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American painter ], and the visual style, which they compared to films by ] and ]. They also noted that Gans had successfully differentiated the film from the source material and prior adaptations, while keeping the "spirit" of the original story.<ref>{{cite web|url=http://culturebox.francetvinfo.fr/cinema/critiques/la-belle-et-la-bete-lea-seydoux-et-vincent-cassel-dans-une-version-epique-149341|title="La Belle et la bĂȘte" : LĂ©a
Seydoux et Vincent Cassel dans une version Ă©pique|work=]|date=10 February 2014|accessdate=16 November 2014|language=French}}</ref> Laurent Pecha of EcranLarge remarked that while the film was "far from perfect", it was "so ambitious" compared to the "doldrums" of French cinema that Gans won her over. She called the introduction "spectacular" and praised Gans for his willingness to make the audience believe the "incredible and improbable love story", praising the "excellent" Seydoux and Cassel.<ref>{{cite web|url=http://www.ecranlarge.com/films/864776-belle-et-la-bete-la/critiques|title=Critique : Belle et la BĂȘte (La)|work=EcranLarge|date=12 February 2014|accessdate=23 December 2014|language=French}}</ref> Writing for ], Olivier Corriez gave the film 4 stars out of 5 and remarked that it was not easy to offer a modern interpretation of ''Beauty and the Beast'' as it had been adapted so many times before, but found Gans' film "flamboyant" but "accessible to all audiences". He said that it "plays wonderfully on contrasts" and praised Seydoux for her "charm and tenderness" and Cassel for providing "brutality weakness."<ref>{{cite web|url=http://lci.tf1.fr/cinema/films/la-belle-et-la-bete-8140093.html|title=La Belle et la BĂȘte|work=]|date=10 February 2014|accessdate=23 December 2014|language=French}}</ref>
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American painter ], and the visual style, which they compared to films by ] and ]. They also noted that Gans had successfully differentiated the film from the source material and prior adaptations, while keeping the "spirit" of the original story.<ref>{{cite web|url=http://culturebox.francetvinfo.fr/cinema/critiques/la-belle-et-la-bete-lea-seydoux-et-vincent-cassel-dans-une-version-epique-149341|title="La Belle et la bĂȘte" : LĂ©a
Seydoux et Vincent Cassel dans une version Ă©pique|work=]|date=10 February 2014|accessdate=16 November 2014|language=French}}</ref> Laurent Pecha of EcranLarge remarked that while the film was "far from perfect", it was "so ambitious" compared to the "doldrums" of French cinema that Gans won her over. She called the introduction "spectacular" and praised Gans for his willingness to make the audience believe the "incredible and improbable love story", praising the "excellent" Seydoux and Cassel.<ref>{{cite web|url=http://www.ecranlarge.com/films/864776-belle-et-la-bete-la/critiques|title=Critique : Belle et la BĂȘte (La)|work=EcranLarge|date=12 February 2014|accessdate=23 December 2014|language=French}}</ref> Writing for ], Olivier Corriez gave the film 4 stars out of 5 and remarked that it was not easy to offer a modern interpretation of ''Beauty and the Beast'' as it had been adapted so many times before, but found Gans' film "flamboyant" but "accessible to all audiences". He said that it "plays wonderfully on contrasts" and praised Seydoux for her "charm and tenderness" and Cassel for providing "brutality weakness."<ref>{{cite web|url=http://lci.tf1.fr/cinema/films/la-belle-et-la-bete-8140093.html|title=La Belle et la BĂȘte|work=]|date=10 February 2014|accessdate=23 December 2014|language=French
751:), who loves him but is lonely. The Prince is after an elusive golden deer, and when the Princess asks him to stop hunting the deer, he promises to do so if she will give him a son. The prince later announces that they will have an heir, but when the princess reminds him of his promise, he seems to have forgotten. Belle makes the Beast a proposal: she will dance with him, if she is allowed to see her family one last time. The two begin to dance, and the Beast once again asks for Belle's love. Jarred, Belle demands to see her family as she had bargained. When The Beast refuses, Belle fervently rejects him. The same night, she witnesses the Beast prey upon and devour a hog. In shock, she attempts to escape by running into the enchanted forest, and falls into a frozen lake. The Beast pulls her from the water, and brings her to the castle. Belle has a final dream about how the Prince broke his promise and killed the golden deer. While dying, the deer transformed into the Princess, who revealed that she was the Nymph of the Forest who became human because she wanted to experience love. She begged her father, the god of the forest, to spare the prince from his anger, but he transformed the prince into a beast, changed the hunting dogs into Tadommes and his friends into statues. The god of the forest proclaimed that only the love of a woman would break the Beast's eternal curse.
