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The gospel market is smaller than the secular market, but popular artists have sold millions of units. The radio stations that program UC Gospel, primarily in the
Southern and Southeastern US serve a fiercely loyal core of listeners from all age groups and income demographics in the African-American
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Like most forms of
Christian music in the last two centuries, artists have been criticized by Christians who see the new forms as too similar to secular music styles or insufficiently focused on traditional religious sentiments. Artists in the urban/contemporary styles have taken a variety of
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Artists in this genre are expected to convey a committed
Christian religious viewpoint and to treat their musical performances as a sacred service to God. In a distinctly Protestant-American touch, artists in this genre are expected to pray publicly, to "testify" about the artist's personal,
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Urban/contemporary gospel derives primarily from traditional black gospel music, with strong influence from, and strong influence on, many forms of secular pop music. Due to strong racial divisions in 20th century
American culture, urban/contemporary gospel developed specifically out of the
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The lyrics very often have an explicitly
Christian nature, although "inspirational" songs feature lyrics that can be construed as secular in meaning. For example, a song about a father's love for his son may be interpreted as
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Other groups and individual artists such as
Hezekiah Walker took gospel congregational songs from the 1950s and 1960s and adapted them to a more upbeat feel similar to '80s and '90s pop. Examples of this include "99 ½" by
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Gospel artists had collaborated with secular artists in the past, but in the 2000s and 2010s, this became far more pronounced. Kirk
Franklin is widely known for this, working with Kanye West on his gospel album,
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music, which in turn is the most significant source of urban/contemporary gospel. Urban/contemporary gospel has kept the spiritual focus of the traditional black gospel music, but uses modern musical forms.
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Urban/contemporary gospel music is characterized by dominant vocals, usually performed by a soloist. Common instruments include drums, electric guitar, bass guitar, and keyboards (Darden 2004:285).
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but still propagating biblical messages. The members of many such groups later established their own gospel music careers (but still returned for occasional reunions). For example,
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Many artists who began in the 1960s and 1970s (like the aforementioned Andrae Crouch and The Clark
Sisters) also continued to release influential songs and albums in this period.
208:(Bream 1991). Although the racial lines have blurred in some areas, particularly with urban musical styles, these divisions are still evident in the industry (Burdick 2009). The
52:
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In the 2000s, many gospel artists from the previous two decades began establishing records and gaining established places in the gospel music canon, as recognized by annual
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Compared to traditional black music, whose sales are steady, urban/contemporary sales are rising, as a result of more significant marketing efforts (Johnson 2008:86).
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released songs with more complicated instrumental riffs and melodies that hint at a contemporary jazz influence (though some say it goes the other way around).
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175:. Although the style developed gradually, early forms are generally dated to the 1970s, and the genre was well established by the end of the 1980s. The
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489:, or as a human father's love for his human child. This lyrical ambiguity echoes the double-voicedness of 19th century spirituals, and may have
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appeal to the larger secular market (Darden 2004:79-80). Common themes include hope, deliverance, love, and healing (Waldron 2006).
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divides artists with extremely similar musical styles on the basis of their race, and unites artists with divergent styles (such as
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Rock & roll, country and rhythm & blues were influenced by traditional black gospel music, and these forms, as well as
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Eventually, secular artists began releasing gospel albums full of such collaborations. Examples include PJ Morton’s 2020 album
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and pop) on the same basis in industry reporting, marketing choices, and awards like the Grammy and Dove awards (Bream 1991).
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In comparison with traditional hymns, which are generally of a statelier measure, gospel songs are expected to have a
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music, the performer's emotional connection to the audience and the lyrical content of the song is valued highly.
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John Samuel
Burdick (2009). "Collective Identity and Racial Thought in São Paulo's Black Gospel Music Scene".
554:(Waldron 2006). Like contemporary gospel, R&B developed from traditional black gospel music (Bream 1991).
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music, which is musically indistinguishable, but which takes non-religious subjects for its lyrical content.
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emotion-driven conversion, and to make an effort to convert non-Christians to
Christianity (Darden 2004:55).
