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Wilhelm von Kobell

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but ultimately based his style on Dutch art. He gained a reputation through clever work on battle scenes and horses, as well as his very fine etchings and his especially fine aquatint engravings after Wouverman, Berchem, Roos, Ruysdael, and others, in which he reproduced the peculiar style of each
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master with uncommon success. His battle pieces contain many portraits of famous contemporaries. The New Pinakothek in Munich contains “The Third Day of the Battle of Hanau” (1808), and the Banquet Hall of the Königsbau the “
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His early paintings were landscapes, rural genre scenes, and animal pieces, of which the galleries of Bamberg, Weimar, Mannheim, Karlsruhe, Berlin, Darmstadt, Frankfort, and
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing German Knowledge article at ]; see its history for attribution.
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at the Zeichnungsakademie in Mannheim. He studied the works in the galleries of Mannheim and
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as his influence. Wilhelm's initial lessons were supplied by his father and his uncle,
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to the source of your translation. A model attribution edit summary is
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contain fine specimens. Throughout his life Kobell traveled to
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from 1792 until Theodore's death in 1799. In 1809, he visited
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This article incorporates text from publications now in the
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Knowledge:Translation

German
painter
printmaker
Mannheim
Ferdinand Kobell
Claude Lorrain
Franz Kobell
Egid Verhelst
engraving
DĂĽsseldorf
Wouvermann
Rome
Munich
Charles Theodore, Elector of Bavaria
florins
Vienna
Paris
Wiesbaden
England
France
Italy

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