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and street culture. Her work offers a balance of the abstract and figurative, sacred and profane, the meditative and boldly graphic. Her work employs bold color and carefully arranged dynamic compositions while offering an empathetic gaze on the her subject â subjects of the society she lives in. She
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Imagery and barrio life and demonstrates a belief that everyone, even the most marginalized have dignity and inner worth regardless of social class. Figures in her works preach the gospel for today, reinterpreting community and providing content for the work that is ethnic, political and spiritual
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Calero has developed a distinct original technique called "acrollage. She employs a variety of papers, colorful glazes of paint and acrylic mediums, appropriated prints which are layered on the canvas creating striking and highly graphic yet painterly compositions. These were turned into plastic
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The exhibit included 29 large acrollage canvases, 19 smaller collages, 13 fotacrolés (altered photography) on canvas board, and 3 works of mixed media on paper produced over three decades. The exhibition was be accompanied by a brochure and a scholarly catalogue. The exhibit was reviewed and was
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with fellow artists Marcos Dimas, Gilberto
Hernandez, Nestor Otero, Jose Rodriguez, Fernando Salicrup, Jorge Soto, and Manny Vega.She has also had residencies at the
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There is a dichotomy in Caleroâs work which bears qualities of both classical and contemporary elements. These include influences of
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In 2003 Calero was selected for with six other artists for national recognition as part of
Liquitex 50th Anniversary.
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Born in
Arecibo, Puerto Rico in 1959, but raised in as a Roman Catholic in Bryooklyn, New York. She studied under
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employ a technique which combines photography, painting, collage, and chine-colle, as the name implies.
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766:"Collection: Gloria RodrĂguez Calero Papers | Centro Library and Archives - ArchivesSpace"
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I·den·ti·ty: A group exhibition highlighting global and cultural
Identity through art
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Public
Television State of the Arts Series, âSIGN OF THE TIMESâ in 2005 and 2008.
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and thus at odds with much of the deconstructionist contemporary art of the day.
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468:"Rodriguez Calero, interviewed by Lauren Magnifico, ILS 208, February 28, 2007"
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512:"RodrĂguez Calero show at Robert F. Wagner Graduate School of Public Service"
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skins that often resemble monoprints. Her smaller prints which she called
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Her work offers deeper social commentary about presentation and symbolism.
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Edwards, Amber (2005). "Liquitex 50th
Anniversary. State of the Arts".
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631:"Puerto Rican Voices: Season 3 Episode 4 (RoCa: RodrĂguez Calero)"
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Exit Art, Alternative
Histories New York Art Spaces 1960 to 2010
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Exit Art, Alternative
Histories New York Art Spaces 1960 to 2010
887:] (in English and Spanish). New York: El Museo del Barrio.
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and Belle Cramer
Memorial Prize for Abstract Painting from the
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487:"Honoring 40 Years of Centro: the "nu-YO-Rican" Print Project"
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Gloria
Rodriguez Calero: Urban Martyrs and Latter Day Santos.
911:(in 5-6). Merion Station, PA: St Joseph's Universitiy. 2022.
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to this revision, which may differ significantly from the
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female artist to receive in depth survey of her work at
699:"RODRIGUEZ CALERO: Urban Martyrs and Latter Day Santos"
443:"RODRIGUEZ CALERO: Urban Martyrs and Latter Day Santos"
814:"RODRĂGUEZ CALERO Urban Martyrs and Latter Day Santos"
724:"Rodriguez Calero Urban Martyrs and Latter Day Saints"
650:"Collage Artist Combines Catholicism and Pop Culture"
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Rodrigeuz Calero: Urban Martyrs and Latter Day Santos
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Rodriguez Calero: Urban Martyrs + Latter Day Saints
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359:embraces and celebrates ethnic groups, as well as
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955:Rosati, Lauren; Staniszewski, Mary Anne (2013).