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albums (after beginning in the late 1990s). They were accompanied by younger gospel artists/groups like
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African-American musical traditions (Bream 1991). The equivalent music from white American culture is
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A Change is Gonna' Come: The Transformation of a Traditional to a Contemporary Worship Celebration
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Clarence Waldron (August 14, 2006). "Old School or New School, Gospel Music is Everlasting".
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523:(sometimes called "Christian rap"), which has lyrics with Christian ideals and themes.
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What Makes Black Gospel Musicians So Skilled? (feat. Donald Lawrence and Tye Tribbett)
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Perhaps the most significant musical influences on urban/contemporary gospel are
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approaches to address these concerns from their fan bases (Darden 2004:302).
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368:. Rance Allen sung with Snoop Dogg on the song "Blessing Me Again" in 2018.
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and many secular genres, influenced urban/contemporary gospel music.
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is called the "godfather of contemporary gospel" (Waldron 2006) and
675:"Vickie Winans: The Complete History Of A Gospel Music Institution"
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645:"Divided LoyaltiesCharts Split Gospel Music into Separate Camps"
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756:#VERZUZ Presents: The Healing - Kirk Franklin vs Fred Hammond
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are also significant influences on contemporary gospel.
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music, urban/contemporary gospel typically has a faster
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People Get Ready!: A New History of Black Gospel Music
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Hezekiah Walker and the Love Fellowship Crusade Choir
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During the 1960s and 1970s and 1980s, hit songs like
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In the 1980s and 1990s, some gospel groups (such as
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256:is called the "Mother Of Contemporary Gospel".
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606:Category:Urban contemporary gospel musicians
438:. Unsourced material may be challenged and
183:can be considered a subtype of this genre.
179:is pitched primarily to African-Americans.
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512:and more emphasis on the performer. Like
458:Learn how and when to remove this message
78:Learn how and when to remove this message
14:
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1349:Contemporary Catholic liturgical music
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268:) emerged by singing with elements of
195:make up the basic source material for
191:Protestant hymns and African-American
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470:The secular version of this music is
362:on "Why" in the former's 2005 album,
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1253:Christian bands and artists by genre
647:. Minneapolis-St. Paul Star Tribune.
436:adding citations to reliable sources
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127:Late 20th century, African-Americans
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352:on the song "We Win" for the movie
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673:Tony Cummings (January 6, 2007).
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961:Christian electronic dance music
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1303:Christian worship music artists
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643:Jon Bream (October 27, 1991).
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863:Hymnody of continental Europe
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500:and a pronounced beat with a
272:, emulating quartets such as
1413:Contemporary Christian music
920:Contemporary Christian music
915:Christian adult contemporary
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377:and Snoop Dogg's 2018 album
206:contemporary Christian music
115:contemporary Christian music
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981:Christian alternative rock
925:Contemporary worship music
705:Johnson, Barry L. (2008).
358:. Franklin also sung with
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1258:Christian country artists
1248:Anglican church composers
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1049:Urban contemporary gospel
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621:Gospel Music Hall of Fame
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284:started out in the group
169:Urban/contemporary gospel
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93:Urban/contemporary gospel
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49:parenthetical referencing
1408:African-American culture
1339:Christian music industry
1334:Christian music festival
1263:Christian hardcore bands
654:Music and Arts in Action
601:List of gospel musicians
514:traditional black gospel
399:
230:You Brought the Sunshine
197:traditional black gospel
171:is a modern subgenre of
105:Traditional black gospel
1298:Christian vocal artists
1293:Christian record labels
1273:Christian metal artists
956:Christian country music
355:Space Jam: A New Legacy
328:Tye Tribbett & G.A.
187:Origins and development
53:deprecated on Knowledge
1403:African-American music
1126:Ethiopian and Eritrean
935:Neues Geistliches Lied
901:
374:Gospel According to PJ
1324:Anglican church music
1027:Latin Christian music
900:
690:. London: Continuum.
