265:
107:
37:
1551:
As an independent administrative authority set up in 2007, the AERES (French evaluation agency for research and higher education) is tasked with evaluating research and higher education institutions, research organisations, research units, higher education programmes and degrees and with approving
463:
454:(2002–2008), before Stéphane Dorin (2009), Gérôme Guibert (2010-2017), Emmanuel Parent (2017-2022) took over. In 2024, Catherine Rudent and Louise Barrière started their five-year term at the head of the journal.
1009:
Reviewing issues n° 8-1 and 8-2, Frédéric
Sylvanise - "maître de conférence" at the Paris 13 university - writes that the journal "contributes to essential discussions on contemporary popular music." Cf.
890:
in Paris was co-curated by journalist Marc BenaĂŻche and ethnomusicologist
Emmanuel Parent. The latter, a member of the journal's team since 2004, had co-organized the 2010 "What is it we call Black Music?"
325:
1142:
There are various other international journals that mix PMS and ethnomusicological approaches, often based within, and reaching out from, a particular region. These include journals such as
820:
the 2013 "Changing the Tune. Popular music and politics in the XXIst century" international conference in
Strasbourg with the German association ASPM and the French branch of the IASPM.;
1846:
823:
In
November 2012, it participated in the conference on "Digital Publishing in the Humanities. Perspectives from France and Canada" organized by the French Consulate in Toronto, the
1570:
996:
Philippe Le Guern, "The Study of popular music between sociology and aesthetics : a survey of current research in France", in Hugh
Dauncey & Chris Cannon (eds.) (2003),
718:
654:
1935:
1920:
2094:
350:
235:
1316:
746:
742:
623:
1416:
2115:
1298:
1382:
670:
2101:
928:
450:. It was created a year earlier by Gérôme Guibert, Marie-Pierre Bonniol, and Samuel Étienne, and opted for its current name in 2009. Étienne was its first
879:, such as the festival "F.A.M.E. Film Music & Experience" in March 2014, or in May 2012, the "Humanist Records Festival #3" and venues, such as the
1732:
1194:
321:
342:
248:
1640:
709:
The journal is classified by the AERES (18th section of the CNU, May 2012). It is published with the support of the French
National Book Center (
2259:
714:
1769:
1565:
1843:
622:
It's print version was originally distributed by the IRMA (now part of the French
National Centre for Music), and has been distributed by
1186:
223:
1858:
1485:
1932:
260:
1270:
745:(IASPM). In 2010, it established an "early research" (formerly "young researchers") prize with the French-speaking branch of the
462:
1917:
868:
301:
2274:
1428:
293:
289:
2264:
1695:
1677:
1749:
1211:
1257:
1219:
1169:
2108:
1253:
1236:
771:, created by Antoine Hennion, Jean-RĂ©my Julien and Jean-Claude Klein in the mid-1980s, on the French academic portal
79:
1897:
1386:
723:
611:
184:
1650:
2122:
1991:
1334:
114:
2198:
2194:
2249:
1512:
694:
791:) a partnership with the Éditions Mélanie Seteun that had already taken place for the publication of the book
1553:
57:
Most (all?) references are just in-passing mentions that don't (or just weakly) support the statements made.
1223:
920:
603:
180:
1901:
523:
scene (2022, n° 19-1), the question of expertise (2021, n° 18-2), work in popular music (2022, n° 18-1),
212:
2269:
193:
1817:
1761:
585:
publishes a "varia" section for articles not related to the main topic, plus editorials, letters, and
239:
52:
628:
2177:
2010:
1586:
710:
338:
244:
227:
61:
1058:"En arrière la musique ! Sociologies des musiques populaires en france. La genèse d'un champ"
2244:
2053:
1951:
1884:
1871:
1665:
Stereo: Comparative
Perspectives on the Sociological Study of Popular Music in France and Britain
1592:
1399:
852:
793:
Stereo: Comparative
Perspectives on the Sociological Study of Popular Music in France and Britain
760:
and the Éditions Mélanie Seteun were in charge of the electronic publication of the first French
1370:
1023:
960:"Note de synthèse bibliographique : les nouvelles perspectives en sociologie de la musique"
848:
783:
It also published a special international, English edition of its "countercultures" issues with
372:
366:
2254:
2210:
560:
2166:
933:
880:
772:
1913:
864:
860:
828:
607:
509:
502:
313:
119:
25:
959:
887:
856:
1829:
1805:
1777:
1528:
1057:
2214:
8:
1358:
1011:
174:
1733:
GĂ©rĂ´me
Guibert : "Le metal donne à ses fans une forme d'énergie face à l'adversité"
1134:
1117:
942:, to publish reviews of books dealing with popular music, was started in November 2013.
