247:, Gallery 707, and Grandview. The building's goal included having multiple female artists represented in a registry cataloging them. The way they went about adding female artists to the registry is by allowing other female visual artists to submit ten slides of their work, a resume, and information about themselves in order to be considered to be added to the registry. The registry they created included the " books, resumes, correspondence, postcards, and samples of art in the form of sketches, drawings, and prints" from 1970 to 1992.
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led the organization. They also began the Vesta Awards, an annual fundraiser. The performance group
Sisters of Survival, which formed in 1981, exhibited and toured across the United States and Europe to protest nuclear weapon proliferation. That year, the Woman's Building founded the Women's Graphic
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replaced
Wolverton, staying only briefly and failing to rescue the organization financially. After she left, a 13-member board ran the Woman's Building. The Woman's Building never recovered and despite pushes to move to another location, they closed the gallery and performance space in 1991. They
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in 2011/2012. The exhibition was part of the Getty initiative, Pacific
Standard Time. The exhibition was accompanied by a 2-volume catalog, and a website that includes historical information about the Woman's Building. On June 8, 2018, the L.A. City Council designated the Woman's Building as a
227:. Students were encouraged to collaborate with each other, pooling together their different skills and resources to work on the same art projects. FSW originally met in de Bretteville's home, and in November 1973, the three women began renting a workshop space in a vacant building near
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and a statistic of violence against women. Works such as these are credited with shaping the contemporary performance art scene. Another collective, Mother Art, created installations and performances that addressed the issues their members faced as both mothers and artists.
422:. With FSW's closure, the programs of the Woman's Building were altered to cater to the needs of working women. The building's hours were reduced and two thirds of it rented to artists for studio space. That year all three of the founding members left, and former students
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services. However, in 1988 the Women's
Graphic Center closed, and the income for staff salaries disappeared. Wolverton served as sole executive director from 1988 to April 1989 before leaving.
267:, contributing to the revitalization of the area during the 1970s and 1980s. FSW became the main tenant as the previous smaller tenants left, and decided to hire an administrator and create a
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for women, and revolved around a workshop environment, allowing women to develop their artistic skills and knowledge outside a traditional educational environment. The vision of FSW was that
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on a chain, meant to represent "strength without a fist"; members of the FSW in 1978-79 made 500 of these necklaces to celebrate the 5th anniversary of the Woman's
Building.
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Center
Typesetting and Design, a for-profit business designed to strengthen their finances and support the artistic endeavors of the Building. They provided
263:, consisting of three floors of open space, making it ideal for FSW's classes and exhibitions. The space was the first arts organization to locate itself in
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Numerous programs and groups formed out of FSW. They offered a two-year program in interdisciplinary arts, such as performing, graphics, video and writing.
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were finally finished with trying to offer feminist education in a male-dominated institution like CalArts. That year they quit CalArts and founded the
758:"The Woman's Building Records, Feminist Studio Workshop, Center for Feminist Art Historical Studies for project 36002 | Smithsonian Digital Volunteers"
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for women in society. The Incest
Awareness Project consisted of a series of interactive exhibitions from 1978–79, including a video installation,
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In 1979, artists from the Woman's
Building issued a nationwide call for lesbian artists to organize exhibitions of their work as part of the
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with students who felt their artwork contained queer themes and content in order to highlight the contributions by lesbian artists.
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309:. They also hosted large-scale exhibitions, media and social events. From 1976 to 1980 the Feminist Art Workers toured the
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Doin' It in Public: Feminism and Art at the Woman's
Building - A Guide to the Exhibition by Otis College of Art and Design
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In 1991, Sandra Golvin, president of the board of directors, donated the Woman's
Building records to the Smithsonian's
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In 1975, the building that FSW was renting was sold, and they, along with the other tenants, moved to a former
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406:'s poster for the Women in Design conference held at the Woman's Building in 1975. Woman's Building records,
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353:, featured 10 tall women, wearing 7-foot-tall head extensions, draped in black, standing on the steps of the
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to handle the growth of the organization. FSW obtained funding from memberships, tuition, fund-raising and
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started the writing program which included an ongoing writing series. Readers in the series included
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was installed on top of the building in 1978 to commemorate the fifth anniversary of the art center.
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The time: mid-'70s. The place: the Feminist Studio Workshop, later to become the Woman's Building.
