read the poem in Catalan called

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Death fled through the heart and when I no longer had death inside I died.

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At 1:30 p.m. on April 13, 1983, Mercè Rodoreda died of very advanced

1515: 1057: 1168: 814: 729: 478: 1426: 325:; 10 October 1908 – 13 April 1983) was a Spanish novelist, who wrote in 3411: 1694:

Quanta, quanta guerra '...' ("So Much War …") (Barcelona: Club Editor).

1622:("One Day in the Life of a Man") (Barcelona: Biblioteca a Tot Vent 70). 1472:

In 1982, she wrote a compilation of biographical articles published in

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she was awarded the Joan Santamaria Prize in Barcelona that same year.

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For twelve days they were sheltered in a farm until the signing of the

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to the source of your translation. A model attribution edit summary is

2532:"Mercè Rodoreda - Autors a lletrA - La literatura catalana a internet" 2221: 1862:

trans. David H. Rosenthal (Port Townsend, Washington: Graywolf Press)

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life, with a certain lack of measure. And excess has always scared me.

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Rodoreda Gurguí, Mercè «Imatges d'infantesa». Serra d'Or, XXIV, 1982.

2338:(1st ed.). Westport, Connecticut: Greenwood Press. p. 413. 1053: 845: 766: 762: 721: 694: 222: 197: 176: 172: 2598: 1086: 778:

four or five months I would return home, but then it became eternal.

1766:("It Seemed Like Silk and Other Stories") (Barcelona: Edicions 62). 1373: 1045: 914: 770: 750: 534: 388: 218: 1503:, the Association of Writers in Catalan Language. The library in 1345:

that had not been able to premiere. She also published two works:

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Mercè Rosa Rodoreda i Gurguí was born on October 10, 1908, at 340

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Mercè Rodoreda: A Selected and Annotated Bibliography (1963-2001)

1729:("Isabel and Maria") ed. Carme Arnau) (Valencia: Ediciona 3 i 4). 893: 857: 512:. He was fourteen years older than her and, due to the degree of 392: 24: 300: 81: 3354: 2255:, indicates that she was born on October 18, not on October 10. 1488: 1409: 1127: 1078: 1065: 1061: 998: 975: 910: 733: 193: 1906:) trans. Josep Miquel Sobrer (Lincoln, Nebraska: Bison Books) 2985:". La Nova Revista, number. 6, Juliol-Agost 1956, page. 21-22 1642:(Barcelona: Institució de les Lletres Catalanes), revised in 1022: 971: 913:. However, several efforts by Rodoreda got him to be sent to 861: 798: 254: 1122:

In 1958 the book of short stories written under the name of

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at the School of Dramatic Art (which would later become the

1948:, trans. Martha Tennent (Rochester, New York: Open Letter) 1559:, which years later created the Mercè Rodoreda Foundation. 226: 2677: 1930:) trans. Martha Tennent (Rochester, New York: Open Letter 1602:("Am I an Honest Woman?") (Barcelona: Llibreria Catalòna). 997:

held in London, she won her first Natural Flower with six

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She was awarded the 1937 Joan Crexells Prize for her work

2918:". La Nostra Revista, numbers. 45, 30-IX-1949, page. 284. 1756:("My Christina and Other Stories") (Barcelona: Edins 62). 1666:("The Street of the Camellias") (Barcelona: Club Editor). 888:, after they crossed the Loire River through the town of 417:

Her maternal grandfather, Pere Gurguí, was an admirer of

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ed. Carme Arnau (Barcelona: Institut d'Estudis Catalan).

2596: 1632:("Murder") (Barcelona: Edicions de la Rosa dels Vents). 1484:

and was a member and honorary member after her return.

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at the end of February and in early April she moved to

2651:"Les primeres novel·les de Mercè Rodoreda (1932-1936)" 1746:("Twenty Two Stories") (Barcelona: Editorial Selecta). 1207:", although it would later become part of the volume " 592:

Independent Casino Award of the Floral Games of Lleida

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Rodoreda, Mercè | Corpus Literari Ciutat de Barcelona

2725:"Un agente estalinista, cerebro del asesinato de Nin" 586:

In the spring of 1934 she published her second work,

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In 1956, she won the Joan Maragall Essay Prize with

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In 1938, the fifth novel by Mercè Rodoreda entitled

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In 1932, the first novel by Mercè Rodoreda entitled

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Nation A Domestic Existentialist: On Mercè Rodoreda