2129:
1928:
1707:
1687:
1669:
1424:
939:
784:
602:
From 2002 to 2024, the journal was published by the independent publishing association
16:
This article is about the academic journal. For the 1990s CD-based music magazine, see
1691:
1673:
1539:
1532:
1366:
1019:
815:
Heavy metal et sciences sociales : un Ă©tat des lieux de la recherche francophone
686:
382:
359:
47:
17:
469:
n°8-1 "Peut-on parler de musique noire ?" ("What is it we call 'Black music'?")
1608:"Prix « Premières recherches » de l'IASPM – branche francophone d'Europe"
1129:
1096:
1069:
971:
847:
It organizes events (conferences, concerts) with various institutions, such as the
824:
761:
674:
540:
520:
494:
490:
431:
403:
2105:
653:(six latest issues, four under restricted access). Since June 2016, it is also on
1939:
1924:
1850:
1574:
1516:
832:
646:
513:
478:
473:
The journal publishes special issues on various topics in popular music studies,
451:
256:
134:
21:
2181:
2078:
1473:
1286:
1855:
1607:
1436:
1432:
1420:
1302:
1274:
1215:
1198:
1173:
576:
572:
564:
474:
408:
2153:
2238:
1497:
765:
682:
435:
428:
2098:
1996:
1736:
1682:
1664:
1190:
872:
536:
2141:
1101:
1088:
998:
Popular music in France from Chanson to Techno. Culture, Identity, Society
976:
508:
Recent topics include music genres (2023, n° 20-1), the relations between
389:
309:
2040:
2036:
1645:
1073:
916:
903:(n°8-1, 2011). He was also in charge of editing the exhibit's catalogue.
810:"Conçues pour durer. Perspectives francophones sur les musiques hip-hop";
586:
552:
548:
532:
205:
1979:
1719:
1627:
2032:
741:
The journal is a frequent partner of the French-speaking branch of the
650:
517:
498:
106:
1317:"Les musiques noires, des musiques liées à la couleur de peau ?"
876:
788:
690:
649:(formerly Revues.org) and since December 2011 in the Belgian portal,
544:
486:
482:
1509:
1036:
871:, or the Centre Musical Fleury Goutte d'Or-Barbara, as well as with
330:
2126:
2119:
2112:
2091:
896:
666:
1793:
1449:
677:
and Music & Performing Arts Online. The articles dealing with
2065:
568:
524:
446:
The journal's first issue was published in 2002, under the title
1789:
1773:
528:
434:, created in 2001, and "dedicated to the study of contemporary
1967:
1403:
915:
editors were offered sequences on François Saltiel's show on
556:
274:
1963:
527:
scenes (2021, n° 17-2), the pop voice (2021, n° 16-2/17-1),
678:
1841:"Trafic de Stéréotypes. Le rap, entre business et style",
1040:
la revue de recherche sur les musiques populaires, 10 ans
701:
is registered by the AERES in the 18th section ("Arts").
2229:
1610:. IASPM - branche francophone d'Europe. 10 November 2023
752:
747:
International Association for the Study of Popular Music
743:
International Association for the Study of Popular Music
2215:"Dancing with the devil. Panorama des 'metal studies'"
838:"What is it we call "Black music"?" in Bordeaux, 2010.
736:
555:(2015, n°12-1), "nostalgia" (2015, n°11-1), music and
1872:"POP MUSIC - POP MUSÉE - Un nouveau défi patrimonial"
957:
1680: ; Sheila Whiteley et Jedediah Sklower (2014),
807:"Rock and violences in Europe (1955-1990)", in 2017;
803:It has co-organized many conferences, among which:
645:
was included in the French academic journals portal
1486:
International Index to Music Periodicals title list
1156:
Volume! The French Journal of Popular Music Studies
420:
Volume! The French Journal of Popular Music Studies
98:
Volume! the French journal of popular music studies
1531:. A first version of this bibliography, edited by
1335:"La "musique noire" existe-t-elle vraiment ?"
