1306:
1534:
1471:
1354:
391:
1264:
1384:
380:
1519:
1504:
1369:
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238:
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1321:
773:
1402:
786:
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321:
31:
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456:(sometimes called by the Italian San Sebastiano). The painting is thought to have been a commission for a member of the papal court due to the presence of lapis lazuli in the blue of the sky, an expensive material usually supplied by clients. Reni painted Saint Sebastian a total of six times, though the 1615 rendition is arguably the most recognizable. Notably, the painting has been adored by Oscar Wilde and other gay artists throughout history.
475:, were vehemently resistant to competitors, and according to rumour, conspired to poison or otherwise harm Reni (as may have befallen Domenichino in Naples after him). Reni's assistant was so badly wounded that he returned to Rome. Reni, who had a great fear of being poisoned, chose not to outstay his welcome.
370:
wings of the
Vatican. According to rumour, the pontifical chapel of Montecavallo (Chapel of the Annunciation) was assigned to Reni to paint. However, because he felt underpaid by the papal ministers, the artist left Rome once again for Bologna, leaving the role of the pre-eminent artist in Rome to
578:
was executed in Rome before Reni ever lived there and thus could not have sat for the portrait. Many etchings are attributed to Guido Reni, some after his own paintings and some after other masters. They are spirited, in a light style of delicate lines and dots. Reni's technique, as used by the
201:
Reni completed commissions for his first altarpieces while in the
Carracci academy. He left the academy by 1598, after an argument with Ludovico Carracci over unpaid work. Around this time he made his first prints, a series commemorating
1305:
2465:
Abecedario pittorico del M.R.P. Pellegrino
Antonio Orlandi, Bolognese : contenente notizie de'professore di pittura, scoltura, ed architettura, in questa edizione corretto e notabilmente di nuove notizie
401:
Returning to
Bologna more or less permanently after 1614, Reni established a successful and prolific studio there. He was commissioned to decorate the cupola of the chapel of Saint Dominic in Bologna's
601:
Through his many pupils, he had a wide-ranging influence on later
Baroque. In the centre of Bologna, he established two studios, teeming with nearly 200 pupils. His most distinguished pupil was
519:
visited the artist's workshop in
Bologna during his visit to Western Europe. The close rapport between the painter and the Polish prince resulted in the acquisition of drawings and paintings.
560:, Reni's need to recoup gambling losses resulted in rushed execution and multiple copies of his works produced by his workshop. The paintings of his last years include many unfinished works.
1470:
2051:
Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d'ogni etá e d'ogni nazione (Volume 1)
1533:
1383:
1278:
571:
are among the most noteworthy, along with one of his mother (in the
Pinacoteca Nazionale di Bologna) and a few self-portraits – both from his youth and from his old age.
556:, and dominated by lighter colours. A compulsive gambler, Reni was often in financial distress despite the steady demand for his paintings. According to his biographer,
1419:
478:
After leaving Rome, Reni alternately painted in different styles, but displayed less eclectic tastes than many of
Carracci's trainees. For example, his altarpiece for
1563:
1353:
688:
2752:
1518:
676:
355:. The painting, completed in 1636, gave rise to an old legend that Reni had represented Satan—crushed under St Michael's foot—with the facial features of
1368:
463:
to complete a commission to paint a ceiling in a chapel of the cathedral of San
Gennaro. However, in Naples, other prominent local painters, including
169:
into a family of musicians, Guido Reni was the only child of
Daniele Reni and Ginevra Pozzi. Apprenticed at the age of nine to the Bolognese studio of
692:
1503:
2899:
1488:
278:. The work is restrained in classicism, copying poses from Roman sarcophagi, and showing far more simplicity and restraint than Carracci's riotous
1263:
2236:
1937:
2532:
1188:
574:
The so-called "Beatrice Cenci", formerly ascribed to Reni and praised by generations of admirers, is now regarded as a doubtful attribution.
