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Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen

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527: 522: 561: 556: 551: 546: 541: 517: 512: 507: 461:, "The Sheriff" and "Hoedown", featured since the group had previously encountered great difficulty in reproducing other songs from the album without the use of extensive overdubs; the synth work on "Hoedown" is considerably more advanced than that of the studio original, while "The Sheriff" is played as part of a medley with "Jeremy Bender". 38: 584:
did not incorporate studio overdubs, limiting the band's ability to recreate moments from their albums and resulting in poor sound quality: "Even the most recent remastered editions could not fix the feedback, the occasionally leakages, the echo, the seeming distance – the listener often gets the
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gave the album a mixed retrospective review, saying that it "makes one realise how accomplished these musicians were, and how well they worked together when the going was good." They praised the set for including all but one song from
1853: 1802: 1695: 2072: 2048: 580:, and particularly commended the performance of "Karn Evil 9" as being far superior to the studio rendition. However, they noted that unlike most live albums of the era, 2302: 2024: 465: 436:" suite is the most transformed from its original 1971 recording, thanks to extended keyboard solos on "Stones Of Years" and "Mass", the insertion of an excerpt from 2155: 2088: 1888: 2064: 2428: 2104: 2080: 311:(RIAA) for 500,000 copies sold in the US. Following its release, Emerson, Lake & Palmer took an extended break from writing and recording. 1611:"Welcome Back My Friends to the Show That Never Ends: Ladies & Gentlemen, Emerson Lake & – Emerson, Lake & Palmer | AllMusic" 468:" (due to its already having been their first live release) and the occasional second encore "Rondo", a live version of which had highlighted 2056: 1635: 2239: 2147: 865: 422: 413:
appear in versions nearly unchanged from their studio renditions, save for the insertion of a five-minute Palmer drum solo to climax "
1957: 1856: 1492: 457: 308: 2163: 1881: 367:. Peter Granet, one of the engineers, called it "the finest recording experience I've ever had". The band also used a 4-channel 1846: 1483: 1803:"Norwegiancharts.com – Emerson, Lake & Palmer – Welcome Back My Friends To The Show That Never Ends, Ladies And Gentlemen" 1730:"Offiziellecharts.de – Emerson, Lake & Palmer – Welcome Back My Friends To The Show That Never Ends, Ladies And Gentlemen" 2423: 2396: 2139: 2120: 1542: 1696:"Austriancharts.at – Emerson, Lake & Palmer – Welcome Back My Friends To The Show That Never Ends, Ladies And Gentlemen" 2040: 231: 2438: 2274: 1874: 657: 444:" at the close of "Battlefield", and a greatly extended rendition of "Aquatarkus" which features a lengthy quote from 2443: 2349: 1941: 1787: 1680: 337:(1973). Its title comes from the introduction to the show spoken by the show's Master of Ceremonies (UK disc jockey 2281: 682: 2112: 303:, the band's highest charting album in the US. In the UK, the album peaked at number 6. The album is certified 2316: 1854:"American album certifications – Lake Emerson & Palmer – Welcome Back...To The Show That Never Ends..." 2190: 1639: 2182: 1830: 1717: 1558: 393:
Most of the recordings on the album were first used for broadcast on the American rock music radio show,
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The only songs played on the 1973-4 tour which did not make it onto the album were the primary encore "
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Set "Tipo" on "Album". Then, in the "Artista" field, search "Emerson Lake & Palmer".
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format, but was scrapped due to engineering issues in mastering, which prevented
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during the group's 1973–74 world tour in support of their fourth studio album,
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Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen
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Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen
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Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen
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Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen
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Welcome Back My Friends to the Show That Never Ends - Ladies and Gentlemen
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Welcome Back My Friends to the Show That Never Ends-Ladies and Gentleman
1610: 2253: 1989: 445: 328: 284: 256: 1916: 1723: 1530: 1280: 639: 379: 371: 144: 1796: 1689: 1173:"Take a Pebble (including "Still...You Turn Me On" and "Lucky Man")" 417:: 1st Impression" and a stripped-down rendition of the Lake ballad " 1824: 1426: 1302: 570: 499: 469: 45: 1292: 685:" (an adaptation of Ginastera's 1st piano concerto, 4th movement) 425:" in the middle of Lake's acoustic solo spot during an extended " 324: 280: 1675:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. 585:
impression of being seated in the upper mezzanine of an arena."