264:
1089:"Ă€ propos des musiques populaires : Le rock"
655:RILM Abstracts of Music Literature with Full Text
592:
2236:
927:in October 2013. A partnership with the website
671:Répertoire International de Littérature Musicale
2035:, published by the Éditions Mélanie Seteun, on
1332:
160:Musiques actuelles et problématiques plastiques
1970:on popular music and the 1960s counterculture.
923:dedicated two issues of "Histoire Vivante" to
715:French National Centre for Scientific Research
665:The journal is abstracted and indexed in the
610:. In 2025, it will join the catalogue of the
1427:. Cf. Thomas Vendryes (and Emmanuel Parent)
1118:"Twenty First Century Popular Music Studies"
559:(2014, n°10-2), "listening" (2013, n°10-1),
1854:n°9, October 2012, pp. 32-33, broadcast on
1662:Hugh Dauncey and Philippe Le Guern (2010),
1641:Review of Countercultures and Popular Music
1314:
1115:
660:
20:. For quarterly architecture magazine, see
2090:The following articles and interviews: in
1764:of the conference in the academic journal
731:
1435:, about his article on cover versions in
1406:at the Centre Barbara-Fleury Goutte d'Or.
1133:
1100:
975:
80:Learn how and when to remove this message
1966:on gender and racial issues in hip-hop,
1301:on Vincent Théval's show "Label Pop" on
1055:
717:. In 2024, it gained the support of the
667:International Index to Music Periodicals
461:
1415:Cf. Jacques Munier during his segment "
886:The "Great Black Music" exhibit at the
685:bibliography and the ones dealing with
2237:
1222:on the program "Diagonale Sonore", or
1086:
1000:, Aldershot: Ashgate, pp. 7-8, note 2.
893:Peut-on parler de musique noire ?
2260:Academic journals established in 2002
1359:" Y a-t-il une musique noire ? "
1012:" Y a-t-il une musique noire ? "
769:Vibrations. Musiques, médias, société
753:Vibrations. Musiques, médias, société
697:/ISMMS's metal studies bibliography.
617:
2182:Show on the counterculture in France
1954:on listening to "electrified music".
1271:Le pouvoir nostalgique de la musique
899:whose proceedings were published in
869:Collège International de Philosophie
551:(2016, n° 12–2), French chanson and
30:
1552:their staff evaluation procedures (
911:From October 2012 to January 2013,
737:French-speaking branch of the IASPM
13:
1806:the presentation of the conference
1535:and Fabien Hein, was published in
1498:RILM Abstracts of Music Literature
1423:, or Éric Deshayes on the website
1277:, "La Grande Table", 5 March 2015.
14:
2286:
2223:
1683:Countercultures and Popular Music
1152:Brazilian Journal of Song Studies
571:(2011, n°8-2), "metal studies", "
457:
1333:Susie Bourquier (6 March 2014).
1258:Bibliothèque Nationale de France
1252:The selected proceedings of the
636:
612:Presses Universitaires de Rennes
425:La revue des musiques populaires
263:
185:Presses Universitaires de Rennes
105:
35:
2204:
2187:
2171:
2159:
2147:
2135:
2084:
2071:
2059:
2046:
2025:
2003:
1985:
1973:
1957:
1945:
1907:
1890:
1864:
1835:
1823:
1811:
1799:
1783:
1755:
1742:
1725:
1713:
1701:
1656:
1633:
1621:
1600:
1580:
1559:
1545:
1522:
1503:
1491:
1479:
1466:
1442:
1409:
1392:
1376:
1351:
1308:
1291:
1280:
1263:
1246:
1237:De la diversité dans la variété
1229:
1204:
1135:10.5429/2079-3871(2013)v3i2.1en
575:" (2012, n°9-1 & 9–2), and
2052:Term coined by members of the
2013:. Humanist Records Festival #3
1179:
1162:
1109:
1080:
1049:
1029:
1003:
990:
958:Cécile Prévost-Thomas (2010).
951:
798:
695:University of Central Missouri
593:Publication & distribution
1:
2275:2002 establishments in France
2211:"Le bruissement de la raison"
1577:, French National Book Center
1474:RILM Abstracts with Full text
1046:, n° 49, 2013, p. 89-93.
