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William Fettes Douglas

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49: 30: 41: 22: 422: 160:, where he devoted much time to studying coins and ivories, enamels and bookbindings, of which and other rare and beautiful things he subsequently made a fine collection. Many of his smaller pictures are masterly studies of such objects, and in nearly all of his principal pictures they figure as accessories. 102:, he did not receive any systematic training, but he disciplined his hand and eye by the care and accuracy of the drawing he did by himself, and he attended the botany and anatomy classes of the university, while at a somewhat later date he painted a good deal in the country with the Faeds and 163:
As a collector he is said to have combined the specific knowledge of the connoisseur with the practical and general discernment of the artist ; but the only contributions he made to the literature of the subject were the notes in Mr. Gibson Craig's privately issued 'Facsimiles of old
183:, which are perhaps the finest pictures that he painted. At this time he lived at 21 Coates Crescent in Edinburgh's affluent West End. But for some time after 1879, the effects of a serious illness laid him aside, and when he resumed his art it was to practise in water-colour only. 266:). There were no children. His portrait, painted by Sir George Reid in 1883, hangs in the library of the Scottish Academy. It is reproduced in photogravure in the selection from his works published by the Royal Association for the Promotion of Fine Arts (1885), and edited by 168:(1816–1877). But here again he wrote nothing, although he incorporated much of what he knew in the catalogue of the gallery. This office he held from 1877 to 1882, when he was elected to the presidential chair of the Royal Scottish Academy, vacant through the death of Sir 432: 113:, and soon his pictures attracted such notice that in 1851 he was elected an associate, and three years later a full member. Some of his finest pictures belong to about this time, and in such as 95:, in which his father was accountant. His father was an amateur artist of some talent, and the son was encouraged to devote the free time of his ten years bank's service to painting and drawing. 164:
Bookbinding' (1882). He also possessed a wide and accurate knowledge of pictorial art, which fitted him admirably for the curatorship of the National Gallery of Scotland, in which he succeeded
172:. He was knighted at Windsor on 17 May 1882, and appointed a member of the Board of Manufactures, while in 1884 the university of Edinburgh conferred the degree of LL.D. upon him. 60: 137:, the painter's interest in mystical subjects and his definite leaning to archaeology are clearly visible. Many of them show much of the 527: 21: 537: 358: 221: 460:
Artists of the nineteenth century and their works: A handbook containing two thousand and fifty biographical sketches
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In November 1880, he married Marion, second daughter of Baron Grahame of Morphie (who lived at Ravelrig House,
213: 64:(1822–1891) was a Scottish painter and art connoisseur, rising to be President of the Royal Scottish Academy. 206: 194: 492: 186:
From 1877 to 1882 he served as Principal Curator of the National Gallery of Scotland, being succeeded by
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His drawings are small in size but very charming, and show a true appreciation of the medium. In the
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In 1847, he resolved to become an artist. Beyond a few months in the Trustees' Academy, then under
259:, who after working for the bank for some years went to New Zealand and became a notable explorer. 464: 198: 165: 110: 141:
spirit, and are remarkable for perfect and detailed handling and rich and beautiful colour.
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On the completion of his education at the High School of Edinburgh, in 1836 he entered the
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Stained glass to William Fettes Douglas in Scottish National Portrait Gallery
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After 1870 he turned more to landscape, and in 1874-5 he produced
263: 239:, Fife, on 20 July 1891, but is buried in the south-west spur of 76:'s South Side, the eldest son of James Douglas, a banker in the 157: 153:(1864), are among the more important works of a later date. 225: 408:
edinburgh and Leith Post Office Directory (Balerno) 1863-4
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The Concept of the Master in Art Education: Matthew Potter
212:. His works are displayed at such notable museums as the 197:, he is represented by three characteristic works ; 457:
Waters, Clara Erskine Clement; Hutton, Laurence (1879).
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He was born on 12 March 1822 at 26 Rankeillor Street in
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Bibliography at National Galleries of Scotland website