1320:
2415:
1704:
1401:
352:
332:
2390:
1827:
2518:, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Guido Reni (see index)
877:
590:(whose father had been Reni's pupil and whom some considered the artistic reincarnation of Reni) was later interred in the same tomb.
764:
A revival of interest in Reni has occurred since 1954 when an important retrospective exhibition of his work was mounted in Bologna.
2473:(exhibition catalogue Pinacoteca Nazionale, Bologna; Los Angeles County Museum of art; Kimbell Art Museum, Fort Worth) Bologna 1988
1548:
2764:
2604:
2884:
2869:
893:
145:. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native
2176:
2758:
1176:
194:. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Ludovico's cousin,
1448:
2563:
1032:
390:
499:
depict dramatic diagonal movement coupled with the effects of light and shade that portray the more Baroque influence of
2894:
2805:
2740:
2526:, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Guido Reni (see index)
2522:
2339:
379:
226:. After returning briefly to Bologna, he went back to Rome to become one of the premier painters during the papacy of
2889:
2813:
1099:
2716:
2620:
1573:
777:
427:
305:. There is little concession to perspective, and the vibrantly coloured style is antithetical to the tenebrism of
2773:
1868:
250:
2879:
2864:
1779:
2456:
Marzia Faietti, 'Rome 1610: Guido Reni after Annibale Carracci' Print Quarterly, XXVIII, 2011, pp. 276–81
237:
2700:
2676:
1755:
1233:
seven, and others once there have now been removed to other public collections. Among the seven is the small
2513:
1869:"How Did a Third-Century Catholic Saint Become a Gay Icon? Here's the Homoerotic History of Saint Sebastian"
2668:
2660:
2636:
1292:
1008:
523:
453:
184:
When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named
727:
2581:
1338:
704:
656:
186:
2874:
2596:
2503:
914:
2365:
2312:
757:
painters. In the 19th century, Reni's reputation declined as a result of changing taste—epitomized by
2789:
1967:
1426:
1296:
1012:
2193:
1945:
1248:
2708:
2612:
2556:
1816:
1199:
1170:
1119:
722:
Beyond Italy, Reni's influence was important in the style of many Spanish Baroque artists, such as
641:
583:
422:
403:
126:
2529:
2261:
2684:
1480:
1133:
1095:
1068:
737:
believed Reni must have had "a French soul"—and influenced generations of French artists such as
684:
480:
1048:
431:(now in the Pinacoteca Nazionale di Bologna) which became an important reference for the French
1439:
1142:
855:
616:(early on in his career considered the best pupil of Reni, until he tried to kill his master),
512:
468:
301:"School" of mytho-historic painting, and less with the more crowded frescoes characteristic of
234:); between 1607 and 1614 he became one of the painters most patronized by the Borghese family.
142:
2692:
1770:
1455:
1103:
1061:
850:
843:
637:
633:
557:
264:
2859:
2854:
1431:
1022:
867:
819:
750:
411:
363:
1821:
8:
2724:
2652:
2644:
2549:
962:
946:
862:
798:
772:
625:
2464:
989:
936:
904:
664:
563:
Reni's themes are mostly biblical and mythological. He painted few portraits; those of
531:
464:
436:
294:
1679:
1666:
1237:, painted on copper. It was probably painted before the master left Bologna for Rome.
2797:
2732:
1775:
1642:
1393:
1111:
823:
746:
738:
696:
587:
417:
He also contributed to the decoration of the Rosary Chapel in the same church with a
348:
328:
302:
260:
215:
203:
195:
191:
2211:
2831:
1226:
802:
723:
716:
708:
645:
621:
602:
568:
472:
298:
174:
150:
121:
785:
2536:
2049:
1909:
1842:
1079:
833:
807:
742:
712:
680:
668:
652:
629:
356:
344:
290:
283:
138:
1793:
320:
2781:
1729:
700:
660:
617:
575:
535:
508:
219:
170:
30:
2493:. Encyclopædia Britannica. 2007. Encyclopædia Britannica Online. 29 March 2007
582:
Reni died in Bologna in 1642. He was buried there in the Rosary Chapel of the
2848:
2628:
2490:
754:
613:
564:
541:
432:
255:
214:
By late 1601 Reni and Albani had moved to Rome to work with the teams led by
2478:
The 'Divine' Guido: Religion, Sex, Money, and Art in the World of Guido Reni
222:. By 1604–05 he received an independent commission for an altarpiece of the
1330:
1222:
1210:
672:
367:
276:
Apollo in his Chariot preceded by Dawn (Aurora) bringing light to the world
154:
60:
1052:
2286:
1286:
1002:
761:'s censorious judgment that the artist's work was sentimental and false.
