1062:, is an atrocious movie. Supposedly a comic spoof, it lacks humor. It also lacks grace, class, style and intelligence, a group of attributes more common in their absence than their presence in many Hollywood productions, but not generally absent to such a great degree. On another level, however, the movie is so bad that it is almost good. It is an exercise in how to take a pretty good idea and to overdo it until quintessential boredom is reached, but it also provides an opportunity to see a fading galaxy of former-stars, most of whom cause a first reaction of, 'Gee, I didn't know he was still alive.'"
1606:
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1087:. There's a case for a Society for the Prevention of Cruelty to Old Actors. The gimmick of Michael Winner's film is to parade a pageant of great old Hollywood names. Presumably they were persuaded to do it in the belief that the film was to be an affectionate homage to the old Hollywood. Their walk-ons suggest that they were required at the studio so briefly that there was not even time to make them up or light them, let alone explain what they were supposed to be doing; certainly aging people could hardly be filmed with less sympathy.
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shepherd, comes off best, largely because he does not have to share the burden of speaking the lines as written but also because no one interfered much with his naturally dignified appearance. The rhinestone collar he has to wear for the part is all but obscured by his healthy coat and they never did get him to use the gold-plated fire hydrant parked next to his between-takes spot on the movie-within-a-movie set." She ended the review by saying, "you've heard of
1029:
was once a movie about a dog named Won Ton Ton who saved
Hollywood that looked like a loser and was sent back to the cutting room. We'll never know for sure, but that picture almost had to be better than the one presently on view. As it stands, this picture not only omits the story of the dog who saved Hollywood, it omits any story altogether. A dog named Won Ton Ton, however, is indeed present."
950:-esque actor—is extravagantly bad, as if grimaces and gesticulations would conceal the script's inadequacies. Won Ton Ton is played by a dog named Augustus Von Schumacher (pets should be protected from their owner's muses), who is quite appealing and who, when he covers his ears as some dynamite is about to explode, chalks up the movie's only laugh. If only it weren't for all those people."
1116:
It is just a mean film (which is small recommendation for a comedy, you might think). It has a mean view of what
Hollywood and its artists were and represented; it has a mean view of the achievement of the silent cinema. The audience does not have such a great time either; the film tries to conceal
1028:
wrote that the comedy "has about as much to do with a dog named Won Ton Ton saving
Hollywood as it has to do with God having made little green apples or the price of eggs in China. We have become accustomed to imprecise or misleading movie titles but this one is downright inaccurate. Probably there
843:
directors like to put it. It was written by me as a satire, written by God-knows-who as a slapstick farce, and directed with all the charm and wit of a chain-saw massacre. I had nothing to do with the final picture, and on that one, I was not only listed as co-writer but also as executive producer,
1090:
Indeed, you could believe that it had been done to humiliate and demean them. Yvonne de Carlo and Alice Faye are cast, or cast in, as aged secretaries, Virginia Mayo is a cleaning woman, Walter
Pidgeon (and in a film like this you think of him as Walter Pidgeon and not as a character) is given one
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Well, maybe they have only themselves to blame, and they have got good money for it. But the meanness is as unduckable in the treatment of the humans as in a particularly brutal (however tricked) gag of the dog, having been trained to jump through prop paper walls, hurling himself bewilderedly
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Of the acting, Stark wrote that "not even an actor of Dern's estimable caliber can do a thing with that kind of tiresome material", that Kahn, "In addition to being given a wealth of flat comic material", "is coiffed and clothed in exceptionally unflattering style" and that "the dog, a German
29:
971:
But director Winner has given the film such a ragged, patchwork quality that the plot becomes a hopleless muddle (as if it needed any help in that direction), and there are only three really good jokes in the entire thing. And three good gags do not a comedy
967:
The film stars Art Carney, Bruce Dern and
Madeline Kahn fine performers all, and one can take away some enjoyment in their zestful performances. And there are some good tricks involving the dog, which should turn on the kids and people who go soft over dogs.
963:
Both a parody and a reverent comedy (it never does seem to find a single direction) about
Hollywood in the 1920s, Paramount Pictures has assembled a huge cast of old movie greats for a sloppy and unfunny parade of old movie send-ups and their stars.
805:
Warner Bros decided not to make the film. Picker took the script with him when he moved to
Paramount, causing the title to be changed. The owners of Rin Tin Tin sued the producers, causing Picker to insist his dog was completely fictional.
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is in fact a pleasant dose of PG humor which, while not altogether without sophistication, must have missed a G rating by the narrowest of squeaks. And oddly it is those few lapses of language which seem the most awkward and unnecessary.