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To record the album, staff and equipment were brought in from
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on the tour. A quad mix of the album was released as a three
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The album was a commercial success, reaching number 4 on the
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All but one of the tracks from the band's most recent album
387: 399:. In 1999, these radio recordings were released on CD. 1698:(in German). Hung Medien. Retrieved October 17, 2023. 2089:
The Original Bootleg Series from the Manticore Vaults
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Oricon Album Chart Book: Complete Edition 1970–2005
1896: 1482: 421:" which appears along with an equally downsized " 25:1974 live album by Emerson, Lake & Palmer 16:For the song that features a similar phrase, see 2415: 1508:Shipments figures based on certification alone. 319:The album was recorded in February 1974 at the 1882: 2057:King Biscuit Flower Hour: Greatest Hits Live 538: 504: 455:single "The Minotaur". Only two tracks from 2148:The Very Best of Emerson, Lake & Palmer 1805:. Hung Medien. Retrieved October 17, 2023. 1609:Bruce Eder, FranΓ§ois Couture & (2011). 1889: 1875: 1608: 1604: 1602: 994:" (including "Percussion Solo (Con Brio)") 275:. It was recorded in February 1974 at the 36: 1857:Recording Industry Association of America 1324:Michael Ross – package concept and design 593: 309:Recording Industry Association of America 2164:The Essential Emerson, Lake & Palmer 1537:(2nd ed.). Constable. p. 168. 2073:Live at the Isle of Wight Festival 1970 1808: 1599: 382:edition was planned for release in the 2429:Emerson, Lake & Palmer live albums 2416: 2140:The Best of Emerson, Lake & Palmer 1047: 1029: 986: 1870: 1701: 1235: 1224: 1213: 1202: 1169: 1135: 1124: 1113: 1102: 1065: 943: 925: 903: 852: 826: 723: 677: 652: 620: 485: 232:Emerson, Lake & Palmer in Concert 1831:"Emerson Lake Palmer Chart History ( 1667: 1529: 1768: 13: 2121:Live at the Mar y Sol Festival '72 1661: 907:"Piano Improvisations" (including 14: 2455: 2092:(Vol. 1–4, 2001, 2002 & 2006) 1634: 1467: 664:Sir Charles Hubert Hastings Parry 540: 506: 1778:(in Japanese). Roppongi, Tokyo: 1559:"Billboard Hot 200 via AllMusic" 1248:3. "Karn Evil 9: 3rd Impression" 1245:2. "Karn Evil 9: 2nd Impression" 1242:1. "Karn Evil 9: 1st Impression" 670:; arr. Emerson, Lake, and Palmer 588: 559: 554: 549: 544: 539: 525: 520: 515: 510: 505: 1815:"Official Albums Chart Top 100" 1739: 1673:Australian Chart Book 1970–1992 1843:. Retrieved October 17, 2023. 1821:. Retrieved October 17, 2023. 1736:. Retrieved October 17, 2023. 1720:. Retrieved October 17, 2023. 1628: 1573: 1551: 1523: 1190: 1090: 1014: 971: 888: 811: 708: 605: 1: 2317:I Believe in Father Christmas 2049:Live at the Royal Albert Hall 1708:"Top RPM Albums: Issue 3885a" 1516: 1228:"Jeremy Bender / The Sheriff" 1078: 472:'s self-titled third album. 345:: First Impression, Part 2". 