758:
227:
178:
134:
1118:
and at least 7 other known originals and multiple copies such as at the
609:, who painted the portrait of his master now in the Bolognese Gallery.
579:
Bolognese school, was the standard for Italian printmakers of his time.
500:
331:
trampling Satan wears a late-Roman military cloak and cuirass. Held in
306:
2262:"Category:St Filippo Neri in Ecstasy (Guido Reni) - Wikimedia Commons"
452:
Circa 1615 in Bologna, Reni created one of his most reproduced works,
485:
340:
1459:
734:
507:(Pinacoteca, Bologna) is painted in a manner reminiscent of a late
231:
95:
887:
259:. The building was originally a pavilion commissioned by Cardinal
1820:
1680:"Casino dell'Aurora Pallavicini. Conference center - Rome, Italy"
553:
446:
166:
146:
133:
period, although his works showed a classical manner, similar to
130:
105:
56:
2507:
1435:
1411:
1230:
1218:
1123:
1115:
516:
460:
1151:, Birmingham Museum of Art, Birmingham, Alabama, United States
2541:
2530:
A poem about which models Guido Reni used for female subjects
2237:"Hipómenes y Atalanta - Colección - Museo Nacional del Prado"
1107:
410:, a masterpiece that can stand comparison with the exquisite
598:
Reni was the most famous Italian artist of his generation.
289:
In this painting, Reni allies himself more with the sterner
190:(Academy of the "newly embarked", or progressives), led by
1163:, St. Francis Xavier Church, Taos, Missouri, United States
2391:"Reni, Guido - The Collection - Museo Nacional del Prado"
263:; the rear portion overlooks the Piazza Montecavallo and
2485:
Masterpieces of Italian Painting, The Walters Art Museum
484:
formulates stylized poses, like those characteristic of
552:
By the 1630s Reni's painting style became looser, less
406:
between 1613 and 1615, resulting in the radiant fresco
374:
2171:
2169:
955:, Chiesa del Gesù e dei Santi Ambrogio e Andrea, Genoa
2313:"Reni, Guido - Cristo resucitado abrazado a la Cruz"
733:
But his work was particularly appreciated in France—
309:'s followers. Documents show that Reni was paid 247
2166:
968:
St Paul the Hermit and St Anthony in the Wilderness
459:Leaving Bologna briefly in 1618, Reni travelled to
435:style, as well as a model for details in Picasso's
1643:"Guido Reni (The J. Paul Getty Museum Collection)"
317:upon completion of his work on 24 September 1616.
1831:. Vol. 12 (11th ed.). pp. 688–689.
2846:
2483:Hansen, Morten Steen and Joaneath Spicer, eds.,
2459:Orlandi, Pellegrino Antonio; Guarienti, Pietro,
125:; 4 November 1575 – 18 August 1642) was an
1098:; other versions are in the collections of the
1932:
1930:
2557:
1794:"Legendary Rome - a demon with a pope's face"
1189:Real Academia de Bellas Artes de San Fernando
767:
651:Other artists who trained under Reni include
2212:"Ecce Homo | Northbrook Provenance Research"
1314:crowning the Arca di San Domenico, 1613–1615
1927:
1753:
353:Santa Maria della Concezione dei Cappuccini
333:Santa Maria della Concezione dei Cappuccini
2564:
2550:
980:Samson Drinking from the Jawbone of an Ass
522:In 1630, while Bologna was suffering from
29:
1904:
1902:
1811:
1809:
1807:
1805:
1803:
1580:
421:; and in 1611 he had already painted for
362:Reni also frescoed the Paoline Chapel of
347:commissioned from Reni a painting of the
2311:Fernando, Real Academia de BBAA de San.