812:
was offered the female lead but wanted her partner Jane Wagner to rewrite the script. Director
Michael Winner said Tomlin "felt we mustn't go for the laugh. Well, in a comedy laughs don't hurt." Tomlin left the project. Picker says
794:. The story was written by Cy Howard in 1971. He hired Arnold Schulmann to write the script. It was developed by David Picker at Warner Bros who requested the title be changed so as to not clash with their upcoming version of
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gave the film two stars out of four and called it "a scattershot comedy that can't make up its mind whether to be 'wholesome family entertainment' or a smutty film industry in-joke. It goes both ways." Jerry Oster of the
915:...from its unrelentingly crass tone and steady stream of unfunny jokes. Unquestionably, the best performance is given by an appealing German shepherd named Augustus Von Schumacher, who plays Won Ton Ton."
946:, directing a comedy?) has a confused, questing quality to it. The acting—by Bruce Dern, as the dog's director, Madeline Kahn, as the dog's best friend. Art Carney, as a producer, and Ron Leibman, as a
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wrote that "the script, by Arnold
Schulman and Cy Howard, is singular among comedies in that it has not one funny line. The direction, by Michael Winner (Michael Winner, he of such cynical movies as
242:, the film is notable for the large number of cameo appearances by actors and actresses from Hollywood's golden age, many of whom had been employees of Paramount Pictures, the film's distributor.
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also enjoyed the dog's performance, but remarked, as well, that the film "starts with a marvelously whimsical premise that director
Michael Winner is unable to develop in rich comic terms."
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Vaguely pretending to be based on the real-life dog star Rin-Tin-Tin, it is particularly mean about him. He was certainly a lot more fun than this (admittedly not unlovable) counterfeit.
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wrote, "What saves the movie, a jumble of good jokes and bad, sloppiness, chaos and apparently any old thing that came to hand, is Madeline Kahn...What she has – as
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reported that "this project might have worked to a degree of whimsy. But the alchemy in the direction has turned potential cotton candy into reinforced concrete; Winner's
986:' frenzied gift for marshaling this sort of material; and, to make matters worse, the script attains a level of parody no higher than Ron Leibman's mincing caricature of
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After escaping the dog pound, a German Shepherd links up with a budding actress and a wannabe film screenwriter and then becomes a Hollywood star.
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Not only did David Picker, the producer, have every word of the script rewritten, but he hired Michael Winner, the director of all the
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its deficiencies in comic ideas and comic skill by doing everything at the pace of a clockwork toy with a too-tight spring.
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stated "This tacky exercise in mock nostalgia may be added to that recent, weirdly miscalculated genre that includes
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had – is a kind of unwavering purpose at right angles to reality, a concentration that she bears,
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1972:
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They may be presented as uninhibited, madcap spoofs of Old Hollywood, but they tend to end up illustrating the
990:, embellished with little more than the standard mannerisms of the familiar theatrical queen." Gary Arnold of
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Just to prove how the film defames the silent cinema, there currently opportunities to see the real thing.
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SECOND ANNUAL GROSSES GLOSS Byron, Stuart. Film Comment; New York Vol. 13, Iss. 2, (Mar/Apr 1977): 35-37,64.
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The Tale Wags the Dog: 'Won Ton Ton'--The Tale Wags the Dog Kilday, Gregg. Los Angeles Times 5 Oct 1975: o1.
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wanted to make the film "but we couldn't come to an arrangement." Eventually Madeline Kahn was cast.
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Dern said he accepted the lead "because I've never been in a hit. This is a very funny movie."
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Murphy, Arthur D. (May 5, 1976). "Film Reviews: Won Ton Ton, The Dog Who Saved Hollywood".
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The film opened to negative reviews when it opened in the late spring of 1976. On the
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and Pioneer 4 is not the dog (sorry) that some national reviewers have said it is."
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Arnold, Gary (May 28, 1976). "'Won Ton Ton, the Dog Who Saved Hollywood'".
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Filming started in August 1975. Karl Miller was in charge of the dog.
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Pym, John (August 1976). "Won Ton Ton, the Dog Who Saved Hollywood".
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A mildly positive review of the film came from Perry Stewart of the
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Expecting a Dog to Save Hollywood? You're Barking Up the Wrong Tree
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The film was one of five reviewed in the July 16, 1976, edition of
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889:, through all kinds of unreasonable events." Arthur D. Murphy of
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Arnold Schulman, credited as a writer and producer, later said:
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Thomas, Kevin (May 26, 1976). "Hollywood in 'Won' Dimension".
