384:. He brought up a lot of pupils in various fields of easel, monumental and applied paintings as well in art manufacture, and his children were first among his pupils. Lev and Valentina became well-known painters, and Valentina collaborated with her famous uncle Ignaty Nivinsky. Ignaty Trofimov, the general director of restoration of Troitse-Sergiyeva Lavra, the honourable citizen of Sergiyevo-Posadsky District, a member of the Architectural Society, devoted his book to his father. He wrote: "The author revered his father's memory with particular gratitude. The painter Vikentii Pavlovich Trofimov from the years 1938 till 1956 had lived and worked in Troitse-Sergiyeva Lavra and was adviser and leader of the author. His deep knowledge of art and architecture, his creative activities strongly expressed in his paintings, and his love for Russia gave the author the constant model in creation and the author is obliged to the model of all positive things he has in his work."
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349:, together with his son Ignaty who was invited as general director and architecture restorer. Vikentii Trofimov created art reconstructions of the monuments of Troitse-Sergiyeva Lavra based on the working drawings made by his son. His reconstructions include "Holy Spirit Church and Trinity Cathedral. Perspective view eastwards"; "Holy Spirit Church. Perspective view south-west"; "
368:. All his masterpieces were presented, from the earliest works to the latest sketches. The main part of the exhibition consisted of the paintings dedicated to Troitse-Sergiyeva Lavra. The catalogue was published with the comment that "the watercolors may serve as documents for the future investigator of Old Russian architecture, so precisely is every detail trimmed up".
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Voronezh. These works were also published in the book "Old Voronezh" by Prof. Uspenskiy. Much later, in March 1986 on the Conference of Regional Studies in Voronezh, an address on Trofimov was presented as well as a show of his works. Some articles about his art were published; for example, there
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were both recommended for the gold medal. As there was only one gold medal, the two friends instead were encouraged to travel and teach abroad, and they agreed. A little later
Trofimov married Ignaty's sister Vera, a very talented person with abilities in theatre. Trofimov continued his painting
272:) to draw old places of the town in order to save them for the future. Trofimov painted some works about the Old Voronezh. For this task he studied archive documents in order to recreate monuments which were no longer in existence at the time. His painting "Uspenskaya Church and the houses of
252:. Some paintings from this period of Trofimov's life are kept in the Voronezh Museum of local lore as well. In spite of living in a small town, Trofimov continually took part in many art exhibitions such as All-Russian contests of art trade in Moscow and
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Vikentii
Trofimov was a fine yachtsman and he passed this love to his children. His knowledge of sea-skills gave him the ability to draw sailors with a high degree of accuracy not usually seen in paintings of seascapes.
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is a little citation: "The painter
Vikentii Trovimov mostly worked in his favourite watercolour technique though he was able to paint in oil in the same light and transparent manner. His style was honoured by
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In 1932 the
Trofimov family moved to Moscow. There Trofimov painted on a heroic scale, including the decorated ceiling of the main staircase in the Soviet Army House, decorated ceilings of the White Hall of
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In 1900 Trofimov started his pedagogical work at his alma mater, then continued as director of one of its branches. From 1903-1905 he worked as a painter and as the director of the domestic department of
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sold one of his early paintings, "The
Descent in Voronezsh," and in 2008 another of his pictures, "Kazakhs with a horse at a crossing," was sold through Christie's.
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for several years and
Trofimov taught watercolour painting in private school. From 1909-1911 he was headmaster of the Stroganovka branch in Sergiyev Posad.
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Vikentii
Trofimov didn't stop his easel painting and constantly took part in art exhibitions. On August 23, 1955, he presented a solo exhibition in
361:. Perspective view north-east"; "Refectory. Section according to east-west axis" and others; these were published in the book written by his son
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268:(the predecessor of the Community of Saving of Art Monuments) and this Committee invited some painters (locals as well as famous painters such as
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from 1900–1916 and was awarded first prizes. In 1918 his painting "Boys
Bathers" was sold during the first day of the show in Moscow.
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At the end of the 1930s the family moved to
Zagorsk. There Trofimov took part in the very complex and important restoration works in
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Christie's Catalogue. Russian Art. June 13, 2007. Sale Number 7507. Vikentii Pavlovich Trofimov (1878-1970). "Descent into Voronezh"
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At the beginning of 1920 Vikentii Trofimov was invited to take part in very interesting work. Professor Uspenskiy created a
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In 2007, on the XXIII Antiq Saloon, the art exhibition of Vikentii Trofimov was presented by Shishkin Gallery.
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In spite of his bright and productive activity, Vikentii Trofimov had no titles and ranks as he was a non-
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The heritage of Vikentii Trofimov is not currently studied. His archive in 1990-1991 was shown in the
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visited Voronezh, and Trofimov made a sketch dedicated this visit. The sketch is now kept in the
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Vikentii Trofimov (1878-1956). Painting and Drawing - Shishkin Gallery, Moscow, 2007. In Russian
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education in the private school of Zhukovsky and Halyavin, and travelled extensively in Europe.
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In 1899 Vikentii Trofimov graduated from Stroganov Central College of Technical Drawing (now
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Architectural Monuments of Troitse-Sergiyeva Lavra. Investigations and Restoration
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Catalogue of the show of the works by V.P. Trofimov, Zagorsk, 1955. In Russian
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M. Glinkin, Towards the Opening the artshow of the Works by V.P. Trofimov -
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Works by Vikentii Trofimov are known and claimed as well abroad. In 2007
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man and so had been kept in the background during the Communist period.
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Art Museum and his paintings are kept in many other museums of the
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branch. In Omsk he painted such works as "Near the crossing of
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Period" drew on the ancient prints and other works kept in the
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Yuri Uspenskiy, "Old Voronezh". - Voronezh, 1922. In Russian
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Stroganov Moscow State Academy of Arts and Industry alumni
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Art School, and additionally he became a director of the
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had been invited to investigate the river basin of the
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newspaper (Molodoy Kommunar) 11 March 1986. In Russian
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Stroganov Moscow State University of Arts and Industry
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