Knowledge

:Knowledge Signpost/2018-05-24/Blog - Knowledge

Source 📝

225: 164: 739:, I've often thought about the fact that as notability is currently conceptualized, we're only going to get as far with biographies as available sources will take us--and that definitely will not be to parity. I generally push that thought out of my mind, figuring I'll worry about it when I run out of sourceable but as yet-unwritten biographies--i.e. no time soon! But you make a great case for thinking about additional routes to getting at the under-described roles women have played in society, drawing on techniques of 261:
sustained other people, created systems for them to overcome the adversities of life, not the leaders or figureheads, but the teachers, the farmers, the artists, the scientists. The hierarchical measure of contributions, where some are less than others, isn’t interesting to me. I see history more as a circular playing field where many contributed to make the whole. It is far more engaging to see how all the pieces fit into shaping an event than giving one person all the credit.
383: 121: 94: 111: 236: 36: 131: 204: 91: 215: 141: 101: 355:
interconnections, and reward of working with editors who want to improve articles, is a motivating factor to me—as is the hope that the women in generations who follow will grow up knowing that women have always been actively involved in the world around them and were not passively allowing the world to go by.
351:. It allowed us to use it as an article to link to articles of notable women working in the field, as well as to add links to the general article on brewing, which at the time had no information about women’s influence on brewing in emerging nations and prior to European and American industrialization. 305:
First and foremost, it made my own research objectives and the exchange of information far easier. Second, I saw the potential for other narratives to reach a wider audience, giving a more balanced perspective on how society developed, how different people contributed, and how we have always been and
256:
At this time, women’s studies had just been launched as a degree path in US universities, something that both intrigued and appalled me—appalled that we knew so little about women’s participation in historical events, and intrigued by the irony that a group of mostly male professors were teaching us
301:
Fast forward several years. Textbooks hadn’t changed much, though there was an incremental change in the diversity represented. History books still focused on great men and minimized everyone else’s contributions to our collective history. It took the rise of the internet to finally change who told
297:
in tangential asides, as if their actions had been minor? I realized that the only way stories would be told in a different way was if I researched them myself to find the stories behind the official rhetoric. I took courses in research techniques and fell in love with archives, spending hours and
252:
I was fascinated by the history that lurked behind people who actually built society and sustained each other while great men were trying to build power and create influence. I could see the differences between what textbooks presented as history and real life, as my everyday life was full of women
354:
I learn as much from writing women’s biographies as I impart from telling their stories. For example, in the pre-internet world, the international links between people and the organizations in which they participated were much stronger than you might imagine. The analytical part of researching the
538:
campaign which has actually helped to create several articles about women achievers by just not being the wives of husbands. This project has attracted several voluntary members and I especially dedicated to work for this great initiative. I am happy that I have made some women achievers to be