2054:. Vincenzo Ferrario, Milan. p. 220.
1910:"Atalanta and Hippomenes by RENI, Guido"
1815:
1771:Seventeenth-century Art and Architecture
784:
771:
540:
389:
378:
319:
236:
2900:Burials at the Basilica of San Domenico
2183:, 20 March 1989. Retrieved 28 May 2017.
2047:
1628:, Stephen D. Pepper; Richard E. Spear.
1608:
1606:
1604:
1602:
1600:
1598:
1596:
1594:
612:Reni's other Bolognese pupils included
173:, he was soon joined in that studio by
149:, he became the dominant figure in the
2847:
1899:
1800:
961:, Chiesa parrocchiale di Santa Maria,
929:, Gemäldegalerie Alte Meister, Dresden
2545:
2198:The Walters Art Museum · Works of Art
1866:
1540:St John the Baptist in the Wilderness
1221:contains twenty of his pictures, the
1130:St John the Baptist in the Wilderness
120:
2310:
1591:
593:
375:Work in Naples and return to Bologna
153:that emerged under the influence of
2504:104 artworks by or after Guido Reni
2177:Renewed Luster for a Baroque Master
1843:"San Sebastiano | Museums in Genoa"
1791:
1774:. Laurence King Publishing. p. 71.
1647:The J. Paul Getty Museum Collection
1614:Grove Art Online. Oxford Art Online
1408:Christ Giving the Keys to St. Peter
357:Cardinal Giovanni Battista Pamphilj
13:
2806:Saint Joseph with the Christ Child
1896:, Los Angeles & Bologna: 1988.
1612:Spear, Richard E. "Reni, Guido".
14:
2911:
2497:
1390:Moses with the Tablets of the Law
1100:Cheltenham Art Gallery and Museum
878:Santissima Trinità dei Pellegrini
445:for a chapel in the cathedral of
384:Saint Joseph and the Christ Child
2605:The Martyrdom of Saint Catherine
2515:Orazio and Artemisia Gentileschi
2363:
2337:
1574:Los Angeles County Museum of Art
1562:
1547:
1532:
1517:
1502:
1487:
1469:
1447:
1418:
1400:
1382:
1367:
1352:
1337:
1319:
1304:
1277:
1262:
1247:
1181:, Cathedral of Notre Dame, Paris
253:, is Reni's fresco masterpiece,
2408:
2383:
2357:
2331:
2304:
2279:
2254:
2229:
2204:
2186:
2157:
2148:
2139:
2130:
2121:
2112:
2103:
2094:
2085:
2076:
2067:
2058:
2041:
2032:
2023:
2014:
2005:
1996:
1987:
1978:
1960:
1938:"Kunstkammer of Władysław Vasa"
1886:
1860:
1835:
1785:
1768:Harris, Ann Sutherland (2005).
1209:, House of Alba Foundation, at
1157:, Galleria Doria Pamphilj, Rome
1088:, Pinacoteca Nazionale, Bologna
982:, Pinacoteca Nazionale, Bologna
923:, Pinacoteca Nazionale, Bologna
897:, Pinacoteca Nazionale, Bologna
251:Palazzo Pallavicini-Rospigliosi
209:
2571:
2340:"The Conversion of Saint Paul"
1762:
1747:
1722:
1697:
1684:www.casinoaurorapallavicini.it
1672:
1660:
1635:
1619:
921:Lament over the Body of Christ
790:David with the Head of Goliath
503:. His turbulent yet realistic
443:The Israelites Gathering Manna
280:Triumph of Bacchus and Ariadne
1:
2885:17th-century Italian painters
2870:16th-century Italian painters
2809:(c. 1625–1630; 1635, c. 1640)
1867:White, Katie (28 June 2022).
