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Verity Films

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helped pay off the £2,000 debt and the company was refloated in 1941. With Lewis gone, Box ran the company alone and found quick success. Turnover during 1942 was £75,000, and after paying salaries of £5,000 to Box and others, Verity still made a £2,000 profit. A January 1943 report in
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O'Hara: I got a job there at 3 pounds 7/6 a week. I started as a trainee in the script department, because theoretically I was a journalist. But I was just running errands for the script department, carrying film cans and stuff like that. Then
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By 1944, Verity had absorbed several other documentary producers and had eight to ten production units in the field. It advertised itself in a trade publication as "the largest short film production organisation in Europe, incorporating the
177:, joining the board in May 1946 and becoming managing director on 1 August 1946. Betty Box also moved to Gainsborough. Despite the departure of the Boxes, Verity Films continued producing documentaries, with directors such as Ken Annakin. 951: 162:
I think at that time I seemed to waver between first and second assistant, which happened a lot. I was still very young then, only about 18 or 19. But it was a great apprenticeship; it was incredible.
132:, who became quite famous later on, was a young assistant director there; he sort of took me under his wing, and I switched to being a runner and errand boy in the assistant director's department. 940: 226: 770: 403: 73: 69: 752: 587: 1137: 84:, which brought together several film production companies. During the war, Verity produced more than 100 films, most of them at the small and badly soundproofed 139:
O'Hara: Yes. How to put out a firebomb, and stuff like that. It was a lot of wartime work, of course, and most of it was civil defense stuff, films for hire.
304: 761:"I was lucky, in that I got a picture called English Criminal Justice, which really explained the British system of law and gave me a wonderful break." 332: 103: 50: 181: 1147: 776: 167: 646: 879: 409: 652: 323: 300: 96:. Already, by this point, Box had begun to broaden the management of Verity Films. An item in the edition of 7 December 1944 of 1110: 817: 593: 1142: 715: 941:"Obituary. Ken Annakin: Film director whose 50 films included 'The Longest Day' and 'The Battle of the Bulge'" 1069: 629: 609: 46:. Lewis directed Verity's first five films, but fell out with Box over finances and left the company. 170:, who became one of Verity's longest serving employees, and was by the 1960s the company's director. 77: 821: 902: 1100: 693: 430: 120: 65: 470: 174: 98: 56: 8: 143: 85: 81: 43: 1106: 782: 674: 192:
This filmography is a partial list of films produced or co-produced by Verity Films.
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called Verity "by far the largest documentary film organisation in Great Britain".
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in association with Verity Films. View the digitised film on the TIME/IMAGE site.
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O'Hara: Yes, the Ministry of Information. We did a sort of copy of Carol Reed's