2699:"Premi Joan Crexells: 80 anys de novel·la catalana" 769:; where they spent three days and then traveled to 35:; both are generally joined by the conjunction "i". 2253:The Barcelona City Council Birth Registration book 1844:) trans. David H. Rosenthal (New York: Taplinger) 1368: 1327:Serra d'Or Critical Prize for Literature and Essay 1275:In 1961, she sent another work to the same award, 1113:La Gaceta de Letras de La Nova Revista (1955-1958) 3378:Mirror Play: Virtual Exhibition on Mercè Rodoreda 1776:("Travels and Flowers") (Barcelona: Edicions 62). 1333:in 1969. In 1967, she began working on the novel 732:at the international congress of the PEN club in 3419: 835: 724:, she traveled together with the Catalan writer 1676:("Garden by the Sea") (Barcelona: Club Editor). 1612:("What one Cannot Flee") (Barcelona: Clarisme). 1519:Mercè Rodoreda's grave in the Romanyà cemetery. 848:bridge, where Rodoreda crossed the Loire River. 496:On May 30, 1920, she participated in the drama 31: and the second or maternal family name is 3463:Premi d'Honor de les Lletres Catalanes winners 2207: 1429:. Also in that same year, she was awarded the 1281:, which did not win either, but rather it was 1111:that was published in the literary supplement 753:, until crossing the administrative border by 102:accompanying your translation by providing an 68:Click for important translation instructions. 55:expand this article with text translated from 1017:and two more untitled sonnets. With the poem 403:). Her mother also had an interest in music. 3029:Marges, Els: Revista de llengua i literatura 2885:Marges, Els: Revista de llengua i literatura 2678:"lletrA - La literatura catalana a internet" 2672: 2670: 2599:"ARCA. Arxiu de Revistes Catalanes Antigues" 1656:("Diamond Square") (Barcelona: Club Editor). 1341:was the result of the reworking of the play 1025:, a poem that was published in the magazine 606:, made up of authors such as Armand Obiols, 602:i Ferrater himself, who opened the doors of 3161:Associació d'Escriptors en Llengua Catalana 1978:) trans. Peter Bush (London : Virago) 1815:(Lanham, Maryland: Scarecrow Press, 2004) 1686:("Broken Mirror") (Barcelona: Club Editor). 1500:Associació d'Escriptors en Llengua Catalana 1431:Catalan Literary Lifetime Achievement Award 1407:, refers to the stigma of Cain in the work 1048:, interested above all in painters such as 940:Mercè Rodoreda, excerpt from the letter to 761:on January 30. After spending the night in 2806: 2804: 2191:"Mercè Rodoreda: creating the world again" 1733: 1234:. In 1960, she submitted the novel to the 550: 148: 2802: 2800: 2798: 2796: 2794: 2792: 2790: 2788: 2786: 2784: 2667: 1444:In 1979, she wrote her theatrical comedy 1205:The 7 Deadly Sins Seen by 21 Storytellers 114:{{Translated|ca|Mercè Rodoreda i Gurguí}} 2878: 2567: 1579: 1550:The burning chapel was installed in the 1514: 1465:in the role of Colometa and directed by 1372: 839: 828:. At that time, some decided to flee to 809:, César Augusto Jordana, Armand Obiols, 658:In 1936 she published her fourth novel, 376: 3390:Biography and reviews at escriptors.com 3289:. Event occurs at 00:32:20 - 00:35:00. 3274: 3272: 3270: 3189:. Event occurs at 00:25:07 - 00:27:55. 3136:. Event occurs at 00:22:56 - 00:25:00. 3117:. Event occurs at 00:20:28 - 00:20:52. 2927: 2331: 1827: 1497:She was made a Member of Honour of the 387:Her parents were Andreu Rodoreda, from 3420: 3227: 3225: 3210: 3208: 3206: 3204: 3202: 3200: 3198: 3196: 3151: 3149: 3147: 3145: 3143: 3052: 3050: 3048: 3046: 2993: 2991: 2963: 2961: 2959: 2957: 2955: 2953: 2951: 2934:(in Catalan). L'Abadia de Montserrat. 