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570:. The sitter has withdrawn to a secluded and overgrown corner of a garden to read a letter, her pose recalling the traditional representation of Melancholy. Gainsborough emphasised the relationship between Mrs Douglas and her environment by painting the clouds behind her and the drapery billowing across her lap with similar silvery violet tones and fluid brushstrokes. This portrait was included in his first private exhibition at Schomberg House in 1784.
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494:... damn Gentlemen, there is not such a set of Enemies to a real artist in the world as they are, if not kept at a proper distance. They think ... that they reward your merit by their Company & notice; but I ... know that they have but one part worth looking at, and that is their Purse; their Hearts are seldom near enough the right place to get a sight of it.
258:, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited (with
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described
Gainsborough as "one of the most technically proficient and, at the same time, most experimental artists of his time". He was noted for the speed with which he applied paint, and he worked more from observations of nature (and of human nature) than from application of formal academic rules.
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was put on the house in 1951. In 1777, he again began to exhibit his paintings at the Royal
Academy, including portraits of contemporary celebrities, such as the Duke and Duchess of Cumberland. Exhibitions of his work continued for the next six years. About this time, Gainsborough began experimenting
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In 1752, he and his family, now including two daughters, Mary ("Molly", 1750–1826) and
Margaret ("Peggy", 1751–1820), moved to Ipswich. Commissions for portraits increased, but his clients included mainly local merchants and squires. He had to borrow against his wife's annuity. Toward the end of his
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Gainsborough's enthusiasm for landscapes is shown in the way he merged figures of the portraits with the scenes behind them. His landscapes were often painted at night by candlelight, using a tabletop arrangement of stones, pieces of mirrors, broccoli, and the like as a model. His later work was
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William
Jackson in his contemporary essays said of him "to his intimate friends he was sincere and honest and that his heart was always alive to every feeling of honour and generosity". Gainsborough did not particularly enjoy reading but letters written to his friends were penned in such an
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Despite
Gainsborough's increasing popularity and success in painting portraits for fashionable society, he expressed frustration during his Bath period at the demands of such work and that it prevented him from pursuing his preferred artistic interests. In a letter to a friend in the 1760s
348:, who had settled a £200 annuity on her. The artist's work, then mostly consisting of landscape paintings, was not selling well. He returned to Sudbury in 1748–1749 and concentrated on painting portraits. While still in Suffolk, Gainsborough painted a portrait of
482:'s annual exhibitions. The exhibitions helped him enhance his reputation, and he was invited to become a founding member of the Royal Academy in 1769. His relationship with the academy was not an easy one and he stopped exhibiting his paintings in 1773.
1953:
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As a boy he demonstrated impressive drawing and painting skills. At the age of ten he was painting heads and small landscapes, including a miniature self-portrait. Gainsborough left home in 1740 to study art in London, where he trained under engraver
604:, to Gainsborough's dismay, as he realized that Fischer was forming an attachment to Molly while carrying on flirtation with Peggy. The marriage between Molly and Fischer lasted only eight months, owing to their discord and Fischer's deceit.
2018:
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During the 1770s and 1780s
Gainsborough developed a type of portrait in which he integrated the sitter into the landscape. An example of this is his portrait of Frances Browne, Mrs John Douglas (1746–1811) which can be seen at
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622:, he was one of the originators of the eighteenth-century British landscape school; though simultaneously, in conjunction with Reynolds, he was the dominant British portraitist of the second half of the 18th century.
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and walk off to some sweet
Village where I can paint Landskips and enjoy the fag End of Life in quietness and ease". Of the men he had to deal with as patrons and admirers, and their pretensions, he wrote:
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are also buried in the graveyard. In 2011, an appeal was given to pay the costs of restoration of his tomb, and the tomb was restored in 2012. A street in Kew, Gainsborough Road, is named after him.
311:, on Gainsborough Street, Sudbury. He later resided there following the death of his father in 1748 and before his move to Ipswich. The building is now a house-museum dedicated to his life and art.
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of
Bologna, Italy, was assembling a collection of portraits of musicians, and Bach asked Gainsborough to paint his portrait as part of this collection. The portrait now hangs in the
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began buying his portraits. The rapid rise in the value of pictures by
Gainsborough and also by Reynolds in the mid 19th century was partly because the Rothschild family, including
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292:, Suffolk, the youngest son of John Gainsborough, a weaver and maker of woolen goods, and his wife Mary, sister of the Reverend Humphry Burroughs. One of Gainsborough's brothers,
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In the 1780s, Gainsborough used a device he called a "Showbox" to compose landscapes and display them backlit on glass. The original box is on display in the
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and was eventually able to attract a fashionable clientele. In 1761, he began to send work to the
Society of Arts exhibition in London (now the
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254:; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir
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was inspired by Gainsborough's paintings, amongst other artists of the 18th century, in creating the look and mannerisms for his 1975 film
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is set in London in 1774 when the painter moved his family to the capital. Previously unpublished, it received its first performance in
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Gainsborough was so keen a viol da gamba player that he had at this stage five of the instruments, three made by Henry Jaye and two by
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said of him "a selection of his letters would offer the world as much originality and beauty as is ever traced in his paintings".
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and afterwards received other royal commissions. In February 1780, his daughter Molly was married to his musician friend
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296:, is said to have invented the method of condensing steam in a separate vessel, which was of great service to
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262:) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the
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He died of cancer on 2 August 1788 at the age of 61. According to his daughter Peggy, his last words were "
3170:"Figure 1: Genealogical links between Richard III and modern-day relatives who participated in this study"
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Steven A. Nash; Lynn Federle Orr; California Palace of the Legion of Honor; Marion C. Stewart (1999).