93:Wally Heider Recording Mobile 2424:Albums produced by Greg Lake 1640:"Emerson Lake & Palmer: 1460: 1446: 1431: 1419: 1407: 1393: 1381: 1367: 1355: 1260: 1217:"Take a Pebble (Conclusion)" 475: 396:The King Biscuit Flower Hour 314: 7: 2183:The Return of the Manticore 2113:Live at Nassau Coliseum '78 1718:Library and Archives Canada 1053:Karn Evil 9: 3rd Impression 1035:Karn Evil 9: 2nd Impression 992:Karn Evil 9: 1st Impression 341:) and the opening line of " 10: 2460: 2439:Rhino Entertainment albums 2350:Emerson, Lake & Powell 2344:Emerson, Lake & Powell 2303:Fanfare for the Common Man 1942:Emerson, Lake & Palmer 1898:Emerson, Lake & Palmer 1318:Andy Hendriksen – engineer 1266:Emerson, Lake & Palmer 931:Take a Pebble (Conclusion) 265:Emerson, Lake & Palmer 201:Emerson, Lake & Palmer 152:Emerson, Lake & Palmer 51:Emerson, Lake & Palmer 15: 2391: 2326: 2217: 2174: 2131: 2025:Pictures at an Exhibition 2016: 1933: 1904: 1505: 1490: 1479: 1476: 1451: 1436: 1424: 1412: 1398: 1386: 1372: 1360: 1348: 1341: 1338: 1331: 1197: 1194: 1189: 1097: 1094: 1089: 1024: 1021: 1018: 1013: 981: 978: 975: 970: 915:'s "Little Rock Getaway") 898: 895: 892: 887: 821: 818: 815: 810: 718: 715: 712: 707: 615: 612: 609: 604: 493: 490: 466:Pictures At An Exhibition 321:Anaheim Convention Center 277:Anaheim Convention Center 244: 214:Pictures at an Exhibition 207: 199: 195: 158: 150: 138: 126: 110: 98: 88: 78:Anaheim Convention Centre 73: 65: 57: 44: 35: 30: 2444:Manticore Records albums 1734:GfK Entertainment Charts 402: 2156:The Ultimate Collection 2041:In Concert / Works Live 1819:Official Charts Company 1373:Canada Top Albums/CDs ( 1321:Peter Granet – engineer 1058:Emerson, Lake, Sinfield 2289:Still...You Turn Me On 1327:Carl Dun – photography 1206:"Piano Improvisations" 862:Still...You Turn Me On 594:Original vinyl release 419:Still...You Turn Me On 350:Wally Heider Recording 2382:To the Power of Three 997:Emerson, Lake, Palmer 2310:Tiger in a Spotlight 1780:Oricon Entertainment 1145:2. "Stones of Years" 749:6. "Battlefield" / " 737:2. "Stones of Years" 481:Professional ratings 1966:Brain Salad Surgery 1473: 1349:Australian Albums ( 1313:Technical Personnel 1186: 1086: 1010: 967: 884: 832:Tarkus (Conclusion) 807: 704: 601: 577:Brain Salad Surgery 482: 410:Brain Salad Surgery 334:Brain Salad Surgery 290:Brain Salad Surgery 165:Brain Salad Surgery 2261:From the Beginning 2207:A Time and a Place 2191:From the Beginning 2132:Compilation albums 2097:A Time and a Place 1648:Sea of Tranquility 1472: 1425:Norwegian Albums ( 1389:Offizielle Top 100 1184: 1084: 1008: 965: 882: 805: 702: 599: 535:Sea of Tranquility 480: 271:in August 1974 on 2411: 2410: 2361:Manticore Records 1544:978-1-47212-650-4 1514: 1513: 1509: 1465: 1464: 1413:Japanese Albums ( 1361:Austrian Albums ( 1351:Kent Music Report 1257: 1256: 1180: 1179: 1075: 1074: 1004: 1003: 961: 960: 951:" / "The Sheriff" 878: 877: 801: 800: 698: 697: 689:Alberto Ginastera 568: 567: 273:Manticore Records 248: 247: 240: 239: 191: 190: 2451: 2434:1974 live albums 2327:Related articles 1891: 1884: 1877: 1868: 1867: 1861: 1860: 1850: 1844: 1828: 1822: 1812: 1806: 1800: 1794: 1793: 1772: 