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Jeff Johnson (musician): Difference between revisions

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405:{{quote|Although his career started with tones of pop progressive rock, his music has taken on a more serious note since. Sample any of his 50 albums that he has recorded and sold through Ark Records, and you’ll hear hints of Irish folk, modern pop, jazz, mystical world music, and historical Christmas tunes. He’s recorded concept albums based on Stephen Lawhead books, ancient prayers, and iconic figures. All of this variety isn’t just to be clever; rather it’s a celebration of the many nuances that good music can absorb. |David Rupert (2013)<ref name="thehighcalling1"> 378:{{quote|Although his career started with tones of pop progressive rock, his music has taken on a more serious note since. Sample any of his 50 albums that he has recorded and sold through Ark Records, and you’ll hear hints of Irish folk, modern pop, jazz, mystical world music, and historical Christmas tunes. He’s recorded concept albums based on Stephen Lawhead books, ancient prayers, and iconic figures. All of this variety isn’t just to be clever; rather it’s a celebration of the many nuances that good music can absorb. |David Rupert (2013)<ref name="thehighcalling1"> 625: 505: 464: 71: 687: 979:
Although his career started with tones of pop progressive rock, his music has taken on a more serious note since. Sample any of his 50 albums that he has recorded and sold through Ark Records, and you’ll hear hints of Irish folk, modern pop, jazz, mystical world music, and historical Christmas tunes.
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Reviewer David Rupert recounts, "Johnson produced an album of original music for Mercedes Benz, titled ''Rhythms of the Road''. The company included a CD with every new car sold. He was contacted by a car owner who totaled her Mercedes, with Johnson's CD stuck in the player. 'She was more upset about
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Reviewer David Rupert recounts, "Johnson produced an album of original music for Mercedes Benz, titled ''Rhythms of the Road''. The company included a CD with every new car sold. He was contacted by a car owner who totaled her Mercedes, with Johnson's CD stuck in the player. 'She was more upset about
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Jeff Johnson's first studio efforts, ''The Anvil Of God's Word'' and ''Please Forgive Us Lord'' were recorded in 1976, when he was a 'young teenager'<ref>{{cite web|url=http://www.mwe3.com/reviews/JeffJohnsonWS/ |title=CD/DVD Reviews |website=Mwe3.com |date= |accessdate=2016-11-29}}</ref>
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Jeff Johnson's first studio efforts, ''The Anvil Of God's Word'' and ''Please Forgive Us Lord'' were recorded in 1976, when he was a 'young teenager'<ref>{{cite web|url=http://www.mwe3.com/reviews/JeffJohnsonWS/ |title=CD/DVD Reviews |website=Mwe3.com |date= |accessdate=2016-11-29}}</ref>
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Jeff Johnson's first studio album, ''Face of the Deep'' (1980) managed to conjure aural landscapes in the ears of his listeners with his synthesizer infused progressive rock renditions of fantasy works. The album begins with the pensive image of ]'s ]. Songs are inspired by writings such as ]' ''All
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Jeff Johnson's first studio album, ''Face of the Deep'' (1980) managed to conjure aural landscapes in the ears of his listeners with his synthesizer infused progressive rock renditions of fantasy works. The album begins with the pensive image of ]'s ]. Songs are inspired by writings such as ]' ''All
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One of the hallmarks of Jeff Johnson's work is his commitment to excellence in the various details of record production. He goes out and records environmental sounds to enhance the ambiance of recorded tracks. No aspect of production and packaging may go unexamined; from the beautiful cover artwork
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Johnson is a versatile musician, using sounds ranging from progressive rock with soaring synthesizers to acoustic Oregon double-bass and contemporary piano solos. Johnson has collaborated in a number of distinct projects over the course of his career, including: Instrumental fantasy, Celtic and
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Johnson is a versatile musician, using sounds ranging from progressive rock with soaring synthesizers to acoustic Oregon double-bass and contemporary piano solos. Johnson has collaborated in a number of distinct projects over the course of his career, including: Instrumental fantasy, Celtic and
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Johnson is a versatile musician, using sounds ranging from progressive rock with soaring synthesizers to acoustic Oregon double-bass and contemporary piano solos. Johnson has collaborated in a number of distinct projects over the course of his career, including: Instrumental fantasy, Celtic and
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Hallows' Eve'', and by the paintings of ] and ]'s '']''. Johnson completes his treatment of these aural landscapes with on-location recordings of atmospheric sounds such as rain storms and creaking gates - incorporating them into the music in an artful way (see: History - 'Ark Mobile').