763:). He knocks out his youngest brother, Tristan, who tries to stop him, and meets with Perducas and his gang, leading them to the castle. Belle attempts to return to the castle, and discovers that Maxime has taken the horse to meet with Perducas. Tristan takes her to the castle, arriving just as the Beast is about to kill the invaders, including Belle's brothers. The Beast stops his attack when Belle begs for mercy. Perducas stabs the Beast, mortally wounding him. Belle and her brothers carry the Beast into the castle, and place him into the healing pool of water. Dying, the Beast asks whether Belle could ever love him, and she counters that she already does. The Beast sinks into the water, and comes up transformed back into the Prince. The Tadommes return to dogs, and Perducas is killed by the vines and turned into a human tree.
743:). In the castle, all of his needs are magically met, including food, the exact items his daughters had asked him to bring, and his horse, magically cured. He packs up and departs with the items. Passing through the garden, he recalls Belle's request of a rose, and he picks one. He is immediately confronted by the Beast, who thunders at him for taking the rose. As punishment, the Beast demands the merchant return to the castle in one day after saying goodbye to his children. If he fails to return, his family will be killed. The father returns home and tells the story to his children. Learning of her father's fate, Belle, feeling responsible, takes her father's horse and returns to the castle to offer herself in the place of her father.
739:), is the only one happy with the change. When one of the merchant's ships is found, the merchant prepares to return to reclaim his assets. While his two older, spoiled daughters give him a long list of expensive things to bring back for them, Belle asks only for a rose. The merchant arrives and learns that the ship and its cargo have been taken to settle his debts. On the way home through the forest, the merchant loses his way, his horse slips and is injured, and they are attacked by wolves. He laments that he has "not even a weapon to finish off" the poor horse. The merchant stumbles upon the magical domain of the Beast (
908:. They also noted that Gans had successfully differentiated the film from the source material and prior adaptations, while keeping the "spirit" of the original story. Laurent Pecha of EcranLarge remarked that while the film was "far from perfect", it was "so ambitious" compared to the "doldrums" of French cinema that Gans won her over. She called the introduction "spectacular" and praised Gans for his willingness to make the audience believe the "incredible and improbable love story", praising the "excellent" Seydoux and Cassel. Writing for
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4.6/10.<ref>https://www.rottentomatoes.com/m/beauty_and_the_beast_2014</ref> On ], which assigns a normalised rating out of 100, the film has a score of 39 based on 10 reviews, indicating "generally unfavorable reviews".<ref>http://www.metacritic.com/movie/beauty-and-the-beast-2014</ref>
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4.6/10.<ref>https://www.rottentomatoes.com/m/beauty_and_the_beast_2014</ref> On ], which assigns a normalised rating out of 100, the film has a score of 39 based on 10 reviews, indicating "generally unfavorable reviews".<ref>http://www.metacritic.com/movie/beauty-and-the-beast-2014</ref>
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In France, the film received positive reviews.<ref>http://www.allocine.fr/film/fichefilm-203397/critiques/presse/#pressreview40009516</ref> ] called the film
Christophe Gans' "greatest success". They praised the colours and contrasts of the landscape, which they said recalled the work of
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In France, the film received positive reviews.<ref>http://www.allocine.fr/film/fichefilm-203397/critiques/presse/#pressreview40009516</ref> ] called the film
Christophe Gans' "greatest success". They praised the colours and contrasts of the landscape, which they said recalled the work of
754:
The Beast agrees to let Belle return home, giving her a small vial of healing water. He tells her return to him in one day or he will 'die.' Belle arrives home, where her father is bedridden, and seems to be dying. Belle gives him the vial of water, reviving him. Belle's eldest brother, Maxime
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At the castle, Belle is accepted as a substitute for her father. She is given luxurious goods, and allowed to roam the grounds, but must return every evening for dinner with the Beast. The Beast asks Belle if she will love him, but she rejects him. At night, Belle has a series of vivid dreams,
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The story is being told by Belle to her two young children. They are living in the same countryside house, surrounded by rose bushes, with Belle's father, who is now a flower merchant. Belle goes outside to greet her husband, the Prince, and the two kiss and embrace.