2849:(in Catalan). L'Abadia de Montserrat. 2838: 2836: 2834: 2832: 2830: 2781: 2693: 2691: 2576:(in Catalan). L'Abadia de Montserrat. 2496: 2494: 2492: 2490: 2403: 2401: 1946:The Selected Stories of Mercè Rodoreda 583:collaboration with journalistic work. 266:Premi d'Honor de les Lletres Catalanes 3022: 2842: 2758: 2756: 2754: 2752: 2722: 2645: 2643: 2621: 2619: 2563: 2561: 2559: 2557: 2555: 2553: 2551: 2549: 2547: 2545: 2526: 2524: 2522: 2464: 2462: 2460: 2458: 2456: 2454: 2366: 2364: 2362: 2313: 2311: 2215:¿Sabe usted quién era Mercè Rodoreda? 1349:and a collection of stories entitled 1209:It looked like silk and other stories 533:locked herself for a while in a blue 340:('The diamond square', translated as 320: 3267: 2285: 2283: 2281: 2279: 1584: 1482:Catalan Language Writers Association 995:Floral Games of the Catalan Language 739: 665: 523: 37: 3395:Mercè Rodoreda at Open Letter Books 3222: 3193: 3140: 3043: 2988: 2948: 2827: 2688: 2572:Mercè Rodoreda, l'obra de preguerra 2487: 2398: 2120:"Mercè Rodoreda, vint anys després" 899: 13: 3258:"Las tres casas de Mercè Rodoreda" 2749: 2640: 2616: 2542: 2519: 2451: 2359: 2308: 2243:Rodoreda, Mercè (julio 2008), p.36 2188: 596:The little mermaid and the dolphin 14: 3494: 3468:Deaths from liver cancer in Spain 3347: 2928:Virgili, Antoni Rovira i (2002). 2276: 1780: 1480:. Mercè Rodoreda belonged to the 1383:In 1972, she spent the summer in 1199:. She also wrote the short story 792: 637:, dedicated to her son, and also 3353: 2597:Biblioteca de Catalunya (2018). 1962:La miva Cristina i alters contes 1860:My Christina & Other Stories 1764:Semblava de seda i altres contes 1754:La meva Cristina i altres contes 1435:Semblava de seda i altres contes 1321:was published that received the 875:Mercè Rodoreda in the interview 783:Mercè Rodoreda in the interview 728:, and read a welcome written by 272:Premi Joan Crexells de narrativa 42: 3325: 3293: 3250: 3174: 3121: 3100: 3075: 3016: 2975: 2921: 2908: 2899: 2872: 2863: 2818: 2716: 2682:Universitat Oberta de Catalunya 2590: 2536:Universitat Oberta de Catalunya 2389: 2325: 2062: 2043: 1805: 1563:Beloved, these things are life. 1369:Romanyà de la Selva (1972-1983) 3478:20th-century Spanish novelists 3183:'Mercè Rodoreda, vida secreta' 3130:'Mercè Rodoreda, vida secreta' 2881:"Mercè Rodoreda: Obra poètica" 2258: 2246: 2237: 2201: 2182: 2168: 2143: 2112: 714:Institution of Catalan Letters 112:You may also add the template 1: 2969:"L'eclosió literària Ginebra" 2637:. During 00:20:48 - 00:21:22. 2105: 1557:Institute for Catalan Studies 1351:My Cristina and other stories 1098:Mercè Rodoreda, interview by 1044:In 1951, she also approached 944:(Bordeaux, December 19, 1945) 836:Escaping from the Nazi troops 410:and from 1917 to 1920 at the 3448:Women writers from Catalonia 3371:Open University of Catalonia 3282:Mercè Rodoreda, vida secreta 3110:Mercè Rodoreda, vida secreta 2931:Cartes de l'exili, 1939-1949 2701:. 2008-09-25. Archived from 2633:' (Television Productions). 2568:Mercadal, Neus Real (2005). 2504:. 2008-07-08. Archived from 2153:. 2016-04-19. Archived from 1709:") (Barcelona: Club Editor). 1266:Mercè Rodoreda, prologue to 1237:Premi Sant Jordi de novel·la 598:", which is currently lost. 391:and Montserrat Gurguí, from 371: 363:Mercè Rodoreda, prologue of 23:, the first or paternal 7: 3216:"El recer celest a Romanyà" 2723:Viñas, Angel (2007-04-21). 2091: 1620:Un dia de la vida d'un home 460:The Mysterious Jimmy Samson 384:carrer de Balmes, Barcelona 10: 3499: 3483:20th-century Spanish women 3307:(in Spanish). 1983-04-13. 