1626:Guido Reni: A Review Reviewed
1585:
1072:, Pinacoteca Capitolina, Rome
753:; as well as on later French
270:The massive fresco is framed
206:'s visit to Bologna in 1598.
39:
16:Bolognese painter (1575–1642)
2669:Jesus Meets John the Baptist
2487:, Baltimore and London, 2005
2480:, New Haven and London, 1997
648:(Pierino del Signor Guido).
218:in fresco decoration of the
160:
7:
2741:Saint Matthew and the Angel
2523:Jusepe de Ribera, 1591-1652
1944:(in Polish). Archived from
1360:Jesus Christ with the Cross
1185:Jesus Christ with the Cross
705:Francesco Costanzo Cattaneo
657:Giovanni Battista Michelini
359:in revenge for a slight.
187:Accademia degli Incamminati
10:
2916:
2814:Adoration of the Shepherds
2597:Portrait of Beatrice Cenci
2436:
2420:www.nationalgallery.org.uk
1616:. Oxford University Press.
1240:
915:Mabee-Gerrer Museum of Art
810:, Saint Petersburg, Russia
768:Partial anthology of works
395:Joseph and Potiphar's Wife
2895:Italian portrait painters
2824:
2621:Massacre of the Innocents
2588:
2579:
2442:Cavalli, Gian Carlo (ed.)
2048:Ticozzi, Stefano (1818).
1942:kunstkammer_painting.html
1817:Rossetti, William Michael
1667:Casino Aurora Pallavicini
1013:Santa Maria in Vallicella
894:Massacre of the Innocents
884:The Immaculate Conception
778:Massacre of the Innocents
505:Massacre of the Innocents
428:Massacre of the Innocents
101:
91:
83:
67:
49:
28:
21:
2890:Italian Baroque painters
2748:Assumption of the Virgin
2712:(New York; c. 1629–1630)
2370:House of Alba Foundation
2194:"The Penitent Magdalene"
1632:(1990)132(10): p219–223.
1495:St Matthew and the Angel
1235:Coronation of the Virgin
1225:in Madrid eighteen, the
1171:Muscarelle Museum of Art
1120:Kunsthistorisches Museum
1015:- The Chiesa Nuova, Rome
970:, Gemäldegalerie, Berlin
953:Assumption of the Virgin
886:, Chiesa di San Biagio,
808:Grand Palace at Gatchina
792:, c. 1605, oil on canvas
642:Giovanni Maria Tamburino
584:Basilica of San Domenico
513:Władysław Sigismund Vasa
441:. In 1614–15 he painted
404:Basilica of San Domenico
224:Crucifixion of St. Peter
2685:Atalanta and Hippomenes
1972:Encyclopædia Britannica
1828:Encyclopædia Britannica
1730:"Aurora by RENI, Guido"
1630:The Burlington Magazine
1525:Saint James the Greater
1481:National Gallery of Art
1327:Hippomenes and Atalanta
1134:Dulwich Picture Gallery
1096:Dulwich Picture Gallery
1019:Atalanta and Hippomenes
995:Atalanta and Hippomenes
830:Crucifixion of St Peter
685:Giovanni Stefano Danedi
366:in Rome as well as the
122:[ˌɡwiːdoˈrɛːni]
2701:The Abduction of Helen
2677:St. Francis in Ecstasy
2600:(c. 1600; attribution)
2446:exh. cat. Bologna 1954
1756:"Image Files--Frescos"
1581:References and sources
1510:The Penitent Magdalene
1440:Władysław IV of Poland
1167:St John the Evangelist
1143:Certosa di San Martino
1058:Lucrezia and Cleopatra
937:The Fitzwilliam Museum
856:Doria Pamphilj Gallery
793:
782:
689:Giovanni Giacomo Manno
549:
530:with images of Saints
408:Saint Dominic in Glory