260:
I wanted to learn about how women participated in the events and developments of the world. Instead, I was being taught about women’s sphere as if it was a separate entity, concerned about and involved in different things than men. I wanted to learn about the builders of society, the ones who
493: 769:
Exactly, "as notability is currently conceptualized"; however, even adding back the families to those great men's lives will give a more accurate portrait of the influences upon them and their lives. They did not live in bubbles, though it often appears that they did.
648:
and hundreds of other volunteers. I've been a minor player in this effort and have only been able to create a dozen or so women's biographies myself. I will repost your comment to the Women in Red project page. Thank you for leaving your message here. Best Regards,
257:
about women who were important for other women’s development. I realized that the people I was studying were being pushed into the "great women" mold and recognized that there was a fundamental difference in what I wanted to learn and what teachers wanted to teach.
314:. Little by little, I added more indigenous women, Latinas, and Caribbean women. I tend to focus on minority women, non-English speaking women, and women whose impact crosses geographic barriers. Finding a group of mentors, which included the editors 249:" who in theory shaped that history: "great men": politicians, military heroes, church leaders, and the famous. In these narratives, women were usually mentioned only in the context of their relationship with a more famous man, usually their husband. 686:
and me in July 2015, at Wikimania Mexico City. But it is all about collaboration... everyone around the world working together on the project's scope: women's biographies, women's works, women's issues, broadly-construed. Hope to see you around!! :)
342:
While we focus on biographies of notable women, a critical part is adding links of those women to the world in which they participated. For example, during an event to create Knowledge articles on women in the food and drink industry,
114: 309:
In mid-2014, I started editing Knowledge as an unregistered editor. My first edits were to pages dealing with Native American and LGBT history. In November, I created an account and wrote my first article on
330:, and others, was pivotal—editing Knowledge is difficult. It is technology-driven and the opposite of academic writing. Slowly, I found my legs and with my mentors became one of the founding members of the 134: 104: 144: 285:, even though they might not be ready to teach about these women. In a contemporary studies course, I questioned why women were left out of the stories—how can one teach about the 77: 437: 422: 253:
and men of varying colors, ethnicities, beliefs, and sexual orientations. It was only when I got to university that studying the 'hidden' history was ever an option.
482: 457: 427: 718: 180: 432: 696: 467: 407: 189:
Originally published on the WMF blog May 3, 2018. This article differs from the original blog post. Content was formatted and images and wikilinks were added by
661: 452: 442: 797: 779: 756: 447: 614: 400: 124: 632: 508: 394: 55: 44: 477: 417: 765:
Thank you all for the comments. It is encouraging to see that there are others who see the value of working on improving the coverage on women.
472: 412: 867: 596: 370: 361: 785: 530:
Thanks for the great initiative on the topic of creating women biographies on English Knowledge to eradicate gender bias. Thanks @
21: 71: 843: 815: 497: 838: 833: 513: 30:
Why I write about women on Knowledge: Editor SusunW delves into reasons why she has created hundreds of article about women.
731:
particularly helped me see useful parallels between issues I'm pretty well acquainted with in academic research, but had