1491:in its more cryptic form. 1303:A day in the life of a man 1256:Explaining the genesis of 1115:. Likewise, for her story 76:Machine translation, like 18: 1882:El carrer de les Camèlies 1793:(Barcelona: Edicions 62) 1664:El carrer de les Camèlies 1646:(Barcelona: Edicions 62). 1589: 1232:El Club de los Novelistas 1071: 886:armistice of 22 June 1940 604:El Club de los Novelistas 412:Nuestra Señora de Lourdes 322:[məɾˈsɛruðuˈɾɛðə] 298: 293: 283: 260: 242: 232: 214: 204: 183: 159: 147: 140: 57:the corresponding article 16:Spanish novelist and poet 3458:Catalan-language writers 3453:Novelists from Catalonia 3285:(Producció Televisiva). 3233:"Chronology (1971-1983)" 3185:(Producció Televisiva). 3132:(Producció Televisiva). 3113:(Producció Televisiva). 3089:(in Catalan). 8 May 2020 3058:"Chronology - 1960-1970" 2999:"Chronology - 1954-1959" 2981:Rodoreda Gurguí, Mercè " 2914:Rodoreda Gurguí, Mercè " 2879:Rodoreda, Mercè (1984). 2846:Reflexions de la vellesa 2812:"L'exili francès: París" 2764:"Chronology (1939-1953)" 2655:www.cervantesvirtual.com 2470:"Chronology (1928-1938)" 2291:"Chronology (1908-1921)" 2049:Briefly reviewed in the 1610:Del que hom no pot fugir 1510: 1397:Generalitat of Catalonia 1319:La calle de las Camelias 1224:), published in 1962 as 1124:Twenty-two short stories 1109:Three Sonnets and a Song 1102:to Mercè Rodoreda (1972) 949: 2983:Tres sonets i una cançó 2209:García Márquez, Gabriel 2176:"www.mercerodoreda.cat" 1998:Quanta, quanta guerra … 1734:Short story collections 1507:is named in her honor. 1393:Propaganda Commissariat 1331:Ramon Llull Novel Award 1193:Animals destroying laws 1179:In 1958, she submitted 551:Second Spanish Republic 314:Mercè Rodoreda i Gurguí 123:For more guidance, see 3438:Writers from Barcelona 1928:La mort i la primavera 1811:Mendos, Maria Isidra, 1717:La mort i la primavera 1703:La mort i la primavera 1600:Soc una dona honrada? 1577: 1548: 1520: 1380: 1273: 1189:Joanot Martorell Prize 1105: 947: 882: 849: 790: 625:, in a section called 588:What cannot be escaped 565:Am I an honored woman? 487:Josep Maria de Sagarra 456: 369: 318:Catalan pronunciation: 3473:Spanish women writers 3023:Arnau, Carme (1974). 2627:Joaquín Soler Serrano 2319:"Rodoreda theatrical" 2270:July 8, 2008, at the 1838:The Time of the Doves 1580:Selected bibliography 1572:The Time of the Doves 1561: 1533: 1518: 1376: 1358:La Plaza del Diamante 1295:I am an honest woman? 1258:La Plaza del Diamante 1254: 1217:The Time of the Doves 1083: 932: 867: 843: 775: 712:was published by the 678:and Carmen Manrubia. 631:Noteworthy is The Boy 627:A while with children 540:The Time of the Doves 498:Fifteen Days of Reign 453:(Images of childhood) 441: 377:Childhood (1908-1921) 355: 343:The Time of the Doves 247:The Time of the Doves 125:Knowledge:Translation 96:copyright attribution 3362:at Wikimedia Commons 2843:Murià, Anna (2003). 2195:Institut Ramon Llull 2051:April 25, 2016 issue 1976:La plaça del diamant 1828:English translations 1654:La plaça del diamant 1458:La plaça del Diamant 1289:who was victorious. 1268:La plaça del Diamant 1227:La plaça del Diamant 993:In 1947, during the 968:Revista de Catalunya 464:Torrent de les Flors 401:Institute of Theater 338:La plaça del diamant 2635:Televisión Española 2625:Mercè Rodoreda and 2070:"Garden By the Sea" 1387:- currently called 1283:Josep Maria Espinàs 1181:Una mica d'història 1151:Romanyà de la Selva 1035:Mestre en Gai Saber 797:She arrived in the 701:, in the prison of 648:La Veu de Catalunya 451:Imatges d'infantesa 427:L'Arc de Sant Martí 408:Sarrià neighborhood 277:Mestre en Gai Saber 209:Romanyà de la Selva 3405:2018-04-06 at the 3383:2014-04-24 at the 2076:. 