1766: 1764: 1762: 1760: 1743: 1737: 1727: 1721: 1705: 1699: 1693: 1687: 1686: 1665: 1659: 1658: 1656: 1654: 1632: 1626: 1625: 1623: 1621: 1606: 1597: 1596: 1594: 1592: 1577: 1571: 1570: 1568: 1566: 1555: 1549: 1548: 1527: 1507: 1474: 1471: 1399:Italian Albums ( 1336: 1335: 1192: 1187: 1183: 1157:6. "Battlefield" 1092: 1087: 1083: 1068: 1016: 1011: 1007: 973: 968: 964: 890: 885: 881: 813: 808: 804: 778:Emerson / Lake, 710: 705: 701: 607: 602: 598: 564: 563: 562: 558: 557: 553: 552: 548: 547: 543: 542: 530: 529: 528: 524: 523: 519: 518: 514: 513: 509: 508: 483: 479: 361:mobile recording 267:, released as a 261:progressive rock 209: 208: 160: 159: 122: 121: 117: 105:Progressive rock 69:10 February 1974 40: 28: 27: 2459: 2458: 2454: 2453: 2452: 2450: 2449: 2448: 2414: 2413: 2412: 2407: 2406: 2387: 2322: 2213: 2170: 2127: 2012: 2006:In the Hot Seat 1929: 1900: 1895: 1865: 1864: 1852: 1851: 1847: 1829: 1825: 1813: 1809: 1801: 1797: 1790: 1774: 1773: 1769: 1758: 1756: 1752:Musica e Dischi 1745: 1744: 1740: 1728: 1724: 1706: 1702: 1694: 1690: 1683: 1666: 1662: 1652: 1650: 1633: 1629: 1619: 1617: 1607: 1600: 1590: 1588: 1579: 1578: 1574: 1564: 1562: 1557: 1556: 1552: 1545: 1528: 1524: 1519: 1491:United States ( 1484:Certified units 1470: 1402:Musica e Dischi 1387:German Albums ( 1343: 1334: 1263: 1258: 1181: 1160:7. "Aquatarkus" 1148:3. "Iconoclast" 1081: 1076: 1066: 1005: 962: 911:'s "Fugue" and 909:Friedrich Gulda 879: 837:7. "Aquatarkus" 802: 740:3. "Iconoclast" 699: 596: 591: 560: 555: 550: 545: 526: 521: 516: 511: 478: 405: 363:and a 40-input 317: 259:by the English 235: 226: 217: 203:live chronology 186: 177: 168: 119: 115: 114: 53: 26: 21: 12: 11: 5: 2457: 2447: 2446: 2441: 2436: 2431: 2426: 2409: 2408: 2405: 2404: 2399: 2393: 2392: 2389: 2388: 2386: 2385: 2378: 2376:Peter Sinfield 2373: 2368: 2363: 2358: 2356:Richard Fraser 2353: 2346: 2341: 2336: 2330: 2328: 2324: 2323: 2321: 2320: 2313: 2306: 2299: 2292: 2285: 2278: 2271: 2264: 2257: 2250: 2243: 2236: 2229: 2221: 2219: 2215: 2214: 2212: 2211: 2203: 2195: 2187: 2178: 2176: 2172: 2171: 2169: 2168: 2160: 2152: 2144: 2135: 2133: 2129: 2128: 2126: 2125: 2117: 2109: 2101: 2093: 2085: 2077: 2069: 2065:Live in Poland 2061: 2053: 2045: 2037: 2029: 2020: 2018: 2014: 2013: 2011: 2010: 2002: 1994: 1986: 1982:Works Volume 2 1978: 1974:Works Volume 1 1970: 1962: 1954: 1946: 1937: 1935: 1931: 1930: 1928: 1927: 1920: 1913: 1905: 1902: 1901: 1894: 1893: 1886: 1879: 1871: 1863: 1862: 1845: 1823: 1807: 1795: 1788: 1767: 1738: 1722: 1700: 1688: 1681: 1660: 1627: 1598: 1581:"Circus Raves" 1572: 1561:. allmusic.com 1550: 1543: 1521: 1520: 1518: 1515: 1512: 1511: 1503: 1502: 1499: 1496: 1488: 1487: 1481: 1478: 1469: 1468:Certifications 1466: 1463: 1462: 1459: 1449: 1448: 1445: 1434: 1433: 1430: 1422: 1421: 1418: 1410: 1409: 1406: 1396: 1395: 1392: 1384: 1383: 1380: 1370: 1369: 1366: 1358: 1357: 1354: 1346: 1345: 1340: 1333: 1330: 1329: 1328: 1325: 1322: 1319: 1315: 1314: 1310: 1309: 1296: 1278: 1268: 1267: 1262: 1259: 1255: 1254: 1251: 1250: 1249: 1246: 1243: 1237: 1233: 1232: 1229: 1226: 1222: 1221: 1218: 