398:
387:
336:
249:on the grounds of the
242:
143:Philippe de Champaigne
118:Italian pronunciation:
2880:Italian male painters
2865:Painters from Bologna
2693:Cupids Fighting Putti
2661:The Flight into Egypt
2535:29 April 2013 at the
2266:commons.wikimedia.org
2175:Kimmelman, Michael, "
1894:Guido Reni, 1575-1642
1477:Head of Saint Francis
1375:The Baptism of Christ
1195:Conversion of St Paul
1139:Adoration of the Magi
1062:Pinacoteca Capitolina
1029:Madonna of the Rosary
997:, 1612, Prado, Madrid
943:Saints Peter and Paul
851:Cupids Fighting Putti
844:San Lorenzo in Lucina
788:
775:
638:Bartolomeo Marescotti
634:Domenico Maria Canuti
558:Carlo Cesare Malvasia
544:
497:Atlanta and Hipomenes
393:
382:
323:
265:Palazzo del Quirinale
241:Guido Reni – L'Aurora
240:
2471:Guido Reni 1575-1642
2461:Abecedario Pittorico
2416:"The Rape of Europa"
2395:www.museodelprado.es
2317:Academia Colecciones
2241:www.museodelprado.es
1847:www.museidigenova.it
1432:The National Gallery
1049:São Paulo Art Museum
1023:Museo di Capodimonte
868:Museo di Capodimonte
412:Arca di San Domenico
364:Santa Maria Maggiore
325:St Michael Archangel
2777:(London; 1620–1639)
2753:Castelfranco Emilia
2720:(Auckland; c. 1625)
2616:(Florence; c. 1611)
2344:Patrimonio Nacional
2216:northbrook.cmoa.org
1572:, circa 1619–1620,
1570:Bacchus and Ariadne
1200:Patrimonio nacional
1045:Suicide of Lucrezia
1033:Madonna di San Luca
963:Castelfranco Emilia
947:Pinacoteca di Brera
917:, Shawnee, Oklahoma
675:or Righi of Lucca,
626:Sebastiano Brunetti
526:, Reni painted the
272:in quadri riportati
247:Casino dell' Aurora
2790:The Rape of Europa
2181:The New York Times
1822:"Guido Reni"
1479:, before c. 1632,
1427:The Rape of Europa
1312:St Dominic's Glory
1173:, Williamsburg, VA
1039:Labors of Hercules
990:Capitoline Museums
959:Assumption of Mary
905:Walters Art Museum
901:Penitent Magdalene
794:
783:
677:Pietro Lauri Monsu
665:Giovanni Boulanger
655:(Cavalier Coppa),
550:
532:Ignatius of Loyola
399:
388:
351:for the church of
337:
291:Cavaliere d'Arpino
243:
2875:Catholic painters
2840:
2839:
2733:Palla della Peste
2449:Pepper, Stephen,
1948:on 17 August 2009
1892:Pepper, S. (ed.)
1792:Pollett, Andrea.
1754:Cara Lane/PETTT.
1394:Galleria Borghese
1345:David and Abigail
1112:Capitoline Museum
1076:Annunziata Chapel
976:, Vatican Museums
697:Luigi Scaramuccia
594:Pupils and legacy
588:Elisabetta Sirani
511:. In 1625 Prince
491:In contrast, his
481:Samson Victorious
349:Archangel Michael
329:Archangel Michael
303:Pietro da Cortona
261:Scipione Borghese
216:Annibale Carracci
204:Pope Clement VIII
196:Annibale Carracci
192:Ludovico Carracci
111:
110:
2907:
2832:Bolognese School
2566:
2559:
2552:
2543:
2542:
2476:Spear, Richard,
2431:
2430:
2428:
2426:
2412:
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2036:
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2020:Orlandi, p. 128.
2018:
2012:
2011:Orlandi, p. 416.
2009:
2003:
2002:Orlandi, p. 398.