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Dixon: So basically you were working on documentaries as an assistant director?
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landed a job as a runner at Verity in 1941 at the age of 17, as he told
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Unit". In August 1944, Verity Films became a founding member of the
617: 159:, which was a naval version of how to keep secrets and so forth. 173:
After the end of the Second World War, Sydney Box moved on to
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in South London, although for some productions, Verity rented
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was a British documentary film production company, founded by
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Among Box's other wartime hires (in 1944) was a 16-year-old
880:"Working Within the System: An Interview with Gerry O'Hara" 106:
had taken over as managing director while Box worked on
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Dixon: Did you work on any films for the GPO, for the
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The Sixteen Tasks of Maintaining Motorised Vehicles
939: 295:A longer, non-theatrical version was produced as 1129: 1024: 1022: 975: 973: 971: 969: 38:The company's initial purpose was to make short 1138:Film production companies of the United Kingdom 864: 862: 860: 858: 856: 854: 852: 840: 803: 801: 933: 931: 929: 1074:Illuminations: Essential media about the arts 1061: 1019: 966: 894: 871: 917: 849: 798: 592:Co-production with Verity-Technique for the 1045: 1043: 989: 987: 985: 926: 16:British documentary film production company 878:Dixon, Wheeler Winston (3 December 2010). 937: 180:In later years, the documentary director 1040: 982: 1130: 1098: 1067: 1148:British companies established in 1940 877: 954:from the original on 11 August 2022 13: 14: 1159: 1068:Wyvern, John (16 November 2010). 938:Valliance, Tom (25 April 2009). 900: 731:Intended for munitions workers. 80:, based at Guild House in Upper 1052: 1031: 1005: 996: 1070:"Films from another country 2" 810: 716:Co-operative Wholesale Society 187: 1: 1091: 630:Auxiliary Territorial Service 610:Auxiliary Territorial Service 72:Unit and Donald Taylor's new 33: 7: 1016:at Australian War Memorial. 480:Ten Tips for Tackling Tanks 10: 1164: 583:Jane Brown Changes Her Job 512: 261: 737:You Too Can Catch Malaria 700: 659: 404:Shunter Black's Night Off 224: 219: 211: 184:worked for Verity Films. 791: 753:English Criminal Justice 636:was assistant director. 628:Recruiting film for the 497:About unexploded bombs. 1099:Spicer, Andrew (2006). 903:"Marquis, Eric (1928–)" 743:Produced for the army. 653:Ministry of Information 608:Co-production with the 324:Ministry of Information 301:Ministry of Information 822:British Film Institute 164: 49:Box's former employer 30:in March or May 1940. 1143:Propaganda film units 694:Greenpark Productions 125: 121:Wheeler Winston Dixon 78:Film Producers' Guild 882:. Screening the Past 539:Cookers in the Field 471:John Paddy Carstairs 348:Everybody's Business 175:Gainsborough Studios 99:Kinematograph Weekly 57:Kinematograph Weekly 144:General Post Office 86:Merton Park Studios 828:on 7 December 2008 594:Ministry of Labour 431:The Soldier's Food 359:Food Advice Centre 229:in December 1940. 