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as it had been adapted so many times before, but found Gans' film "flamboyant" but "accessible to all audiences". He said that it "plays wonderfully on contrasts" and praised
Seydoux for her "charm and tenderness" and Cassel for providing "brutality weakness."
63:
304:
International reviews for the film were mostly negative. Although the visuals and production design were praised, storytelling was criticized. On ] website ], the film has a rating of 32%, based on 19 reviews and the average rating is
296:
International reviews for the film were mostly negative. Although the visuals and production design were praised, storytelling was criticized. On ] website ], the film has a rating of 32%, based on 19 reviews and the average rating is
366:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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thought the film was "immensely, crushingly boring" and
Seydoux wasted in a role that required her to do little more than "heave her breasts and fall over things prettily."
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internationally. In Japan, the film topped the box office on its release, making it the first non-English-language foreign film to top the
Japanese box office since
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called the film
Christophe Gans' "greatest success". They praised the colours and contrasts of the landscape, which they said recalled the work of American painter
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and was released in France on 12 February 2014 to positive reviews, becoming a box office success. International reviews were more mixed. It was nominated for the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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International reviews for the film were mostly negative. Although the visuals and production design were praised, storytelling was criticized. On
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Vincent Cassel et LĂ©a Seydoux : Une relecture grandiose de La Belle et la BĂȘte
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Beauty: A Retelling of the Story of Beauty and the Beast
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and Sandra Vo-Anh and directed by Gans, the film stars
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Nancy Tartaglione and David Bloom (10 January 2015).
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2100:Pathé films
1530:Silent Hill
1402:17 November
1327:23 December
1295:23 December
1269:16 November
1230:12 November
1150:24 February
1096:4 September
1071:4 September
1010:24 February
813:Nicolas Gob
809:as Clotilde
801:Audrey Lamy
797:as Perducas
783:LĂ©a Seydoux
757:Nicolas Gob
737:LĂ©a Seydoux
694:LĂ©a Seydoux
618:112 minutes
498:LĂ©a Seydoux
482:Produced by
462:Directed by
216:Next edit â
32:Next edit â
2050:2014 films
2044:Categories
1864:Literature
1790:(2012â16)
1764:Television
1737:soundtrack
1670:soundtrack
1289:EcranLarge
1203:10 January
1175:1 February
1123:31 January
1046:15 January
985:22 January
962:References
930:Metacritic
902:Mario Bava
860:Box office
841:Production
719:, winning
678:fairy tale
649:Box office
597:2014-02-14
586:2014-02-12
535:Production
472:Written by
1843:Skin Deep
1805:(2016â21)
1782:(1987â90)
1395:Indiewire
1348:ignored (
1091:Cineuropa
1041:berlinale
1005:Cineuropa
938:Indiewire
906:Tsui Hark
884:in 2001.
815:as Maxime
666:(French:
623:Countries
568:(Germany)
537:companies
518:Edited by
417:talk page
369:Consider
337:in French
203:5,325,394
1999:" (1991)
1992:" (1985)
1985:" (1983)
1852:" (2016)
1845:" (2012)
1838:" (2003)
1831:" (1992)
1821:Episodes
1794:episodes
1337:cite web
980:AlloCiné
945:See also
924:website
785:as Belle
633:Language
563:(France)
526:Music by
490:Starring
393:provide
226:Line 57:
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187:contribs
141:Onel5969
112:contribs
56:Wikitext
1912:Beastly
1733:(2017)
1706:Beastly
1693:, 2005)
1666:(1991)
803:as Anne
711:at the
628:Germany
595: (
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415:to the
397:in the
339:.
128:217,141
102:Bkonrad
1923:(2012)
1915:(2007)
1907:(2000)
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1891:(1995)
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1813:(2022)
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1543:(2014)
1533:(2006)
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1503:(1993)
820:Astrid
641:Budget
636:French
626:France
603:Berlin
601: (
542:Eskwad
67:Inline
49:Visual
2007:Other
1975:Songs
1931:Stage
1836:Exile
1745:Belle
1553:(TBA)
560:Pathé
545:Pathé
360:DeepL
205:edits
130:edits
1688:(or
1607:Film
1597:'s "
1439:IMDb
1404:2014
1354:help
1329:2014
1297:2014
1271:2014
1232:2014
1205:2015
1177:2014
1152:2015
1125:2015
1098:2014
1073:2014
1048:2014
1012:2014
987:2014
904:and
771:Cast
727:Plot
391:must
389:You
353:View
194:Bots
183:talk
169:undo
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108:talk
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1448:at
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