1267:"Hollywood's hydrants will never be the same" Kerwin, Robert.
1280:"Won Ton Ton: Hot dog, handle with care" Gorner, Peter.
1129:, even though not the best of the three films in which
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These players are seen but have no lines of dialogue.
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Backstory 3: Interviews with Screenwriters of the 60s
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as Silent Film Star (credited as Ricardo Montalban)
1019:at its most crass, insecure and condescending."
1954:
1254:"To Rinny With Love and G Rating" Haber, Joyce.
1075:had some particularly biting criticisms of it:
1304:
1300:. University of California Press. p. 319.
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1231:"Rin Tin Tin: American Hero (Published 2011)"
839:pictures, to "realize" the film, as the post-
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218:is a 1976 American comedy film directed by
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1526:Youth on the prow and Pleasure at the helm
1509:'Won Ton Ton, the Dog Who Saved Hollywood'
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800:Won Ton Ton the Dog that Saved Warner Bros
27:
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844:and I couldn't get my name off! (Laughs.)
1819:Won Ton Ton, the Dog Who Saved Hollywood
1597:Won Ton Ton, the Dog Who Saved Hollywood
1581:Won Ton Ton, the Dog Who Saved Hollywood
1564:Won Ton Ton, the Dog Who Saved Hollywood
1314:Won Ton Ton, the Dog Who Saved Hollywood
1081:Won Ton Ton, The Dog Who Saved Hollywood
1060:Won Ton Ton, the Dog Who Saved Hollywood
913:Won Ton Ton, the Dog Who Saved Hollywood
215:Won Ton Ton, the Dog Who Saved Hollywood
22:Won Ton Ton, the Dog Who Saved Hollywood
1149:Won Ton Ton the Dog Who Saved Hollywood
1955:
1083:, which would have been better titled
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310:as Awards Ceremony Guest (uncredited)
982:wrote "Michael Winner does not have
911:wrote "Sixty guest stars can't save
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1394:'Won Ton Ton' can't save bad script
13:
1993:Films about Hollywood, Los Angeles
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14:
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1524:Robinson, David (16 July 1976). "
1425:Taggart, Patrick (June 4, 1976).
722:as Stagehand #2 (final film role)
238:. Spoofing the craze surrounding
2033:Films produced by Michael Winner
1998:Films directed by Michael Winner
1541:Stewart, Perry (June 2, 1976). "
1490:Miller, Jeanne (May 27, 1976).
1352:"Miss Kahn Lifts 'Won Ton Ton'".
1241:from the original on 2015-08-17.
1739:I'll Never Forget What's'isname
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1427:"'Won Ton Ton' can't be saved".
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790:and was based on the career of
786:The film was originally called
1507:Pollack, Joe (May 27, 1976). "
1473:Stark, Susan (May 27, 1976). "
1392:Siskel, Gene (May 31, 1976). "
1350:Eder, Richard (May 27, 1976).
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1:
1409:Oster, Jerry (May 27, 1976).
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1085:The Dog Who Savaged Hollywood
1039:? They should call this one,
781:
652:as Grayson's Studio Secretary
1978:1970s English-language films
1411:"Shouldn't happen to a dog".
1294:McGilligan, Patrick (1997).
848:
7:
1492:The dog who saved this film
901:is funnier in comparison.
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2003:Films scored by Neal Hefti
2013:Films shot in Los Angeles
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956:Austin American-Statesman
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16:1976 American comedy film
2018:Paramount Pictures films
1547:Fort Worth Star-Telegram
1543:Fond Fond of Won Ton Ton
1144:Fort Worth Star-Telegram
1079:And so, reluctantly, to
1043:." Jeanne Miller of the
776:as Prostitute's Customer
616:as Mexican Projectionist
574:as Singing Telegraph Man
1891:A Chorus of Disapproval
1513:St. Louis Post-Dispatch
1055:St. Louis Post-Dispatch
953:Patrick Taggart of the
798:. Picker changed it to
758:as Premiere Female Star
688:Brief cameo appearances
614:Pedro Gonzalez Gonzalez
486:Brief cameo appearances
468:as Silent Film Director
253:
245:
1883:Appointment with Death
1496:San Francisco Examiner
1139:
1046:San Francisco Examiner
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846:
764:as President's Girl #4
740:as President's Girl #3
734:as President's Girl #2
716:as Silent Film Villain
710:as Silent Film Star #2
646:as Burlesque Stagehand
634:as Custard Pie Star #3
628:as Custard Pie Star #2
622:as Custard Pie Star #1
610:as Man in Mexican Film
520:as President's Girl #1
456:as Professor Quicksand
386:as Special Effects Man
380:as Priest in Dog Pound
155:May 26, 1976
1973:American comedy films
1151:falls short of, say,
1077:
1058:wrote "On one level,
1041:Won Ton Ton, Go Home.