1215: 1211: 1210: 1207: 1204: 1200: 1199: 1196: 1193: 1182: 1178: 1177: 1174: 1171: 1167: 1166: 1163: 1162: 1161: 1158: 1155: 1154:5. "Manticore" 1152: 1149: 1146: 1143: 1137: 1133: 1132: 1129: 1126: 1122: 1121: 1118: 1115: 1111: 1110: 1107: 1104: 1100: 1099: 1096: 1093: 1082: 1080: 1077: 1073: 1072: 1069: 1063: 1062: 1059: 1056: 1049: 1045: 1044: 1041: 1038: 1031: 1027: 1026: 1023: 1020: 1017: 1006: 1002: 1001: 998: 995: 988: 984: 983: 980: 977: 974: 963: 959: 958: 955: 952: 945: 941: 940: 937: 934: 927: 923: 922: 919: 916: 905: 901: 900: 897: 894: 891: 880: 876: 875: 872: 869: 860:" (including " 854: 850: 849: 846: 845: 840: 839: 838: 828: 824: 823: 820: 817: 814: 803: 799: 798: 795: 794: 792:Peter Sinfield 776: 773: 770: 767: 764: 761: 758:Emerson, Lake 756: 755: 754: 747: 746:5. "Manticore" 744: 741: 738: 735: 725: 721: 720: 717: 714: 711: 700: 696: 695: 692: 691:; arr. Emerson 686: 679: 675: 674: 671: 661: 654: 650: 649: 646: 634:, arranged by 629: 622: 618: 617: 614: 611: 608: 597: 595: 592: 590: 587: 566: 565: 536: 532: 531: 502: 496: 495: 492: 488: 487: 477: 474: 404: 401: 365:mixing console 356:, including a 316: 313: 255:is the second 246: 245: 242: 241: 238: 237: 228: 219: 205: 204: 197: 196: 193: 192: 189: 188: 183:Works Volume 1 179: 170: 156: 155: 148: 147: 142: 136: 135: 130: 124: 123: 112: 108: 107: 102: 96: 95: 90: 86: 85: 75: 71: 70: 67: 63: 62: 59: 55: 54: 49: 42: 41: 33: 32: 24: 9: 6: 4: 3: 2: 2456: 2445: 2442: 2440: 2437: 2435: 2432: 2430: 2427: 2425: 2422: 2421: 2419: 2403: 2400: 2398: 2395: 2394: 2390: 2384: 2383: 2379: 2377: 2374: 2372: 2369: 2367: 2364: 2362: 2359: 2357: 2354: 2352: 2351: 2347: 2345: 2342: 2340: 2337: 2335: 2332: 2331: 2329: 2325: 2318: 2314: 2311: 2307: 2304: 2300: 2297: 2293: 2290: 2286: 2283: 2279: 2276: 2272: 2269: 2265: 2262: 2258: 2255: 2251: 2248: 2244: 2241: 2237: 2234: 2233:Take a Pebble 2230: 2227: 2226:The Barbarian 2223: 2222: 2220: 2216: 2209: 2208: 2204: 2201: 2200: 2196: 2193: 2192: 2188: 2185: 2184: 2180: 2179: 2177: 2173: 2166: 2165: 2161: 2158: 2157: 2153: 2150: 2149: 2145: 2142: 2141: 2137: 2136: 2134: 2130: 2123: 2122: 2118: 2115: 2114: 2110: 2107: 2106: 2102: 2099: 2098: 2094: 2091: 2090: 2086: 2083: 2082: 2078: 2075: 2074: 2070: 2067: 2066: 2062: 2059: 2058: 2054: 2051: 2050: 2046: 2043: 2042: 2038: 2035: 2034: 2030: 2027: 2026: 2022: 2021: 2019: 2015: 2008: 2007: 2003: 2000: 1999: 1995: 1992: 1991: 1987: 1984: 1983: 1979: 1976: 1975: 1971: 1968: 1967: 1963: 1960: 1959: 1955: 1952: 1951: 1947: 1944: 1943: 1939: 1938: 1936: 1934:Studio albums 1932: 1926: 1925: 1921: 1919: 1918: 1914: 1912: 1911: 1910:Keith Emerson 1907: 1906: 1903: 1899: 1892: 1887: 1885: 1880: 1878: 1873: 1872: 1869: 1858: 1855: 1849: 1842: 1841: 1836: 1834: 1827: 1820: 1816: 1811: 1804: 1799: 1791: 1789:4-87131-077-9 1785: 1781: 1777: 1771: 1754: 1753: 1748: 1747:"Classifiche" 1742: 1735: 1732:(in German). 