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547:, she returned to a freer mode of expression, to which she adhered for the remainder of her career, steadily expanding her expressive and generic range. She employed diverse techniques corresponding to a wide range of musical subjects. Henry Brant noted that "No two Fine pieces are alike either in subject matter or instrumentation; each new work appears to generate its own style appropriate to the subject, and there are no mannerisms which persist from work to work."
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502:). In 1937 she helped found the American Composers Alliance and served as its vice-president from 1961 to 1965 . In addition to her career as a composer, Fine continued to perform. In the 1930s she was perhaps the best-known performer of contemporary piano music in New York. She premiered works of
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Fine's early compositional style was highly dissonant and contrapuntal. In 1934 she began a nine-year course of composition studies with Roger
Sessions, and her work became for a time more tonal, as exemplified by
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Fine wrote extensively for voice, employing the poetry of
Shakespeare, Racine, Dryden, Keats, Whitman, Dickinson, Kafka, Neruda, and others in a wide variety of settings. She composed two chamber operas,
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in spirit if not in factual detail, follows
American composer Uliana Rooney as she journeys through the 20th century, surviving changing political climates and several husbands to ultimately triumph.
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to David and Rose Fine. A piano prodigy, she became at age five the youngest student ever to be awarded a scholarship at the
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to fashion conversations among the four women and a tenor representing the various men in their lives.
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Fine made her professional debut as a composer at age sixteen with performances in
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Notable in Fine's work is a sense of fun, either as a major element in the piece (
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It may require cleanup to comply with
Knowledge's content policies, particularly
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450:. At age eleven she became a student of Scriabin disciple
602:(1994), Fine's last major composition, is a contemporary
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A major contributor to this article appears to have a
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430:(28 September 1913 – 20 March 2000) was an American
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656:American Academy and Institute of Arts and Letters
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1009:Concerto for Cello, Piano, and String Orchestra
811:The New Grove Dictionary of Music and Musicians
514:, Rudhyar, and others, and studied piano with
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756:International Encyclopedia of Women Composers
846:Music Division, The New York Public Library.
50:Learn how and when to remove these messages
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980:Concerto for String Quartet and Orchestra
809:Von Gunden, Heidi. 2001. "Fine, Vivian".
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306:Learn how and when to remove this message
249:Learn how and when to remove this message
147:Learn how and when to remove this message
758:. Books & Music (USA). p. 596.
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666:, where her students included composer
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185:Please improve this article by adding
1130:20th-century American women composers
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685:Fine's manuscripts are housed at the
642:foundations, several grants from the
470:, who were supporters of her talent (
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782:Raymond, Jennifer (April 9, 2000).
537:Concertante for Piano and Orchestra
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1125:20th-century American composers
1120:Road incident deaths in Vermont
821:. London: Macmillan Publishers.
723:Vivian Fine: A Bio-bibliography
644:National Endowment for the Arts
72:needs additional citations for
39:or discuss these issues on the
1115:Chicago Musical College alumni
1110:Pupils of Ruth Crawford Seeger
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726:. Greenwood Publishing Group.
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526:Compositional style and themes
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850:Vivian Fine music manuscripts
844:Vivian Fine papers, 1929–1973
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626:Awards, accolades, and legacy
187:secondary or tertiary sources
1100:American classical composers
813:, second edition, edited by
676:was a finalist for the 1983
670:. Her 1982 orchestral suite
582:, Fine used the writings of
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838:Interview with Vivian Fine
640:Elizabeth Sprague Coolidge
488:Four Pieces for Two Flutes
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600:Memoirs of Uliana Rooney
576:Memoirs of Uliana Rooney
556:Memoirs of Uliana Rooney
580:The Women in the Garden
572:The Women in the Garden
560:The Women in the Garden
545:The Great Wall of China
448:Chicago Musical College
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1000:Concerto for Orchestra
970:Flower of the Mountain
908:Quintets for Orchestra
784:"Vivian Fine Obituary"
539:(1944). In 1946, with
407:20th-century classical
355:Background information
174:relies excessively on
720:Cody, Judith (2002).
632:Guggenheim Fellowship
284:neutral point of view
81:improve this article
930:Drama for Orchestra
919:After the Butterfly
854:Library of Congress
687:Library of Congress
673:Drama for Orchestra
518:from 1937 to 1945 (
478:Professional career
393:Bennington, Vermont
990:H'un (Lacerations)
840:, November 8, 1986
660:Bennington College
498:Festival in 1932 (
370:September 28, 1913
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452:Djane Lavoie-Herz
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198:"Vivian Fine"
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172:This article
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793:. Retrieved
789:The Guardian
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737:. Retrieved
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697:She died in
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668:Patsy Rogers
652:Yaddo Awards
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618:. The work,
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512:Henry Cowell
504:Charles Ives
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460:Henry Cowell
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79:Please help
74:verification
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1085:2000 deaths
1080:1913 births
925:Vivian Fine
893:(1980–1990)
889:Finalists:
833:Her website
612:videography
604:opera buffa
578:(1994). In
574:(1978) and
535:(1940) and
428:Vivian Fine
340:Vivian Fine
1074:Categories
903:Lukas Foss
739:2 February
707:References
699:Bennington
646:, and the
413:Occupation
366:1913-09-28
296:March 2018
239:March 2018
209:newspapers
176:references
107:newspapers
36:improve it
1039:Citations
795:August 5,
510:, Brant,
288:talk page
137:June 2020
42:talk page
608:libretto
432:composer
417:Composer
377:Illinois
1032:Winners
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648:Dollard
606:, with
444:Chicago
373:Chicago
223:scholar
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403:Genres
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230:JSTOR
216:books
128:JSTOR
114:books
1058:'10s
1053:'00s
1048:'90s
817:and
797:2020
760:ISBN
741:2022
728:ISBN
650:and
638:and
610:and
594:and
543:and
438:Life
397:U.S.
383:Died
360:Born
202:news
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