285:|url=https://psc-cuny.org/clarion/2014/january/honoring-40-years-centro-nu-yo-rican-print-project/ |access-date=2024-07-28 |website=PSC CUNY |language=en-US}}</ref>She has also had residencies at the ] (PA, 1999), and Rutgers Center for Innovative Print & Paper (NJ, 2000).<ref>{{Cite web |last=vĂnculo |first=Obtener |title=RodrĂguez Calero show at Robert F. Wagner Graduate School of Public Service |url=https://www.puertoricoartnews.com/2023/03/rodriguez-calero-show-at-robert-f.html |access-date=2024-07-29 |website=Tertulia Latina}}</ref> She
272:|url=https://psc-cuny.org/clarion/2014/january/honoring-40-years-centro-nu-yo-rican-print-project/ |access-date=2024-07-28 |website=PSC CUNY |language=en-US}}</ref>She has also had residencies at the ] (PA, 1999), and Rutgers Center for Innovative Print & Paper (NJ, 2000).<ref>{{Cite web |last=vĂnculo |first=Obtener |title=RodrĂguez Calero show at Robert F. Wagner Graduate School of Public Service |url=https://www.puertoricoartnews.com/2023/03/rodriguez-calero-show-at-robert-f.html |access-date=2024-07-29 |website=Tertulia Latina}}</ref> She
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468:'''Exit Art, Alternative Histories New York Art Spaces 1960 to 2010'''. '']''<ref>{{Cite book |last=Rosati |first=Lauren |title=Exit Art, Alternative Histories New York Art Spaces 1960 to 2010 |last2=Staniszewski |first2=Mary Anne |publisher=Exit Art and The MIT Press |year=2013 |pages=126 - 127}}</ref>
458:'''Exit Art, Alternative Histories New York Art Spaces 1960 to 2010'''. '']''<ref>{{Cite book |last=Rosati |first=Lauren |title=Exit Art, Alternative Histories New York Art Spaces 1960 to 2010 |last2=Staniszewski |first2=Mary Anne |publisher=Exit Art and The MIT Press |year=2013 |pages=126 - 127}}</ref>
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and street culture. Her work offers a balance of the abstract and figurative, sacred and profane, the meditative and boldly graphic. Her work employs bold color and carefully arranged dynamic compositions while offering an empathetic gaze on the her subject â subjects of the society she lives in. She
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Imagery and barrio life and demonstrates a belief that everyone, even the most marginalized have dignity and inner worth regardless of social class. Figures in her works preach the gospel for today, reinterpreting community and providing content for the work that is ethnic, political and spiritual
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Calero has developed a distinct original technique called "acrollage. She employs a variety of papers, colorful glazes of paint and acrylic mediums, appropriated prints which are layered on the canvas creating striking and highly graphic yet painterly compositions. These were turned into plastic
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The exhibit included 29 large acrollage canvases, 19 smaller collages, 13 fotacrolĂŠs (altered photography) on canvas board, and 3 works of mixed media on paper produced over three decades. The exhibition was be accompanied by a brochure and a scholarly catalogue. The exhibit was reviewed and was
406:, ''Merion Hall Gallery at ]'' Philadelphia PA. catalogue<ref>{{Cite book |title=I¡den¡ti¡ty: A group exhibition highlighting global and cultural Identity through art. |date=2022 |publisher=St Joseph's Universitiy |year=2022 |location=Merion Station, PA |language=5-6}}</ref>
396:, ''Merion Hall Gallery at ]'' Philadelphia PA. catalogue<ref>{{Cite book |title=I¡den¡ti¡ty: A group exhibition highlighting global and cultural Identity through art. |date=2022 |publisher=St Joseph's Universitiy |year=2022 |location=Merion Station, PA |language=5-6}}</ref>
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She held a ] residency at ] with fellow artists Marcos Dimas, Gilberto
Hernandez, Nestor Otero, Jose Rodriguez, Fernando Salicrup, Jorge Soto, and Manny Vega.<ref>{{Cite web |last=Staff |first=Clarion |title=Honoring 40 Years of Centro: the "nu-YO-Rican" Print Project
271:
She held a ] residency at ] with fellow artists Marcos Dimas, Gilberto
Hernandez, Nestor Otero, Jose Rodriguez, Fernando Salicrup, Jorge Soto, and Manny Vega.<ref>{{Cite web |last=Staff |first=Clarion |title=Honoring 40 Years of Centro: the "nu-YO-Rican" Print Project
162:
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437:, ''Gallery Space at ] Wagner.'' New York, New York. catalogue 2013<ref>{{Cite book |last=Crescioni-sAntoni |first=Franki |title=RazA con âAâ |publisher=Gallery at NYU Wagner |year=2013 |location=New York NY |publication-date=2013}}</ref>
427:, ''Gallery Space at ] Wagner.'' New York, New York. catalogue 2013<ref>{{Cite book |last=Crescioni-sAntoni |first=Franki |title=RazA con âAâ |publisher=Gallery at NYU Wagner |year=2013 |location=New York NY |publication-date=2013}}</ref>
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the