504:. Compared to modern
321:Brian Courtney Wilson
266:The Rance Allen Group
1283:Christian punk bands
1268:Christian rock bands
1092:Christian liturgical
832:Roots and beginnings
631:British black gospel
432:improve this section
60:improve this article
1398:Gospel music genres
1288:Christian ska bands
682:Bob Darden (2004).
566:Sales and marketing
519:The genre includes
317:Sheri Jones-Moffett
132:Typical instruments
1037:Black Gospel music
1003:Christian hardcore
902:
868:Exclusive psalmody
506:praise and worship
472:urban contemporary
110:urban contemporary
27:Gospel music genre
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971:Christian R&B
966:Christian hip hop
716:978-1-4259-4474-2
611:Christian R&B
521:Christian hip hop
502:syncopated rhythm
491:musical crossover
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226:The Clark Sisters
181:Christian hip hop
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161:Christian hip hop
98:Stylistic origins
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16:(Redirected from
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677:. Cross Rhythms.
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709:. Authorhouse.
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274:The Temptations
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448:November 2015
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417:This section
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397:
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384:
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381:
380:Bible of Love
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369:
367:
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361:
360:Stevie Wonder
357:
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351:
347:
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345:Jesus Is King
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254:Twinkie Clark
251:
250:Andrae Crouch
247:
243:
242:Andrae Crouch
239:
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234:Edwin Hawkins
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45:This article
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1344:Church music
1148:Prostopinije
1048:
1017:Gospel blues
940:Mass (music)
930:Gospel music
784:November 10,
782:, retrieved
777:
771:
762:November 10,
760:, retrieved
755:
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706:
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660:(2): 16–29.
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584:GospoCentric
573:
569:
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485:'s love for
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430:Please help
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363:
353:
343:
340:
332:Myron Butler
326:Groups like
325:
306:
298:
290:
286:Commissioned
282:Fred Hammond
270:Motown sound
263:
246:Take Me Back
238:Oh Happy Day
223:
202:
190:
177:radio format
173:gospel music
168:
167:
74:
65:
58:Please help
46:
29:
18:Urban gospel
1042:Traditional
878:Sacred Harp
873:Jesus music
487:God the Son
348:, and with
303:2000s–2010s
278:Marvin Sapp
260:1980s–1990s
220:1960s–1970s
62:if you can.
51:, which is
1392:Categories
1193:Beneventan
1184:(Milanese)
888:Spirituals
883:Shape note
637:References
616:Soul music
556:Soul music
527:Influences
309:WOW Gospel
210:color line
193:spirituals
1223:Old Roman
1218:Mozarabic
1213:Gregorian
1182:Ambrosian
1173:Plainsong
1116:Byzantine
858:Hymn tune
843:Polyphony
839:Homophony
734:0021-5996
728:: 54–58.
666:1754-7105
419:does not
387:Criticism
313:Mary Mary
155:Subgenres
1367:Category
1208:Gelineau
1203:Gallican
1188:Anglican
1158:Znamenny
1131:Galician
1111:Armenian
742:Specific
595:See also
350:Lil Baby
68:May 2023
1377:Commons
1228:Ravenna
1168:Western
1136:Obikhod
1103:Eastern
848:Chorale
552:R&B
548:hip hop
498:refrain
440:removed
425:sources
1198:Celtic
1153:Syrian
1141:Kievan
1121:Coptic
732:
713:
694:
664:
578:Labels
334:&
240:" and
138:Guitar
1241:Lists
1095:chant
1058:Chant
533:disco
510:tempo
400:Style
147:piano
144:drums
47:uses
853:Hymn
841:vs.
786:2021
764:2021
730:ISSN
711:ISBN
692:ISBN
662:ISSN
558:and
550:and
541:jazz
537:funk
423:any
421:cite
365:Hero
336:Levi
330:and
319:and
280:and
244:'s "
141:bass
726:Jet
434:by
236:' "
228:' "
214:rap
1394::
656:.
539:,
535:,
383:.
315:,
296:.
288:.
232:"
1175:)
1171:(
1084:e
1077:t
1070:v
817:e
810:t
803:v
736:.
719:.
700:.
668:.
658:1
461:)
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