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216:, though not without an individual variation. In considering his Sinfonietta, the Serenade, the Hiller Variations, the Prologue to a Tragedy, the Lustspiel overture, the two concertos respectively for pianoforte and violin, we are struck not so much by the masterly handling of old forms as by the stark, emotional content of these compositions. It is an error to dismiss his music as merely academic. He began as a
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Reger was occupied with the Hiller variations at a fairly tumultuous period of his life. His
Sinfonietta in A major, Op. 90, was met with open rejection in Munich, so he postponed the project of the Hiller Variations and initially composed the Serenade in G major, Op. 95, to calm people's minds. He
220:, but he did not succeed, as did his master, in fusing form and theme. There is a Dionysian strain in him that too often is in jarring discord with the intellectual structure of his work. The
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in both style and sound, even though there is a lot of
Wagnerian chromaticism in some variations (Var. XI). The concluding fugue reveals the composer's enthusiasm for the music of
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by
Susanne Popp in cooperation with Alexander Becker, Christopher Grafschmidt, Jürgen Schaarwächter and Stefanie Steiner, München 2010
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Thematisch-chronologisches
Verzeichnis der Werke Max Regers und ihrer Quellen – Reger-Werk-Verzeichnis (RWV), ed. on behalf of the
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in conflict with the scholar. Yet at one period Reger was considered the rival of
Strauss, though that day has long passed.
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only resumed work on the Hiller
Variations after his appointment as university music director and university professor in
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The work consists of the initial exposition of Hiller's theme followed by eleven variations and a concluding
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138:. They are based on an original melodic line by the 18th-century composer
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James
Huneker, Variations (New York: Scribner, 1921), 205-06.
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Phantasie ĂĽber den Choral "Ein' feste Burg ist unser Gott"
150:, Germany on 15 October 1907. Along with the composer's
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Writing in 1921, the
American critic and musicologist
134:in 1907 after he had preconceived the idea by May
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467:Variations and Fugue on a Theme by Mozart
437:Variations and Fugue on a Theme by Hiller
272:International Music Score Library Project
268:Variations and Fugue on a Theme by Hiller
212:Max Reger pinned his faith to Brahms and
115:Variations and Fugue on a Theme by Hiller
20:Variations and Fugue on a Theme by Hiller
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711:Orchestral compositions by Max Reger
716:Composer tributes (classical music)
590:Introduction, Passacaglia and Fugue
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459:Vier Tondichtungen nach A. Böcklin
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130:written by the German composer
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386:Der Mensch lebt und bestehet
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146:conducted the premiere in
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402:Unser lieben Frauen Traum
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657:Meiningen Court Theatre
652:Schloss Elisabethenburg
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451:Eine romantische Suite
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622:Adele Bloesch-Stöcker
563:Drei Choralphantasien
554:Zwei Choralphantasien
331:Gesang der Verklärten
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185:Johann Sebastian Bach
679:List of compositions
378:Lateinisches Requiem
167:had been confirmed.
40:The composer in 1907
662:Max-Reger-Institute
364:Die Weihe der Nacht
243:Max-Reger-Institute
122:. 100, is a set of
627:Caesar Hochstetter
485:Cello Sonata No. 1
355:Geistliche Gesänge
140:Johann Adam Hiller
701:1907 compositions
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528:Mariae Wiegenlied
323:Drei Chöre, Op. 6
152:Mozart Variations
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610:Related articles
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381:(1914, fragment)
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581:Zwölf Stücke
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602:(1915/1916)
585:(1902/1904)
359:(1909–1912)
218:Brahmsianer
171:Description
706:Variations
695:Categories
667:Reger-Chor
647:Jenő Zádor
617:Elsa Reger
429:Orchestral
347:Die Nonnen
124:variations
96:1907-10-15
81:1907-07-06
600:, Op. 145
394:Nachtlied
357:, Op. 110
308:Max Reger
181:Brahmsian
132:Max Reger
128:orchestra
107:orchestra
89:Performed
28:Max Reger
583:, Op. 80
574:, Op. 65
565:, Op. 52
556:, Op. 40
530:" (1912)
523:" (1912)
514:, Op. 35
208:noted:
66:Composed
505:, Op. 4
478:Chamber
418:Requiem
165:Leipzig
158:History
148:Cologne
104:Scoring
94: (
79: (
73:1907-04
71: (
50:E major
576:(1902)
567:(1900)
558:(1899)
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470:(1914)
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373:(1911)
367:(1911)
350:(1909)
342:(1909)
334:(1903)
326:(1892)
315:Choral
538:Organ
495:Songs
229:Notes
177:fugue
136:1904
126:for
57:Opus
61:100
46:Key
26:by
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120:Op
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