170:(1986.12.16-12.19, Fujian Art Museum). The Xiamen Dada group curated and installed the exhibition in two days (1986.12.14 - 1986. 12.15) with the help of professors and students from the Department of Art, Fujian Normal University. The exhibition featured found objects which were primarily found in the Fujian Art Museum's surroundings. It was up for about two hours before it was shut down by the museum officials.
25:
164:(1986.11.20-11.23, in front of the then Xiamen People's Art Museum). Sixty works previously on show in the Xiamen Dada - Modern Art Exhibition was dismantled, destructed, and eventually burned in the square in front of the then Xiamen People's Art Museum. The burning took place on November 23, 1986, and lasted for about two hours. About 200 audiences were present at the event.
126:
the
European avant-garde art movement and puts forward Huang's reinterpretation of Dadaism: “Zen is Dada, Dada is Zen. Postmodernism is the modern renaissance of Zen. Both concepts make their names as the utmost candid and profound — not in terms of the aesthetics, but in terms of the impossibility
76:
was a major exhibition that emerged from the
Chinese 85 New Wave art movement. It was organised by the Xiamen Dada group, one of the more radical avant-garde groups that emerged in China in the 1980s. The exhibition took place in the Xiamen People's Art Museum (now The Cultural Centre of Xiamen) in
89:(the co-founder of the Xiamen Dada group), Lin jiahua and Xiao Gang Yu, Jiao Yaoming. The exhibition marked the art group Xiamen Dada's entrance into contemporary Chinese art history and was later transformed into an initiating exhibition in a three-stage event organized by Xiamen Dada in 1986.
49:
139:
Fourteen artists participated in the
Exhibition, according to Huang Yongping's retrospective recording of the event. These include: Huang Yong Ping (黄永砯), Lin Jiahua (林嘉华), Yu Xiaogang (俞晓刚), Jiao Yaoming (焦耀明), Ji Nai Jin (紀乃進) Chen Lixiong (蔡立雄) Chengzong (陈承宗)
97:
The exhibition is widely discussed and examined in the context of the 85 New Wave
Movement in China, and Xiamen Dada as a “quite unique group” in the Movement. Critiques also explicitly link the exhibition with political movements like the
122:. Huang notes in the article that the exhibition “serves as a fortunetelling one in terms of all kinds of possibilities localized Chinese modern art might have.” The text also connects the Xiamen Dada group with
131:
sentiment would be echoed in the exhibition, and the exhibition would later be characterized as a radical anti-art action in media coverages and critiques.
39:
217:
317:
257:
367:
200:
407:
397:
54:
106:
when commenting on the exhibition as a spiritual extension of reflections and critiques on
Chinese culture.
402:
8:
103:
99:
281:
412:
373:
363:
323:
313:
263:
253:
196:
35:
86:
85:
Province, from
September 28 to October 5, 1986. Participating artists included
377:
391:
327:
267:
114:
A complementary text or concept note of the
Exhibition was Huang Yongping's
151:
The
Exhibition is widely regarded as the prologue in a three-stage event.
16:
Major exhibition that emerged from the
Chinese 85 New Wave art movement
357:
307:
247:
44:
128:
195:. New York, United States: The Museum of Modern Art. p. 415.
188:
24:
82:
78:
123:
218:"How Marcel Duchamp Impacted Contemporary Chinese Art"
158:(1986.9.28-10.5, the then Xiamen People's Art Museum).
127:of the real, and extreme doubt and distrust.” The
389:
162:Xiamen Dada, Dismantling - Destruction - Burning
309:Odyssey of Culture : Wenda Gu and His Art
252:. Shang hai ren min chu ban she. p. 21.
168:Xiamen Dada, Exhibition for Fujian Art Museum
193:Contemporary Chinese Art: Primary Documents
305:
245:
134:
390:
215:
116:Xiamen Dada — A Kind of Postmodernism?