1731: 1726: 1719: 1715: 1714: 1709: 1704: 1697: 1692: 1684: 1682:0-646-11917-6 1678: 1674: 1670: 1664: 1649: 1645: 1644:(remastered)" 1643: 1637: 1631: 1616: 1612: 1605: 1603: 1587:. August 1974 1586: 1582: 1576: 1560: 1554: 1546: 1540: 1536: 1532: 1526: 1522: 1510: 1504: 1500: 1497: 1494: 1489: 1485: 1480:Certification 1475: 1458: 1456: 1450: 1443: 1439: 1435: 1428: 1423: 1416: 1411: 1404: 1403: 1397: 1390: 1385: 1378: 1377: 1371: 1364: 1359: 1352: 1347: 1339:Chart (1974) 1337: 1326: 1323: 1320: 1317: 1316: 1312: 1311: 1308: 1304: 1300: 1297: 1294: 1290: 1286: 1282: 1279: 1277: 1273: 1272:Keith Emerson 1270: 1269: 1265: 1264: 1252: 1247: 1244: 1241: 1240: 1239:"Karn Evil 9 1238: 1234: 1230: 1227: 1223: 1219: 1216: 1212: 1208: 1205: 1201: 1188: 1175: 1172: 1168: 1164: 1159: 1156: 1153: 1150: 1147: 1144: 1142:1. "Eruption" 1141: 1140: 1138: 1134: 1130: 1127: 1123: 1119: 1116: 1112: 1108: 1105: 1101: 1088: 1070: 1067:Total length: 1064: 1060: 1057: 1054: 1050: 1046: 1042: 1039: 1036: 1032: 1028: 1012: 999: 996: 993: 989: 985: 969: 956: 954:Emerson, Lake 953: 950: 949:Jeremy Bender 946: 942: 938: 935: 932: 928: 924: 920: 917: 914: 910: 906: 902: 886: 873: 870: 867: 863: 859: 858:Take a Pebble 855: 851: 847: 843: 841: 836: 835: 833: 829: 825: 809: 796: 793: 789: 788:Michael Giles 785: 781: 777: 774: 771: 769:Emerson, Lake 768: 765: 763:Emerson, Lake 762: 759: 757: 752: 748: 745: 742: 739: 736: 734:1. "Eruption" 733: 732: 730: 726: 722: 706: 693: 690: 687: 684: 680: 676: 672: 669: 668:William Blake 665: 662: 659: 655: 651: 647: 645: 641: 637: 636:Keith Emerson 633: 632:Aaron Copland 630: 627: 623: 619: 603: 589:Track listing 586: 583: 579: 578: 572: 537: 534: 533: 503: 501: 498: 497: 489: 486:Review scores 484: 473: 471: 467: 462: 460: 459: 454: 451: 447: 443: 439: 435: 430: 428: 427:Take a Pebble 424: 420: 416: 412: 411: 400: 398: 397: 391: 389: 385: 381: 377: 373: 370: 366: 362: 359: 355: 351: 346: 344: 340: 336: 335: 330: 326: 322: 312: 310: 306: 302: 300: 294: 292: 291: 286: 282: 278: 274: 270: 266: 262: 258: 254: 253: 243: 234: 233: 229: 225: 224: 220: 216: 215: 211: 210: 206: 202: 198: 194: 185: 184: 180: 176: 175: 171: 167: 166: 162: 161: 157: 153: 149: 146: 143: 141: 137: 134: 131: 129: 125: 113: 109: 106: 103: 101: 97: 94: 91: 87: 83: 79: 76: 72: 68: 64: 60: 56: 52: 47: 43: 39: 34: 29: 23: 19: 2402:Band members 2380: 2348: 2339:Robert Berry 2205: 2199:Gold Edition 2197: 2189: 2181: 2162: 2154: 2146: 2138: 2119: 2111: 2105:High Voltage 2103: 2095: 2087: 2081:Then and Now 2079: 2071: 2063: 2055: 2047: 2039: 2032: 2031: 2023: 2004: 1996: 1988: 1980: 1972: 1964: 1956: 1948: 1940: 1922: 1915: 1908: 1848: 1839: 1832: 1826: 1810: 1798: 1775: 1770: 1757:. 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Index

Karn Evil 9

Live album
Emerson, Lake & Palmer
Anaheim Convention Centre
Anaheim
Wally Heider Recording Mobile
Genre
Progressive rock
Label
Manticore
Producer
Greg Lake
Emerson, Lake & Palmer
Brain Salad Surgery
Works Volume 1
Emerson, Lake & Palmer
Pictures at an Exhibition
Emerson, Lake & Palmer in Concert
live album
progressive rock
Emerson, Lake & Palmer
triple album
Manticore Records
Anaheim Convention Center
Anaheim
California
Brain Salad Surgery
Billboard 200
gold

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