386:New Zealand explorers: great journeys of discovery 52:Grave of Sir William Fettes Douglas, Dean Cemetery 333:Edinburgh and Leith Post Office directory 1870-71 306: 304: 302: 300: 298: 296: 294: 292: 509: 156:In 1859, he made the first of several visits to 109:In 1845, he exhibited for the first time at the 44:Douglas's house at 21 Coates Crescent, Edinburgh 133:(1856), one of his finest works in colour; and 129:(1856), an incident from Butler's famous work; 289: 80:and his wife, Martha Brook, grand-niece of 127:Hudibras and Ralph visiting the Astrologer 47: 39: 28: 20: 149:, a portrait picture (1862) ; and 510: 383: 478:Sir William Fettes Douglas 1822–1891 286:Edinburgh Post Office Directory 1822 430: 359:Dictionary of New Zealand Biography 351: 310: 13: 450: 143:The Summons to the Secret Tribunal 14: 554: 486: 364:Ministry for Culture and Heritage 475:Scotland, Royal Bank of (1971). 446:. London: Smith, Elder & Co. 442:Dictionary of National Biography 420: 36:by William Fettes Douglas, 1855 528:19th-century Scottish painters 503:National Galleries of Scotland 402: 377: 345: 336: 327: 316: 280: 218:Harvard University Art Museums 214:National Galleries of Scotland 1: 273: 207:Glasgow Corporation Galleries 463:. Houghton, Osgood. p.  195:National Gallery of Scotland 16:Scottish painter (1822–1891) 7: 538:Royal Scottish Academicians 247:with other family members. 93:Commercial Bank of Scotland 78:Commercial Bank of Scotland 10: 559: 493:Victoria and Albert Museum 431:Caw, James Lewis (1901). " 230:Victoria and Albert Museum 57:Sir William Fettes Douglas 354:"Douglas, Charles Edward" 255:His youngest brother was 250: 222:National Portrait Gallery 106:, the landscape painter. 84:, bart., the founder of 469:William Fettes Douglas. 433:Douglas, William Fettes 384:Temple, Philip (1985). 199:South Kensington Museum 67: 533:Scottish male painters 111:Royal Scottish Academy 53: 45: 37: 26: 51: 43: 32: 24: 135:The False Astrologer 177:Stonehaven Harbour 147:David Laing, LL.D. 82:Sir William Fettes 54: 46: 38: 27: 352:Langton, Graham. 181:A Fishing Village 100:Sir William Allan 550: 543:Scottish knights 482: 471: 447: 444:(1st supplement) 424: 423: 409: 406: 400: 399: 381: 375: 374: 372: 370: 349: 343: 340: 334: 331: 325: 320: 314: 308: 287: 284: 268:John Miller Gray 131:The Rosicrucians 104:Alexander Fraser 63: 558: 557: 553: 552: 551: 549: 548: 547: 508: 507: 489: 453: 451:Further reading 421: 413: 412: 407: 403: 396: 388:. p. 144. 382: 378: 368: 366: 350: 346: 341: 337: 332: 328: 321: 317: 309: 290: 285: 281: 276: 257:Charlie Douglas 253: 70: 59: 17: 12: 11: 5: 556: 546: 545: 540: 535: 530: 525: 520: 506: 505: 500: 495: 488: 487:External links 485: 484: 483: 472: 452: 449: 418: 417: 411: 410: 401: 394: 376: 344: 335: 326: 315: 288: 278: 277: 275: 272: 252: 249: 166:James Drummond 139:Pre-Raphaelite 86:Fettes College 69: 66: 15: 9: 6: 4: 3: 2: 555: 544: 541: 539: 536: 534: 531: 529: 526: 524: 521: 519: 516: 515: 513: 504: 501: 499: 498:Artcyclopedia 496: 494: 491: 490: 480: 479: 473: 470: 466: 462: 461: 455: 454: 448: 445: 443: 438: 434: 428: 427:public domain 415: 414: 405: 397: 395:0-7233-0743-1 391: 387: 380: 365: 361: 360: 355: 348: 339: 330: 324: 319: 312: 307: 305: 303: 301: 299: 297: 295: 293: 283: 279: 271: 269: 265: 260: 258: 248: 246: 242: 241:Dean Cemetery 238: 233: 231: 227: 223: 219: 215: 211: 208: 204: 203:The Alchemist 200: 196: 191: 189: 188:Gourlay Steel 184: 182: 178: 173: 171: 170:Daniel Macnee 167: 161: 159: 154: 152: 148: 144: 140: 136: 132: 128: 124: 123:The Alchemist 120: 119:The Execution 116: 115:The Ruby Ring 112: 107: 105: 101: 96: 94: 89: 87: 83: 79: 75: 65: 62: 58: 50: 42: 35: 34:The Alchemist 31: 23: 19: 477: 468: 459: 440: 419: 404: 385: 379: 367:. Retrieved 357: 347: 338: 329: 318: 282: 261: 254: 234: 226:Tate Gallery 209: 202: 192: 185: 180: 176: 174: 162: 155: 150: 146: 142: 134: 130: 126: 122: 118: 114: 108: 97: 90: 71: 56: 55: 33: 18: 523:1891 deaths 518:1822 births 437:Lee, Sidney 416:Attribution 235:He died at 210:Bibliomania 512:Categories 274:References 228:, and the 369:3 October 245:Edinburgh 151:The Spell 74:Edinburgh 311:Caw 1901 237:Newburgh 145:(1860); 125:(1855); 121:(1854); 117:(1853); 439:(ed.). 429::  264:Balerno 435:". In 392:  251:Family 220:, the 205:, and 158:Italy 61:PPRSA 390:ISBN 371:2013 201:has 179:and 68:Life 465:215 270:. 243:in 514:: 467:. 362:. 356:. 291:^ 232:. 224:, 216:, 190:. 88:. 481:. 398:. 373:. 313:.

Index





PPRSA
Edinburgh
Commercial Bank of Scotland
Sir William Fettes
Fettes College
Commercial Bank of Scotland
Sir William Allan
Alexander Fraser
Royal Scottish Academy
Pre-Raphaelite
Italy
James Drummond
Daniel Macnee
Gourlay Steel
National Gallery of Scotland
South Kensington Museum
Glasgow Corporation Galleries
National Galleries of Scotland
Harvard University Art Museums
National Portrait Gallery
Tate Gallery
Victoria and Albert Museum
Newburgh
Dean Cemetery
Edinburgh
Charlie Douglas

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