62:. The founding General Director was tenor Glade Peterson. After Peterson's death in 1990, Anne Ewers was appointed General Director in 1991, with a tenure marked by the casting of younger artists. In 1996–97, the company increased their number of annual productions from three to four. The expanding popularity of the company's performances inspired the growth from a three-production season, to a four-production season beginning in 1996–97. In 2002, the company merged with the Utah Symphony, and Ewers was named as president and CEO. Utah Opera's current artistic director is Christopher McBeth.
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months to a year to complete for a single show. There are more than 150,000 individual pieces of inventory in the
Costume Department, including small pieces like cravats, belts, hats, shoes, and ties. The storage room for these materials is so large that employees use maps to find needed items. The inventory is organized in 11 rows of racks with 2–3 layers of clothes per row, with separate rooms for smaller items like shoes, ties, and jewelry.
79:. Their efforts were rewarded; an article in the 'Utah Opera Notes', the tri-annual opera newsletter, stated that six-year-old Richard Daniel Vernon, the youngest recorded contributor to the Utah Opera Company, had donated $ 1.25 in cash after hearing that without financial assistance, the Utah Opera company would be unable to continue performances, and he would not be able to continue listening to his favorite music.
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boasts a very large rehearsal space, an equally large space for set-building/design, a shop for costume and wigs design/construction, extensive costume and sets storage, a dance rehearsal space, and administrative offices. Sets and costumes are regularly rented from Utah Opera by opera companies around the US.
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The
Costume Department is located in Utah Opera's production studios. In 1978, Susan Allred was named as lead designer of the costuming department, a position she held for more than 30 years. Highly detailed machines, cutting tables, and floors allow for production of costumes. This work can take 6
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The
Costume Department organizes rentals for at least 18–20 full productions every year, and rents out individual pieces or partial shows all year long. Measurements are sent into the shop, and alterations are all completed there to ensure the quality of costumes stay pristine. The total number of
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Utah Opera purchased its production studios in 1995, using the building for rehearsals, administration, and costume/set design and storage. In subsequent years, the
Production Studios were expanded; remodelling the existing 38,700 square feet, and building on an additional 30,000 square feet. It
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In the fall of 1977, Glade
Peterson began education and outreach programs. By the 1980–81 season, the Opera in the Schools program had reached 30,000 Utah students. Company singers performed in 61 public schools, everywhere from Saint
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Utah Opera
Production Studios in Salt Lake City, Utah where productions are rehearsed and costumes, props and set pieces are designed, built, stored and rented out to other opera companies around the world.
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The 40th anniversary season (2017–2018) began with '40 Days of Opera,' a cultural festival with 40 days of local opera events from
September 1 – October 15, culminating in the production of
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At the end of the 2018–2019 season, Utah Opera commissioned a set of four short operas in their 10-Minute Opera
Project
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in 2007. The Opera's western state's premiere took place in Utah's own Janet
Quinney Lawson Capitol Theatre.
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In the 2017–2018 40th anniversary season, Utah Opera created a new production of
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In 2002, the Utah Opera participated in the 2002 Cultural
Olympiad (a series of
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and had a three-day rolling premiere schedule May 20–22, 2019, beginning in
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since July 2002, with a combined audience of more than 150,000 annually.
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costumed productions in storage is 45, with the most popular being
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In 1978, the Utah Opera company presented its first production of
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to commemorate the 150th anniversary of the completion of the US
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and librettist/research/choreographer Victoria Panella Bourns
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held in Salt Lake City, Utah) by offering a performance of
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by composer Jacob Lee and librettist Christine McDonough
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to support Utah Opera's education programs, as well as
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by composer Lisa Despain and librettist Rachel Peters
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291:, Heggie and Scheer's
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217:A Little Night Music
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384:Anne Ewers profile
240:Costume Department
231:Production studios
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297:Leoncavallo
153:Ogden, Utah
118:Gene Scheer
114:Jake Heggie
88:Commissions
83:Productions
488:Categories
452:Utah Opera
434:2019-07-07
410:2019-07-07
352:2017-12-08
322:References
151:, then in
18:Utah Opera
343:"History"
305:Pagliacci
293:Moby-Dick
289:La bohème
277:La bohème
252:La bohème
142:dramaturg
123:Moby-Dick
120:'s opera
66:Education
59:La bohème
77:Wendover
311:, and
301:Puccini
285:Puccini
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32:History
464:Portal
261:, and
187:Burial
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