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as natural". In her conclusion, she states: "I have tried to deal with one of the perennial questions used to challenge women's demand for true, rather than token, equality by examining the whole erroneous intellectual substructure upon which the question 'Why have there been no great women artists?'
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In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by "The
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inasmuch as it calls out the institutional barriers to the visual arts that women in the
Western tradition historically faced. Nochlin considers the history of women's lack of art education as well as the nature of art and of artistic
132:(2010). In 1989 an exhibition was held to increase visibility for women artists entitled Women's Work: the Montana Women's Centennial Art Survey Exhibition 1889-1989, inspired by Nochlin's groundbreaking contribution.
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is based; by questioning the validity of the formulation of so-called problems in general and the 'problem' of women specifically; and then, by probing some of the limitations of the discipline of art history itself."
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The essay's title and content have inspired a number of essays and publications about the absence of women in certain professional fields, such as "Why Are There No Great Women Chefs?" by
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83:(1971, edited by Thomas B. Hess and Elizabeth C. Baker). The essay has been reprinted regularly since then, including in Nochlin's
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as they are currently defined. The essay has also served as an important impetus for the rediscovery of
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First published in 1971 as "Why Are There No Great Women
Artists?" in
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Question of the Nude", "The Lady's
Accomplishment", "Successes", and "
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Art and Sexual
Politics: Why Have There been No Great Women Artists?
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Art and Sexual
Politics: Why Have There Been No Great Women Artists?
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Art and Sexual
Politics: Why Have There Been No Great Women Artists?
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Druckman, Charlotte (2010). "Why Are There No Great Women Chefs?".
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Art and Sexual
Politics: Why Have There Been No Great Women Artists
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Nochlin, Linda (1971). "Why Are There No Great Women
Artists?". In
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Leighninger, Jr., Robert D. (1977). "Review of Hess and Baker,
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Woman in Sexist
Society: Studies in Power and Powerlessness
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Woman in Sexist
Society: Studies in Power and Powerlessness
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Heresies: A Feminist Publication on Art and Politics
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Women's Studies and Culture: A Feminist Introduction
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Mothersill, Mary (1974). "Review of Hess and Baker,
244:Hess, Thomas B.; Baker, Elizabeth C., eds. (1971).
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186:. United States: Harper Collins (PA). pp.
155:. United States: Harper Collins (PA). pp.
56:'s suggestion that "we tend to accept whatever
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528:"Why Have There Been No Great Women Artists?"
454:"How purple can it be?: Feminist art history"
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750:Elizabeth A. Sackler Center for Feminist Art
456:. In Rosemarie Buikema, Anneke Smeli (ed.).
91:(2015, edited by Maura Reilly and Nochlin).
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728:New York School of Applied Design for Women
266:The Journal of Aesthetics and Art Criticism
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27:. It is noted for its contribution to
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722:National Association of Women Artists
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760:Feminist Art Coalition
595:Female comics creators
550:Lists of women artists
307:Contemporary Sociology
248:. New York: Macmillan.
52:, while also invoking
16:Essay by Linda Nochlin
894:!Women Art Revolution
695:Feminist art movement
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620:Women in photography
123:Miriam van Rijsingen
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1021:Suzi Ferrer
970:Where We At
923:(1972–1977)
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862:(1974–1978)
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50:art history
1151:Categories
1106:June Wayne
843:Womanhouse
709:Precursors
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1076:Yoko Ono
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