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973:"From Los Angeles: Doin' It In Public: Feminism and Art at the Woman's Building | Art Practical"
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Woman's Building posters in the collection of the Center for the Study of Political Graphics
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groups, the Sisterhood Bookstore, the Associated Women's Press, local chapters of the
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1049:"Status Update: The Woman's Building Earns Historic Cultural Monument Designation"
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The Woman's Building and its legacy was the subject of a major exhibition called
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In 1981, the Feminist Studio Workshop closed, due to the diminishing demand for
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building from the 1920s. In the 1940s, the building had been converted into a
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936:. The Getty Research Institute Special Collections, The J. Paul Getty Trust.
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147:. The center was open from 1973 until 1991. During its existence, the
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1119:, by Terry Wolverton. San Francisco: City Lights Publishers (2002).
1092:, Volume II, anthology edited by Meg Linton and Sue Maberry (2012).
782:"Kate Millett's Naked Lady on the Los Angeles Woman's Building Roof"
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527:"Los Angeles' Woman's Building remembered | Jewish Women's Archive"
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The quest: to find themselves, to make art, to change the culture.
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From Site to Vision: the Woman's Building in Contemporary Culture
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1105:, anthology edited by Sondra Hale and Terry Wolverton (2011).
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Doin' It in Public: Feminism and Art at the Woman's Building
231:, calling it the Woman's Building after a building from the
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Defunct non-profit organizations based in the United States
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481:
Doin It In Public: Feminism and Art at the Woman's Building
1078:, by Sue Maberry, Meg Linton, and Terry Wolverton (2012).
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continued to hold the Vesta Awards, with keynote speaker
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University and college arts centers in the United States
700:"The Legacy of the Woman's Building and How it Lives On"
675:, John Libbey Publishing, pp. 89–104, 2020-10-27,
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and the Women's Liberation Union, and three galleries:
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should not be separated from activities related to the
472:. Other archival collections of materials are at the
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statues that she had originally created for her work
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Heresies: A Feminist Publication on Art and Politics
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Insurgent Muse: Life and Art at the Woman's Building
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survivors sharing their experiences. A group piece,
333:, in which audience members would sit surrounded by
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728:Through the Flower: My Struggle as A Woman Artist
1712:Art museums and galleries disestablished in 1991
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642:"The Woman's Building | Los Angeles Conservancy"
613:"Woman's Building Lost to a Hitch in 'Herstory'"
151:called the Woman's Building a "feminist mecca."
1692:Feminist art organizations in the United States
1677:Contemporary art galleries in the United States
1682:Defunct companies based in Greater Los Angeles
1139:from the Smithsonian Archives of American Art.
1707:Art museums and galleries established in 1973
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1023:"Influential Feminist Exhibition Comes To LA"
890:: Feminism and Art at the Woman's Building".
732:. Garden City, New York: Doubleday. pp.
610:
1255:Elizabeth A. Sackler Center for Feminist Art
934:Woman's Building records, 1960-2016, undated
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215:(FSW). FSW was one of the first independent
1433:Why Have There Been No Great Women Artists?
1233:New York School of Applied Design for Women
476:and the ONE Archives, both in Los Angeles.
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1184:Feminist art movement in the United States
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357:. Each woman represented a victim of the
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1143:Woman's Building oral history interviews
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1002:"Woman's Bulilding: Doin' It in Public"
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235:. FSW sublet space in the building to
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1227:National Association of Women Artists
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892:Frontiers: A Journal of Women Studies
562:"Woman's Building records, 1970-1992"
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113:arts and education center located in
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1321:The Women's Building (San Francisco)
1280:National Museum of Women in the Arts
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121:. The Woman's Building focused on
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1717:1973 establishments in California
1643:Feminist movements and ideologies
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313:with interactive performance and
233:1893 World's Columbian Exposition
1672:Community centers in California
1285:New York Feminist Art Institute
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912:10.5250/fronjwomestud.33.2.0129
904:10.5250/fronjwomestud.33.2.0129
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669:"The Sons and Daughters of Los"
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389:Great American Lesbian Art Show
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241:National Organization for Women
1667:Performance art in Los Angeles
1632:Women in the art history field
1316:Woman's Building (Los Angeles)
1137:An interview with Suzanne Lacy
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489:Otis College of Art and Design
456:and proceeds going towards an
129:and was spearheaded by artist
125:and served as a venue for the
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1300:Washington Women's Art Center
808:Feminist Art and the Maternal
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404:Sheila Levrant de Bretteville
378:Sheila Levrant de Bretteville
365:In 1977, building co-founder
202:Sheila Levrant de Bretteville
138:Sheila Levrant de Bretteville
98:http://thewomansbuilding.org/
1340:Exhibitions or installations
492:Historic Cultural Monument.
