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of Sita. The common people who were away from the scene of the fire-ordeal, refused to be convinced, and made uncharitable criticism of Rama's acceptance of Sita. This forced Rama to take the regrettable decision of abandoning her. He sends her away without explanation under the pretext of satisfying
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ascetic and meets
Vasanti, the presiding deity of the forests. She rebukes Rama for having abandoned Sita, and Rama becomes remorseful and experiences untold agony. Bhavabhuti projects this situation dramatically by making the invisible Sita a witness to Rama's deep agony. Sita who experiences grief
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her longing to visit the forests again in her pregnant condition. But Rama never entertained any doubt about her chastity and he never banished her from his mind, and this makes him undergo a living death for the next 12 years.
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due to the inexplicable abandonment, mentally reconciles to her husband completely on hearing that her golden icon was Rama's consort in the horse sacrifice. Goddesses
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hands over Sita to Rama after the repentant public has given a full-throated approval to Sita's restoration. Thus Sita and Rama happily reunited.
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demonstrated that
Dinnaga, author of Kundamala, influenced Bhavabhuti in the writing of the Uttaramacarita.
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Sankalia, H.D., Kundamala and
Uttararāmacarita. St. Xavier’s College Magazine: 22: 63 - 76. (1930)
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s main theme is Sita's abandonment. The first act gives a brief summary of Rama's story up to the
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whom he abandoned immediately after his coronation and his two sons
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Bhatt, C.Panduranga (1997). "Uttararamacharita". In
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178:List of Sanskrit plays in English translation
290:. New Delhi: Sahitya Akademi. p. 104.
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96:Atreyi – an elderly ascetic
99:Vasanti – the sylvan deity
93:Lakshmana – Rama's brother
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16:8th-century Sanskrit play by Bhavabhūti
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182:Uttaramacharita was translated into
326:edition of the book (translated by
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164:The Sanskritist and Archaeologist
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244:Masterpieces of Indian Literature
90:Sita – Rama's wife
135:. Some time later, Rama goes to
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152:declare Sita to be chaste, and
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55:. It depicts the later life of
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247:. Vol. 2. New Delhi:
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166:Hasmukh Dhirajlal Sankalia
47:play in seven acts in the
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108:Composed in seven acts,
359:Harvard Oriental Series
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251:. pp. 1227–1229.
351:(Nirnaya Sagar Press)
324:Clay Sanskrit Library
176:Further information:
36:: Uttararāmacarita) (
365:Balamanorama series
282:Jhaveri, Mansukhlal
249:National Book Trust
318:2019-11-25 at the
208:"Hindu Scriptures"
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30:उत्तररामचरित
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217:5 February
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53:Bhavabhuti
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160:Influence
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284:(1978).
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241:(ed.).
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292:OCLC
253:ISBN
219:2019
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125:Lava
104:Plot
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