224:
22:
115:
wrote that Crane had "a remarkable style... almost something like a great style, if there could be such a thing as a great style... not, so far as one can see, applied to any subject at all". Crane responded to this criticism by calling Wilson's article "half-baked".
123:
singled out "the mesmeric rhetoric of 'Voyages II' one of the most beautiful of all of those poems in which love, death, and sleep 'are fused for an instant in one floating flower
102:, "this work earned substantial respect as an imposing stylist, one whose lyricism and imagery recalled the French Romantics Baudelaire and Rimbaud".
265:
289:
63:" series, and some of his most famous lyrics including "My Grandmother's Love Letters" and "Chaplinesque."
86:, but, increasingly frustrated with his failure to articulate an understanding of the poems, left it to
284:
258:
71:,' could have secured Crane's reputation as one of the best American poets of the 20th century.
299:
251:
8:
294:
239:
59:
The book features well-known pieces like "For the
Marriage of Faustus and Helen," the "
28:
99:
79:
107:
68:
168:
120:
235:
67:
has argued that this collection alone, if perhaps taken with his later lyric, '
60:
53:
49:
278:
112:
64:
87:
41:
45:
21:
223:
231:
194:
O My Land, My
Friends: The Selected Letters of Hart Crane.
205:
Jarrell, Randall. "Fifty years of
American Poetry".
276:
82:was happy to help Crane by writing a preface to
259:
105:One notable review of the book was mixed. In
40:was the first collection (1926) of poetry by
266:
252:
20:
157:The Broken Tower: A Life of Hart Crane.
277:
169:Poetry Foundation's Hart Crane Article
218:
16:1926 poetry collection by Hart Crane
13:
14:
311:
222:
144:The Complete Poems of Hart Crane
207:No Other Book: Selected Essays
199:
186:
173:
162:
149:
142:See Bloom's 'Introduction' to
136:
1:
238:. You can help Knowledge by
7:
290:American poetry collections
10:
316:
217:
93:
74:
179:p. 200, Wilson, Edmund.
130:
155:p. 227, Mariani, Paul.
48:poet, critical to both
234:-related article is a
209:. HarperCollins, 1999.
32:
192:Hammer, Langdon, ed.
146:(2000) ed. Mark Simon
90:to finish the piece.
24:
196:(1997); pp. 336; 478
181:The Shores of Light.
119:The poet and critic
56:poetic traditions.
33:
29:Boni and Liveright
285:1926 poetry books
247:
246:
100:Poetry Foundation
98:According to the
307:
268:
261:
254:
226:
219:
210:
203:
197:
190:
184:
177:
171:
166:
160:
153:
147:
140:
126:
108:The New Republic
69:The Broken Tower
315:
314:
310:
309:
308:
306:
305:
304:
275:
274:
273:
272:
215:
213:
204:
200:
191:
187:
178:
174:
167:
163:
154:
150:
141:
137:
133:
124:
121:Randall Jarrell
96:
84:White Buildings
77:
37:White Buildings
26:
17:
12:
11:
5:
313:
303:
302:
297:
292:
287:
271:
270:
263:
256:
248:
245:
244:
227:
212:
211:
198:
185:
172:
161:
148:
134:
132:
129:
95:
92:
80:Eugene O'Neill
76:
73:
44:, an American
15:
9:
6:
4:
3:
2:
312:
301:
298:
296:
293:
291:
288:
286:
283:
282:
280:
269:
264:
262:
257:
255:
250:
249:
243:
241:
237:
233:
228:
225:
221:
220:
216:
208:
202:
195:
189:
182:
176:
170:
165:
158:
152:
145:
139:
135:
128:
122:
117:
114:
113:Edmund Wilson
110:
109:
103:
101:
91:
89:
85:
81:
72:
70:
66:
62:
57:
55:
51:
47:
43:
39:
38:
30:
25:First edition
23:
19:
300:Poetry stubs
240:expanding it
229:
214:
206:
201:
193:
188:
180:
175:
164:
156:
151:
143:
138:
118:
106:
104:
97:
83:
78:
65:Harold Bloom
58:
36:
35:
34:
18:
295:Hart Crane
279:Categories
88:Allen Tate
42:Hart Crane
46:modernist
54:language
94:Reviews
75:Preface
61:Voyages
50:lyrical
27:(publ.
232:poetry
183:(1952)
159:(1999)
230:This
131:Notes
236:stub
52:and
127:".
281::
111:,
267:e
260:t
253:v
242:.
125:'
31:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.