7:
1465:Women Artists in Revolution
1305:Women Artists in Revolution
861:"Woman's Building Timeline"
495:
10:
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1662:Arts centers in California
948:"Woman's Building Records"
380:designed a necklace of an
327:Equal Time and Equal Space
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1047:Weekly, LA (2018-06-14).
833:"Woman's Building People"
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163:Woman's Building, c. 1978
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21:
1627:List of feminist artists
1425:The Feminist Art Journal
811:. U of Minnesota Press.
567:Archives of American Art
474:Getty Research Institute
470:Archives of American Art
408:Archives of American Art
213:Feminist Studio Workshop
168:Feminist Studio Workshop
1331:Women's Studio Workshop
1326:Women's Interart Center
1243:Venues or organizations
572:Smithsonian Institution
412:Smithsonian Institution
343:In Mourning and in Rage
1697:Feminism in California
1470:Women's Caucus for Art
1391:Films or documentaries
1265:Feminist Art Coalition
886:Jennie Klein (2012). "
724:Chicago, Judy (1975).
681:10.2307/j.ctv21hrjb8.9
611:Jan Breslauer (1992).
415:
187:
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1399:!Women Art Revolution
1200:Feminist art movement
805:Liss, Andrea (2009).
646:www.laconservancy.org
460:of the organization.
420:alternative education
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355:Los Angeles City Hall
315:installation artworks
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1737:Women in Los Angeles
762:transcription.si.edu
265:downtown Los Angeles
257:Standard Oil Company
1531:Helen Frankenthaler
1275:Lesbian Art Project
1027:The Huffington Post
371:Lesbian Art Project
184:Jan Breslauer, 1992
18:
1596:Carolee Schneemann
1356:Three Weeks in May
1029:. 17 February 2012
971:Magers, Susannah.
888:Doin' It in Public
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359:Hillside Strangler
337:playing videos of
269:board of directors
245:Womanspace Gallery
165:
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1521:Mary Beth Edelson
1516:Elaine de Kooning
1364:The Sister Chapel
1111:978-0-930209-23-0
1098:978-0-930209-22-3
1084:978-1-4774-0706-6
952:www.oac.cdlib.org
818:978-0-8166-4622-7
743:978-0-385-09782-6
621:Los Angeles Times
617:Business Closings
485:Ben Maltz Gallery
443:, production and
149:Los Angeles Times
103:
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79:November 28, 1973
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1591:Rachel Rosenthal
1566:Georgia O'Keeffe
1501:Louise Bourgeois
1372:The Dinner Party
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225:women's movement
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70:Women's movement
66:Contemporary art
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1070:Further reading
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1541:Nancy Graves
1536:Mary Garrard
1511:Judy Chicago
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1195:Feminist art
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454:Lucy Lippard
432:Cheri Gaulke
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209:Arlene Raven
195:Judy Chicago
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131:Judy Chicago
123:feminist art
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62:Feminist art
1606:Alma Thomas
1561:Lee Krasner
1551:Lila Katzen
1526:Suzi Ferrer
1475:Where We At
1428:(1972–1977)
1420:(1977–1992)
1367:(1974–1978)
1053:L.A. Weekly
428:Sue Maberry
303:Audre Lorde
299:Honor Moore
217:art schools
115:Los Angeles
30:Los Angeles
1656:Categories
1611:June Wayne
1348:Womanhouse
1214:Precursors
1058:2018-06-18
1033:2016-03-08
987:2016-03-08
957:2020-04-01
791:2023-05-24
767:2023-05-24
710:2016-03-08
686:2023-05-24
651:2016-03-08
536:2016-03-08
508:References
119:California
111:non-profit
48:Art center
34:California
1546:Eva Hesse
920:142509762
391:(GALAS).
261:warehouse
189:In 1973,
1581:Yoko Ono
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496:See also
445:printing
323:metaphor
319:waitress
182:—
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531:jwa.org
483:at the
382:eyebolt
376:Artist
311:Midwest
278:One of
191:CalArts
155:History
92:Website
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1359:(1977)
1351:(1972)
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626:15 Aug
577:15 Aug
464:Legacy
339:incest
305:, and
273:grants
109:was a
84:Closed
76:Opened
1620:Lists
1307:(WAR)
916:S2CID
908:JSTOR
871:2 Feb
513:Notes
321:as a
1121:ISBN
1107:ISBN
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1080:ISBN
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813:ISBN
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704:KCET
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430:and
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