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300:, and frequent appointments with his therapist, Dr. Glaser. Peter brings home a woman named Jackie from a club, but they are interrupted when a bat flies through the window; he later tells Dr. Glaser that his struggle with the bat aroused him. At his office, Peter torments a secretary, Alva Restrepo, with repeated demands to find an obscure missing document.
411:, he wrote the screenplay as a response to his "toxic relationship" with her. Zitwer, who would come on as a producer for the film, found the final product to be "horrifying". Minion's depiction of Zitwer as a "vampire and destroying him" foreshadowed the ending of their relationship during production. Known previously for having written
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A traumatized Alva tells Emilio about her assault, and they find Peter as he returns to his apartment with the imaginary Sharon, where his fantasy dissolves into an abusive argument. Emilio forces his way inside and confronts Peter, who offers up the shard of wood, and impales Peter before fleeing. A
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On the dance floor, Peter finds the real Rachel, who appears to recognize him from a past date. He attempts to manhandle her into revealing her fangs, but is dragged out of the club. Wandering the streets covered in blood, Peter begs passersby to end his suffering with a wooden stake, while newspaper
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At a nightclub, Peter seemingly meets a mysterious woman named Rachel and takes her home. In bed, she exposes her vampire fangs and bites him on the neck, with Peter succumbing to pleasure as she feeds on his blood. The following morning, Peter is seen with an uninjured neck, but cuts himself shaving
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as he pleaded with them to drive a stake through his heart as
Bierman and crew shot from afar. Physicality played a central role in the creation of this character for Cage, who sought to see "how big could get eyes" in order to appear terrifying. This was then furthered with scenes of Cage jumping
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Visiting an art museum with Jackie, Peter abruptly ditches her, and she leaves him an angry phone message. In therapy, he seems not to remember the incident with the bat, and browbeats Alva when she is unable to find the missing contract. His severe mood swings lead to public outbursts, and he makes
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Fully believing himself to be a vampire, Peter purchases cheap novelty fangs and catches pigeons to eat in his wrecked apartment, which he turns into a darkened lair. Sleeping under his upturned sofa as though it were a coffin, he emerges at night and goes to a club, wearing his plastic fangs and
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Alva stays home to avoid an increasingly frightening Peter, who arrives at her door and manipulates her into returning to work with him. She confides in her brother Emilio, who gives her blanks for the gun she carries in her purse. Peter fails to see his reflection in mirrors as his mental state
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At work, an erratic Peter chases Alva into the bathroom and laughs off the incident with his colleagues, but continues to humiliate and threaten her. Finding Jackie’s note, he destroys his apartment in a fit of rage, and unsettles Dr. Glaser with his bizarre rants. Growing sensitive to light, he
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technique, Cage "took a highly surrealistic approach" to Loew. Apart from his "pseudo-Transylvanian dialect", scenes of Cage screaming the alphabet, eating cockroaches, and ranting "I'm a vampire!" shocked viewers and critics alike. The original script called for Loew to eat a raw egg but Cage
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wears sunglasses indoors and collapses on the street at the sight of a crucifix. Believing the bandage on his neck to be the location of Rachel's vampire bite, his delusions of her nighttime feedings persist, as does his unhinged behavior, including eating cockroaches.
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deteriorates, and chases Alva through the building after hours. Begging her to shoot him, Peter forces himself on her while hallucinating she is Rachel. Overcome by despair, he fires the gun into his mouth, but assumes his “transformation” has saved him.
442:". His departure was short-lived however, and Cage's "outrageously unbridled performance" was destined for the screen. Cage described the story as being about "a man whose loneliness and inability to find love literally drives him insane".
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an apologetic call to Jackie to arrange another date. As he is about to leave, he is drawn into bed by the appearance of Rachel, who again drains his blood, while a dejected Jackie leaves him an angry note to stay away.
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headlines confirm that the woman he attacked in the club has died. He hallucinates a therapy session with Dr. Glaser, who dismisses his crimes and introduces him to “Sharon”, another patient and his romantic match.
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Originally intent on directing the project, Minion soon gave the position up stating that the "darkness of it" was too much for him to bear. Instead, the film was led by
British newcomer
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decided a cockroach would be more effective claiming it would "shock the audience". This shock was further extended to a couple of homeless people whom Cage ran into on the streets of
436:(1979). This sudden departure however also prompted the then-cast Nicolas Cage to drop out after his agent pressured him, stating that "this was not a good movie to make after
330:. He tries to seduce a woman before attacking her with his real teeth, leaving her unconscious and bloody, and hallucinates a disdainful Rachel abandoning him for another man.
455:. Cage and Beals reportedly did not get along on set, with their friction most likely stemming from the part of Rachel going to Beals rather than Cage's then-girlfriend,
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wrote, "Cage's over-the-top performance generates little sympathy for the character, so it's tough to be interested in him as his personality disorder worsens."
515:, 65% of 31 critics' reviews are positive, with an average rating of 6/10. The website's consensus reads: "He's a vampire! He's a vampire! He's a vampire!"
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called it "a sleek, outrageous dark comedy that's all the funnier for constantly teetering on the brink of sheer tastelessness and silliness."
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as Rachel, the seductive vampire that initially haunts Peter and pushes him into his vampire-like state, eventually falling in love with him
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and applies a bandage. He serves coffee and makes conversation with a non-existent Rachel, casting doubt on the reality of their encounter.
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wrote, "The film may not work very well as a comedy, but there's enough of a dark derangement present to make it almost unsettling."