44:wartime government 1112:978-0-7190-5999-5 789: 788: 724:Other Men's Lives 714:Produced for the 673:Produced for the 651:Produced for the 602:The Job that Fits 322:Produced for the 305:Empire Tea Bureau 288:Canteen on Wheels 256:Casserole Cooking 225:Produced for the 90:Riverside Studios 28:Jay Gardner Lewis 1155: 1123: 1121: 1119: 1085: 1084: 1082: 1080: 1065: 1059: 1056: 1050: 1047: 1038: 1035: 1029: 1026: 1017: 1009: 1003: 1000: 994: 991: 980: 977: 964: 963: 961: 959: 943: 935: 924: 921: 915: 914: 912: 910: 898: 892: 891: 889: 887: 875: 869: 866: 847: 844: 838: 837: 835: 833: 824:. Archived from 814: 808: 805: 771:Time Out of Mind 381:Roots of Victory 235:Oatmeal Porridge 227:Ministry of Food 195: 194: 109:The Seventh Veil 82:St Martin's Lane 40:propaganda films 1163: 1162: 1158: 1157: 1156: 1154: 1153: 1152: 1128: 1127: 1126: 1117: 1115: 1113: 1094: 1089: 1088: 1078: 1076: 1066: 1062: 1057: 1053: 1048: 1041: 1036: 1032: 1027: 1020: 1010: 1006: 1001: 997: 992: 983: 978: 967: 957: 955: 947:The Independent 936: 927: 922: 918: 908: 906: 905:. Screen Online 901:Vick, Rebecca. 899: 895: 885: 883: 876: 872: 867: 850: 845: 841: 831: 829: 816: 815: 811: 806: 799: 794: 710:Compton Bennett 705:Men of Rochdale 333:The English Inn 190: 161: 160: 152:The Next of Kin 148: 147: 141: 140: 138: 137: 135: 104:A. T. Burlinson 51:Publicity Films 36: 17: 12: 11: 5: 1161: 1151: 1150: 1145: 1140: 1125: 1124: 1111: 1095: 1093: 1090: 1087: 1086: 1060: 1051: 1039: 1037:Spicer, 24–25. 1030: 1018: 1004: 1002:Spicer, 26–27. 995: 981: 965: 925: 916: 893: 870: 848: 846:Spicer, 20–21. 839: 818:"Verity Films" 809: 796: 795: 793: 790: 787: 786: 783:Roche Products 779: 774: 767: 763: 762: 759: 756: 749: 745: 744: 741: 739: 733: 732: 729: 726: 720: 719: 712: 707: 702: 698: 697: 690: 685: 679: 678: 671: 666: 661: 657: 656: 649: 644: 638: 637: 626: 621: 613: 612: 606: 604: 598: 597: 590: 585: 579: 578: 576: 574: 568: 567: 565: 563: 557: 556: 554: 552: 546: 545: 543: 541: 535: 534: 532: 530: 524: 523: 521: 519: 514: 510: 509: 507: 505: 499: 498: 495: 493: 487: 486: 484: 482: 476: 475: 473: 468: 462: 461: 459: 457: 451: 450: 448: 446: 440: 439: 437: 434: 426: 425: 423: 421: 415: 414: 412: 407: 399: 398: 396: 394: 388: 387: 385: 383: 377: 376: 374: 372: 366: 365: 363: 361: 355: 354: 352: 350: 344: 343: 341: 336: 328: 327: 320: 315: 309: 308: 297:Mobile Canteen 293: 290: 284: 283: 281: 279: 277:Breast Feeding 273: 272: 270: 268: 263: 259: 258: 252: 251: 245: 244: 238: 237: 231: 230: 223: 218: 213: 209: 208: 205: 202: 199: 189: 186: 35: 32: 15: 9: 6: 4: 3: 2: 1160: 1149: 1146: 1144: 1141: 1139: 1136: 1135: 1133: 1114: 1108: 1104: 1103: 1097: 1096: 1075: 1071: 1064: 1055: 1046: 1044: 1034: 1025: 1023: 1015: 1014: 1008: 999: 990: 988: 986: 976: 974: 972: 970: 953: 949: 948: 942: 934: 932: 930: 920: 904: 897: 881: 874: 865: 863: 861: 859: 857: 855: 853: 843: 827: 823: 819: 813: 804: 802: 797: 784: 781:Produced for 780: 778: 775: 773: 772: 768: 765: 764: 760: 757: 755: 754: 750: 747: 746: 742: 740: 738: 735: 734: 730: 727: 725: 722: 721: 717: 713: 711: 708: 706: 703: 699: 695: 691: 689: 686: 684: 681: 680: 676: 672: 670: 667: 665: 662: 658: 654: 650: 648: 645: 643: 640: 639: 635: 631: 627: 625: 622: 620: 619: 615: 614: 611: 607: 605: 603: 600: 599: 595: 591: 589: 588:Harold Cooper 586: 584: 581: 580: 577: 575: 573: 570: 569: 566: 564: 562: 559: 558: 555: 553: 551: 548: 547: 544: 542: 540: 537: 536: 533: 