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focuses on Gainsborough's relationship with King George III and his family, and his rivalry with
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2716:(London, 1961), p. 115: "My comfort is, I have 5 Viols da Gamba, 3 Jayes and two Barak Normans."
2712:
Letter to William Jackson, from Bath, dated 4 June (but without the year), in M. Woodall (ed.),
2686:
Letter to William Jackson, from Bath, dated 4 June (but without the year), in M. Woodall (ed.),
2248:, William Vaughan, (World of Art, Thames & Hudson, 2002) – the most accessible introduction
2198:
A Nest of Nightingales: Thomas Gainsborough, The Linley Sisters. Paintings and their Context II
2188:, John Hayes (Two volumes, Sotheby's, 1982) – the standard catalogue on the landscape paintings
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824:, for a record price of £6.54M, at Christie's in London. She was a matrilineal descendant of
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died and the King was obliged to give the job to Gainsborough's rival and Academy president,
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2371:"Reynolds and Gainsborough - artistic rivals' reconciliation revealed in Royal Academy show"
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exceptional conversational manner that the style could not be equalled. As a letter writer
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to say, "On looking at them, we find tears in our eyes and know not what brings them."
648:, Surrey, (located on Kew Green). It was his express wish to be buried near his friend
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time in Ipswich, he painted a self-portrait, now in the permanent collection of the
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3151:"Richard III – Family tree – Ann of York – Michael Ibsen – University of Leicester"
3074:
Willes, F.W. Letters of Joshua Reynolds, Cambridge University Press, Cambridge 1929
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Letter to William Jackson, from Bath, dated 2 September 1767, in M. Woodall (ed.),
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Masterworks of European Painting in the California Palace of the Legion of Honor
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3258:"The English paintings that inspired Stanley Kubrick | art | Agenda | Phaidon"
2176:, ed. Timothy Clifford, Antony Grffiths and Martin Royalton-Kisch, (BMP, 1978)
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Gainsborough's works became popular with collectors from the 1850s on, after
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In 1746, Gainsborough married Margaret Burr, an illegitimate daughter of the
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was "the best picture he (Gainsborough) ever painted or perhaps ever will".
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561:. His later pictures are characterised by a light palette and easy strokes.
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683:, was said by Sir Joshua Reynolds to be "the best picture he ever painted"
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Gainsborough wrote: "I'm sick of Portraits and wish very much to take my
279:
Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk
3185:
2158:, (Two volumes, Zwemmer, 1970) – the standard catalogue of the drawings
901:
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297:
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3337:, British art historian and a leading authority on Thomas Gainsborough
2142:, (Edward Hulton, 1958) – the standard catalogue of the portraits etc.
615:. Gainsborough remained the Royal Family's favorite painter, however.
434:
3283:"Gainsborough painting restored and rehung after 'drill-bit attack'"
2725:
2218:, Amal Asfour and Paul Williamson (Liverpool University Press, 1999)
2164:, John Hayes, (Zwemmer, 1971) – the standard catalogue of the prints
2740:
927:; saving the eponymous heroine from prison sets the plot, based on
641:
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958:
906:
2252:
Sensation & Sensibility: Viewing Gainsborough's Cottage Door
794:, display the unique individuality of his subjects. His rival,
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In his later years, Gainsborough often painted landscapes. With
524:
In 1774, Gainsborough and his family moved to London to live in
3309:
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characterised by a light palette and easy, economical strokes.
445:
169:
2560:
British Paintings in the Metropolitan Museum of Art, 1575-1875
2540:
Conrad, Stephen, "Thomas Gainsborough's First Self-portrait",
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in 2019, followed by a short run at the Tower Theatre, London.
243:
2222:
The Art of Thomas Gainborough: A little business for the Eye
1244:
Lady Elizabeth Montagu, Duchess of Buccleuch and Queensberry
2498:. Turner, Jane, 1956-. New York: Grove. 1996. p. 907.
487:
246:
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2563:. New York, N.Y.: Metropolitan Museum of Art. p. 92.
350:
The Rev. John Chafy Playing the Violoncello in a Landscape
3016:
http://www.minervaconservation.com/monuments/gainsborough
2953:"Episode 5, Gainsborough, Book of the Week - BBC Radio 4"
2210:
Gainsborough & Reynolds: Contrasts in Royal Patronage
893:
The Morning Walk (Portrait of Mr and Mrs William Hallett)
228:
3083:
2236:, eds. Michael Rosenthal and Martin Myrone, (Tate, 2002)
3244:"A Right Royal Face-Off by Simon Edge | Eye Books"
2200:, ed. Giles Waterfield, (Dulwich PIcture Gallery, 1988)
2496:
The dictionary of art (volume 11 Ferrara-Gainsborough)
3321:
Thomas Gainsborough's works of art at Waddesdon Manor
2206:, Malcolm Cormack, (Cambridge University Press, 1991)
237:
234:
703:
Gainsborough's only known assistant was his nephew,
240:
3492:
Mrs Elizabeth Moody with her sons Samuel and Thomas
3218:"Tower Theatre Company : Gainsborough's Girls"
3124:
Waddesdon Manor: The Heritage of a Rothschild House
3087:
Birmingham Museum of Art: A Guide to the Collection
2768:
2766:
2764:
2762:
782:
William Hallett and His Wife Elizabeth, nee Stephen
225:
2899:The Four Ages including essays on various subjects
2878:The Four Ages including essays on various subjects
2369:
2286:Belsey, Hugh. "Gainsborough, Thomas (1727–1788)".