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called the film "stone-dead bad, incoherently bad", but said that Cage's overacting must be seen to be believed. Carrie Rickey of
421:, Minion sought to keep the "grim view of the Manhattan nightlife" found in the aforementioned film central to his newest work.
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assigned the film a weighted average score of 30 out of 100, based on 11 critics, indicating "generally unfavorable reviews".
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critic Peter
Travers wrote that the film needs "a stake through the heart". Reviewing the film on Blu-ray, Anthony Arrigo of
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on tables, sprinting across the office, and many frantic hand gestures which he claims were "extremely choreographed".
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called it an "imaginative, if warped, black comedy" that "succeeds as a wicked allegory of What Men Want".
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as Peter Loew, a literary agent whose outlandish descent into madness leaves him increasingly isolated
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626:"Truly Batshit: The Secret History of 'Vampire's Kiss,' the Craziest Nicolas Cage Movie of All Time"
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Joseph Minion wrote the film as he grappled with depression. In an interview with Zach
Schonfeld of
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Bob Lujan as Emilio, the protective brother of Alva who supplies her with a gun and blank ammunition
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released it on Blu-ray in
February 2015. It was subsequently re-released on Blu-Ray through the
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as Jackie, a romantic interest of Peter which he later stands up in favor of a night with Rachel
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wrote, "he film is dominated and destroyed by Mr. Cage's chaotic, self-indulgent performance."
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as Alva
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largely due to Cage's "scorched-earth acting", which has become a source of many
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was released June 2, 1989. It grossed $ 725,131 in the U.S. It was released on
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plays Sharon, the patient his therapist sets Peter up with, Cage's brother
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852:"Scream Factory: Spirits, Vamps and New Year's Classics On Blu-ray!"
712:"47 Things We Learned from Nicolas Cage's Vampire's Kiss Commentary"
984:"MOVIE REVIEW : 'Vampire' Sinks Fangs Into Big-City Nastiness"
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as Dr. Glaser, the therapist in Peter's real and imaginary worlds
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who falls in love with a vampire. The film later developed a
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1066:"Vampire's Kiss / High Spirits (Blu-ray Double Feature)"
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dying Peter envisions the vampire Rachel one last time.
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briefly appears as the joke guy, and the musical group
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879:"Vampire's Kiss (Special Edition) (Blu-ray)"
1012:"'Vampire's Kiss': Nicolas Cage Goes Batty"
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796:"'Vampire's Kiss': A Metaphor With Bite"
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393:has a cameo performing in a club.
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624:Schonfeld, Zach (June 13, 2019).
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1230:Films directed by Robert Bierman
822:Cressey, Earl (August 1, 2002).
268:, the film tells the story of a
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1038:Travers, Peter (June 2, 1989).
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1010:Rickey, Carrie (June 3, 1989).
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850:Miska, Brad (January 6, 2015).
462:Going purposefully against the
982:Thomas, Kevin (June 2, 1989).
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288:Peter Loew is a New York City
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766:James, Caryn (June 2, 1989).
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1210:1989 directorial debut films
1180:American comedy horror films
678:Hinson, Hal (June 2, 1989).
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1220:American exploitation films
1205:Films scored by Colin Towns
1195:Films shot in New York City
1175:American black comedy films
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955:"Review: 'Vampire's Kiss'"
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160:Hemdale Film Corporation
1165:1989 black comedy films
893:"Vampire's Kiss (1989)"
768:"Vampire s Kiss (1989)"
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1200:Films set in the 1980s
1160:1989 independent films
680:"'Vampire's Kiss' (R)"
174:June 2, 1989
354:MarĂa Conchita Alonso
258:MarĂa Conchita Alonso
109:MarĂa Conchita Alonso
1235:1980s American films
1185:Vampire comedy films
19:For other uses, see
716:Film School Rejects
685:The Washington Post
555:The Washington Post
292:and a narcissistic
237:is a 1989 American
1130:Vampire's Kiss
1114:Vampire's Kiss
1097:Vampire's Kiss
773:The New York Times
718:. February 9, 2015
536:The New York Times
989:Los Angeles Times
857:Bloody Disgusting
801:Los Angeles Times
574:Bloody Disgusting
546:Los Angeles Times
509:review aggregator
457:Patricia Arquette
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254:Nicolas Cage
244:directed by
239:black comedy
233:
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190:Running time
167:Release date
141:Angus Newton
104:Nicolas Cage
79:Derek Gibson
25:
939:January 17,
531:Caryn James
432:(1983) and
414:After Hours
252:. Starring
242:horror film
218:$ 2 million
194:103 minutes
150:Colin Towns
83:Barry Shils
68:Produced by
48:Directed by
1155:1989 films
1149:Categories
929:Metacritic
630:The Ringer
592:References
517:Metacritic
485:home video
452:Innerspace
439:Moonstruck
404:The Ringer
397:Production
223:Box office
178:1989-06-02
58:Written by
635:April 30,
503:Reception
469:Manhattan
327:Nosferatu
226:$ 725,131
138:Edited by
75:John Daly
908:July 29,
829:DVD Talk
580:See also
511:website
207:Language
146:Music by
97:Starring
960:Variety
543:of the
524:Variety
507:On the
476:Release
210:English
199:Country
176: (
1104:
1049:May 1,
963:. 1988
748:May 1,
722:May 1,
294:yuppie
264:, and
215:Budget
322:Orlok
1102:IMDb
1079:2015
1051:2020
1025:2015
997:2015
969:2015
941:2023
910:2023
865:2015
837:2015
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