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Utah Opera

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62:. The founding General Director was tenor Glade Peterson. After Peterson's death in 1990, Anne Ewers was appointed General Director in 1991, with a tenure marked by the casting of younger artists. In 1996–97, the company increased their number of annual productions from three to four. The expanding popularity of the company's performances inspired the growth from a three-production season, to a four-production season beginning in 1996–97. In 2002, the company merged with the Utah Symphony, and Ewers was named as president and CEO. Utah Opera's current artistic director is Christopher McBeth. 37: 43: 245:
months to a year to complete for a single show. There are more than 150,000 individual pieces of inventory in the Costume Department, including small pieces like cravats, belts, hats, shoes, and ties. The storage room for these materials is so large that employees use maps to find needed items. The inventory is organized in 11 rows of racks with 2–3 layers of clothes per row, with separate rooms for smaller items like shoes, ties, and jewelry.
79:. Their efforts were rewarded; an article in the 'Utah Opera Notes', the tri-annual opera newsletter, stated that six-year-old Richard Daniel Vernon, the youngest recorded contributor to the Utah Opera Company, had donated $ 1.25 in cash after hearing that without financial assistance, the Utah Opera company would be unable to continue performances, and he would not be able to continue listening to his favorite music. 473: 223:. The musical was selected in part because of Sondheim is an American composer, to represented American opera to the international audience. The performance on February 5, 2002, was offered in addition to the five regular-season performances in late January/early February, 2002. All performances took place at the historic 236:
boasts a very large rehearsal space, an equally large space for set-building/design, a shop for costume and wigs design/construction, extensive costume and sets storage, a dance rehearsal space, and administrative offices. Sets and costumes are regularly rented from Utah Opera by opera companies around the US.
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The Costume Department is located in Utah Opera's production studios. In 1978, Susan Allred was named as lead designer of the costuming department, a position she held for more than 30 years. Highly detailed machines, cutting tables, and floors allow for production of costumes. This work can take 6
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The Costume Department organizes rentals for at least 18–20 full productions every year, and rents out individual pieces or partial shows all year long. Measurements are sent into the shop, and alterations are all completed there to ensure the quality of costumes stay pristine. The total number of
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Utah Opera purchased its production studios in 1995, using the building for rehearsals, administration, and costume/set design and storage. In subsequent years, the Production Studios were expanded; remodelling the existing 38,700 square feet, and building on an additional 30,000 square feet. It
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In the fall of 1977, Glade Peterson began education and outreach programs. By the 1980–81 season, the Opera in the Schools program had reached 30,000 Utah students. Company singers performed in 61 public schools, everywhere from Saint
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Utah Opera Production Studios in Salt Lake City, Utah where productions are rehearsed and costumes, props and set pieces are designed, built, stored and rented out to other opera companies around the world.
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The 40th anniversary season (2017–2018) began with '40 Days of Opera,' a cultural festival with 40 days of local opera events from September 1 – October 15, culminating in the production of
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At the end of the 2018–2019 season, Utah Opera commissioned a set of four short operas in their 10-Minute Opera Project
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in 2007. The Opera's western state's premiere took place in Utah's own Janet Quinney Lawson Capitol Theatre.
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In the 2017–2018 40th anniversary season, Utah Opera created a new production of
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In 2002, the Utah Opera participated in the 2002 Cultural Olympiad (a series of
42: 315: 190: 160: 140:. The four works – all thematically related to the railroad – were directed by 76: 487: 383: 180: 97: 25: 147:
and had a three-day rolling premiere schedule May 20–22, 2019, beginning in
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since July 2002, with a combined audience of more than 150,000 annually.
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costumed productions in storage is 45, with the most popular being