945:
817:" in Angers (December 2014),;
719:Centre national de la musique
2265:Delayed open access journals
597:
7:
2079:presentation of the exhibit
2037:the "countercultures" issue
2031:Debate on "Sound Factory",
1929:popular music and teenagers
1567:Bilan annuel des aides 2009
1148:South African Music Studies
1144:Latin American Music Review
1056:Le Guern, Philippe (2007).
704:
55:. The specific problem is:
24:. For journal volumes, see
10:
2291:
1952:this series of conferences
1914:this conference on hip-hop
1790:Popular Music and Politics
778:
441:
15:
1780:on the journal Sibetrans.
1402:on the website Citazine,
1116:Rupert Till (June 2013).
1087:Brandl, Emmanuel (2006).
842:
579:(2010, n°7-1 & 7–2),
400:
395:
380:
357:
285:
273:
219:
202:
192:
173:
165:
149:
144:
133:
125:
113:
104:
1649:, 13 November 2014, and
1594:Revues soutenues en 2010
1588:Revues soutenues en 2011
1357:Cf. Frédéric Sylvanise,
1235:Charline Lecarpentier, "
906:
711:Centre national du livre
661:Abstracting and indexing
547:scenes (2016, N° 13–1),
543:(2017, n° 13–2), French
2054:Art Ensemble of Chicago
1918:blackness and queerness
1898:La scène punk en France
1214:with Olivier Julien on
938:, created by historian
921:Radio Télévision Suisse
853:Centre Georges Pompidou
732:Events and partnerships
683:Jazz Institut Darmstadt
606:, which specializes in
604:Éditions Mélanie Seteun
181:Éditions Mélanie Seteun
2230:Volume's first website
2213:, 2 December 2013, or
1885:download the programme
1417:L'actualité des revues
1287:Table of contents here
470:
423:(subtitled in French:
220:Standard abbreviations
2250:Multilingual journals
1916:, or this series on "
1554:Profile of the Agency
1510:Jazz Institut website
1189:with the editors, on
1102:10.3917/mouv.047.0220
977:10.3917/anso.102.0403
861:Philharmonie de Paris
829:University of Toronto
641:Since November 2011,
608:popular music studies
516:(2022, n° 19-2), the
510:popular music studies
503:communication studies
465:
409:Volume! on Cairn.info
187:(2025-) (France)
120:Popular music studies
26:Volume (bibliography)
2178:show on rock museums
1874:. Cité de la musique
1830:Musée du Quai Branly
1792:CFP, mentioning the
1172:with the editor, on
1074:10.3917/res.141.0015
964:L'Année Sociologique
855:public library, the
849:Musée du Quai Branly
62:improve this article
51:to meet Knowledge's
2039:as well as on the "
1766:Le Temps des MĂ©dias
1739:, 26 December 2014.
1385:documentary on the
1365:, 29 October 2012.
1269:Raphaël Bourgois, "
1044:La Revue des revues
1018:, 29 October 2012.
681:are indexed on the
624:Les Presses du réel
567:and race issues in
145:Publication details
101:
2217:, 5 November 2013.
2197:of G. Guibert and
2142:CV Emmanuel Parent
1938:2014-02-22 at the
1923:2014-02-22 at the
1849:2012-11-08 at the
1688:Ashgate Publishing
1670:Ashgate Publishing
1573:2011-11-05 at the
1515:2007-04-27 at the
1243:, 26 January 2016.
1095:. 47–48 (5): 220.
1035:Bruno PĂ©quignot, "
940:Pierre Rosanvallon
888:Cité de la Musique
857:Cité de la Musique
785:Ashgate Publishing
618:Print distribution
471:
95:
2270:Biannual journals
2066:Exhibit's website
2056:in the mid-1960s.
1896:The conferences "
1844:De Ligne en ligne
1772:, in the journal
1770:this announcement
1696:978-1-4724-2106-7
1678:978-1-4094-0568-9
1639:Cf. Jordan Blum,
1533:Keith Kahn Harris
1315:François Mauger.
539:(2018, n° 14–2),
535:(2019, n° 15-2),
531:(2020, n° 16-1),
448:Copyright Volume!
416:
415:
158:Copyright Volume!