175:. The views expressed in this piece are those of the author alone; responses and critical commentary are invited in the 828: 675: 520: 331: 644:, it is incredibly flattering to receive credit for such a successful undertaking that actually has been overseen by 337: 657: 608: 736: 294: 823: 714: 382: 49: 35: 17: 732: 740: 710: 654: 224: 793: 752: 245:
When I was growing up, I never really identified with my history classes. They focused on the "
560: 548: 286: 210:
was created by the author in collaboration with members of Women in Red and approved as a GA
849: 344: 264: 8: 692: 334:
in 2015. Our project works to add women’s stories back into the history of world events.
198: 707:
I learn as much from writing women’s biographies as I impart from telling their stories.
744: 671: 650: 584: 576: 568: 531: 789: 766: 748: 544: 504: 775: 683: 592: 564: 348: 315: 269:
I discovered I had professors who were willing to let me do independent studies on
246: 229: 539:
globalised through English Knowledge through WIR concept. Some of them including
311: 688: 645: 556: 323: 319: 861: 628: 602: 580: 572: 540: 282: 535: 327: 306:
always will be a jagged mosaic, rather than a monochromatic line drawing.
278: 239: 771: 724: 679: 641: 588: 274: 218: 154: 552: 290: 270: 735:
as far as Knowledge is concerned. As a fairly frequent participant in
624: 235: 207: 203: 747:, and other methods. Thanks so much for the food for thought! 214: 727:
for this stimulating essay. Your remark about subjects
705:
Nice article. I certainly agree with your statement
682:, as Barbara states, Women in Red was co-founded by 298:
hours combing through old documents and newspapers.
169:
The following content has been republished from the
518:If your comment has not appeared here, you can try 179:. For more information on this partnership see our 859: 678:, including all those wonderful articles. Yes, 171: 163: 152: 347:and I worked on an anchor article about the 674:for the ping and for all you do to support 729:being pushed into the "great women" mold 234: 223: 213: 202: 521: 14: 860: 733:only vaguely felt but not really named 302:our history and how it was portrayed. 54: 29: 72:Why I write about women on Knowledge 868:Knowledge Signpost archives 2018-05 27: 381: 56: 34: 28: 879: 503:These comments are automatically 601:Ummm... The next blog is wrong? 162: 139: 129: 119: 109: 99: 89: 514:add the page to your watchlist 13: 1: 176: 489: 18:Knowledge:Knowledge Signpost 7: 816:delivered to your talk page 349:history of women in brewing 324:Rosie Stephenson-Goodknight 10: 884: 338:Women as historical agents 295:Women’s Political Council 798:06:25, 28 May 2018 (UTC) 780:05:57, 28 May 2018 (UTC) 757:03:26, 28 May 2018 (UTC) 719:17:55, 27 May 2018 (UTC) 697:15:36, 25 May 2018 (UTC) 662:10:13, 25 May 2018 (UTC) 633:04:44, 25 May 2018 (UTC) 615:23:39, 24 May 2018 (UTC) 597:22:42, 24 May 2018 (UTC) 332:WikiProject Women in Red 741:organizational history 511:. To follow comments, 386: 242: 232: 221: 211: 39: 561:Satsorupavathy Nathan 549:Vasantha Vaidyanathan 385: 287:civil rights movement 238: 227: 217: 206: 38: 507:from this article's 786:couldn't agree more 623:Thanks, fixed it ☆ 745:history-from-below 723:Thank you so much 711:WomenArtistUpdates 585:Nele Alder-Baerens 577:Marie-Paule Miller 569:Yasmine Gooneratne 534:for launching the 498:Discuss this story 438:Arbitration report 423:WikiProject report 387: 289:and only refer to 243: 233: 222: 212: 181:content guidelines 45:← Back to Contents 40: 613: 545:Anoma Wijewardene 522:purging the cache 483:From the archives 458:Technology report 428:Discussion report 195: 50:View Latest Issue 875: 852: 811:Want the latest 660: 605: 565:Prabha Ranatunge 525: 523: 517: 496: 433:Featured content 405: 397: 390: 373: 365: 230:Women in brewing 187: 177:comments section 174: 166: 157: 143: 142: 133: 132: 123: 122: 113: 112: 103: 102: 93: 92: 62: 60: 58: 883: 882: 878: 877: 876: 874: 873: 872: 858: 