355:
109:
241:
239:
237:
156:Xiamen Dada—Exhibition of Modern Art
143:A total of 83 works were exhibited.
118:that he wrote for the art newspaper
74:Xiamen Dada—Exhibition of Modern Art
18:
13:
341:萧, 春雷 (2006-10-29). ""厦门达达"与黄永砯".
187:
14:
424:
340:
234:
23:
349:
334:
299:
274:
209:
181:
146:
1:
174:
92:
216:Forman, Sarah (2018-04-27).
7:
10:
429:
362:. 上海人民出版社. p. 347.
359:中國當代美術史 : 1985-1986
312:. Springer. p. 25.
408:History of art in China
398:Visual arts exhibitions
38:, as no other articles
282:"厦门达达——"八五新潮"最为激进的团体"
135:Participating artists
104:May Fourth Movement
100:Cultural Revolution
306:Zhou, Yan (2015).
120:Fine Arts in China
110:Exhibition concept
57:for suggestions.
47:to this page from
343:厦门晚报 Xiamen Daily
319:978-3-662-45411-4
259:978-7-208-07440-8
246:費大為 (藝術) (2007).
71:
70:
420:
382:
381:
353:
347:
346:
338:
332:
331:
303:
297:
296:
294:
293:
278:
272:
271:
243:
232:
231:
229:
228:
213:
207:
206:
185:
66:
63:
52:
50:related articles
27:
19:
428:
427:
423:
422:
421:
419:
418:
417:
388:
387:
386:
385:
370:
354:
350:
339:
335:
320:
304:
300:
291:
289:
280:
279:
275:
260:
244:
235:
226:
224:
214:
210:
203:
186:
182:
177:
149:
137:
112:
95:
67:
61:
58:
48:
45:introduce links
28:
17:
12:
11:
5:
426:
416:
415:
410:
405:
400:
384:
383:
368:
356:高, 名潞 (1991).
348:
333:
318:
298:
273:
258:
233:
208:
201:
191:, ed. (2010).
179:
178:
176:
173:
172:
171:
165:
159:
148:
145:
136:
133:
111:
108:
94:
91:
87:Huang Yongping
69:
68:
55:Find link tool
31:
29:
22:
15:
9:
6:
4:
3:
2:
425:
414:
411:
409:
406:
404:
403:1986 in China
401:
399:
396:
395:
393:
379:
375:
371:
369:7-208-00510-9
365:
361:
360:
352:
344:
337:
329:
325:
321:
315:
311:
310:
302:
287:
283:
277:
269:
265:
261:
255:
251:
250:
242:
240:
238:
223:
219:
212:
204:
202:9780822349433
198:
194:
190:
184:
180:
169:
166:
163:
160:
157:
154:
153:
152:
144:
141:
132:
130:
125:
121:
117:
107:
105:
101:
90:
88:
84:
80:
75:
65:
62:November 2019
56:
51:
46:
42:
41:
37:
32:This article
30:
26:
21:
20:
358:
351:
342:
336:
308:
301:
290:. Retrieved
288:(in Chinese)
286:@GI_weltweit
285:
276:
248:
225:. Retrieved
221:
211:
192:
183:
167:
161:
155:
150:
142:
138:
119:
115:
113:
96:
73:
72:
59:
33:
147:Development
392:Categories
378:1020982553
292:2019-11-23
227:2019-11-25
175:References
93:Background
53:; try the
40:link to it
328:908611819
268:823679214
43:. Please
413:Neo-Dada
189:Wu, Hung
129:anti-art
102:and the
249:'85新潮檔案
376:
366:
326:
316:
266:
256:
199:
83:Fujian
79:Xiamen
36:orphan
34:is an
222:Artsy
374:OCLC
364:ISBN
324:OCLC
314:ISBN
264:OCLC
254:ISBN
197:ISBN
124:Dada
394::
372:.
322:.
284:.
262:.
236:^
220:.
81:,
380:.
345:.
330:.
295:.
270:.
230:.
205:.
64:)
60:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.