2254:, ed. Ann Bermingham (Yale University Press, 2005)
2224:, Michael Rosenthal, (Yale University Press, 1999)
1762:Portrait of Sophia Charlotte Digby, Lady Sheffield
304:because of his passion for designing curiosities.
16:English portrait and landscape painter (1727–1788)
3061:(1977 ed.). George Harrap. pp. 199–209.
2556:
2349:. Vol. 11 (11th ed.). pp. 388–389.
2174:Gainsborough & Reynolds in the British Museum
1960:Hilly Landscape with Figures Approaching a Bridge
3601:
2759:
2274:Gainsborough's Landscapes: Themes and Variations
2212:, exhibition catalogue, (Queen's Gallery, 1994)
2025:Coastal Landscape with a Shepherd and His Flock
938:was cut and pasted into the sleeve of the 1983
692:The poetic sensibility of his paintings caused
2329:. Vol. 20. London: Smith, Elder & Co.
2264:, Vol. XII, No. 1, Summer 2011, pp. 52–59
2230:, ed. John Hayes (Yale University Press, 2001)
2186:The Landscape Paintings of Thomas Gainsborough
957:is referenced in the first season of the 2024
846:The Naked Gun: From the Files of Police Squad!
462:In 1759, Gainsborough and his family moved to
307:The artist spent his childhood at what is now
3356:
3316:Gainsborough at the Government Art Collection
2242:, Susan Sloman, (Yale University Press, 2002)
3524:Portrait of Georgiana, Duchess of Devonshire
3306:378 artworks by or after Thomas Gainsborough
3167:
2772:Rosenthal, Michael. "Gainsborough, Thomas".
2429:
2367:
2292:(online ed.). Oxford University Press.
1810:Portrait of Georgiana, Duchess of Devonshire
1790:
1194:
573:In 1776, Gainsborough painted a portrait of
515:Frances Browne, Mrs John Douglas (1746–1811)
3418:The Painter's Daughters Chasing a Butterfly
2983:"Restoration of Thomas Gainsborough's tomb"
1969:), watercolour, Yale Center for British Art
1072:The Painter's Daughters Chasing a Butterfly
849:in the office of the antagonist, Mr Ludwig.
3484:Portrait of Anne, Countess of Chesterfield
3363:
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778:Mary and Margaret: The Painter's Daughters
592:In 1780, he painted the portraits of King
554:Portrait of Anne, Countess of Chesterfield
42:
3675:People educated at Sudbury Grammar School
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2666:. Bath: Kingsmead Press. pp. 84–86.
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2592:
2544:, Vol. XII, No. 1, Summer 2011, pp. 52–59
2459:. National Gallery of Art. Archived from
2312:
2282:, James Hamilton, (W&N, 13 July 2017)
2258:Thomas Gainsborough's First Self-portrait
2132:, William T. Whitley, (John Murray, 1915)
1378:(1776), National Portrait Gallery, London
1088:A Man Called Mr. Wood, the Dancing Master
921:) performs a vital role in the 1945 film
2600:
2333:
2268:Thomas Gainsborough and the Modern Woman
2086:, (undated), Yale Center for British Art
1172:Theodosia Meade, Countess of Clanwilliam
743:
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547:
509:
444:
428:
273:
3395:Wooded Landscape with a Herdsman Seated
3370:
2895:
2874:
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2289:Oxford Dictionary of National Biography
2148:, ed. Mary Woodall, (Cupid Press, 1963)
900:'s shoulder during a scene in the 2012
656:were interred with him. Coincidentally
607:In 1784, Principal Painter in Ordinary
3602:
3065:
2851:The La Scala Encyclopedia of the Opera
2809:
2589:
1553:An officer of the 4th Regiment of Foot
438:(later Mrs. Philip Thicknesse), 1760,
300:; another brother, John, was known as
3344:
3157:from the original on 20 January 2015.
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2449:
2447:
2445:
2443:
2276:, Susan Sloman, (Philip Wilson, 2012)
2194:, Jack Lindsay, (HarperCollins, 1982)
2192:Thomas Gainsborough: His Life and Art
822:Michael Pearson, 4th Viscount Cowdray
364:The artist's family and self-portrait
352:(c.1750–1752; Tate Gallery, London).
269:
3685:Fellows of the Royal Society of Arts
3161:
2993:from the original on 18 January 2012
2902:. Cadell & Davies. p. 183.
2881:. Cadell & Davies. p. 161.
2384:from the original on 12 January 2022
820:(Mrs Frances Villebois) was sold by
816:In 2011, Gainsborough's portrait of
644:". He is interred in the churchyard
3387:Cornard Wood, near Sudbury, Suffolk
2963:from the original on 14 August 2017
2941:from the original on 2 August 2011.
2906:from the original on 10 April 2016.
2885:from the original on 10 April 2016.
2774:Grove Art Online. Oxford Art Online
2204:The Paintings of Thomas Gainborough
2152:The Drawings of Thomas Gainsborough
1855:Cornard Wood, near Sudbury, Suffolk
1090:(1757), Yale Center for British Art
1058:(1754), Yale Center for British Art
1025:(1750), Yale Center for British Art
954:Cornard Wood, near Sudbury, Suffolk
537:using the then-novel techniques of
13:
3168:Turi E. King; et al. (2014).
3056:
2854:. Simon and Schuster. p. 38.