90:
89:
82:
53:quality standards
44:This article may
18:Volume (magazine)
2282:
2218:
2208:
2202:
2191:
2185:
2175:
2169:
2163:
2157:
2151:
2145:
2139:
2133:
2088:
2082:
2075:
2069:
2063:
2057:
2050:
2044:
2029:
2023:
2021:
2019:
2018:
2007:
2001:
1989:
1983:
1977:
1971:
1961:
1955:
1949:
1943:
1911:
1905:
1894:
1888:
1882:
1880:
1879:
1868:
1862:
1839:
1833:
1827:
1821:
1815:
1809:
1803:
1797:
1787:
1781:
1759:
1753:
1746:
1740:
1729:
1723:
1717:
1711:
1705:
1699:
1660:
1654:
1637:
1631:
1625:
1619:
1618:
1616:
1615:
1604:
1598:
1584:
1578:
1563:
1557:
1549:
1543:
1526:
1520:
1507:
1501:
1495:
1489:
1483:
1477:
1470:
1464:
1463:
1461:
1460:
1446:
1440:
1413:
1407:
1396:
1390:
1380:
1374:
1363:La Vie des idées
1355:
1349:
1348:
1346:
1345:
1330:
1328:
1327:
1312:
1306:
1295:
1289:
1284:
1278:
1267:
1261:
1250:
1244:
1233:
1227:
1208:
1202:
1183:
1177:
1166:
1160:
1139:
1137:
1113:
1107:
1106:
1104:
1084:
1078:
1077:
1053:
1047:
1033:
1027:
1016:La Vie des idées
1007:
1001:
994:
988:
987:
985:
984:
979:
955:
937:
929:La vie des idées
895:) conference in
865:La Gaîté Lyrique
825:French Institute
762:academic journal
727:
632:
521:progressive rock
495:cultural studies
491:cultural history
432:academic journal
427:) is a biannual
404:Journal homepage
386:
369:
362:
353:
269:
267:
266:
208:
153:
109:
102:
99:
94:
92:Academic journal
85:
78:
74:
71:
65:
39:
38:
31:
2290:
2289:
2285:
2284:
2283:
2281:
2280:
2279:
2235:
2234:
2226:
2221:
2209:
2205:
2192:
2188:
2176:
2172:
2164:
2160:
2152:
2148:
2140:
2136:
2089:
2085:
2076:
2072:
2064:
2060:
2051:
2047:
2030:
2026:
2016:
2014:
2009:
2008:
2004:
1990:
1986:
1978:
1974:
1964:this conference
1962:
1958:
1950:
1946:
1940:Wayback Machine
1925:Wayback Machine
1912:
1908:
1895:
1891:
1877:
1875:
1870:
1869:
1865:
1851:Wayback Machine
1840:
1836:
1828:
1824:
1816:
1812:
1804:
1800:
1788:
1784:
1760:
1756:
1747:
1743:
1731:Sophian Fanen,
1730:
1726:
1718:
1714:
1706:
1702:
1661:
1657:
1638:
1634:
1626:
1622:
1613:
1611:
1606:
1605:
1601:
1591:, INSHS, CNRS;
1585:
1581:
1575:Wayback Machine
1564:
1560:
1550:
1546:
1527:
1523:
1517:Wayback Machine
1508:
1504:
1496:
1492:
1484:
1480:
1471:
1467:
1458:
1456:
1450:"Volume !"
1448:
1447:
1443:
1414:
1410:
1404:this conference
1397:
1393:
1381:
1377:
1356:
1352:
1343:
1341:
1325:
1323:
1313:
1309:
1296:
1292:
1285:
1281:
1268:
1264:
1251:
1247:
1234:
1230:
1209:
1205:
1184:
1180:
1167:
1163:
1114:
1110:
1085:
1081:
1068:(141–142): 15.
1054:
1050:
1034:
1030:
1008:
1004:
995:
991:
982:
980:
956:
952:
948:
931:
909:
845:
833:York University
801:
781:
755:
739:
734:
721:
707:
663:
639:
626:
620:
600:
595:
573:countercultures
514:ethnomusicology
479:ethnomusicology
460:
452:editor-in-chief
444:
381:
376:
371:
365:
358:
329:
288:
287:
243:
222:
221:
215:, after 2 years
209:
204:
188:
161:
159:
154:
151:
140:Emmanuel Parent
129:English, French
97:
93:
86:
75:
69:
66:
59:
40:
36:
29:
22:Volume Magazine
12:
11:
5:
2288:
2278:
2277:
2272:
2267:
2262:
2257:
2252:
2247:
2245:Music journals
2233:
2232:
2225:
2224:External links
2222:
2220:
2219:
2203:
2201:of J. Sklower.