2000:
1994:
1993:Orlandi, p. 136.
1991:
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1974:. 15 March 2024.
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840:Christ Crucified
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717:Marco Bandinelli
709:Giulio Dinarelli
683:, Gioseffo and
646:Pietro Gallinari
622:Emilio Savonanzi
603:Simone Cantarini
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693:Carlo Cittadini
681:Giacomo Semenza
669:Paolo Biancucci
653:Antonio Giarola
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2419:
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2369:
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2347:. Retrieved
2343:
2333:
2321:. Retrieved
2319:(in Spanish)
2316:
2306:
2294:. Retrieved
2290:
2281:
2269:. Retrieved
2265:
2256:
2244:. Retrieved
2240:
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2219:. Retrieved
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2016:
2007:
1998:
1989:
1980:
1971:
1962:
1950:. Retrieved
1946:the original
1941:
1917:. Retrieved
1913:
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1850:. Retrieved
1846:
1837:
1826:
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1737:. Retrieved
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1708:
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1650:. Retrieved
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1223:Prado Museum
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1198:
1194:
1184:
1177:
1166:
1160:
1154:
1148:
1138:
1129:
1092:St Sebastian
1091:
1086:St Sebastian
1085:
1075:
1067:
1057:
1044:
1038:
1028:
1018:
1000:
994:
985:
979:
973:
967:
958:
952:
942:
932:
926:
920:
910:
903:, ca. 1635,
900:
892:
883:
874:Holy Trinity
873:
863:Four Seasons
861:
849:
839:
829:
818:
813:
797:
789:
776:
763:
732:
721:
707:of Ferrara,
673:Pietro Ricci
650:
611:
606:
600:
597:
581:
573:
562:
551:
545:
527:
521:
504:
496:
492:
490:
479:
477:
458:
451:
442:
437:
426:
423:San Domenico
419:Resurrection
418:
416:
414:below it.
407:
400:
394:
383:
368:Aldobrandini
361:
339:In 1630 the
338:
327:, 1636. The
324:
314:
310:
288:
279:
275:
274:and depicts
271:
269:
254:
246:
244:
223:
213:
210:Work in Rome
200:
185:
183:
164:
155:the Carracci
113:
112:
73:(1642-08-18)
61:Papal States
35:
2860:1642 deaths
2855:1575 births
2801:(1639–1640)
2793:(1637–1639)
2736:(1631–1632)
2704:(1628–1629)
2688:(1620–1625)
2466:accresciuto
2296:19 December
2287:"sfxtaosmo"
1873:Artnet News
1709:Google Maps
1557:, 1640–1642
1542:, 1636–1637
1392:, c. 1624,
1287:Philip Neri
1021:, 1622–25,
1003:Philip Neri
939:, Cambridge
907:, Baltimore
759:John Ruskin
667:of Troyes,
607:Il Pesarese
493:Crucifixion
245:Located in
228:Pope Paul V
198:, to Rome.
179:Domenichino
135:Simon Vouet
84:Nationality
43: 1602
2849:Categories
2798:Polyphemus
2573:Guido Reni
2451:Guido Reni
2444:Guido Reni
1914:www.wga.hu
1780:1856694151
1734:www.wga.hu
1586:References
1512:, ca. 1635
1289:in Ecstasy
1272:, ca. 1615
1069:Polyphemus
1005:in Ecstasy
755:Neoclassic
695:of Milan,
671:of Lucca,
501:Caravaggio
469:Caracciolo
433:Neoclassic
343:family of
307:Caravaggio
114:Guido Reni
23:Guido Reni
2817:(c. 1642)
2785:(c. 1637)
2744:(c. 1635)
2728:(c. 1629)
2696:(c. 1625)
2680:(c. 1622)
2672:(c. 1622)
2664:(c. 1622)
2608:(c. 1606)
2589:Paintings
2425:27 August
2291:sfxtaosmo
1952:27 August
1878:2 January
1852:2 January
1430:, 1630s,
1347:, c. 1615
1053:São Paulo
1035:, Bologna
933:Ecce Homo
927:Ecce Homo
554:impastoed
548:, c. 1635
486:Mannerism
425:a superb
397:, c. 1630
341:Barberini
295:Lanfranco
161:Biography
2533:Archived
2400:22 March
2323:22 March
2246:26 March
2221:12 April
1919:26 March
1819:(1911).