2714:The Letters of Thomas Gainsborough
2701:The Letters of Thomas Gainsborough
2688:The Letters of Thomas Gainsborough
2547:
2440:
2285:
2270:, ed. Benedict Leca, (Giles, 2011)
2228:The Letters of Thomas Gainsborough
2182:, John Hayes, (Tate Gallery, 1981)
2123:
1454:The Hon. Frances Duncombe c.(1777)
1409:The Hon. Mrs. Thomas "Mary" Graham
1125:Portrait of the Artist's Daughters
843:is shown in the 1988 comedy movie
831:
637:with a reproduction transparency.
327:in decorating the supper boxes at
14:
3696:
3640:18th-century English male artists
3630:Burials at St. Anne's Church, Kew
3299:
3084:Birmingham Museum of Art (2010).
2918:The Letters of Thomas Gainborough
2747:from the original on 23 July 2012
2741:"Thomas Gainsborough Blue Plaque"
2664:Famous houses of the West Country
2433:Gainsborough's Landscape Drawings
2368:Roya Nikkhah (25 November 2012).
2313:Monkhouse, William Cosmo (1889).
2146:The Letters of Thomas Gainborough
2034:–84), Yale Center for British Art
1947:–53), Yale Center for British Art
1508:Portrait of Margaret Gainsborough
1315:National Portrait Gallery, London
1230:Mrs Edmund Morton Pleydell c.1765
792:Cottage Girl with Dog and Pitcher
470:. There, he studied portraits by
358:National Portrait Gallery, London
3500:Portrait of the Earl of Sandwich
2601:Hamilton, James (13 July 2017).
2326:Dictionary of National Biography
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2017:
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1690:Portrait of the Earl of Sandwich
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3576:Humphrey Gainsborough (brother)
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2776:. Oxford University Press. Web.
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2436:. Faber & Faber. p. 1.
826:Cecily Neville, Duchess of York
188:
3532:Mrs. Richard Brinsley Sheridan
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1938:Landscape with Stream and Weir
1611:Art Gallery of South Australia
1112:), Yale Center for British Art
896:is clearly visible over actor
1:
3670:Deaths from cancer in England
3635:18th-century English painters
3407:
3090:. London: Giles. p. 80.
2409:. Hudson Hills. p. 111.
2354:
2170:, John Hayes, (Phaidon, 1975)
2028:
1985:
1963:
1941:
1919:
1892:
1830:Mrs Richard Brinsley Sheridan
1765:
1670:
1642:
1583:
1556:
1531:
1412:
1334:
1248:
1174:, (Miss Hawkins-Magill), 1765
1150:
1106:
710:
528:, Pall Mall. A commemorative
413:
379:
3625:People from Sudbury, Suffolk
3126:, Scala, London, 2009, p. 77
2586:. Retrieved 3 November 2021.
2340:"Gainsborough, Thomas"
2316:"Gainsborough, Thomas"
2306:UK public library membership
2007:The Mall in St. James's Park
1564:National Gallery of Victoria
1468:Mrs. Grace Dalrymple Elliott
1391:Gainsborough`s Daughter Mary
1103:Mary Little, Later Lady Carr
667:
652:. Later his wife and nephew
635:Victoria & Albert Museum
323:and his school. He assisted
7:
3476:Portrait of Mrs Mary Graham
3013:www.minervaconservation.com
2920:, Cupid Press, London, 1963
2791:collection.waddesdon.org.uk
2662:Greenwood, Charles (1977).
2483:Life of Thomas Gainsborough
2091:
1748:National Gallery of Ireland
1624:Sir Henry Bate-Dudley, 1780
1435:Portrait of Mrs Mary Graham
1213:Portrait of Francis Bennett
991:Yale Center for British Art
721:Portrait of Mrs Mary Graham
319:but became associated with
283:Yale Center for British Art
10:
3701:
3508:Mr and Mrs William Hallett
2557:Katharine Baetjer (2009).
2162:Gainsborough as Printmaker
2071:, (1786), National Gallery
1858:, (1748), National Gallery
1473:Metropolitan Museum of Art
1277:National Gallery of Canada
969:
753:Metropolitan Museum of Art
339:
3660:English landscape artists
3655:English portrait painters
3568:
3552:
3460:Portrait of David Garrick
3378:
2896:Jackson, William (1798).
2875:Jackson, William (1798).
2848:Bagnoli, Giorgio (1993).
2827:National Portrait Gallery
2649:National Portrait Gallery
2627:"The boy is back in town"
2481:Fulcher, George William,
2335:Rossetti, William Michael
1791:
1440:Scottish National Gallery
1310:Portrait of David Garrick
1195:
1158:National Portrait Gallery
1143:Portrait of the Composer
726:Scottish National Gallery
587:National Portrait Gallery
505:
334:
288:Gainsborough was born in
198:
175:
165:
145:
124:
110:
100:
84:
69:
56:
41:
23:
3326:Ellis Waterhouse archive
2989:. London. 7 March 2011.
2931:"Gainsborough's Showbox"
2603:Gainsborough: A Portrait
2280:Gainsborough: A Portrait
1875:Kunsthistorisches Museum
1731:(1785), National Gallery
1714:(1785), National Gallery
1695:National Maritime Museum
1075:(1756), National Gallery
1038:Portrait of John Plampin
951:Gainsborough's portrait
940:Electric Light Orchestra
934:Gainsborough's portrait
917:Gainsborough (played by
890:Gainsborough's portrait
837:Gainsborough's portrait
798:wrote that the painting
751:(between 1747 and 1788)
602:Johann Christian Fischer
581:. Bach's former teacher
458:, San Marino, California
115:Hubert-François Gravelot
3543:The Woodcutter's Return
2822:"Johann Christian Bach"
2703:(London, 1961), p. 101.
