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Virgil Moorefield

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212:, where he studied with Paul Lansky, and a Ph.D. from the same institution in 2001. His dissertation, "The Producer As Composer", was published in expanded form as a hardcover (2005) and paperback (2010) by MIT Press. In the early 2000s, Moorefield began writing immersive intermedia works, at first collaboratively, and then as large-scale compositions. In 2013 he released a DVD of a large scale piece performed on three continents, "Five Ideas About the Relation of Sight and Sound". 28: 539: 195:. In 1979, Moorefield moved to the East Village of New York City and began a career as a composer, teaching himself along the way. His first recording, Transformations, scored for big band with electric guitars and horns, appeared in 1983. In the mid-Eighties, he began performing with rock bands such as Damage and K-Martians, which led to a stint with 208:
festivals in the mid-Nineties as well as on his Tzadik Records release, Moorefield experimented with a loosely structured hybrid between compositional and improvisational processes, coining the term "comprovisation" to describe his work of that period. In 1998 Moorefield received an M.F.A. in composition from
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Moorefield's work focuses primarily on live acoustic performance, electronic processing of acoustic signals, and live visual music ("Five Ideas About the Relation of Sight and Sound"). CDs of his composer-led ensembles have been released on several labels, including Tzadik, Cuneiform, and Innova. His
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Moorefield was born into a family of musicians and teachers. At the age of five, he began drumming. By the time he was ten, he spoke three languages fluently, the result of having gone to public elementary schools in Italy, the United States, and Switzerland. Moorefield attended the American School
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Ensemble, touring and recording with them until 2008. Beginning in 1994, Moorefield has released CDs of his composer-led ensembles on various labels. In the early Nineties, he led a nine-piece group that performed meticulously notated avant-rock in Europe and the U.S. For performances at various
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in Zürich, giving various performances as a drummer-composer in Zürich at the age of 17. He then received a B.A. and an M.A. in English from Columbia University, where he was a student of
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compositions are informed by his identity as a drummer. He is also the author of
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No Business As Usual/ Five Ideas About the Relation of Sight and Sound
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The Temperature in Hell Is Over Three Thousand Degrees
547: 542:Virgil Moorefield, Maiers Theater, Zürich, 2011 203:. Around the same time, Moorefield joined the 228:Distractions on the Way to The King's Party 537: 215: 548: 616:21st-century American male musicians 611:20th-century American male musicians 244:Things You Must Do to Get to Heaven 13: 14: 627: 566:American male classical composers 283: 581:21st-century classical composers 576:20th-century classical composers 26: 606:20th-century American composers 596:21st-century American composers 514: 484: 464: 438: 418: 392: 372: 352: 332: 1: 325: 571:American classical composers 340:"Christgau's Consumer Guide" 185: 138:, Hinterzimmer, Slipped Disc 7: 53:Chapel Hill, North Carolina 10: 632: 256: 586:Cuneiform Records artists 146: 142: 123: 113: 95: 80: 59: 39: 34: 25: 18: 252:(CD + DVD, Hinterzimmer) 176:The Producer as Composer 591:Tzadik Records artists 543: 67:Contemporary classical 35:Background