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In 1978, the Utah Opera company presented its first production of
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to commemorate the 150th anniversary of the completion of the US
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and librettist/research/choreographer Victoria Panella Bourns
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held in Salt Lake City, Utah) by offering a performance of
366:"Glade Peterson, Utah's own opera legend, dies of cancer" 173:
by composer Jacob Lee and librettist Christine McDonough
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to support Utah Opera's education programs, as well as
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by composer Lisa Despain and librettist Rachel Peters
92:In 1996, Utah Opera featured the world premiere of 202: 485: 270: 189:, by composer Tony Solitro and librettist 159:, with the final premiere performance in 41: 35: 486: 96:. In 2007, Utah Opera co-commissioned 40:Anne Ewers, General Director 1991-2007 388:Kimmel Center for the Performing Arts 239: 230: 337: 335: 333: 331: 13: 504:Musical groups established in 1978 209:performances and art installations 24:company that has been merged with 14: 520: 445: 328: 171:The Stone, the Tree, and the Bird 471: 425:"Utah Opera Production Building" 203:Cultural Olympiad 2002 Olympics 417: 392: 377: 359: 87: 82: 1: 400:"'Night Music' ready to soar" 321: 196:No Ladies in the Lady’s Book, 126:, which premiered in 2010 at 227:in downtown Salt Lake City. 65: 7: 279:, and featured a gala with 157:Union Station (Ogden, Utah) 10: 525: 457:Utah Symphony | Utah Opera 31: 138:Transcontinental railroad 499:American opera companies 509:Performing arts in Utah 271:40th anniversary season 177:Completing the Picture, 166:The four operas are: 291:, Heggie and Scheer's 49: 47: 295:, a double score of 264:The Barber of Seville 45: 39: 217:A Little Night Music 213:2002 Winter Olympics 106:The Grapes of Wrath 429:Pollard Architects 384:Anne Ewers profile 240:Costume Department 231:Production studios 149:Brigham City, Utah 102:Ricky Ian Gordon's 50: 48: 347:www.utahopera.org 211:connected to the 516: 476: 475: 467: 439: 438: 436: 435: 421: 415: 414: 412: 411: 396: 390: 381: 375: 363: 357: 356: 354: 353: 339: 313:Johann Strauss's 258:Madama Butterfly 221:Stephen Sondheim 155:at the historic 524: 523: 519: 518: 517: 515: 514: 513: 484: 483: 482: 470: 462: 448: 443: 442: 433: 431: 423: 422: 418: 409: 407: 404:DeseretNews.com 398: 397: 393: 382: 378: 374:, 22 April 1990 364: 360: 351: 349: 341: 340: 329: 324: 309:Gianni Schicchi 273: 242: 233: 225:Capitol Theater 205: 145:Omer Ben Seadia 90: 85: 68: 34: 20:is an American 12: 11: 5: 522: 512: 511: 506: 501: 496: 481: 480: 460: 459: 454: 447: 446:External links 444: 441: 440: 416: 391: 376: 358: 326: 325: 323: 320: 316:Die Fledermaus 272: 269: 241: 238: 232: 229: 204: 201: 200: 199: 193: 191:Paisley Rekdal 184: 174: 161:Salt Lake City 89: 86: 84: 81: 67: 64: 33: 30: 9: 6: 4: 3: 2: 521: 510: 507: 505: 502: 500: 497: 495: 494:Music of Utah 492: 491: 489: 479: 474: 469: 468: 465: 458: 455: 453: 450: 449: 430: 426: 420: 405: 401: 395: 389: 385: 380: 373: 372: 367: 362: 348: 344: 338: 336: 334: 332: 327: 319: 317: 314: 310: 306: 302: 298: 294: 290: 286: 282: 281:Renée Fleming 278: 268: 266: 265: 260: 259: 254: 253: 246: 237: 228: 226: 222: 218: 214: 210: 197: 194: 192: 188: 185: 182: 181:Michael Ching 178: 175: 172: 169: 168: 167: 164: 162: 158: 154: 150: 146: 143: 139: 135: 131: 129: 125: 124: 119: 115: 110: 108: 107: 103: 99: 98:Michael Korie 95: 80: 78: 74: 63: 61: 60: 55: 44: 38: 29: 27: 26:Utah Symphony 23: 19: 432:. Retrieved 428: 419: 408:. Retrieved 406:. 2002-01-20 403: 394: 379: 371:Deseret News 369: 361: 350:. Retrieved 346: 274: 262: 256: 250: 247: 243: 234: 206: 195: 186: 179:by composer 176: 170: 165: 132: 128:Dallas Opera 121: 111: 105: 94:Dreamkeepers 93: 91: 69: 57: 51: 17: 15: 297:Leoncavallo 153:Ogden, Utah 118:Gene Scheer 114:Jake Heggie 88:Commissions 83:Productions 488:Categories 452:Utah Opera 434:2019-07-07 410:2019-07-07 352:2017-12-08 322:References 151:, then in 18:Utah Opera 343:"History" 305:Pagliacci 293:Moby-Dick 289:La bohème 277:La bohème 252:La bohème 142:dramaturg 123:Moby-Dick 120:'s opera 66:Education 59:La bohème 77:Wendover 311:, and 301:Puccini 285:Puccini 54:Puccini 32:History 464:Portal 261:, and 187:Burial 73:George 478:Opera 22:opera 307:and 116:and 100:and 16:The 303:'s 287:'s 219:by 75:to 56:'s 490:: 427:. 402:. 386:, 368:, 345:. 330:^ 318:. 299:/ 267:. 255:, 163:. 130:. 466:: 437:. 413:. 355:.

Index

opera
Utah Symphony

Utah Opera Production Studios
Puccini
La bohème
George
Wendover
Michael Korie
Ricky Ian Gordon's
The Grapes of Wrath
Jake Heggie
Gene Scheer
Moby-Dick
Dallas Opera

Transcontinental railroad
dramaturg
Omer Ben Seadia
Brigham City, Utah
Ogden, Utah
Union Station (Ogden, Utah)
Salt Lake City
Michael Ching
Paisley Rekdal
performances and art installations
2002 Winter Olympics
A Little Night Music
Stephen Sondheim
Capitol Theater

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