2690:(London, 1961), p. 115.
2542:The British Art Journal
2346:Encyclopædia Britannica
2262:The British Art Journal
1889:Holywells Park, Ipswich
1835:National Gallery of Art
1420:National Gallery of Art
1360:Dulwich Picture Gallery
1147:with his Viola da Gamba
813:began collecting them.
811:Ferdinand de Rothschild
773:Portrait of Mrs. Graham
758:His more famous works,
424:
3059:A Prospect of Richmond
2526:: CS1 maint: others (
2298:10.1093/ref:odnb/10282
2053:Art Gallery of Ontario
1005:Conversation in a Park
871:A Right Royal Face-Off
755:
741:
728:
684:
577:, the youngest son of
562:
521:
496:
466:, living at number 17
459:
442:
410:The Artist's Daughters
285:
3645:English male painters
3589:Gainsborough (crater)
3333:; research papers of
3174:Nature Communications
2645:"Thomas Gainsborough"
2457:"Thomas Gainsborough"
2430:Mary Woodall (1939).
2260:, Stephen Conrad, in
2216:Gainsborough's Vision
2113:Humphrey Gainsborough
1539:Blanton Museum of Art
1375:Johann Christian Bach
749:Alice De Lancey Izard
747:
734:
718:
675:
646:St Anne's Church, Kew
579:Johann Sebastian Bach
575:Johann Christian Bach
551:
513:
492:
476:Royal Society of Arts
448:
440:Cincinnati Art Museum
432:
277:
105:St Anne's Church, Kew
3560:Gainsborough's House
3104:on 10 September 2011
2584:Tate Gallery website
2240:Gainsborough in Bath
2098:Gainsborough's House
1993:Toledo Museum of Art
1900:Christchurch Mansion
1871:Landscape in Suffolk
1787:The Marsham Children
1527:Colonel John Bullock
1494:J. Paul Getty Museum
1129:Worcester Art Museum
857:Gainsborough's Girls
807:Lionel de Rothschild
559:J. Paul Getty Museum
309:Gainsborough's House
3610:Thomas Gainsborough
3452:Maria, Lady Eardley
3372:Thomas Gainsborough
2743:. openplaques.org.
2463:on 13 December 2012
2377:The Daily Telegraph
2130:Thomas Gainsborough
1925:), National Gallery
1330:Maria, Lady Eardley
1145:Carl Friedrich Abel
1056:The Gravenor Family
1023:Portrait of a Woman
936:The Gravenor Family
705:Gainsborough Dupont
654:Gainsborough Dupont
543:soft-ground etching
209:Thomas Gainsborough
25:Thomas Gainsborough
3650:Royal Academicians
3539:Cottage Door works
3403:Mr and Mrs Andrews
3331:John Hayes archive
3186:10.1038/ncomms6631
2180:Thomas Gainborough
1915:Mr and Mrs Andrews
1356:The Linley Sisters
1295:Walker Art Gallery
1291:Sir Robert Clayton
1217:Private Collection
767:Mr and Mrs Andrews
756:
742:
729:
687:The art historian
685:
681:Private Collection
563:
522:
460:
456:Huntington Library
443:
286:
270:Youth and training
153:Mr and Mrs Andrews
132:Landscape painting
3597:
3596:
3436:The Harvest Wagon
3097:978-1-904832-77-5
3038:Missing or empty
2987:Richmond Guardian
2673:978-0-901571-87-8
2304:(Subscription or
2048:The Harvest Wagon
1666:Giovanna Baccelli
1512:Courtauld Gallery
737:The Harvest Wagon
689:Michael Rosenthal
628:Henry Bate-Dudley
206:
205:
137:Portrait painting
3692:
3412:
3409:
3365:
3358:
3351:
3342:
3341:
3293:
3292:
3291:. 28 March 2017.
3279:
3273:
3272:
3270:
3268:
3254:
3248:
3247:
3240:
3234:
3233:
3231:
3229:
3224:on 24 April 2019
3220:. Archived from
3214:
3208:
3207:
3197:
3165:
3159:
3158:
3147:
3141:
3140:
3133:
3127:
3120:
3114:
3113:
3111:
3109:
3100:. Archived from
3081:
3075:
3072:
3063:
3062:
3054:
3048:
3047:
3041:
3036:
3034:
3026:
3024:
3022:
3009:
3003:
3002:
3000:
2998:
2979:
2973:
2972:
2970:
2968:
2949:
2943:
2942:
2937:. 12 July 2011.
