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and most general sense of the term is perhaps the most common; commercial cassette labels, for example, generally cite the two composers of
Western music (tan nhac) and vong co', that is, Vietnamese music. In most cases the vqng co' is preceded by a nói loi. Although un- metered, this is usually sung in even note values, in a syllabic style. Often it begins in a different mode — most typically, an anhemitonic pentatonic scale — and then modulates ..."
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Page 202 - 1990 "Thus, the term vọng cổ denotes: (1) a particular mode, equivalent to the óan nuance of the nam mode; (2) a particular song, dating from around 1919; and (3) any piece in the vọng cổ mode which employs the pitches of the original vọng cổ song as structural cadential points. The last
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Page 19, 1998 "It was initially entitled "In
Hearing the Sound of Night Drums I Am Thinking of My Husband"; the title was later changed to "Longing for the Past": Since the day you, my husband Received the king's sword and left on duty I am constantly looking
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Page 76, 1967 "This is Vong Co, a ravishingly beautiful love lament written by the musician Cao Van Lau in 1920. When cai luong troupes began to sing Vong Co around 1927, both the song and cai luong became enormously popular. Vong Co is the most
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in southern
Vietnam. The song achieved great popularity and eventually its structure became the basis for numerous other songs. The tune is essentially melancholy in character and is sung using Vietnamese modal inflections.
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any piece in the vọng cổ mode which employs the pitches of the original vọng cổ song as structural cadential points.
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Trainor, John (1975). "Significance and
Development in the Vọng Cổ of South Vietnam."
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chamber music of southern
Vietnam. It was composed sometime between 1917 and 1919 by
49:, "nostalgia") is a Vietnamese song and musical structure used primarily in the
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the particular mode, equivalent to the oán nuance of the nam mode;
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Popular Musics of the Non-Western World: An
Introductory Survey
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Dance of Life: Popular Music and
Politics in Southeast Asia
119:, vol. 7, no. 1, Southeast Asia Issue (1975), pp. 50-57.
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Popular Music of
Vietnam: The Politics of Remembering
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65:(performing name Sáu Lầu "sixth Lầu"), of
20:Duet 6 verses Vọng cổ by Năm Cơ and Văn Vĩ
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141:Routledge 2008 "vọng cổ" pp2, 129, 267
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78:The term vọng cổ is used to mean:
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166:Theatre in Southeast Asia
200:Culture of South Vietnam
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33:[vâwŋmˀko᷉]
85:the original song
55:theater music and
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164:James R. Brandon
150:Craig A. Lockard
67:Bạc Liêu Province
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210:Music of Vietnam
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137:Dale Alan Olsen
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95:from around 1919
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88:Dạ cổ hoài lang
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178:Peter Manuel
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128:Trainor 1975
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215:1910s songs
117:Asian Music
93:Cao Văn Lầu
63:Cao Văn Lầu
58:nhạc tài tử
29:Vietnamese:
194:Categories
103:References
205:Cải lương
52:cải lương
74:History
38:chữ Hán
25:Vọng cổ
91:, by
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155:."
40::
36:,
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46:古
43:望
27:(
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