1011:The Day of the Locust
961:
828:
752:as Premiere Male Star
434:as Richard Entwhistle
374:as Assistant Director
326:as Visiting Film Star
2038:1970s American films
1170:Stewart continued, "
770:as Star at Screening
640:as Star at Screening
532:as Souvenir Salesman
526:as Radio Interviewer
502:as Studio Gatekeeper
474:as Secretary at Gate
1723:You Must Be Joking!
1462:The Washington Post
1414:New York Daily News
1113:against real ones.
1052:Joe Pollack of the
1022:Susan Stark of the
993:The Washington Post
931:New York Daily News
704:as Old Woman on Bus
544:as Awards Announcer
462:as Woman Journalist
398:as Grayson's Butler
268:as Grayson Potchuck
1983:Films about actors
1642:Films directed by
1586:TCM Movie Database
1479:Detroit Free Press
1400:. Section 2, p. 9.
1355:The New York Times
1235:The New York Times
1219:The New York Times
1025:Detroit Free Press
999:W.C. Fields and Me
870:The New York Times
720:Johnny Weissmuller
592:as Male Journalist
538:as Autograph Hound
404:as Stubby Stebbins
392:as Cook in Kitchen
384:Broderick Crawford
286:as Murray Fromberg
141:Paramount Pictures
2008:Films set in 1924
1968:1976 comedy films
1950:
1949:
1683:Some Like It Cool
1675:Out of the Shadow
1667:Climb Up the Wall
1381:Los Angeles Times
1284:23 May 1976: e12.
1271:25 Jan 1976: g12.
1258:27 Aug 1975: e10.
1256:Los Angeles Times
1071:of London, where
1036:Lassie, Come Home
1005:Gable and Lombard
908:Los Angeles Times
855:review aggregator
841:Cahiers du Cinéma
728:as Dancing Butler
682:as Old Man on Bus
680:Sterling Holloway
676:as Dog Catcher #2
670:as Dog Catcher #1
506:Ricardo Montalbán
480:as Cleaning Woman
444:as Cleaning Women
428:as David Hamilton
422:as James Crawford
274:as Estie Del Ruth
211:
210:
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2028:German shepherds
1988:Films about dogs
1803:The Stone Killer
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1383:. Part IV, p. 1.
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702:Dorothy Gulliver
696:William Benedict
638:Patricia Morison
562:as Second Butler
556:as Rudy's Butler
500:William Demarest
410:as Mrs. Fromberg
350:as Hedda Parsons
338:as Rhoda Flaming
298:as Fluffy Peters
292:as Rudy Montague
280:as J.J. Fromberg
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111:Richard H. Kline
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1867:Scream for Help
1859:The Wicked Lady
1771:The Nightcomers
1747:Hannibal Brooks
1699:The Cool Mikado
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883:Charlie Chaplin
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832:Charles Bronson
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744:Barbara Nichols
685:
620:Morey Amsterdam
586:as Rudy's Agent
580:as Studio Guard
514:as Stagehand #1
483:
478:Yvonne De Carlo
368:as Phillip Hart
362:as Manny Farber
356:as Miss Battley
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788:A Bark is Born
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650:Ann Rutherford
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608:Doodles Weaver
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414:Dean Stockwell
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107:Cinematography
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72:Michael Winner
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43:Michael Winner
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1915:Parting Shots
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1907:Dirty Weekend
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1851:Death Wish II
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1835:The Big Sleep
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1659:Shoot to Kill
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698:as Man on Bus
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604:as Moving Man
603:
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542:George Jessel
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344:as Tour Guide
343:
342:Dennis Morgan
340:
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330:Joan Blondell
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316:Larger cameos
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272:Madeline Kahn
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228:Madeline Kahn
225:
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207:$ 1.2 million
206:
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186:
183:United States
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85:Madeline Kahn
82:
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25:
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1932:
1913:
1905:
1897:
1889:
1881:
1875:Death Wish 3
1873:
1865:
1857:
1849:
1841:
1833:
1827:The Sentinel
1825:
1818:
1817:
1809:
1801:
1793:
1787:The Mechanic
1785:
1779:Chato's Land
1777:
1769:
1761:
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1705:
1697:
1691:Play It Cool
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1354:
1346:
1329:. Retrieved
1319:
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1263:
1255:
1234:
1225:
1214:
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1160:Barry Lyndon
1158:
1154:Citizen Kane
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941:
937:The Mechanic
935:
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903:Kevin Thomas
897:
890:
868:
865:Richard Eder
863:
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834:
829:
825:
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815:Bette Midler
808:
804:
799:
795:
787:
785:
762:Cyd Charisse
687:
686:
674:Cliff Norton
658:as Blind Man
656:Milton Berle
644:Regis Toomey
596:Army Archerd
578:Mike Mazurki
566:Jane Connell
485:
484:
460:Carmel Myers
454:Edgar Bergen
408:Nancy Walker
366:Rory Calhoun
348:Ethel Merman
315:
314:
302:Ronny Graham
284:Phil Silvers
258:
257:
249:
214:
213:
212:
171:Running time
148:Release date
93:Phil Silvers
2023:Rin Tin Tin
1450:(511): 177.