613:New Jersey Network Public Television & Radio
588:"An Artistic Conversation with RodrĂguez Calero"
219:Puerto Rican Artists at the Instituto de Cultura
959:. Exit Art and The MIT Press. pp. 126â127.
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253:Brandywine Workshop Center for the Visual Arts
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270:She has also received fellowships from the
66:Revision as of 07:53, 22 September 2024 by
885:Martires urbanos y santos de nuestros dias
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742:"Best of 2015: Our Top 20 NYC Art Shows"
629:Center for Puerto Rican Studies (2016).
304:In 2015, Rodriguez Calero was the first
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985:Puerto Rican Voices: Season 3 Episode 4
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314:in New York which was guest curated by
122:Nyorican Artist Gloria Rodriguez Calero
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536:"Rodriguez Calero - TertuliaLatinaNYC"
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994:Rodriguez Calero Oral History Project
944:. New York NY: Gallery at NYU Wagner.
675:"Saintly Collages of Everyday People"
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472:Center for Latino Studies, Notre Dame
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261:National Association of Women Artists
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925:) CS1 maint: unrecognized language (
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792:Independent Sources: Artistic NYC
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280:New York Foundation for the Arts.
208:Early life, education, and career
165:painting, collage and photography
52:. The present address (URL) is a
996:. Institute for Latino Studies,
879:Veneciano, Jorge Daniel (2015).
648:Ainley, Nathaniel (2015-07-22).
232:Arts Students League of New York
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812:Holmes, Jessica (2015-09-08).
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673:Meier, Allison (2015-08-07).
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379:, El Museum del Barrio 2015
363:community. Her work explores
330:of the 20 best NYC exhibits.
276:Geraldine R. Dodge Foundation
740:Hyperallergic (2015-12-16).
394:Philadelphia PA. catalogue
263:. In 2008, she received the
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979:Museo Del Barrio Exhibition
352:medieval religious painting
24:of this page, as edited by
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864:: CS1 maint: url-status (
722:Anreus, Alejandro (2015).
466:Magnifico, Lauren (2007).
391:Saint Joseph's University.
225:Escuela de Artes Plasticas
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265:Joan Mitchell Foundation
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389:Merion Hall Gallery at
129:Gloria Rodriguez Calero
789:CUNY TV (2015-07-23).
285:Honors and recognition
239:Residencies and grants
1024:Contemporary painters
998:Notre Dame University
801:– via YouTube.
192:artist working as a
148:Arecibo, Puerto Rico
703:El Museo del Barrio
540:cargocollective.com
447:El Museo del Barrio
334:Style and technique
312:El Museo del Barrio
294:New Jersey Networks
95:â Previous revision
563:"Rodriguez Calero"
510:vĂnculo, Obtener.
372:Books and catalogs
894:978-1-882454-82-2
818:The Brooklyn Rail
405:Gallery Space at
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157:Puerto Rican
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1014:1959 births
399:RazA con âA
384:iâądenâątiâąty
300:Exhibitions
243:She held a
229:and at the
154:Nationality
20:This is an
1008:Categories
845:NYU Wagner
823:2024-08-01
798:2024-07-29
775:2024-07-28
751:2024-07-28
708:2024-07-28
684:2024-09-07
659:2024-09-07
597:2024-09-07
573:2024-07-29
545:2024-07-29
521:2024-07-29
496:2024-07-28
452:2024-07-28
426:References
348:surrealist
917:cite book
318:entitled
307:Nuyorican
198:collagist
860:cite web
567:CentroPR
491:PSC CUNY
278:and the
190:New York
79:contribs
38:contribs
850:30 July
409:Wagner.
356:hip-hop
216:at the
194:painter
188:) is a
170:Website
69:Ipigott
28:Ipigott
891:
200:, and
883:[
841:(PDF)
727:(PDF)
635:vimeo
927:link
923:link
889:ISBN
866:link
852:2024
654:VICE
361:LGBT
186:RoCa
144:Born
111:diff
105:) |
103:diff
91:diff
75:talk
34:talk
407:NYU
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