857: 856: 855: 854: 853: 848: 846: 841: 836: 831: 826: 819: 808: 807: 653: 611: 527: 519: 512: 501: 500: 494:+ Add a comment 492: 488: 487: 486: 468:Recent research 408:From the editor 398: 393: 391: 388: 377: 376: 371: 368: 363: 357: 340: 312:Tillie Hardwick 267: 201: 185: 184: 170: 167: 159: 158: 151: 150: 149: 140: 130: 120: 110: 100: 90: 84: 81: 70: 65: 63: 53: 52: 47: 41: 31: 26: 25: 24: 12: 11: 5: 881: 871: 870: 847: 842: 837: 832: 827: 822: 821: 820: 810: 809: 806: 805: 804: 803: 802: 801: 800: 760: 759: 737:WiR editathons 721: 702: 701: 700: 699: 665: 664: 638: 637: 636: 635: 618: 617: 607: 599: 557:Ameena Hussein 502: 499: 491: 490: 485: 480: 475: 470: 465: 460: 455: 453:Traffic report 450: 445: 443:News and notes 440: 435: 430: 425: 420: 415: 410: 404: 392: 380: 379: 378: 369: 360: 359: 358: 339: 336: 266: 263: 200: 197: 172:Wikimedia Blog 168: 161: 160: 148: 147: 137: 127: 117: 107: 97: 86: 85: 82: 76: 75: 74: 73: 68: 67: 66: 64: 61: 48: 43: 42: 33: 32: 15: 9: 6: 4: 3: 2: 880: 869: 866: 865: 863: 851: 845: 840: 835: 830: 825: 817: 814: 799: 795: 791: 787: 783: 782: 781: 777: 773: 768: 764: 763: 762: 761: 758: 754: 750: 746: 742: 738: 734: 730: 726: 722: 720: 716: 712: 708: 704: 703: 698: 694: 690: 685: 681: 677: 673: 672:Barbara (WVS) 669: 668: 667: 666: 663: 659: 656: 652: 647: 643: 640: 639: 634: 630: 626: 622: 621: 620: 619: 616: 612: 610: 604: 600: 598: 594: 590: 586: 582: 581:Natalia Deeva 578: 574: 573:Jezima Ismail 570: 566: 562: 558: 554: 550: 546: 542: 541:Sussanne Khan 537: 533: 532:Barbara (WVS) 529: 528: 524: 515: 510: 506: 495: 484: 481: 479: 476: 474: 471: 469: 466: 464: 461: 459: 456: 454: 451: 449: 446: 444: 441: 439: 436: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 409: 406: 402: 396: 389:In this issue 384: 375: 367: 356: 352: 350: 346: 335: 333: 329: 325: 321: 317: 313: 307: 303: 299: 296: 292: 288: 284: 283:Doris Stevens 280: 276: 272: 265:Change begins 262: 258: 254: 250: 248: 241: 237: 231: 226: 220: 216: 209: 205: 196: 194: 190: 182: 178: 173: 165: 156: 146: 138: 136: 128: 126: 118: 116: 108: 106: 98: 96: 88: 87: 79: 59: 51: 46: 37: 23: 19: 812: 790:Innisfree987 767:Innisfree987 749:Innisfree987 728: 706: 676:Women in Red 606: 536:Women in Red 462: 448:In the media 401:all comments 353: 341: 308: 304: 300: 268: 259: 255: 251: 244: 199:Women matter 192: 191:The Signpost 188: 186: 850:Suggestions 818:each month? 684:Victuallers 505:transcluded 395:24 May 2018 316:Dr. Blofeld 275:Audre Lorde 228:Image from 219:Audre Lorde 57:24 May 2018 553:Doris Dana 345:Sue Barnum 328:Ian Pigott 291:Rosa Parks 271:Angie Debo 83:Share this 78:Contribute 22:2018-05-24 844:Subscribe 689:Rosiestep 646:Rosiestep 509:talk page 320:Montanabw 279:AnaĂŻs Nin 247:great men 240:AnaĂŻs Nin 193:editors. 862:Category 839:Newsroom 834:Archives 813:Signpost 709:Thanks. 670:Thanks, 603:Eddie891 374:"Blog" → 364:Previous 125:LinkedIn 105:Facebook 20:‎ | 651:Barbara 478:Gallery 418:Opinion 293:or the 208:Malouma 115:Twitter 772:SusunW 725:SusunW 680:Abishe 642:Abishe 589:Abishe 587:, etc. 473:Humour 366:"Blog" 155:SusunW 135:Reddit 95:E-mail 829:About 413:Op-ed 16:< 824:Home 794:talk 776:talk 753:talk 715:talk 693:talk 629:talk 609:Work 593:talk 463:Blog 372:Next 145:Digg 69:Blog 625:Bri 153:By 80:— 864:: 796:) 788:! 784:I 778:) 755:) 743:, 717:) 695:) 687:-- 658:✉ 655:✐ 631:) 595:) 583:, 579:, 575:, 571:, 567:, 563:, 559:, 555:, 551:, 547:, 543:, 362:← 326:, 322:, 318:, 281:, 277:, 273:, 792:( 774:( 751:( 713:( 691:( 627:( 591:( 526:. 516:. 403:) 399:( 183:.

Index

Knowledge:Knowledge Signpost
2018-05-24
The Signpost
← Back to Contents
View Latest Issue
24 May 2018
Contribute
E-mail
Facebook
Twitter
LinkedIn
Reddit
Digg
SusunW

Wikimedia Blog
comments section
content guidelines

Malouma

Audre Lorde

Women in brewing

AnaĂŻs Nin
great men
Angie Debo
Audre Lorde
AnaĂŻs Nin

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