2927:
2921:
2914:
2908:
2907:
2893:
2887:
2886:
2872:
2866:
2865:
2845:
2839:
2838:
2836:
2834:
2818:
2807:
2806:
2804:
2802:
2797:on 12 April 2017
2793:. Archived from
2787:"Search Results"
2783:
2777:
2770:
2757:
2756:
2754:
2752:
2737:
2731:
2723:
2717:
2710:
2704:
2697:
2691:
2684:
2678:
2677:
2659:
2653:
2652:
2641:
2635:
2634:
2623:
2617:
2616:
2598:
2587:
2581:
2575:
2574:
2554:
2545:
2538:
2532:
2531:
2525:
2517:
2492:
2486:
2479:
2473:
2472:
2470:
2468:
2453:
2438:
2437:
2427:
2421:
2420:
2400:
2394:
2393:
2391:
2389:
2373:
2365:
2350:
2342:
2330:
2318:
2309:
2301:
2140:Ellis Waterhouse
2080:
2063:
2043:
2033:
2030:
2021:
2011:Frick Collection
2003:
1990:
1987:
1982:Road from Market
1978:
1968:
1965:
1956:
1946:
1943:
1934:
1924:
1921:
1910:
1897:
1894:
1885:
1867:
1850:
1825:
1815:Chatsworth House
1805:
1796:
1795:
1783:
1770:
1767:
1758:
1744:The Cottage Girl
1740:
1728:The Morning Walk
1723:
1705:
1685:
1675:
1672:
1660:
1650:Royal Collection
1647:
1644:
1633:
1621:
1601:
1591:Hermitage Museum
1588:
1585:
1574:
1561:
1558:
1549:
1536:
1533:
1522:
1504:
1483:
1463:
1451:
1430:
1417:
1414:
1405:
1387:
1370:
1352:
1339:
1336:
1325:
1305:
1287:
1266:
1253:
1250:
1239:
1227:
1209:
1200:
1199:
1183:
1168:
1155:
1152:
1139:
1121:
1111:
1108:
1099:
1084:
1067:
1052:
1042:National Gallery
1034:
1019:
1001:
983:
912:National Gallery
861:Sudbury, Suffolk
787:The Morning Walk
418:
415:
406:
391:
381:
372:
346:Duke of Beaufort
329:Vauxhall Gardens
253:
252:
249:
248:
245:
242:
239:
236:
233:
230:
227:
218:
192:
190:
148:
91:
79:
77:
62:Sudbury, Suffolk
46:
36:
21:
20:
3700:
3699:
3695:
3694:
3693:
3691:
3690:
3689:
3680:Waddesdon Manor
3665:Rococo painters
3600:
3599:
3598:
3593:
3564:
3548:
3516:The Market Cart
3410:
3374:
3369:
3302:
3297:
3296:
3288:TheGuardian.com
3281:
3280:
3276:
3266:
3264:
3262:www.phaidon.com
3256:
3255:
3251:
3242:
3241:
3237:
3227:
3225:
3216:
3215:
3211:
3166:
3162:
3149:
3148:
3144:
3135:
3134:
3130:
3121:
3117:
3107:
3105:
3098:
3082:
3078:
3073:
3066:
3057:Dunbar, Janet.
3055:
3051:
3039:
3037:
3028:
3027:
3020:
3018:
3011:
3010:
3006:
2996:
2994:
2981:
2980:
2976:
2966:
2964:
2951:
2950:
2946:
2929:
2928:
2924:
2915:
2911:
2894:
2890:
2873:
2869:
2862:
2846:
2842:
2832:
2830:
2820:
2819:
2810:
2800:
2798:
2785:
2784:
2780:
2771:
2760:
2750:
2748:
2739:
2738:
2734:
2724:
2720:
2711:
2707:
2698:
2694:
2685:
2681:
2674:
2660:
2656:
2643:
2642:
2638:
2625:
2624:
2620:
2613:
2599:
2590:
2582:
2578:
2571:
2555:
2548:
2539:
2535:
2519:
2518:
2506:
2494:
2493:
2489:
2480:
2476:
2466:
2464:
2455:
2454:
2441:
2428:
2424:
2417:
2401:
2397:
2387:
2385:
2366:
2362:
2357:
2321:Stephen, Leslie
2303:
2126:
2124:Further reading
2094:
2087:
2084:River Landscape
2081:
2072:
2068:The Market Cart
2064:
2055:
2044:
2035:
2031:
2022:
2013:
2004:
1995:
1988:
1979:
1970:
1966:
1957:
1948:
1944:
1935:
1926:
1922:
1911:
1902:
1895:
1886:
1877:
1868:
1859:
1851:
1837:
1826:
1817:
1806:
1797:
1784:
1775:
1773:Waddesdon Manor
1768:
1759:
1750:
1741:
1732:
1724:
1715:
1706:
1697:
1686:
1677:
1676:), Tate Britain
1673:
1661:
1652:
1645:
1638:Queen Charlotte
1634:
1625:
1622:
1613:
1602:
1593:
1586:
1575:
1566:
1559:
1550:
1541:
1534:
1523:
1514:
1505:
1496:
1484:
1475:
1464:
1455:
1452:
1443:
1431:
1422:
1415:
1406:
1397:
1388:
1379:
1371:
1362:
1353:
1344:
1337:
1326:
1317:
1306:
1297:
1288:
1279:
1272:Ignatius Sancho
1267:
1258:
1251:
1240:
1231:
1228:
1219:
1210:
1201:
1184:
1175:
1169:
1160:
1153:
1140:
1131:
1122:
1113:
1109:
1100:
1091:
1085:
1076:
1068:
1059:
1053:
1044:
1035:
1026:
1020:
1011:
1002:
993:
984:
972:
945:Secret Messages
881:Stanley Kubrick
875:Joshua Reynolds
869:'s comic novel
834:
832:Popular culture
796:Joshua Reynolds
713:
670:
613:Joshua Reynolds
598:Queen Charlotte
568:Waddesdon Manor
526:Schomberg House
519:Waddesdon Manor
508:
427:
420:
416:
407:
398:
392:
383:
373:
342:
337:
321:William Hogarth
317:Hubert Gravelot
272:
256:Joshua Reynolds
224:
220:
211:
194:
191: 1746)
186:
182:
156:
146:
141:
96:
95:London, England
93:
89:
75:
73:
65:
52:
37:
28:
26:
17:
12:
11:
5:
3698:
3688:
3687:
3682:
3677:
3672:
3667:
3662:
3657:
3652:
3647:
3642:
3637:
3632:
3627:
3622:
3617:
3612:
3595:
3594:
3592:
3591:
3586:
3578:
3572:
3570:
3566:
3565:
3563:
3562:
3556:
3554:
3550:
3549:
3547:
3546:
3536:
3528:
3520:
3512:
3504:
3496:
3488:
3480:
3472:
3471:(c. 1770–1780)
3464:
3456:
3448:
3440:
3432:
3422:
3414:
3399:
3391:
3382:
3380:
3376:
3375:
3368:
3367:
3360:
3353:
3345:
3339:
3338:
3328:
3323:
3318:
3313:
3301:
3300:External links
3298:
3295:
3294:
3274:
3249:
3235:
3209:
3160:
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3128:
3115:
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2654:
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2618:
2612:978-1474600521
2611:
2588:
2576:
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2505:978-1884446009
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2118:Holywells Park
2115:
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1793:Gemäldegalerie
1785:
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1776:
1760:
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1489:James Christie
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1342:Nationalmuseum
1327:
1320:
1318:
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1300:
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1259:
1256:Boughton House
1241:
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1204:
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1197:Gemäldegalerie
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932:
919:Cecil Kellaway
915:
888:
878:
864:
850:
833:
830:
800:Girl with Pigs
712:
709:
677:Girl with Pigs
669:
666:
620:Richard Wilson
507:
504:
426:
423:
422:
421:
408:
401:
399:
393:
386:
384:
374:
367:
365:
341:
338:
336:
333:
325:Francis Hayman
271:
268:
260:Richard Wilson
204:
203:
200:
196:
195:
184:
180:
179:
177:
173:
172:
167:
163:
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149:
143:
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128:
126:
125:Known for
122:
121:
119:Francis Hayman
112:
108:
107:
102:
98:
97:
94:
92:(aged 61)
86:
82:
81:
71:
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60:
58:
54:
53:
47:
39:
38:
27:
24:
15:
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6:
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3:
2:
3697:
3686:
3683:
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3678:
3676:
3673:
3671:
3668:
3666:
3663:
3661:
3658:
3656:
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3651:
3648:
3646:
3643:
3641:
3638:
3636:
3633:
3631:
3628:
3626:
3623:
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3618:
3616:
3613:
3611:
3608:
3607:
3605:
3590:
3587:
3585:
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3579:
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3573:
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3567:
3561:
3558:
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3537:
3534:
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3529:
3526:
3525:
3521:
3518:
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3513:
3510:
3509:
3505:
3502:
3501:
3497:
3494:
3493:
3489:
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2015:
2012:
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1193:(1760/1765),
1192:
1190:
1189:Joshua Grigby
1182:
1177:
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960:
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678:
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658:Johan Zoffany
655:
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631:
629:
623:
621:
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610:
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583:Padre Martini
580:
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571:
569:
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546:
544:
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536:
531:
527:
520:
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501:
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489:
488:Viol da Gamba
483:
481:
480:Royal Academy
477:
473:
469:
465:
457:
453:
452:
447:
441:
437:
436:
431:
411:
405:
400:
396:
395:Self-Portrait
390:
385:
377:
376:Margaret Burr
371:
366:
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332:
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312:
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302:Scheming Jack
299:
295:
291:
284:
280:
276:
267:
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264:Royal Academy
261:
257:
251:
217:
214:
210:
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181:Margaret Burr
178:
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138:
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106:
103:
101:Resting place
99:
88:2 August 1788
87:
83:
72:
68:
63:
59:
55:
50:
49:Self-portrait
45:
40:
35:
31:
22:
19:
3581:
3542:
3530:
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3506:
3498:
3490:
3482:
3474:
3466:
3458:
3450:
3444:The Blue Boy
3442:
3434:
3428:
3416:
3401:
3393:
3385:
3371:
3308: at the
3286:
3277:
3265:. Retrieved
3261:
3252:
3238:
3226:. Retrieved
3222:the original
3212:
3177:
3173:
3163:
3145:
3137:"Christie's"
3131:
3123:
3118:
3106:. Retrieved
3102:the original
3086:
3079:
3058:
3052:
3040:|title=
3019:. Retrieved
3012:
3007:
2995:. Retrieved
2986:
2977:
2965:. Retrieved
2956:
2947:
2934:
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2898:
2891:
2877:
2870:
2850:
2843:
2831:. Retrieved
2825:
2799:. Retrieved
2795:the original
2790:
2781:
2773:
2749:. Retrieved
2735:
2728:Open Plaques
2727:
2721:
2713:
2708:
2700:
2695:
2687:
2682:
2663:
2657:
2648:
2639:
2630:
2621:
2602:
2579:
2559:
2541:
2536:
2495:
2490:
2482:
2477:
2465:. Retrieved
2461:the original
2432:
2425:
2405:
2398:
2386:. Retrieved
2375:
2363:
2344:
2324:
2287:
2279:
2273:
2267:
2261:
2257:
2251:
2246:Gainsborough
2245:
2239:
2234:Gainsborough
2233:
2227:
2221:
2215:
2209:
2203:
2197:
2191:
2185:
2179:
2173:
2168:Gainsborough
2167:
2161:
2151:
2145:
2136:Gainsborough
2135:
2129:
2083:
2066:
2046:
2024:
2006:
1981:
1959:
1937:
1913:
1888:
1870:
1853:
1828:
1808:
1786:
1761:
1743:
1726:
1708:
1688:
1664:Portrait of
1663:
1636:
1604:
1579:Lady in Blue
1577:
1552:
1525:
1507:
1487:Portrait of
1486:
1466:
1433:
1408:
1395:Tate Britain
1390:
1373:
1355:
1328:
1308:
1290:
1270:Portrait of
1269:
1242:
1216:
1212:
1186:
1142:
1124:
1102:
1087:
1070:
1055:
1037:
1022:
1004:
986:
952:
943:
935:
931:, in motion.