Brooklyn Arts & Culture Association Painting Award from the ] and Belle Cramer Memorial Prize for Abstract Painting from the ]. In 2008, she received the ] Grant in 2008.<ref>{{Cite web |title=Rodriguez Calero - TertuliaLatinaNYC
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the
Brooklyn Arts & Culture Association Painting Award from the ] and Belle Cramer Memorial Prize for Abstract Painting from the ]. In 2008, she received the ] Grant in 2008.<ref>{{Cite web |title=Rodriguez Calero - TertuliaLatinaNYC
319:
She has also received fellowships from the ], ] and the ]<ref name=":2">{{Cite web |date=2022-10-21 |title=Rodriguez Calero |url=https://centropr.hunter.cuny.edu/artists/rodriguez-calero/ |access-date=2024-07-29 |website=CentroPR
311:
She has also received fellowships from the ], ] and the ]<ref name=":2">{{Cite web |date=2022-10-21 |title=Rodriguez Calero |url=https://centropr.hunter.cuny.edu/artists/rodriguez-calero/ |access-date=2024-07-29 |website=CentroPR
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with fellow artists Marcos Dimas, Gilberto
Hernandez, Nestor Otero, Jose Rodriguez, Fernando Salicrup, Jorge Soto, and Manny Vega.She has also had residencies at the
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290:|url=https://cargocollective.com/TertuliaLatinaNYC/Rodriguez-Calero |access-date=2024-07-29 |website=cargocollective.com}}</ref>
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There is a dichotomy in Caleroâs work which bears qualities of both classical and contemporary elements. These include influences of
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In 2003 Calero was selected for with six other artists for national recognition as part of
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Born in
Arecibo, Puerto Rico in 1959, but raised in as a Roman Catholic in Bryooklyn, New York. She studied under
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375:'''Rodrigeuz Calero: Urban Martyrs and Latter Day Santos''', El Museum del Barrio 2015<ref name=":4" />
365:'''Rodrigeuz Calero: Urban Martyrs and Latter Day Santos''', El Museum del Barrio 2015<ref name=":4" />
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employ a technique which combines photography, painting, collage, and chine-colle, as the name implies.
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I¡den¡ti¡ty: A group exhibition highlighting global and cultural
Identity through art
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Public
Television State of the Arts Series, âSIGN OF THE TIMESâ in 2005 and 2008.
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and thus at odds with much of the deconstructionist contemporary art of the day.
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skins that often resemble monoprints. Her smaller prints which she called
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Her work offers deeper social commentary about presentation and symbolism.
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Edwards, Amber (2005). "Liquitex 50th
Anniversary. State of the Arts".
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Exit Art, Alternative Histories New York Art Spaces 1960 to 2010
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Exit Art, Alternative Histories New York Art Spaces 1960 to 2010
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and Belle Cramer Memorial Prize for Abstract Painting from the
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880:"Honoring 40 Years of Centro: the "nu-YO-Rican" Print Project"
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Gloria Rodriguez Calero: Urban Martyrs and Latter Day Santos.
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female artist to receive in depth survey of her work at
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Rodrigeuz Calero: Urban Martyrs and Latter Day Santos
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Rodriguez Calero: Urban Martyrs + Latter Day Saints
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1348:Rosati, Lauren; Staniszewski, Mary Anne (2013).
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981:"An Artistic Conversation with RodrĂguez Calero"
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1352:. Exit Art and The MIT Press. pp. 126â127.
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87:Revision as of 07:53, 22 September 2024
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593:Early life, education, and career
550:painting, collage and photography
1389:. Institute for Latino Studies,
1272:Veneciano, Jorge Daniel (2015).
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559:https://www.rodriguezcalero.com/
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262:== Residencies and grants ==
255:== Residencies and grants ==
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1257:: CS1 maint: url-status (
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1182:CUNY TV (2015-07-23).
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