1331:October 26,
1172:Won Ton Ton
1131:Frank Capra
919:Gene Siskel
875:W.C. Fields
810:Lily Tomlin
792:Rin Tin Tin
768:Guy Madison
738:Janet Blair
714:Jack La Rue
590:Jack Carter
584:Jesse White
568:as Waitress
536:Rudy Vallee
432:Robert Alda
420:Dick Haymes
378:Andy Devine
372:Billy Barty
332:as Landlady
290:Ron Leibman
240:Rin Tin Tin
199:$ 3 million
101:Ron Leibman
63:Produced by
39:Directed by
1963:1976 films
1957:Categories
1811:Death Wish
1731:The Jokers
1715:The System
1179:References
984:Mel Brooks
943:Death Wish
898:Death Wish
836:Death Wish
782:Production
732:Ann Miller
668:Phil Leeds
602:Huntz Hall
572:Dennis Day
554:Fritz Feld
530:Ken Murray
496:as Tourist
472:Alice Faye
442:Jimmy Ritz
438:Harry Ritz
426:Tab Hunter
308:Toni Basil
278:Art Carney
266:Bruce Dern
236:Art Carney
224:Bruce Dern
204:Box office
175:92 minutes
159:1976-05-26
131:Neal Hefti
89:Art Carney
81:Bruce Dern
49:Written by
1899:Bullseye!
1843:Firepower
1755:The Games
1530:The Times
1165:Cineworld
1133:directed
1097:Valentino
1093:Fairbanks
1068:The Times
988:Valentino
948:Valentino
887:Magoolike
849:Reception
550:as Tailor
548:Eli Mintz
524:Louis Nye
390:Keye Luke
296:Teri Garr
232:Teri Garr
117:Edited by
97:Teri Garr
57:Cy Howard
1651:Features
1239:Archived
959:wrote:
857:website
664:as Drunk
402:Aldo Ray
259:Starring
188:Language
127:Music by
77:Starring
1934:Old Mac
1795:Scorpio
1707:West 11
1584:at the
1549:. 11-B.
1481:. 11-B.
1368:Variety
1106:Ben-Hur
921:of the
905:of the
892:Variety
450:as Nick
191:English
180:Country
157: (
1943:(1962)
1937:(1961)
1926:Shorts
1918:(1999)
1910:(1993)
1902:(1990)
1894:(1989)
1886:(1988)
1878:(1985)
1870:(1984)
1862:(1983)
1854:(1982)
1846:(1979)
1838:(1978)
1830:(1977)
1822:(1976)
1814:(1974)
1806:(1973)
1798:(1973)
1790:(1972)
1782:(1972)
1774:(1971)
1766:(1971)
1763:Lawman
1758:(1970)
1750:(1969)
1742:(1967)
1734:(1967)
1726:(1965)
1718:(1964)
1710:(1963)
1702:(1963)
1694:(1962)
1686:(1961)
1678:(1961)
1670:(1960)
1662:(1960)
1571:
1416:. 100.
196:Budget
1532:. 13.
1515:. 5H.
1498:. 32.
1464:. B9.
1432:. C5.
1370:. 18.
1357:. 30.
972:make.
1569:IMDb
1333:2023
1157:and
1099:and
1008:and
940:and
881:and
877:and
440:and
254:Cast
246:Plot
234:and
1600:at
1567:at
1545:".
1528:".
1511:".
1494:".
1477:".
1396:".
1013:...
867:of
1959::
1448:43
1446:.
1324:.
1318:.
1247:^
1237:.
1233:.
1187:^
1095:,
1002:,
802:.
230:,
226:,
1635:e
1628:t
1621:v
1335:.
1316:"
1312:"
161:)
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