10 November 2019 1705:ed. Nuria Folch (" 1521: 1427:Festes de la Mercè 1381: 1299:What cannot escape 1246:Living is not easy 1142:and his wife, and 907:Saillat-sur-Vienne 850: 759:Northern Catalonia 518:papal dispensation 510:church of Bonanova 472:Twenty-two stories 470:, within the work 104:interlanguage link 3358:Media related to 2941:978-84-8415-406-8 2856:978-84-8415-476-1 2583:978-84-8415-712-0 2439:Missing or empty 2020:Jardi vora el mar 2016:Garden By the Sea 1972:In Diamond Square 1958:Vint-i-dos contes 1956:. (Selected from 1842:Plaça del diamant 1744:Vint-i-dos contes 1674:Jardí vora el mar 1585:Original editions 1401:Spanish Civil War 1347:Garden by the Sea 1329:in 1967, and the 1242:Vivir es no facil 1197:Garden by the Sea 1165:La Perla del Lago 1027:La Nostra Revista 740:Exile (1938-1972) 703:Alcalá de Henares 666:Spanish Civil War 616:Fyodor Dostoevsky 524:Youth (1921-1938) 348:Spanish Civil War 311: 310: 136: 135: 69: 65: 3490: 3374: 3367:"Mercè Rodoreda" 3357: 3341: 3329: 3323: 3322: 3320: 3319: 3297: 3291: 3290: 3276: 3265: 3264: 3262: 3254: 3248: 3247: 3245: 3244: 3235:. Archived from 3229: 3220: 3219: 3212: 3191: 3190: 3178: 3172: 3171: 3169: 3168: 3157:"Mercè Rodoreda" 3153: 3138: 3137: 3125: 3119: 3118: 3104: 3098: 3097: 3095: 3094: 3079: 3073: 3072: 3070: 3069: 3060:. Archived from 3054: 3041: 3040: 3020: 3014: 3013: 3011: 3010: 3001:. 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Archived from 2124: 2116: 2086: 2085: 2083: 2081: 2066: 2060: 2047: 1994:War, So Much War 1575: 1568:Mercè Rodoreda, 1546: 1540:Mercè Rodoreda, 1423:War, So Much War 1323:Sant Jordi Prize 1287:The Last Landing 1271: 1203:for the volume " 1185:A bit of history 1103: 1029:that same year. 945: 919:English language 900:Limoges-Bordeaux 880: 788: 655:, among others. 594:with the story " 547:was proclaimed. 516:, they needed a 454: 449:Mercè Rodoreda, 419:Jacint Verdaguer 367: 324: 319: 307: 304: 302: 190: 169: 167: 152: 138: 137: 115: 109: 82:Google Translate 67: 63: 46: 45: 38: 3498: 3497: 3493: 3492: 3491: 3489: 3488: 3487: 3418: 3417: 3407:Wayback Machine 3385:Wayback Machine 3369:. lletrA-UOC – 3365: 3350: 3345: 3344: 3330: 3326: 3317: 3315: 3299: 3298: 3294: 3278: 3277: 3268: 3260: 3256: 3255: 3251: 3242: 3240: 3231: 3230: 3223: 3214: 3213: 3194: 3180: 3179: 3175: 3166: 3164: 3155: 3154: 3141: 3127: 3126: 3122: 3106: 3105: 3101: 3092: 3090: 3081: 3080: 3076: 3067: 3065: 3056: 3055: 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Street 1830: 1808: 1791:Obres completes 1783: 1774:Viatges i flors 1736: 1707:Death in Spring 1592: 1587: 1582: 1576: 1567: 1547: 1543:Death in Spring 1539: 1513: 1478:Childhood Files 1467:Francesc Betriu 1371: 1278:Death in Spring 1272: 1265: 1159:Viatges i Flors 1104: 1100:Baltasar Porcel 1097: 1074: 952: 946: 939: 902: 890:Meung-sur-Loire 881: 874: 838: 811:Francesc Trabal 795: 789: 782: 765:, they went to 742: 726:Francesc Trabal 699:Alexander Orlov 672:Aurora Bertrana 668: 608:Francesc Trabal 553: 545:Second Republic 526: 455: 448: 379: 374: 368: 362: 317: 299: 275: 270: 192: 188: 171: 170:10 October 1908 165: 163: 155: 143: 132: 131: 130: 113: 107: 70: 47: 43: 36: 17: 12: 11: 5: 3496: 3486: 3485: 3480: 3475: 3470: 3465: 3460: 3455: 3450: 3445: 3440: 3435: 3430: 3416: 3415: 3397: 3392: 3387: 3375: 3363: 3360:Mercè Rodoreda 3349: 3348:External links 3346: 3343: 3342: 3324: 3292: 3266: 3249: 3221: 3192: 3173: 3139: 3120: 3099: 3074: 3042: 3015: 2987: 2974: 2947: 2940: 2920: 2907: 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