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Hallows' Eve'', and by the paintings of ] and ]'s '']''. Johnson completes his treatment of these aural landscapes with on-location recordings of atmospheric sounds such as rain storms and creaking gates - incorporating them into the music in an artful way (see: History - 'Ark Mobile').
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Johnsons's music has been dubbed 'intelligent pop', 'new age', and 'jazz lite' — but he is quick to point out that his records have nothing to do with the New Age movement. "I was doing my style of music before anybody was talking about the New Age Movement."
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Through his career, Johnson has collaborated with a diverse range of artists and musicians. In 1991, he played with Derri Daugherty (The Choir); jazz players David Friesen and Dave Hagelganz; rock drummer Mark Schulman; and flutist Brian Dunning on the album
63: 994:. The company included a CD with every new car sold. He was contacted by a car owner who totaled her Mercedes, with Johnson's CD stuck in the player. 'She was more upset about losing her CD than losing her car'. Johnson sent her another copy." 912:. Johnson completes his treatment of these aural landscapes with on-location recordings of atmospheric sounds such as rain storms and creaking gates - incorporating them into the music in an artful way (see: History - 'Ark Mobile'). 411:|title=Archived copy |accessdate=2013-01-18 |deadurl=yes |archiveurl=https://web.archive.org/web/20130121155117/http://www.thehighcalling.org:80/culture/creativity-rest-us-conversation-jeff-johnson |archivedate=2013-01-21 980:
He’s recorded concept albums based on Stephen Lawhead books, ancient prayers, and iconic figures. All of this variety isn’t just to be clever; rather it’s a celebration of the many nuances that good music can absorb.
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in "a small studio in our house with a friend back in 1977" (Tigard, Oregon). Since then, Ark Records has produced and distributed over 50 albums, and gained international recognition and distribution.
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and were never officially released on CD. After many years, they were made available on a CD entitled ''Early Songs'' as part of the ArkMusic Special Editions series.<ref>
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and were never officially released on CD. After many years, they were made available on a CD entitled ''Early Songs'' as part of the ArkMusic Special Editions series.<ref>
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were recorded in 1976, when he was a 'young teenager' and were never officially released on CD. After many years, they were made available on a CD entitled
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There is thought and purpose behind every note here that makes you feel like you are seeing different shades of nature while floating along a river.
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to which much of his music would later be compared. He has made collaborations with various other well-known musicians, including Sandy Simpson,
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In 1997, working with classical singer Janet Chvatal, who performs Latin chant on the album 'Psalmus'.
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Reviewer David Rupert recounts, "Johnson produced an album of original music for Mercedes Benz, titled
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Ark Records publishes both Jeff Johnson's catalogue of albums, and those of a few musical associates.
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losing her CD than losing her car'. Johnson sent her another copy."<ref name="thehighcalling1"/>
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losing her CD than losing her car'. Johnson sent her another copy."<ref name="thehighcalling1"/>
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Centerpoint - Poetry & Music For Christmas (with B. Dunning & Dallas McKennon) (1990)
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A Quiet Knowing - Canticles For The Heart (with B. Dunnig & J. Fitzpatrick) (2000)
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No Shadow Of Turning (with Sandy Simpson, Dieter Zander & Kathy McClatchy) (1985)
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Around 1998, he moved Ark Records to Camano Island, WA, where he currently resides.