922:
905:
898:Daniel Craig
891:
885:Barry Lyndon
870:
856:
853:Cecil Beaton
844:
840:The Blue Boy
838:
817:
815:
804:
799:
791:
785:
781:
777:
771:
765:
761:The Blue Boy
759:
757:
735:
719:
702:
698:
686:
680:
676:
650:Joshua Kirby
639:
632:
624:
617:
609:Allan Ramsay
606:
591:
572:
564:
552:
523:
514:
500:Barak Norman
497:
493:
484:
461:
451:The Blue Boy
449:
433:
409:
394:
375:
354:
349:
343:
313:
306:
301:
287:
278:
208:
207:
159:The Blue Boy
157:
151:
147:Notable work
90:(1788-08-02)
48:
18:
3620:1788 deaths
3615:1727 births
3584:(1945 film)
3541:(including
3527:(1785–1787)
3429:The Gipsies
3427:(including
3425:Gypsy works
3411: 1750
3021:16 December
2833:3 September
2631:BBC Suffolk
2605:. W&N.
2467:10 December
2032: 1783
1989: 1767
1967: 1763
1945: 1750
1923: 1750
1896: 1748
1769: 1785
1674: 1782
1646: 1781
1587: 1780
1560: 1776
1535: 1780
1416: 1775
1338: 1770
1252: 1767
1187:The lawyer
1154: 1765
1110: 1763
910:set in the
784:, known as
679:, 1781–82,
662:Franz Bauer
589:in London.
557:(1777–78),
535:printmaking
530:blue plaque
517:, 1783–84,
417: 1759
382:early 1770s
281:(1745–46),
80:14 May 1727
3604:Categories
3335:John Hayes
3267:15 October
2997:1 December
2355:References
2308:required.)
2156:John Hayes
2051:, (1784),
2009:, (1783),
1842:Landscapes
1813:, (1787),
1789:, (1787),
1471:, (1778),
1275:, (1768),
1127:, 1763-64
1040:, (1752),
1007:, (1746),
902:James Bond
867:Simon Edge
711:Reputation
594:George III
468:The Circus
298:James Watt
76:1727-05-14
3495:(c. 1780)
3487:(1777–78)
3455:(c. 1770)
3447:(c. 1770)
3439:(c. 1767)
3379:Paintings
3122:Hall, M.
2522:cite book
2388:9 October
975:Portraits
929:Pygmalion
818:Miss Read
694:Constable
668:Technique
111:Education
64:, England
3228:24 April
3204:25463651
3180:: 5631.
3155:Archived
3031:cite web
2991:Archived
2967:30 April
2961:Archived
2939:Archived
2904:Archived
2883:Archived
2801:12 April
2745:Archived
2514:34409675
2382:Archived
2337:(1911).
2092:See also
1873:(1748),
1833:(1787),
1746:(1785),
1693:(1783),
1609:(1780),
1562:–1780),
1393:(1777),
1358:(1772),
1313:(1770),
1293:(1769),
1215:(1766),
989:(1745),
855:'s play
642:van Dyck
539:aquatint
472:van Dyck
454:(1770).
435:Ann Ford
294:Humphrey
199:Children
166:Movement
70:Baptised
3569:Related
3553:Museums
3545:et al.)
3431:et al.)
3195:4268703
3108:24 June
2323:(ed.).
1510:(1778)
1492:(1778)
1438:(1777)
970:Gallery
959:Netflix
907:Skyfall
724:(1777)
340:Suffolk
290:Sudbury
193:
185:
3535:(1787)
3519:(1786)
3511:(1785)
3503:(1783)
3479:(1777)
3463:(1770)
3421:(1757)
3398:(1748)
3390:(1748)
3310:Art UK
3202:
3192:
3094:
2858:
2751:13 May
2670:
2609:
2567:
2512:
2502:
2413:
2302:
2108:Rococo
1991:–68),
1898:–50),
1771:–86),
1009:Louvre
942:album
790:; and
740:(1767)
506:London
397:(1754)
335:Career
176:Spouse
170:Rococo
51:(1759)
3582:Kitty
2319:. In
1709:Mrs.
1418:–77)
961:show
924:Kitty
904:film
533:with
187:(
183:
32:
3312:site
3269:2022
3230:2019
3200:PMID
3110:2011
3092:ISBN
3044:help
3023:2023
2999:2011
2969:2018
2856:ISBN
2835:2018
2803:2017
2753:2013
2668:ISBN
2607:ISBN
2565:ISBN
2528:link
2510:OCLC
2500:ISBN
2469:2011
2411:ISBN
2390:2018
660:and
596:and
541:and
464:Bath
425:Bath
216:FRSA
85:Died
57:Born
34:FRSA
3190:PMC
3182:doi
2957:BBC
2294:doi
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1984:, (
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1918:, (
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