2195:this interview
2186:
2170:
2158:
2146:
2134:
2083:
2070:
2058:
2045:
2024:
2002:
1984:
1972:
1956:
1944:
1906:
1902:watching music
1889:
1863:
1856:France Culture
1834:
1822:
1810:
1798:
1782:
1778:this reference
1754:
1741:
1724:
1712:
1700:
1655:
1632:
1620:
1599:
1597:, INSHS, CNRS.
1579:
1558:
1544:
1521:
1502:
1490:
1478:
1465:
1441:
1437:Jamaican music
1433:France Culture
1421:France Culture
1408:
1391:
1383:France Culture
1375:
1350:
1307:
1303:France Musique
1299:this interview
1290:
1279:
1275:France Culture
1262:
1245:
1228:
1216:France Culture
1212:this interview
1203:
1199:France Culture
1187:this interview
1178:
1174:France Culture
1170:this interview
1161:
1108:
1079:
1048:
1028:
1002:
989:
970:(2): 403–417.
949:
947:
944:
908:
905:
881:Point Éphémère
844:
841:
840:
839:
836:
821:
818:
811:
808:
800:
797:
787:(now owned by
780:
777:
754:
751:
738:
735:
733:
730:
706:
703:
662:
659:
638:
635:
619:
616:
599:
596:
594:
591:
577:cover versions
563:(2011, n°8-1)
541:Jamaican Music
475:new musicology
459:
458:Special issues
456:
443:
440:
414:
413:
412:
411:
406:
398:
397:
393:
392:
387:
378:
377:
363:
355:
354:
283:
282:
277:
271:
270:
217:
216:
210:
203:
200:
199:
196:
190:
189:
179:
177:
171:
170:
167:
163:
162:
157:
155:
152:Former name(s)
150:
147:
146:
142:
141:
138:
131:
130:
127:
123:
122:
117:
111:
110:
91:
88:
87:
43:
41:
34:
9:
6:
4:
3:
2:
2287:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2255:Popular music
2253:
2251:
2248:
2246:
2243:
2242:
2240:
2231:
2228:
2227:
2216:
2212:
2207:
2200:
2196:
2190:
2183:
2179:
2174:
2168:
2162:
2155:
2150:
2143:
2138:
2131:
2128:
2124:
2121:
2117:
2114:
2110:
2107:
2103:
2100:
2096:
2093:
2087:
2080:
2074:
2067:
2062:
2055:
2049:
2042:
2038:
2034:
2028:
2012:
2011:"Partenaires"
2006:
1999:
1998:
1993:
1988:
1981:
1980:Three debates
1976:
1969:
1965:
1960:
1953:
1948:
1941:
1937:
1934:
1930:
1926:
1922:
1919:
1915:
1910:
1903:
1899:
1893:
1886:
1873:
1867:
1860:
1857:
1853:
1852:
1848:
1845:
1838:
1831:
1826:
1819:
1814:
1807:
1802:
1795:
1791:
1786:
1779:
1775:
1771:
1767:
1763:
1758:
1751:
1745:
1738:
1734:
1728:
1721:
1716:
1709:
1704:
1697:
1693:
1689:
1685:
1684:
1679:
1675:
1671:
1667:
1666:
1659:
1652:
1648:
1647:
1642:
1636:
1629:
1624:
1609:
1603:
1596:
1595:
1590:
1589:
1583:
1576:
1572:
1569:
1568:
1562:
1555:
1548:
1541:
1538:
1534:
1530:
1525:
1518:
1514:
1511:
1506:
1499:
1494:
1487:
1482:
1475:
1469:
1455:
1451:
1445:
1438:
1434:
1430:
1426:
1422:
1418:
1412:
1405:
1401:
1395:
1388:
1384:
1379:
1372:
1368:
1364:
1360:
1354:
1340:
1336:
1322:
1318:
1311:
1304:
1300:
1294:
1288:
1283:
1276:
1272:
1266:
1259:
1255:
1249:
1242:
1238:
1232:
1225:
1221:
1217:
1213:
1207:
1200:
1196:
1192:
1188:
1182:
1175:
1171:
1165:
1159:
1155:
1151:
1147:
1143:
1136:
1131:
1127:
1123:
1122:IASPM@Journal
1119:
1112:
1103:
1098:
1094:
1090:
1083:
1075:
1071:
1067:
1063:
1059:
1052:
1045:
1041:
1039:
1032:
1025:
1021:
1017:
1013:
1006:
999:
993:
978:
973:
969:
965:
961:
954:
950:
943:
941:
935:
930:
926:
922:
918:
914:
904:
902:
898:
894:
889:
884:
882:
878:
874:
873:record labels
870:
866:
862:
858:
854:
850:
837:
834:
830:
826:
822:
819:
816:
812:
809:
806:
805:
804:
796:
794:
790:
786:
776:
774:
770:
767:
766:popular music
764:dedicated to
763:
759:
750:
748:
744:
729:
725:
720:
716:
712:
702:
700:
699:Volume !