531: 529: 526: 525: 522: 520: 518: 515: 511: 508: 506: 504: 501: 500: 496: 494: 492: 489: 488: 485: 483: 481: 478: 477: 474: 472: 469: 467: 464: 463: 460: 458: 456: 455:Tea is Served 453: 452: 449: 447: 445: 442: 441: 438: 435: 433: 432: 428: 427: 424: 422: 420: 417: 416: 413: 411: 408: 406: 405: 401: 400: 397: 395: 393: 392:Salvage Sense 390: 389: 386: 384: 382: 379: 378: 375: 373: 371: 370:HM Mine Layer 368: 367: 364: 362: 360: 357: 356: 353: 351: 349: 346: 345: 342: 340: 337: 335: 334: 330: 329: 325: 321: 319: 316: 314: 311: 310: 306: 302: 298: 294: 291: 289: 286: 285: 282: 280: 278: 275: 274: 271: 269: 267: 264: 260: 257: 254: 253: 250: 247: 246: 243: 240: 239: 236: 233: 232: 228: 222: 217: 214: 210: 206: 203: 200: 197: 196: 193: 185: 183: 182:Seafield Head 178: 176: 171: 169: 163: 158: 154: 153: 145: 133: 131: 124: 122: 118: 113: 111: 110: 105: 101: 100: 95: 91: 87: 83: 79: 75: 71: 67: 61: 59: 58: 52: 47: 45: 41: 31: 29: 25: 21: 1116:. Retrieved 1101: 1077:. Retrieved 1073: 1063: 1054: 1033: 1012: 1007: 998: 979:Spicer, 212. 956:. Retrieved 945: 919: 907:. Retrieved 896: 884:. Retrieved 873: 842: 830:. Retrieved 826:the original 812: 777:Eric Marquis 769: 751: 736: 723: 704: 692:Produced by 682: 663: 641: 616: 601: 582: 572:HMS George V 571: 560: 549: 538: 527: 516: 503:Women at War 502: 490: 479: 466:Telefootlers 465: 454: 443: 429: 418: 402: 391: 380: 369: 358: 347: 331: 312: 296: 287: 276: 265: 255: 248: 241: 234: 215: 191: 179: 172: 168:Eric Marquis 165: 156: 150: 134: 126: 117:Gerry O'Hara 114: 107: 97: 62: 55: 48: 37: 20:Verity Films 19: 18: 1058:Spicer, 28. 1049:Spicer, 25. 1028:Spicer, 24. 993:Spicer, 26. 923:Spicer, 80. 868:Spicer, 21. 807:Spicer, 18. 758:Ken Annakin 688:Ken Annakin 683:London 1942 647:Louise Birt 634:Ken Annakin 318:Daniel Birt 188:Filmography 130:Ken Annakin 102:noted that 94:Hammersmith 1132:Categories 1102:Sydney Box 1092:References 728:Henry Cass 669:Henry Cass 624:Carol Reed 444:Switchover 410:Max Munden 339:Muriel Box 34:Background 24:Sydney Box 675:Admiralty 313:Dai Jones 292:Jay Lewis 266:A-tish-oo 221:Jay Lewis 204:Director 155:, called 115:Director 70:Technique 66:Greenpark 1118:13 April 1079:25 April 958:25 April 952:Archived 909:25 April 886:25 April 832:13 April 618:We Serve 299:for the 249:Steaming 242:Potatoes 112:(1945). 42:for the 528:Ask CAB 436:unknown 216:Herring 74:Gryphon 1109:  664:Jigsaw 517:Action 207:Notes 201:Title 157:Jigsaw 68:Unit, 792:Notes 561:House 550:Cooks 198:Year 1120:2012 1107:ISBN 1081:2012 960:2012 911:2012 888:2012 834:2012 766:1968 748:1946 701:1944 660:1943 513:1942 303:and 262:1941 212:1940 26:and 1013:UXB 642:WVS 491:UXB 92:in 1134:: 1072:. 1042:^ 1021:^ 984:^ 968:^ 950:. 944:. 928:^ 851:^ 820:. 800:^ 785:. 718:. 677:. 655:. 632:. 596:. 326:. 307:. 146:? 123:: 1122:. 1083:. 962:. 913:. 890:. 836:.

Index

Sydney Box
Jay Gardner Lewis
propaganda films
wartime government
Publicity Films
Kinematograph Weekly
Greenpark
Technique
Gryphon
Film Producers' Guild
St Martin's Lane
Merton Park Studios
Riverside Studios
Hammersmith
Kinematograph Weekly
A. T. Burlinson
The Seventh Veil
Gerry O'Hara
Wheeler Winston Dixon
Ken Annakin
General Post Office
The Next of Kin
Eric Marquis
Gainsborough Studios
Seafield Head
Jay Lewis
Ministry of Food
Ministry of Information
Empire Tea Bureau
Daniel Birt

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