1739:26 March
1714:26 March
1689:26 March
1652:26 March
1555:Lucretia
1460:Potiphar
1410:, 1626,
1291:, 1614,
1213:, Madrid
1203:, Madrid
1191:, Madrid
1145:, Naples
1041:, Louvre
1025:, Naples
1011:church,
935:, 1639,
870:, Naples
820:Callisto
739:Le Sueur
735:Stendhal
605:, named
565:Sixtus V
495:and his
465:Corenzio
438:Guernica
315:baiocchi
256:L'Aurora
232:Borghese
165:Born in
102:Movement
96:Painting
2825:Related
2782:Fortuna
2709:Charity
2613:Charity
2437:Sources
2375:5 April
2349:5 April
1462:'s Wife
1295:church
1293:Oratory
1241:Gallery
1009:Oratory
986:Ariadne
974:Fortune
949:, Milan
799:Galatea
743:Le Brun
728:Murillo
509:Raphael
447:Ravenna
335:, Rome.
313:and 54
284:Farnese
282:in the
167:Bologna
147:Bologna
131:Baroque
129:of the
106:Baroque
87:Italian
78:Bologna
57:Bologna
2765:Munich
2761:, 1637
2755:, 1627
2656:(1620)
2632:(1614)
2629:Aurora
2624:(1611)
2508:Art UK
2271:19 May
1778:
1464:, 1631
1456:Joseph
1436:London
1412:Louvre
1362:, 1621
1299:, Rome
1257:, 1606
1231:London
1219:Louvre
1149:Judith
1124:Vienna
1116:Louvre
1114:, the
1110:, the
1082:, Rome
1064:, Rome
880:, Rome
858:, Rome
846:, Rome
836:, Rome
781:, 1611
751:Greuze
749:, and
715:, and
644:, and
524:plague
517:Poland
473:Ribera
461:Naples
386:, 1640
299:Albani
297:, and
175:Albani
141:, and
1108:Genoa
888:Forlì
824:Diana
471:and
311:scudi
2759:Lyon
2510:site
2427:2008
2402:2020
2377:2020
2351:2020
2325:2020
2298:2017
2273:2019
2248:2023
2223:2020
1954:2008
1921:2023
1880:2023
1854:2023
1776:ISBN
1741:2023
1716:2023
1691:2023
1654:2023
1458:and
1217:The
822:and
803:Acis
801:and
747:Vien
726:and
534:and
177:and
68:Died
50:Born
1285:St
1229:of
1122:in
1106:in
1001:St
515:of
286:.
267:.
181:.
2851::
2418:.
2393:.
2368:.
2342:.
2315:.
2289:.
2264:.
2239:.
2214:.
2196:.
2179:,
2168:^
1970:.
1940:.
1929:^
1912:.
1901:^
1871:.
1845:.
1825:.
1802:^
1732:.
1707:.
1682:.
1645:.
1593:^
1434:,
1197:,
1187:,
1169:,
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1051:,
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842:,
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741:,
730:.
719:.
711:,
703:,
699:,
691:,
687:,
679:,
663:,
659:,
640:,
636:,
632:,
628:,
624:,
620:,
538:.
488:.
467:,
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293:,
157:.
137:,
59:,
40:c.
38:,
2565:e
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2404:.
2379:.
2353:.
2327:.
2300:.
2275:.
2250:.
2225:.
2200:.
1956:.
1923:.
1882:.
1856:.
1796:.
1782:.
1758:.
1743:.
1718:.
1693:.
1656:.
1442:.
1126:.
230:(
116:(
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