696:
692:
688:
684:
680:
676:
672:
668:
658:
656:
652:
648:
644:
643:Volume !
637:Online access
634:
630:
625:
615:
613:
609:
605:
590:
588:
584:
580:
578:
574:
570:
566:
562:
558:
554:
550:
546:
542:
538:
534:
530:
526:
522:
519:
515:
511:
506:
504:
500:
496:
492:
488:
484:
480:
476:
468:
467:Volume !
464:
455:
453:
449:
439:
437:
436:popular music
433:
430:
429:peer-reviewed
426:
422:
421:
410:
407:
405:
402:
401:
399:
394:
391:
388:
384:
379:
374:
370: (print)
368:
364:
361:
356:
352:
348:
344:
340:
336:
332:
327:
323:
319:
315:
311:
307:
303:
299:
295:
291:
284:
281:
278:
276:
272:
262:
258:
254:
250:
246:
241:
237:
233:
229:
225:
218:
214:
211:
207:
201:
197:
195:
191:
186:
183:(2002-2024),
182:
178:
176:
172:
168:
164:
156:
148:
143:
139:
136:
132:
128:
124:
121:
118:
116:
112:
108:
103:
100:
84:
81:
73:
63:
58:
54:
50:
49:
42:
33:
32:
27:
23:
19:
2206:
2189:
2173:
2165:Actes Sud's
2161:
2149:
2137:
2086:
2073:
2061:
2048:
2027:
2015:. Retrieved
2005:
1995:
1987:
1975:
1959:
1947:
1933:musical hits
1909:
1892:
1876:. Retrieved
1866:
1842:
1837:
1825:
1818:Presentation
1813:
1801:
1785:
1765:
1757:
1750:program here
1744:
1727:
1715:
1703:
1681:
1663:
1658:
1644:
1635:
1630:, on Persée.
1623:
1612:. Retrieved
1602:
1593:
1587:
1582:
1566:
1561:
1547:
1536:
1524:
1505:
1493:
1481:
1468:
1457:. Retrieved
1453:
1444:
1411:
1394:
1378:
1362:
1353:
1342:. Retrieved
1338:
1324:. Retrieved
1320:
1310:
1293:
1282:
1265:
1256:held at the
1248:
1240:
1231:
1206:
1191:France Inter
1181:
1164:
1157:
1153:
1149:
1145:
1141:
1125:
1121:
1111:
1092:
1082:
1065:
1061:
1051:
1043:
1037:
1031:
1015:
1005:
997:
992:
981:. Retrieved
967:
963:
953:
924:
912:
910:
900:
892:
885:
846:
814:
802:
792:
782:
768:
757:
756:
740:
708:
698:
664:
642:
640:
633:since 2015.
621:
601:
587:book reviews
582:
581:
537:music videos
507:
472:
466:
447:
445:
424:
419:
418:
417:
346:
334:
317:
305:
297:
279:
252:
231:
169:2002–present
96:
76:
67:
60:Please help
56:
45:
1762:this review
1686:, Farnham:
1668:, Farnham:
1651:this review
1646:Pop Matters
1454:OpenEdition
1429:interviewed
1400:this review
1128:(2): 1–14.
932: [
919:., and the
799:Conferences
722: [
687:heavy metal
675:Music Index
647:OpenEdition
627: [
561:Black music
553:immigration
549:The Beatles
533:metal music
375: (web)
206:Open access
64:if you can.
2239:Categories
2106:L'Humanité
2099:Libération
2017:2012-07-31
1997:Libération
1878:2012-07-31
1737:Libération
1720:Programme.