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Byzantium - The Book Of Kells & St. Aidan's Journey (with Brian Dunning) (2000)
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http://www.thehighcalling.org/culture/creativity-rest-us-conversation-jeff-johnson
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Why Should The Heart Not Dance? (with Sandy Simpson & Kathy McClatchy) (1988)
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Music Of Celtic Legends - The Bard & The Warrior (with Brian Dunning) (2005)
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The Tale Of Three Trees (with B. Dunning & Elizabeth Denison Martin) (1990)
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Stars In The Morning East - A Christmas Meditation (with Brian Dunning) (2005)
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Benediction (with Brian Dunning, Jozef Luptak & John Fitzpatrick) (2002)
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A Quiet Knowing Christmas (with Brian Dunning & John Fitzpatrick) (2001)
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Johnson continued the theme of the spiritual quest on albums such as:
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The Katurran Odyssey - A Musical Journey (with Brian Dunning) (2004)
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On his second album, he collaborated with Sandy Simpson to record
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The Enduring Story - A Retrospective (with Brian Dunning) (2001)
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Jeff Johnson produced music since his early teens, and started
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Born Of Water (with David Friesen & Dave Hagelganz) (1987)
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from the article and its talk page, especially if potentially
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In addition to recording, Johnson is active in the ongoing
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Rescuing 2 sources and tagging 0 as dead. #IABot (v1.2.7.1)
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In 2009, he contributed the track "Heaven's Door" for
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Songs are inspired by writings such as 734:Learn how and when to remove this message 669:Learn how and when to remove this message 607:Learn how and when to remove this message 1565:Creativity for the Rest of Us, Interview 1147:Similitudes (with Dave Hagelganz) (1990) 1102: 711:of all important aspects of the article. 858: 1577: 824:(born 1956) is a musician residing in 707:Please consider expanding the lead to 90:Revision as of 20:39, 29 November 2016 1174:Navigatio (with Janet Chvatal) (1997) 863:Jeff Johnson's first studio efforts, 454:Revision as of 07:02, 12 January 2017 160:Revision as of 07:02, 12 January 2017 680: 618: 498: 457: 293:http://www.arkmusic.com/dossier/qa/ 80: 46: 1454:CS1 maint: archived copy as title ( 1369:CS1 maint: archived copy as title ( 1198:Patrick (with Brian Dunning) (2003) 1171:Psalmus (with Janet Chvatal) (1996) 878:Jeff Johnson's first studio album, 214: 209: 174: 157: 150: 142: 99: 87: 13: 1061:Matt Crosslin, Review of Water Sky 958:Breadth of work and collaborations 456: 35: 1606: 1595:Musicians from Washington (state) 1548: 1204:Vespers - Light Into Light (with 473:This article has multiple issues. 1036:More recently, he appeared with 685: 623: 503: 462: 946:, including a song inspired by 699:may be too short to adequately 481:or discuss these issues on the 1533: 1512: 1487: 1462: 1377: 1320: 1296: 1083: 1015:Gangs of New York (soundtrack) 709:provide an accessible overview 144:Filling in 1 references using 1: 1289: 1111:Please Forgive Us Lord (1978) 452: 401: 374: 284: 258: 1066: 1018:, alongside artists such as 556:"Jeff Johnson" musician 514:biography of a living person 18:Browse history interactively 7: 1247: 1114:The Face of the Deep (1980) 1040:on the instrumental albums 649:the claims made and adding 541:must be removed immediately 10: 1611: 898:, and by the paintings of 855:music and worship events. 1168:The Isle Of Dreams (1994) 1108:Anvil of Gods Word (1977) 830:Island County, Washington 806: 802: 794: 784: 770: 764:Island County, Washington 755: 748: 339: 336: 225: 222: 198:Pending changes reviewers 156: 127:Pending changes reviewers 86: 1474:Echoesblog.wordpress.com 1048:(2012) - chosen for the 909:The Moulin de la Galette 253:==Music and influences== 246:==Music and influences== 123:Extended confirmed users 1031:Music to Quiet the Mind 975:sci-fi inspired works. 865:The Anvil Of God's Word 85: 1229:Journey Prayers (2009) 1192:The Memory tree (2002) 1156:Great Romantics (1991) 1129:Fallen Splendor (1986) 1064: 988: 972: 869:Please Forgive Us Lord 528:Please help by adding 357:sci-fi inspired works. 349:sci-fi inspired works. 1560:Selah Service Website 1223:Standing Still (2007) 1220:A Thin Silence (2006) 1103:Discography (partial) 1072:drawn by David & 1054: 977: 961: 1217:King Raven EP (2006) 859:Music and influences 534:Contentious material 1555:Ark Records Website 1499:Downthelinezine.com 992:Rhythms of the Road 985:David Rupert (2013) 952:Dream of the Island 1439:Unknown parameter 1389:Crossrhythms.co.uk 1354:Unknown parameter 1120:Shadow Play (1983) 929:The Jupiter Effect 634:possibly contains 417:= }}</ref>}} 177:InternetArchiveBot 172: 97: 1445:|url-status= 1360:|url-status= 1232:Frio Suite (with 1144:Pilgrimage (1989) 816: 815: 744: 743: 736: 726: 725: 679: 678: 671: 636:original research 617: 616: 609: 591: 517:needs additional 496: 451: 158: 102:Derek R Bullamore 88: 68: 1602: 1542: 1540:de:Janet Chvatal 1537: 1531: 1530: 1528: 1527: 1520:"CD/DVD Reviews" 1516: 1510: 1509: 1507: 1506: 1491: 1485: 1484: 1482: 1481: 1466: 1460: 1459: 1452: 1446: 1442: 1437: 1435: 1427: 1425: 1424: 1415:. 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