information 541: 360:"Atavistic Worldwide" 290:VirgilMoorefield.com 273:Neue Zürcher Zeitung 216:Selected discography 210:Princeton University 522:"thesoundprojector" 104:modular synthesizer 544: 451:The New York Times 315:hollywoodbowl.com 232:Cuneiform Records 197:experimental rock 168:Virgil Moorefield 162: 161: 154:.virgilmoorefield 20:Virgil Moorefield 623: 532: 531: 529: 528: 518: 512: 511: 509: 508: 488: 482: 481: 479: 478: 468: 462: 461: 459: 458: 446:"New York Times" 442: 436: 435: 433: 432: 422: 416: 415: 413: 412: 396: 390: 389: 387: 386: 380:"Hollywood Bowl" 376: 370: 369: 367: 366: 356: 350: 349: 347: 346: 336: 158: 155: 153: 116: 49: 47: 30: 16: 15: 631: 630: 626: 625: 624: 622: 621: 620: 546: 545: 536: 535: 526: 524: 520: 519: 515: 506: 504: 490: 489: 485: 476: 474: 470: 469: 465: 456: 454: 444: 443: 439: 430: 428: 426:"Bang on a Can" 424: 423: 419: 410: 408: 398: 397: 393: 384: 382: 378: 377: 373: 364: 362: 358: 357: 353: 344: 342: 338: 337: 333: 328: 286: 259: 222:Transformations 218: 188: 178:, published by 165: 150: 114: 76: 51: 45: 43: 21: 12: 11: 5: 629: 619: 618: 613: 608: 603: 598: 593: 588: 583: 578: 573: 568: 563: 558: 534: 533: 513: 483: 463: 437: 417: 391: 371: 351: 330: 329: 327: 324: 323: 322: 320:popmatters.com 317: 312: 307: 302: 297: 292: 285: 284:External links 282: 281: 280: 275: 270: 265: 263:New York Times 258: 255: 254: 253: 247: 241: 235: 225: 224:(Slipped Disc) 217: 214: 187: 184: 164:Musical artist 163: 160: 159: 148: 144: 143: 140: 139: 125: 121: 120: 117: 111: 110: 97: 93: 92: 82: 78: 77: 75: 74: 69: 63: 61: 57: 56: 50:August 9, 1956 41: 37: 36: 32: 31: 23: 22: 19: 9: 6: 4: 3: 2: 628: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 561:Living people 559: 557: 554: 553: 551: 540: 523: 517: 503: 499: 495: 494: 487: 473: 467: 453: 452: 447: 441: 427: 421: 407: 406: 401: 395: 381: 375: 361: 355: 341: 335: 331: 321: 318: 316: 313: 311: 308: 306: 305:cuneiform.com 303: 301: 298: 296: 293: 291: 288: 287: 279: 276: 274: 271: 269: 266: 264: 261: 260: 251: 248: 245: 242: 239: 236: 233: 229: 226: 223: 220: 219: 213: 211: 206: 202: 198: 194: 183: 181: 177: 171: 169: 157: 149: 145: 141: 137: 133: 129: 126: 122: 118: 112: 109: 105: 101: 98: 96:Instrument(s) 94: 90: 86: 83: 81:Occupation(s) 79: 73: 70: 68: 65: 64: 62: 58: 54: 42: 38: 33: 29: 24: 17: 525:. Retrieved 516: 505:. Retrieved 492: 486: 475:. Retrieved 466: 455:. Retrieved 449: 440: 429:. Retrieved 420: 409:. Retrieved 403: 394: 383:. Retrieved 374: 363:. Retrieved 354: 343:. Retrieved 334: 295:m.i.t. press 249: 243: 237: 227: 221: 205:Glenn Branca 189: 175: 172: 167: 166: 119:1980–present 115:Years active 72:experimental 556:1956 births 193:Edward Said 601:Rüschlikon 550:Categories 527:2014-09-18 507:2014-09-18 477:2014-09-18 472:"MITpress" 457:2014-09-18 431:2014-09-18 411:2014-09-18 400:"Allmusic" 385:2014-09-18 365:2014-09-18 345:2014-09-21 326:References 300:tzadik.com 89:intermedia 46:1956-08-09 502:758871663 310:innova.mu 186:Biography 180:MIT Press 132:Cuneiform 493:worldcat 405:AllMusic 278:Allmusic 246:(Innova) 240:(Tzadik) 85:Composer 268:Timeout 257:Reviews 147:Website 500:  136:Innova 128:Tzadik 124:Labels 91:artist 60:Genres 201:Swans 199:band 108:piano 100:Drums 498:OCLC 156:.com 87:and 55:, US 40:Born 152:www 552:: 496:. 448:. 402:. 182:. 134:, 130:, 106:, 102:, 530:. 510:. 480:. 460:. 434:. 414:. 388:. 368:. 348:. 234:) 230:( 48:) 44:(

Index


Chapel Hill, North Carolina
Contemporary classical
experimental
Composer
intermedia
Drums
modular synthesizer
piano
Tzadik
Cuneiform
Innova
www.virgilmoorefield.com
MIT Press
Edward Said
experimental rock
Swans
Glenn Branca
Princeton University
Cuneiform Records
New York Times
Timeout
Neue Zürcher Zeitung
Allmusic
VirgilMoorefield.com
m.i.t. press
tzadik.com
cuneiform.com
innova.mu
hollywoodbowl.com

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