1628:Vibrations
1614:2024-03-21
1459:2012-07-31
1425:Néosphères
1344:2014-03-06
1326:2012-07-31
1254:conference
1241:Libération
1093:Mouvements
983:2012-07-31
946:References
713:) and the
651:Cairn.info
518:Canterbury
499:aesthetics
257:MathSciNet
115:Discipline
2041:listening
1722:, in 2017
1708:Programme
1371:2105-3030
1224:this page
1024:2105-3030
877:festivals
789:Routledge
691:hard rock
598:Publisher
487:geography
483:sociology
390:237795939
385: no.
373:1950-568X
367:1634-5495
194:Frequency
175:Publisher
2199:this one
2127:TSF Jazz
2120:Europe 1
2113:Le Point
2092:Telerama
1968:this one
1936:Archived
1921:Archived
1847:Archived
1748:Cf. the
1571:Archived
1513:Archived
1387:Hellfest
1321:Mondomix
1220:this one
1195:this one
917:Le Mouv'
897:Bordeaux
705:Sponsors
286:Indexing
236:Bluebook
198:Biannual
137: by
126:Language
70:May 2024
46:require
2167:website
1992:Article
1537:Volume!
1339:Europe1
1062:RĂ©seaux
1038:Volume!
925:Volume!
913:Volume!
901:Volume!
779:Ashgate
758:Volume!
693:on the
583:Volume!
569:hip hop
529:hacking
525:hip-hop
505:, etc.
442:History
345:)
316:)
304:)
280:Volume!
251:)
230:)
213:Delayed
166:History
48:cleanup
2043:" one.
1774:Rue 89
1694:
1676:
1369:
1154:, and
1022:
867:, the
859:, the
851:, the
843:Events
831:, and
827:, the
773:Persée
673:, the
669:, the
565:gender
351:Scopus
347:·
335:·
333:
318:·
306:·
298:·
296:
253:·
232:·
135:Edited
1776:, or
1419:" on
936:]
907:Media
726:]
631:]
557:dance
396:Links
349:
337:
320:
310:JSTOR
308:
300:
290:CODEN
275:ISO 4
255:
234:
224:ISO 4
2193:Cf.
2154:here
2130:here
2123:here
2116:here
2109:here
2102:here
2095:here
2077:The
2033:here
1931:and
1900:", "
1859:here
1794:ASPM
1692:ISBN
1674:ISBN
1540:here
1529:here
1398:Cf.
1367:ISSN
1297:Cf.
1210:Cf.
1185:Cf.
1168:Cf.
1020:ISSN
679:jazz
545:punk
512:and
438:".
383:OCLC
360:ISSN
331:MIAR
322:LCCN
302:alt2
1994:in
1927:",
1472:Cf.
1431:on
1273:",
1239:",
1197:on
1140:: "
1130:doi
1097:doi
1070:doi
1042:",
972:doi
343:alt
339:NLM
326:alt
314:alt
294:alt
261:alt
249:alt
245:NLM
240:alt
228:alt
2241::
2180:,
2125:,
2118:,
2111:,
2104:,
2097:,
1883:;
1768:,
1735:,
1690:,
1672:,
1643:,
1556:).
1452:.
1361:,
1337:.
1331:,
1319:.
1218:,
1193:,
1158:."
1124:.
1120:.
1091:.
1066:25
1064:.
1060:.
1014:,
968:60
966:.
962:.
934:fr
883:.
863:,
835:.;
795:.
775:.
749:.
728:.
724:fr
657:.
629:fr
614:.
589:.
501:,
497:,
493:,
489:,
485:,
481:,
477:,
2184:.
2156:.
2144:.
2132:.
2081:.
2068:.
2022:.
2020:.
2000:.
1982:.
1942:.
1904:.
1887:.
1881:.
1861:.
1832:.
1820:.
1808:.
1796:.
1752:.
1710:.
1698:.
1653:.
1617:.
1542:.
1519:.
1500:.
1488:.
1476:.
1462:.
1439:.
1389:.
1373:.
1347:.
1329:.
1305:.
1260:.
1226:.
1201:.
1176:.
1150:,
1146:,
1138:.
1132::
1126:3
1105:.
1099::
1076:.
1072::
1026:.
986:.
974::
891:(
875:/
813:"
689:/
341:(
328:)
324:(
312:(
292:(
268:)
259:(
247:(
242:)
238:(
226:(
83:)
77:(
72:)
68:(
28:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
